The font is made in adaption of the architectural features of Frankfurt’s bridge “Eiserner Steg”.

This is an experiment into creating typographic forms that represent bloating and other visceral qualities of decay.

It’s easy to forget about garbage after it’s thrown out. What Will Remain? draws attention to this by crafting letter forms out of trash and using them to spell out the question: What will remain after we are gone? The trash typography is photographed in nature to emphasize the contrast between the natural and the man made. This project is a reminder of the trash we create and what impact we have on the world around us.

A custom open-source monolinear font TUL Mono (with variable cuts, CNC-ready and underline features) for the Technical University of Liberec. The font draws inspiration from the university’s technical focus and the 19th-century experiments of German inventor Friedrich Soennecken, which employed metal elements consisting of arcs and straight lines to create glyphs.

A visual experiment using type as a stand-in for the physical form and how it is subject to multiple interpretations.

Refrigerator typography

Font inspired by signboard mounting.

The font adapts the architectural features of the “Aeppler” tower in Frankfurt and reveals a completely new aesthetic of its own.

Poster for the exhibition Beautiful Seoul

The font adapts the architectural features of Frankfurt’s skyscraper “One”.

This work uses typography, language, and composition to embrace the fleeting nature of existence and to celebrate the temporary.

The work was inspired by the quote of the great poster master Shigeo Fukuda: “I believe that in design, 30% dignity, 20% beauty and 50% absurdity are necessary.”

Promotional poster for a sculpture by Roman Stańczak entitled Flight that was presented at the Polish Pavilion during the 58th International Art Exhibition – La Biennale di Venezia. Visitors experienced the unique form and scale of the sculpture – an inside-out aircraft – but also the effect of an unexpected “reversal of the world”. The aircraft was cut in half and turned inside-out so that its interior (including the cockpit, onboard equipment, and passenger seats) appeared on the outside, while the wings and hull were moved to the interior of the piece. The work delivers a commentary on recent political and economic transformations.

After exploring the formal features of the Naxos building in Frankfurt, those were transferred into the creation of a new font. Naxos font has its strength in display sizes. As a 3D font it shows the close relationship to the Naxos building.

I remember always enjoying connecting the dots and different drawings appeared when I was a kid. Connect the dots and see the hidden message.

Jindra Mono is an hommage to Jindřich Chalupecký’s typewriter font, designed to be used in both small and display sizes, where the rasterized effect provides a distinctive texture to the applications.

Stelios Fragkoulakis was born at 1994 in Elefsina, Greece. He studied graphic design and visual communication. Worked as an assistant teacher, graphic designer and as a freelancer. His work mainly focuses on contemporary typography, branding and editorial design.

The fun poster experiment is inspired by the newest font family, Oddval of the independent type foundry Typeforward.

The task was to explore analogue applications of already existing fonts to find new ways to look at old fonts and also find new characteristics.

KRYZHOVNIK is an accidental variable font with 8 axes of variability. It is absolutely contrasting both inside one letter and between its outlines. And with this contrast, he refers to the name: the feeling of sweet and sour berry coolness of the most daring berry – Gooseberry.

Refrigerator typography

An attempt to typographically represent the phenomenon of neurodiversity. Self-commissioned poster.