»Ceasefire« is a typographic interpretation of B.J. Novak’s short story about a naïve woman who goes on a blind date with a man who reveals himself to be a warlord.
It was visualized in the form of a four-course-meal menu card that shows the dialog as it would be written in a drama. The typical verse numbers are depicted as prices for different dishes, while emotions look like allergy information.
Each course is introduced by an opening page picturing its most important passage. His statement »I am a warlord« is portrayed by quotation marks resembling tracks of a tank.
Pandemonium
Processo de criação em design gráfico: Pandemonium is the book by Leopoldo Leal, result of his Ph.D. dissertation presented in 2019, which focused on understanding the graphic design creative process in which chance and experimentation are inserted.
It was based on the eight phases of the creative process described by Robert Keith Sawyer. These phases constitute the structure of the project and provide clarity and understanding of the entire creative process, which does not occur in a linear standard. It is as if the practical items of an experimental work in design originate from any material such as punch cards, craft sticks or a collection of bar codes.
Flora Fountain
Flora Fountain
Ink on acid-free paper
The white beautiful structure of a fountain with female figures, flowers, sea shells and running water is standing calmly, fresh and hopeful in the middle of a busy city street surrounded by ugly, character-less, life less and sad building of concrete as if they are the metallic butterflies hovering around it.
A small group of flowery, flourished and rhythmic letter forms in the center of the composition surrounded by bold, edgy, dark and sharp letter forms symbolise that city people are moving away from the beauty of nature to grab some unknown dreams.
Meriç Öner Poster
Poster design for the lecture of architect and researcher Meriç Öner.
Beijing on the Move
Nullnummer #3
Nullnummer #3 is a supplement to the university-wide newspaper fh-presse at the Department of Design at Dortmund University of Applied Sciences and Arts. The concept behind the student magazine Nullnummer and its first issue were Jonas Brüggemann’s graduation project. Since then, the magazine has been edited by a rotating student team. As a platform, it is intended to enable especially the actors of the very multifaceted faculty of design to contribute and exchange information. A dedicated newspaper documenting the creative activities of all degree programs at the Department of Design. It provides an exciting insight into how the design department has developed over the past few months and what diverse projects have emerged.
The other contributions made by students, faculty and staff for the Nullnummer are devoted to the broad spectrum of creative work at the Design department of FH Dortmund. 1,000 copies of the newspaper were produced in the department’s digital printing workshop.
These include, for example, the poster series the Only Waste is Data, where two realities collide. Or the challenge to create a new poster each day in the 100 Poster Battle 2 that relates to sharing cultural identities. Or the photo series ein Prozess, der Niemals endet about the Tokyo Olympics.
The student editorial and design team, consisting of Emma Wöllstein, Eyad Abushaar, Gregor Molls and Malena Winter, describes the issue as follows: “As hyprid as the last semester was, this year’s issue is in the end. The cover, which doubles as a poster, was printed using the letterpress process and everything else was printed using the university’s own digital press. With ever-increasing digitization, the yearning for the pre-digital is becoming more and more palpable. Photos are shot on film again. Music is pressed on vinyl and graphics are printed with seemingly obsolete techniques. Digital or analog—we live in a time where we have a choice.”
Nullnummer #3
Editing and design: Emma Wöllstein, Eyad Abushaar, Gregor Molls, and Malena Winter
Conception: Jonas Brüggemann
Print: Digitaldruckwerkstatt, Fachbereich Design
Cover-Print: Pinter’s Kiosk
Print runs: 1,000
Fonts: Druck (Commercial Type), Lab Grotesque (Letters from Sweden)
Paper: Soporset Premium Offset FSC, 80g/sm, Sponsored by IGEPA
Get more information here
2023
Daily experimental work created in the first week of 2023.
