TypeTogether

  • 18×28cm, two-colour offset print. Paper is Pamo Classic 80 gr. and Munken Print Cream 300 gr. for cover. Price includes shipping. Click here to see more images of the catalogue.A beautifully printed 32-page catalogue featuring all of the typefaces in the TypeTogether retail library up to 2014. It provides a comprehensive  sample of the fonts being used at many sizes and in different...

    2 years 26 weeks ago in Typography

  • Some typefaces need time to ripen; Burian and Scaglione made the first sketches for Ebony back in 2008, but it took a few years of maturing in a drawer to be developed into a multi-functional type family. While keeping in tune with TypeTogether’s focus on complex typographic structures needed for magazine, newspapers and books —whether printed or digital—, Ebony goes far beyond editorial use and...

    2 years 26 weeks ago in Typography

  •     LFT Etica, the-moralist-typefamily-project, was born at the end of 2000, but its development is ongoing, overcoming many hurdles and diversions. On one hand, the original idea was spurred by a certain esteem for Helvetica, in particular, its strength and versatility, and on the other, an intolerance to its plenty but inadequate applications; created by those who erroneously consider...

    2 years 26 weeks ago in Typography

  • Abril Titling is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril Titling deserves to be considered a separate font family on its own.Based on the original text styles of Abril, the letter shapes are sturdy, very...

    2 years 28 weeks ago in Typography

  • Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the...

    2 years 29 weeks ago in Typography

  • Essay is an elegant serif typeface intended for setting books, with many stylistic alternates and other typographic goodies, designed by Ellmer Stefan.   It is a highly legible text face with a natural flow of reading. This is enhanced by a slight slant of the roman, the combination of open and closed apertures and the amalgamation of organic strokes and counters with a static, fully...

    2 years 29 weeks ago in Typography

  • Lipa is the name of the Slovenian national tree 'Linden'. The typeface Lipa Agate by Croatian designer Ermin Međedović, is part of a bigger type collection, comprising various type groups into one coherent system which Ermin developed over the past 10 years. Lipa Agate is the first to be released; a sans serif designed and engineered to be used in the smallest text sizes, best under 10pt, and in...

    2 years 29 weeks ago in Typography

  • Gerard Unger's new typeface Alverata is a twenty-first-century typeface inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony.   Alverata performs beautifully in both screen and on paper,...

    2 years 29 weeks ago in Typography

  • In 2008 TypeTogether released the Bree typeface, a sleek sans serif that quickly became a favorite among brand and editorial designers. Bree Serif follows the same theme as its predecessor. It is a young and energetic upright italic that approaches readers with hip and somewhat elegant charm. It has a range of styles that can perform as counterparts to the original Bree fonts. At the same time...

    4 years 18 weeks ago in Typography

  • Iskra A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-...

    5 years 6 weeks ago in Typography