Modular font made of stapler staples.
Stapler staples on fabric express the idea of not comfort for the sake of fashion, some kind of sacrifice made in the name of.
Moreover, they’re the epitome of fashion biting into the skin, the dichotomy of rebellion and conformity.
Experimental three-dimensional fusion of typography, fashion and alienation.
“mdnss” is all about giving new life to old clothes, hiding in the back of the closet that seem too boring for daily usage. Inspired by the chaos of modern life and overstimulating expectations, mdnss slows down the fashion world by handmade screen printing, creating unique patterns and special pieces. The slow process hopes to bring a bit of calm to our fast-paced society and revive the appreciation for single pieces, while protesting the madness of the world.
‘Made in Bangladesh’ emerges as a pivotal installment within the ongoing series titled ‘Made in’, a conceptual exploration that boldly brings the ostensibly concealed fine print into prominence on a grand scale. ‘Made in Bangladesh’ challenges the viewer to confront the ubiquitous but often overlooked labeling found on consumer goods and foregrounds the production facility.
“Greedy Creatures” addresses how queer people are often portrayed as selfish, disgusting and evil in the media. For much of the 20th century, the Hays Code prohibited Hollywood from showing queer characters unless they died or were evil. In designing the typeface, printing it on fabric, sewing dresses and photographing them on queer models, four characters were created that represent the demonization of queer people. The aim is to play with heteronormative society’s fear of “being different”.
The collection is an ode to my interest in architecture which was initially triggered by my father.The artist Gordon Matta-Clark is the main inspiration. He did interventions on old existing buildings and created something new with the simple action of cutting. I translated this idea in my garments by slicing, turning
and perforating.The type of person I want to portray is a reference to the person of Matta-Clark who went beyond barricades to create something beautiful.
“Chain of Fools” is a photo-based typeface I created from a necklace my grandmother wore every day. I often thought of her chain as something magical that she used to protect herself from lies and deceit. She suffered no fools and took exactly no shit from anyone. This character set is a tribute to her power, made with an accessory that still holds her energy.
SOSH is a vintage label based in Berlin. Keeping the planet clean by upcycling preloved clothes with some nice typography.
Vogue Brasil Sans & Serif is a dualistic display typeface family crafted by Studio DRAMA for the Vogue Brasil team, giving them a unique and flexible typographic tool to elevate creative editorial across print and digital publications.
Influenced by the vibrant vernacular typography found in the bustling streets of São Paulo, as well as drawing from the refined legacy of the iconic Vogue brand and broader Brazilian typographic sources, resulting in an authentic and culturally resonant design.
At that time I felt heartbroken not because of someone but because the world seemed to be against me. Every time I had a good time or the opportunity to get a better future, it always tried to bring me down, one by one challenges always came my way.
At the time i feel heart broken, not because of a person but because of life, I feel the world is against me, always tryna bring me down, one after another, no matter what i did
In the world of design, professionals often find themselves navigating through a diverse array of fields. From print to typography, graphic design to editorial, versatility is key. Designers must seamlessly transition between these realms, mastering the art of layout in print, selecting fonts with precision in typography, crafting compelling visuals in graphic design, and curating engaging narratives in editorial work. What is your profession of today?
The hand-knitted typographic vest is titled ‘Rethink,’ with the word ‘Re’ on the back represented as a barcode, alluding to today’s mass-produced garments and their standardized appearance. On the front of the vest, the word ‘Think’ appears in a difficult-to-read, jumbled pattern, reflecting customs of the past. The project aims to raise awareness of the importance of rethinking garment production and the path toward a more sustainable future.
This vibrant orange racing suit, featuring black and white graphics, explores society’s obsession with speed. Statements like “Faster & Faster” and “speeding through life,” along with elements that resemble racing flag patterns, emphasize this obsession. The project invites us to think about the pace at which we are living and consider whether it’s time to slow down.
Janevat is a Slovak textile and clothing brand reflecting innovative approach to textiles, focusing on geometric shapes, pure lines and minimalist designs. Her philosophy is transforming utilitarian objects into works of art through high-quality craftsmanship and original material design.
Fashion is much more than just wearing clothes. It is a form of self-expression and an expression of our personality. Fashion allows us to express our individuality and our creative ideas. It not only reflects current trends, but also social and cultural developments. Ultimately, fashion is an art form that not only dresses us externally, but also reflects our identity and our relationship to the world.
“The Power of my Hands” is a celebratory homage to my German grandmother who was a typical subordinate housewife and my punk mother who was a pioneer in the male dominated world of IT. Together they taught me the importance of being oneself and standing up for women’s rights. Through my knitwear I am looking into traditional craftsmanship and it’s relation to politics. Throughout my process I ask the question: How can feminism be expressed through craft today?
Destroy/Create is a technique inspired quote as well as a political commentary, where a simple white shirt is chemical burned in parts to reveal the text. On the one hand it highlights the process of making, where one has to destroy parts of the fabric to create something; on the other hand, it illustrates the constant need for revolution and change, to destroy the old ways and create new ones.
Typographic labels designed with the sewing machine for a series of handmade tote bags.
This movable graphic pin is meant to be combined with any type of clothing and accessory. It can visually enhance basic pieces and add an individual expression to them.
Destroy/Create is a technique inspired quote as well as a political commentary, where a simple white shirt is chemical burned in parts to reveal the text. On the one hand it highlights the process of making, where one has to destroy parts of the fabric to create something; on the other hand, it illustrates the constant need for revolution and change, to destroy the old ways and create new ones.
Images created using the AI tool on http://thiscatdoesnotexist.com/
In Ruiya’s work, she envisions jewellery as prehistoric creatures, unearthed in archaeological digs and exhibited in museums. This concept fuels her reflection on jewellery’s role in human civilization. Starting from daily wear, she explores its cultural significance, historical legacy, and evolving values, until jewellery’s emergence in the digital age. Through her art, she offers a fresh perspective, inviting viewers to ponder its rich meanings and societal impact.