As a child, the most common thing could give us superpowers or make us a hero. After school, we ran into the yard and became astronauts, princesses, scouts and doctors, playing on the playgrounds. A font inspired by the shape of soviet playgrounds, based on a combination of cold stability and childish dreaminess.
The Other Collection
At The Other Collection we have developed a unique and innovative technique combining the advances of modern typography with the quality and artisanship of centuries-old knowledge of book printing. Letterpress printing from metal type looks back onto five hundred years of history but has become impractical today. At TOC, we design digital layouts, then transfer the data to polymer printing plates, using our own lasersetter. Printing those plates on traditional letterpress machines combines the virtues of analog and digital processes, resulting in the best of both worlds: refined typography and a smooth analog reading experience.
Design Academy Eindhoven Graduation Catalogue 2021
The DAE Graduation Catalogue 2021 is a guide to navigate graduation projects by themes, keywords, materials, and methodologies. Divided into four indexes, it offers references for potential connections between the projects.
A fluent layout allows to showcase each graduation project in the best possible way, keeping a main structure of a catalogue. It is an invitation to discover the innovative ideas, techniques, and visions of the next generation of designers.
Selected as one of the Best Dutch Book Designs 2021 in the student category.
Neither Confirm Nor Deny
Neither Confirm Nor Deny or LTR NCND in short is derived by Erik van Blokland from his font FontFont published in 1991. By developing new method for interpolating rough and textured shapes, the typeface has made the leap to variable fonts. It uses its seamless interpolations to create even lighter and heavier weights at the extremes and countless cuts in between. The LTR NCND can be used in animations to quickly create very different moods: from an unimaginable future to an impossibly hopeful one. From large, short words to complex and detailed text. It is ready to create exciting compositions on the web, in motion design and of course as an eye-catching headline.
For decades the mechanical typewriter was the central processing unit of bureaucrats, lawyers, dictators, and authors alike. It was the creator of all documents: contracts and diplomas, correspondence, ransom notes, invoices, and all the news. Its linguistic percussion was a signal: here we create facts and order!
Now we see only the shortcomings of this once-amazing apparatus: complicated to fix, heavy to transport, and where would you buy ribbons? Nonetheless, the typewritten word is anchored in our collective subconscious. This is a new chapter for this particular textured typewriter font.
The initial typeface, FontFont, was developed by Erik van Blokland briefly after the fall of the Berlin Wall. The structured typewriter font was created when he, a boy from the West-side, met an East-side typewriter.
Neither Confirm Nor Deny
Designers: Erik van Blokland
Foundry: LettError Type
Release: April 3rd, 2023
Languages: European
Weights: Thin, Light, Medium, Heavy, Black
File Formats: WOFF2, Variable Fonts, Trial fonts
Prices: from € 50.–
Specimen PDF
BUY
Patatoes Modular
Patatoes Modular is a typeface created with only two forms.
It is an experiment to see the limits of what is possible in terms of legibility.
This typography is also adjustable in width and height according to the spaces between its forms.
36 Days of Type
For the 3rd year in a row, I wanted to push the challenge a little further for the 36 days of type 2022.
Each letter corresponds to a word starting with that letter, so this word guided the creation of the letter.
Each letter transforms itself, creating shapes related to the word with a lot of humor and fun.
The goal is to play with the letter, making it alive and expressive. The whole typography resulted in a variable typography
AI (Furry Letters)
This project started with a curiosity about what AI could do typographically. I’d read about the amorphous “type” that AI generates currently (the technology improves exponentially seemingly daily) and I wanted to find the correct prompts that might lead to AI creating something recognizable. One only needs to request specific letters individually to bypass the odd alphabet renders, but what was interesting was that it could not create serifs or lowercase. I tried 3 different AI generators (Dall-E2, MidJourney & Craiyon), and none of them would follow my prompts. The results are beautiful but also an exercise in acceptance and being flexible for the sake of creativity and novel tools.
Ceasefire
»Ceasefire« is a typographic interpretation of B.J. Novak’s short story about a naïve woman who goes on a blind date with a man who reveals himself to be a warlord.