Piece for Vietnam
A photo book about Vietnam – unknown landscapes, noisy old mopeds, dragon fruits, conical hats, paddy fields, incense sticks …
welches gleis heute (which track today)
A prosaic series of books that depicts impressions and characters from different places through essayistic short texts. I travelled to three different cities and captured thought-sketches, snapshots, everyday philosophy and experiences in prosaic form as a reflection of my own perceptions.
gejandlt & verscherft
On one hand, a biography about the Viennese poet and writer, Ernst Jandl – well known for his experimental poetry. On the other hand, a second book documenting my own stay in Vienna where I wrote down my own thoughts and short texts on the tracks of Jandl. The result is two books of concrete poetry and documenting photography, which correspond to each other.
Some lettering experiments
Lettering for postcard, prints and brands
The cut that human life follows behind it
Human life draws a cut behind it. Wherever people go, they leave trash behind. With my main project for the second semester (P2): » Die Schneise, die das menschliche Leben hinter sich herzieht – Müll und Abfall« I would like to open up new perspectives. Because although garbage has an exceedingly negative image and is almost exclusively associated with bad things, many problems related to garbage are growing: Littering, resource theft and also unrecyclable composites. How can it be that we learn a comprehensively negative narrative about trash on a small scale while losing sight of the huge, existentially threatening problems of trash on a large scale?
Dafi Kühne: Buchdruckplakate?
The exhibition Dafi Kühne: Buchdruckplakate? at the Museum für Druckkunst Leipzig features around 100 letterpress posters. For his designs, Dafi Kühne uses a wide variety of tools, from computers to pantographs, and realizes his ideas on printing presses from the 1960s.
These are posters for art and culture that show the great potential of letterpress printing. Almost any material can be used, from traditional means such as lead type, wood type or plastic type, to clichés and linocuts, to experimental materials such as lasercuts, milled type, textile materials, cast surfaces, or objects. In this way, the rather rigid system of lead type is broken up creatively and opens up a great deal of latitude with diverse possibilities for exciting combinations.
Do posters printed elaborately in letterpress make sense at all in times of digital design and personalized online advertising? The poster creations of Swiss graphic designer and letterpress printer Dafi Kühne clearly say: Yes!
Dafi Kühne: Buchdruckplakate?
Program
May 12th, 2023, 7 p.m.: Lecture by Dafi Kühne (only for participants of the Leipzig Typotage)
May 14th, 2023, 12 p.m.: Dafi Kühne gives a guided tour of the exhibition
June 17th, 2023: Workshop (info to follow soon)
June 18th, 2023, 12 p.m.: Dafi Kühne gives a guided tour of the exhibition
Where?
Stiftung Werkstattmuseum
für Druckkunst Leipzig
Nonnenstraße 38
04229 Leipzig
Germany
More information here.
Between Hype and Hyperreality
The global pandemic has pushed us to be immersed in a global, interconnected galaxy of virtual worlds, avatars, and online communities, a world where the physical and virtual worlds converge. Between Hype and Hyperreality provides readers with a framework to understand the economy and technology of the Metaverse and the hidden danger of dataveillance, while examining the unlimited potential of the Spatial Web. The WebVR experience of the book aims to turn the printed object into an embodiment of the Metaverse, transcending the printed 2D artifact to a 3-dimensional space.
weiter weg – far (a)way
Many weeks. Hundreds of kilometers. Countless steps.
A thirst, a goal, the trails.
This journey is over. But behind the blue cover, it still exists.
One can see the skies. Hear thoughts. And maybe even feel what it means to be on the road.
weiter weg – far (a)way – is a book of remembering. It documents a journey. Not in its entirety, not necessarily chronologically; yet immediately and personally.
Text fragments, playful typography, a Leporello – an unconventional photobook.
BookBindingKit
BookBindingKit offers an overview of the elements of haptic book design. When different techniques are combined playfully, new ideas for unconventional books and book objects emerge. Consisting of a poster and cards, the BookBindingKit can be used in many ways; as teaching material for students and apprentices or as inspiration for designers and artists. It can also be helpful when meeting customers in print shops, bookbinderies, and publishing houses.
