Mados Infekcija [Fashion Infection] does not seek to determine the trends of one or another season. It’s the biggest Lithuanian fashion festival happening each year in Lithuania since 1999.

This year event venue was chosen in church as fashion and the church are two inseparable poles throughout the ages.

Visual comes from 6 different synthetic generative images in sense of church interior while typography takes note on patterns, stained glass and window frame animation.

Coco Chanel said “Fashion is a language without words. It is a form of expression that speaks through fabrics, colors and silhouettes, just like words in a poem or a novel.”
Based on Man Ray’s iconic photography, she re-interpreted his timeless elegance. For the quote I have designed an original typography that screams the audacity and innovation of Chanel. My work pays tribute to her eternal legacy.

Puffer collection is a response to the fashion trend of puffer fabric. Pieces are embroidered with letterings that are linked to slang expressions of young people, such as Slay, Can’t ghost me or On fleek. The cut of the yellow vest mirrors the word slay, crafted from four letters S, L, A, Y.

The fashion collection “Textil” explores the boundaries between fashion design and communication design in a new way. Subtle text on clothing creates an interaction between typography, clothing and wearer. The black and white individual pieces become concrete poetry.

Fashion is not just about the clothes we wear, but also about the attitude and confidence we carry. The pig, adorned with gold earrings and applying lipstick, serves as a playful reminder that fashion is an expression of self, regardless of societal norms or expectations. The pig, adorned and content, serves as a metaphor for breaking boundaries and embracing one’s unique style.

Series of portraits of women who had a major role in the history of computing.

“Computers” used to design women whose job was to calculate, to compute. When the first computers were invented, women were put onto the machines to manipulate them. Once men grasped the potential of computing, they took over women’s place.

Knitted on hacked knitting machine, Brother KH940 with Ayab

Font: Combine by Julie Pa
Source font: https://juliepa.be/combine/

Feminist slogan.

Font: Crickx Blobby, now called PubliFluorChrystelise
Source font: http://publifluor.osp.kitchen/

Knitted on a hacked knitting machine, Brother KH940 with Ayab.

Merchandise inspired by The Kunstkammer and its collection of fantastical creatures

This collection of merchandise tells a captivating story of The Kunstkammer, a museum of natural history and curiosities. Among these creatures are a mischievous medieval jester, mythical birds from ancient lore, and fierce wild boars. The organic and sinuous forms of these creatures stand in stark contrast to the geometric precision of Ziggurat, a modular custom font designed for this collection.

In the frosty embrace of winter, a scarf becomes more than a mere accessory. It’s a shield against the icy winds, a canvas for self-expression. As snowflakes dance delicately, it wraps snugly around her neck, a warm embrace amid the chill. And while others crave hot cocoa, she savors ice cream, the contrast of cold against cold, a sweet defiance of winter’s grip.

A t-shirt designed as a critique of gender stereotyping in children’s fashion.

This lettering and t-shirt were made as merch for the company red_mad_robot. The company has grown older and more serious, but has not lost its enthusiasm to discover something new. That’s why metal, which was the basis for the rebranding, became the main idea and the basis for future experiments for the company’s merch.

This poster shows the similarities between typography and fashion. The similarities frame a form that stands for both typography and fashion. It has an ambiguity. It can be an abstract letter or a fashion accessory.

This work draws attention to the cheap materials and greenwashing in today’s fashion world. On the environmentally harmful material plastic is the typography: responsible. This is how greenwashing is practiced, especially in the fast fashion sector. The plastic is from a garbage bag, which shows the fate of overproduced and cheap clothes, as they end up in landfill after a relatively short time.

As a female in particular, you are often confronted with the request: Cover up. Whether this happens directly or through social expectations and role models varies. In this collage, I work purely from the materiality of the clothes to begin with the cover up. Simultaneously, the typography cover stands for a magazine cover on which women are presented purely with their outward appearances and are still presented today according to the principle of sex sells in order to make a profit.

We capture skateboarders’ motions with sensors, cameras and machine learning based pose estimation. The resulting image sequences and data visualisations explain how momentum is gained and tricks are carried out.
Our canvas for explaining these biomechanics is the classic t-shirt, which has always been an essential part of skateboard culture. A laser-cutter burns the bitmaps and shapes into the textiles line by line.

These wearable posters are artifacts from a workshop that explored the relationship between the body and Hanzi (Chinese characters). Participants practiced writing Hanzi at a large scale using the body as a canvas through a series of collaborative, hands-on exercises. What are ways we can examine the boundaries between bodies and print, typography, and space, and the individual to the collective? What does collective publishing look like through collaborative labor in a shared space and time?

“Haute Côté – where the art of Haute Couture becomes inspiration. Our work pays tribute to the unparalleled quality and elegance of Haute Couture, while simultaneously creating a world of our own sophistication and beauty. Each piece tells a story of craftsmanship and passion, capturing the essence of Haute Couture and transforming it into timeless garments.”

OKTROOI makes streetwear / embraces the subcultures / is the moiré effect flickering between art, music and design / is the king poodle among all the budgies / the underground pop universe is the engine / naturally made from GOTS-certified organic cotton and recycled materials.

HfK+G* – Hochschule für Kommunikation und Gestaltung, Stuttgart

HfK+G* – Hochschule für Kommunikation und Gestaltung, Stuttgart

Within a Photoshooting we experimented with a thin fabric scarf that was waved in front of the camera. Thus creating a blurry hazy vibe. This blur is representative for the blur in which I feel I’m in whenever I try to navigate through buying clothing in a affordable and sustainable way.

Fashion that changes ones appearences in a way that you resemble something different is interesting

get out of your comfort zone – even or especially when it feels difficult

eAt ThE rIcH is a collection of garments that takes a satirical look at the commodification of popular cultures by luxury brands. By doing so, these brands confirm an elitist position in the disposition of a legitimate taste.
Quotes taken from memes are embroidered on clothes symbolically associated with popular classes, creating an ambiguous narrative around these symbols. By combining “cheap” garments with embroidery, the project aims to challenge a hierarchic organisation of tastes.