It was visualized in the form of a four-course-meal menu card that shows the dialog as it would be written in a drama. The typical verse numbers are depicted as prices for different dishes, while emotions look like allergy information.
Each course is introduced by an opening page picturing its most important passage. His statement »I am a warlord« is portrayed by quotation marks resembling tracks of a tank.
Pandemonium
Processo de criação em design gráfico: Pandemonium is the book by Leopoldo Leal, result of his Ph.D. dissertation presented in 2019, which focused on understanding the graphic design creative process in which chance and experimentation are inserted.
It was based on the eight phases of the creative process described by Robert Keith Sawyer. These phases constitute the structure of the project and provide clarity and understanding of the entire creative process, which does not occur in a linear standard. It is as if the practical items of an experimental work in design originate from any material such as punch cards, craft sticks or a collection of bar codes.
Flora Fountain
Flora Fountain
Ink on acid-free paper
The white beautiful structure of a fountain with female figures, flowers, sea shells and running water is standing calmly, fresh and hopeful in the middle of a busy city street surrounded by ugly, character-less, life less and sad building of concrete as if they are the metallic butterflies hovering around it.
A small group of flowery, flourished and rhythmic letter forms in the center of the composition surrounded by bold, edgy, dark and sharp letter forms symbolise that city people are moving away from the beauty of nature to grab some unknown dreams.
Meriç Öner Poster
Poster design for the lecture of architect and researcher Meriç Öner.
Beijing on the Move
Nullnummer #3
Nullnummer #3 is a supplement to the university-wide newspaper fh-presse at the Department of Design at Dortmund University of Applied Sciences and Arts. The concept behind the student magazine Nullnummer and its first issue were Jonas Brüggemann’s graduation project. Since then, the magazine has been edited by a rotating student team. As a platform, it is intended to enable especially the actors of the very multifaceted faculty of design to contribute and exchange information. A dedicated newspaper documenting the creative activities of all degree programs at the Department of Design. It provides an exciting insight into how the design department has developed over the past few months and what diverse projects have emerged.
The other contributions made by students, faculty and staff for the Nullnummer are devoted to the broad spectrum of creative work at the Design department of FH Dortmund. 1,000 copies of the newspaper were produced in the department’s digital printing workshop.
These include, for example, the poster series the Only Waste is Data, where two realities collide. Or the challenge to create a new poster each day in the 100 Poster Battle 2 that relates to sharing cultural identities. Or the photo series ein Prozess, der Niemals endet about the Tokyo Olympics.
The student editorial and design team, consisting of Emma Wöllstein, Eyad Abushaar, Gregor Molls and Malena Winter, describes the issue as follows: “As hyprid as the last semester was, this year’s issue is in the end. The cover, which doubles as a poster, was printed using the letterpress process and everything else was printed using the university’s own digital press. With ever-increasing digitization, the yearning for the pre-digital is becoming more and more palpable. Photos are shot on film again. Music is pressed on vinyl and graphics are printed with seemingly obsolete techniques. Digital or analog—we live in a time where we have a choice.”
Nullnummer #3
Editing and design: Emma Wöllstein, Eyad Abushaar, Gregor Molls, and Malena Winter
Conception: Jonas Brüggemann
Print: Digitaldruckwerkstatt, Fachbereich Design
Cover-Print: Pinter’s Kiosk
Print runs: 1,000
Fonts: Druck (Commercial Type), Lab Grotesque (Letters from Sweden)
Paper: Soporset Premium Offset FSC, 80g/sm, Sponsored by IGEPA
Get more information here
2023
Daily experimental work created in the first week of 2023.
Piece for Vietnam
A photo book about Vietnam – unknown landscapes, noisy old mopeds, dragon fruits, conical hats, paddy fields, incense sticks …
welches gleis heute (which track today)
A prosaic series of books that depicts impressions and characters from different places through essayistic short texts. I travelled to three different cities and captured thought-sketches, snapshots, everyday philosophy and experiences in prosaic form as a reflection of my own perceptions.
gejandlt & verscherft
On one hand, a biography about the Viennese poet and writer, Ernst Jandl – well known for his experimental poetry. On the other hand, a second book documenting my own stay in Vienna where I wrote down my own thoughts and short texts on the tracks of Jandl. The result is two books of concrete poetry and documenting photography, which correspond to each other.