A Garden at Night
A “A Garden at Night”, an art exhibition by the artist Tiago Madaleno, is based upon the story of a garden that Kurt Schwitters had in its childhood and its destruction. The book was to reflects upon some of the exhibition’s main topics: the Garden, the life and work of Kurt Schwitters. The book invokes the idea of the wanderer, so familiar to the philosophy behind the English garden, to reenact this dialogue between body and landscape. The book is divided into two paths: one is composed of text, where three authors write about Gardens, Kurt Schwitters and Text Expanded into Space; the other is a mirror accordion folio that plays with reflection, montage and perception.
OPAQUE
“OPAQUE” is a book published by Kerber Verlag with a special pocket binding that contains a total of 137 photographs, a short story, and personal reflections by the young photographer Stephie Braun on the crisis of existence in photography. The special binding allows the content to appear not only on the pages but also between them, and removable photographs can engage in a dialogue with the prints. The book comes wrapped in a poster and proudly bears its title in the feminist font “Good Girl” by Marion Bisserier. Not just a book, but more an object that also runs 100% on female power.
Kate NV
Grid based poster design for the concert of Russian artist Kate NV at Neubad in Lucerne, Switzerland.
a draft for a new solar System
In 2022 the whole world seems wrecked. Global warming, unjust north-south divide, an ongoing pandemic and a misanthropic and inhuman war in Europe. With these impressions in plain view I set up the mind game of restarting from scratch and of developing a draft for a brand-new solar system, which would give us the opportunity to undo gross mistakes and to return to a paradisaic or even pre-paradisaic state of the earth.
“Martin Gredler – Findling” Book Design
Book design for Salzburg artist Martin Gredler. The catalog shows the work called “Findling”, which consists of numerous woodcut prints. Partly bound as Leporello, partly single pieces.
The catalog uses the color scheme of the works and provides a framework for them. The cover is laminated with a linen binding and refined with the help of hot foil stamping. Inside the book is an altar fold-out, which shows the unfolded leporello.
State of things / Stand der Dinge
»Stand der Dinge« is the bachelor thesis at the University of Applied Sciences in Hamburg. The book is a typographical exploration of the potential legacy of a person. In the form of lists, Farina Michelle describes her current material pos- sessions, immaterial facts about her persona and precisely described memo- rabilia. Black boxes and line spacing of different sizes describe the relationship to her objects. Cross-references throughout the book provide insight into how her thoughts are linked. They contrast the restrained design, which was modeled on the bureaucratically aloof work of a curator of estate.
Vernissage of the Werkbund Label Exhibition AUSGEZEICHNET!
Last Thursday was the vernissage of the Werkbund Label exhibition AUSGEZEICHNET! and we were happy to be able to participate in the event. A selection of the projects that have been awarded the Werkbund Label by the Deutscher Werkbund Baden-Württemberg since 2006 was on display.
Every two years, outstanding projects, initiatives and companies are honored that stand out for their innovative, forward-looking or creative quality, have a social or political role model function, use environmentally friendly technologies and energies or promote civil society developments. The Werkbund Label draws public attention to topics that make a relevant contribution to shaping the future and addressing ecological and social issues.
The exhibition presents various award-winning projects, ideas, companies and initiatives, from Karlsruhe to the world. Slanted had the great honor to be awarded in 2012 and to also be part of the exhibition. The team was present on the evening. Founded in 1907, the competition continues to be an important source of inspiration when it comes to future issues in architecture, urban planning, design, ecology, education and training. This is also very clear from a visit to the exhibition.
Vernissage of the Werkbund Label Exhibition AUSGEZEICHNET!
When?
Exhibition: April 13th–May 14th, 2023, 11 a.m.–6 p.m.
Where?
Regierungspräsidium Karlsruhe am Rondellplatz
Karl-Friedrich-Strasse 17
76133 Karlsruhe
Germany
Habibi
For a project i tried to mix latin type with arabic elements. Through the use of open type features various ligatures can be achieved easily.