Title sequence can manipulate the viewers’ perception and create interaction with show. Two intros were designed highlighting different genre aspects of the show “The OA” (fantasy/drama). Based on their previous genre preferences, the viewers will get one of them. However, since the show is based on multidimensional traveling, the viewers also can get a chance to explore alternative intros, by simultaneously switching between them with the button “Travel”.

The picture tells about the struggle with our past, which is expressed in relations with the aggressor state and describes the first encounters with enemy attacks in a state of complete unpreparedness.

Series of monoprints that seamlessly intertwines the contrasting elements of nature’s beauty, human habitation, and the haunting specter of war.
It’s about the delicate balance between beauty and destruction, highlighting the urgent need for harmony, understanding, and the preservation of our natural world in the face of adversity. This series is a visual testament to the resilience of the human spirit and the enduring power of nature to inspire hope and healing even in the darkest of times.

The project is a series of pictures, based on poems and quotes by Ukrainian authors. We made it to declare our anti-war attitude, showcase the beauty of Ukrainian culture and language and support Ukraine in the ongoing war. Originally published on Instagram, the series later has been reworked in a printed zine.

This work is about emotional ties in a group of people. Carl Jung called it “collective unconscious”, I believe that we share a universal mind that speaks to us.
This is my explanation of how the tragedy of war communicates to us unconsciously.

This work is dedicated to the Ukrainian counteroffensive of 2022-23. The trident, symbolizing the Armed Forces of Ukraine, pushes the occupation evil in the form of the letter Z out of the painting, piercing the enemy with its sharp points. The Russians, who no longer have the strength to attack, are trying to defend themselves unsuccessfully.

This project is about connecting to the artist’s origin, her childhood and the natural beauty of independent Ukraine.
Monika, the girl in the picture, is a childhood friend of Olga’s whom she hasn’t seen in 13 years before crossing path in Toronto. Monika is dressed in traditional Ukrainian clothes and the projected video of Zakarpattia was filmed by her a few years earlier. It showcases the vast beauty of the landscape and adds to the feeling of home-ness.

Book cover and illustrations for Shadows of Forgotten Ancestors, a novel by M. Kotsiubynsky, published by Discursus. The novel is a Ukrainian cult classic story which shows the traditional way of life in the Carpathians and incorporates elements of Ukrainian folklore. To give my design more authentic feeling, I did some research on traditional clothing, ornaments, folk art typical for the region. The color palette and details come from the traditional Ukrainian embroidery, rich in contrast.

Chornobaivka, a village in the Kherson region, became a famous Ukrainian internet meme because of the constant strikes by the Ukrainian army against the Russians. After the strikes, the occupiers foolishly returned there again and again, with a total of 28 strikes. On the road sign is the name of the village with the Ukrainian letter “Ї” added. It turns the name into “Chornoyibaivka” by adding the root “yiba” (“yibaty” in Ukrainian — “to fuck”). In English: “Chorno-fuck-baivka”.

In digital worlds, populating environments with a large quantity of unique objects would be too expensive and time-consuming. Instead, they rely on repetition of a limited number of shapes, cleverly camouflaged by alternating colours and textures. A series of mushroom-like objects consciously employs this logic in an analogue plaster-casting process: an algorythmic repetition of shapes and pigments creates a sense of abundance, while also shattering the illusion of an endless variety.

In digital worlds, populating environments with a large quantity of unique objects would be too expensive and time-consuming. Instead, they rely on repetition of a limited number of shapes, cleverly camouflaged by alternating colours and textures. A series of mushroom-like objects consciously employs this logic in an analogue plaster-casting process: an algorythmic repetition of shapes and pigments creates a sense of abundance, while also shattering the illusion of an endless variety.

This object is my reflection on the war in Ukraine.
The black flag as a symbol of evil and the dark times we live in by russia.
An olive branch that symbolizes peace and hope for a bright future for Ukraine.

Gaming is a genre particularly associated with post-apocalyptic survival scenarios — its protagonist-driven narration encourages romanticization of a loner fighting against a hostile world. Protagonist is usually on a quest, making acquaintances and alliances, but remaining solely responsible for their survival. She would carry her entire possessions in a ‘backpack’ — an inventory that can be opened and scrolled through, to equip the newest equipment and toss out the one that outlived its use.

Gaming is a genre particularly associated with post-apocalyptic survival scenarios — its protagonist-driven narration encourages romanticization of a loner fighting against a hostile world. Protagonist is usually on a quest, making acquaintances and alliances, but remaining solely responsible for their survival. She would carry her entire possessions in a ‘backpack’ — an inventory that can be opened and scrolled through, to equip the newest equipment and toss out the one that outlived its use.

This is a story about a couple, who are forced to separate due to circumstances of the full scale invasion of russia to Ukraine. Relationship is affected by the long-distance communication and transformation of the everyday life filled with stresses of war, evacuation and military service. This is a reality of millions of Ukrainians whose life have changed forever since 24th of february 2022.

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