Some lettering experiments
Lettering for postcard, prints and brands
The cut that human life follows behind it
Human life draws a cut behind it. Wherever people go, they leave trash behind. With my main project for the second semester (P2): » Die Schneise, die das menschliche Leben hinter sich herzieht – Müll und Abfall« I would like to open up new perspectives. Because although garbage has an exceedingly negative image and is almost exclusively associated with bad things, many problems related to garbage are growing: Littering, resource theft and also unrecyclable composites. How can it be that we learn a comprehensively negative narrative about trash on a small scale while losing sight of the huge, existentially threatening problems of trash on a large scale?
Dafi Kühne: Buchdruckplakate?
The exhibition Dafi Kühne: Buchdruckplakate? at the Museum für Druckkunst Leipzig features around 100 letterpress posters. For his designs, Dafi Kühne uses a wide variety of tools, from computers to pantographs, and realizes his ideas on printing presses from the 1960s.
These are posters for art and culture that show the great potential of letterpress printing. Almost any material can be used, from traditional means such as lead type, wood type or plastic type, to clichés and linocuts, to experimental materials such as lasercuts, milled type, textile materials, cast surfaces, or objects. In this way, the rather rigid system of lead type is broken up creatively and opens up a great deal of latitude with diverse possibilities for exciting combinations.
Do posters printed elaborately in letterpress make sense at all in times of digital design and personalized online advertising? The poster creations of Swiss graphic designer and letterpress printer Dafi Kühne clearly say: Yes!
Dafi Kühne: Buchdruckplakate?
Program
May 12th, 2023, 7 p.m.: Lecture by Dafi Kühne (only for participants of the Leipzig Typotage)
May 14th, 2023, 12 p.m.: Dafi Kühne gives a guided tour of the exhibition
June 17th, 2023: Workshop (info to follow soon)
June 18th, 2023, 12 p.m.: Dafi Kühne gives a guided tour of the exhibition
Where?
Stiftung Werkstattmuseum
für Druckkunst Leipzig
Nonnenstraße 38
04229 Leipzig
Germany
More information here.
Between Hype and Hyperreality
The global pandemic has pushed us to be immersed in a global, interconnected galaxy of virtual worlds, avatars, and online communities, a world where the physical and virtual worlds converge. Between Hype and Hyperreality provides readers with a framework to understand the economy and technology of the Metaverse and the hidden danger of dataveillance, while examining the unlimited potential of the Spatial Web. The WebVR experience of the book aims to turn the printed object into an embodiment of the Metaverse, transcending the printed 2D artifact to a 3-dimensional space.
weiter weg – far (a)way
Many weeks. Hundreds of kilometers. Countless steps.
A thirst, a goal, the trails.
This journey is over. But behind the blue cover, it still exists.
One can see the skies. Hear thoughts. And maybe even feel what it means to be on the road.
weiter weg – far (a)way – is a book of remembering. It documents a journey. Not in its entirety, not necessarily chronologically; yet immediately and personally.
Text fragments, playful typography, a Leporello – an unconventional photobook.
BookBindingKit
BookBindingKit offers an overview of the elements of haptic book design. When different techniques are combined playfully, new ideas for unconventional books and book objects emerge. Consisting of a poster and cards, the BookBindingKit can be used in many ways; as teaching material for students and apprentices or as inspiration for designers and artists. It can also be helpful when meeting customers in print shops, bookbinderies, and publishing houses.
A Garden at Night
A “A Garden at Night”, an art exhibition by the artist Tiago Madaleno, is based upon the story of a garden that Kurt Schwitters had in its childhood and its destruction. The book was to reflects upon some of the exhibition’s main topics: the Garden, the life and work of Kurt Schwitters. The book invokes the idea of the wanderer, so familiar to the philosophy behind the English garden, to reenact this dialogue between body and landscape. The book is divided into two paths: one is composed of text, where three authors write about Gardens, Kurt Schwitters and Text Expanded into Space; the other is a mirror accordion folio that plays with reflection, montage and perception.