Design for the 2022 SAIPAN International Design Invitational Exhibition. South Korea.
Concept: Mixture+Combination+Diversity.
FIGHT
LIE
Design for the Oripeau project installed in the public space, it is an invitation to put graphic diversity back on the street. The board was installed on the wall of Trempo in Nantes, France 2022.
Concept: “Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.” – Albert Camus
RADIOOOOO
Federico
Nontraditional influences can be just powerful in shaping design as conventional methods. In my typeface project “Federico,” which is named and modeled after my grandfather’s practice of sign-making, I explore ideological expression while questioning contemporary trends and the underlying hegemony that constrains our making. Through the crude and scrappy act of sharing his ideals with electrical tape and plywood, I’ve built a playful typeface that relies on such humble materials and a relational history of manifesting abundance from poverty as a form of portraiture.
LIE LIE LIE TRUTH
In times of post-truth and fake news there is room for this phrase “Repeat a lie often enough and it becomes the truth”, is a law of propaganda often attributed to Joseph Goebbels.
Typographic Design for the participative graphic design Oripeau project installed in the public space, it is an invitation to put graphic diversity back on the street.
The board is installed on the wall of Trempo in Nantes, France 2019. It’s in a new cultural and touristic area of Nantes.
Poster shown on the platform (website) typo/graphic posters.
LATIN POWER
Expresses Latin Passion for Poster practice!! Poster using LATIN KITSCH typeface.
Merit Mention in the Hispanic Heritage Month Poster Challenge organized by The One Club for Creativity. New York, USA 2022
Selected Poster in the Golden Bee 14 Global Biennale of Graphic Design. Moscow, Russia 2020
Selected Poster among the 100 Winners projects of the STA 100 (Society of Typographic Arts) Chicago, USA 2019
“Now-Most” Invitational Poster Exhibition at Association of Hungarian Fine and Applied Arts of Gallery. Budapest, Hungary 2019
Poster Amsterdam Dance event
Poster design for AMPFEMININE in ADE 2022
LATIN KITSCH
Personal project of experimental typeface that takes as a reference the KITSCH style as a stereotypical sample of the Latin American popular culture called the “Aesthetics of Bad Taste” whose name parodies the name of the street gang known worldwide as the LATIN KINGS!
GOD IS AN ALIEN?
Poster for the Haapsalu Graafilise Disaini Festival (HGDF) 2016 in Estonia with the theme: ALIEN
Onomatopoeiaaa
A design enable character to speak for themselves, delivering loud phonic experience with a touch of playfulness.
FOCUS
2023 VIDAK International Spring Invitational Exhibition : Way of Design
What are the emerging standards as the times change?
Design has to go through various forms over the past century to find new modeling.
Selected Poster in the Golden Bee 15 Moscow Global Biennale of Graphic Design. Moscow, Russia 2022
Excellence Award in the 2020 KICD International Invitational Exhibition with the theme New Normal Era Design, organized by the Korea Institute of Cultural Product & Design in South Korea.
disTRUST
Peace is a process that consists in building trust among all human beings.
Designed poster for the Gwangju Design Biennale 2019 International Invitational Poster Exhibition with the theme: Humanity.
Winner an Excellent Award in the International Poster Biennale for Peace Nanjing, China 2019
Exposed in the Haapsalu Graphic Design Festival (HGDF) 2020 with the theme: Contact at Haapsalu Cultural Center in Estonia.
DELETE
The Victory of Peace over War is the eternal yearning of the humanity that is aware of the consequences of the war.
CONDEMNATION
DOSTOEVSKY 200 / BEAUTY SAVES THE WORLD for the 200th anniversary of the birth of Fedor Dostoevsky 2021. Exhibition as a special project of the Golden Bee 15 Moscow Global Biennale of Graphic Design. Moscow, Russia.
Concept: The text of the poster is an excerpt from the novel Crime and Punishment. In which the metaphysical-religious background that nourishes this work is revealed. This “divine-human” nucleus highlights in Dostoevsky’s novels the existence of a real portico that in every man gives access to his original and mysterious unity through the long way of the human, the suffering that strips man of the material ballast and guides him on a path of detachment towards himself.
BARDEJOV CITY
International Poster Invitation with the theme: City of Bardejov (Slovakia)
City of Bardejov: Royal Free Town – Spectacular City Walls – Magnificent Basilica – Unique Town Hall Gothic Architecture – Majestic Castle – Deep Rare Forests and more as UNESCO Heritage 2019
BORDER
A consequence of human evolution should be the Elimination of the borders of all sorts, from territorial borders until of the mental type, which would demonstrate that mankind has acquired greater awareness.
#SayTheirNames
Tribute to all victims of police abuse and racial violence in the United States!
#BlackLivesMatter
#SayTheirNames
Posters on Politics exhibition in The Charles H. Wright Museum of African American History. Detroit, USA 2021
CHAINS
In order to raise awareness about the problem of consumerism, child exploitation and unnecessary over-indebtedness especially during the holidays Christmas. This work is part of the international Project Ficciones Typografika that is dedicated to the typographic exploration in a public space curated by Erik Brandt and of the Ficciones Typografika book. Formist Editions. Australia.
The video version (2018) was selected in The 4th Shenzhen International Poster Festival 2020 in China. Category Motion Poster and won the Golden Bee Award in the Golden Bee 14 Global Biennale of Graphic Design Category Supershort Video. Moscow, Russia
Memory
The construction of memories, the structuring, the loss of them, the failed reconstruction and the disappearance. Analog and digital work
Undo
Experimental typographic work
In stone
Sculpture and typography project made in talc stone, extracting or cleaning its natural forms and allowing the text to be carved in it.
Haptic
The hand – is the first writing tool. History is recorded there, it is the trace of the personal journey. In it, words are articulated that form a rhizomatic cartography, without a particular center. The texts have to do directly with experience, subjectivity, with the creation process from analog to digital
Veins
Experimental typographic work