Walk Bye was created to show the creativity and perseverance of a community and create something everyone needed during the COVID pandemic — connection to others outside the virtual. Walk Bye originated as a collective outdoor art exhibition to bring together artists and community members with a sense of hope and connectivity through the experience of public art.

The separation of art and science is an important feature of modern life – but it also constitutes a critical loss. With Mindblowers, the Vrije Universiteit Brussel and the Flemish Royal Theatre aim to reconnect different disciplines, bridging sometimes disparate elements and bringing them back into proximity. The Mindblowers book follows the five Mindblowers events and exhibition.

bubmag addresses the confrontation with the analog and the digital and its transformation. It seeks a new way of conveying information: the increasing importance of the image is met uncompromisingly, without losing any depth of content. In the process, digital influence and manipulation are significantly reduced because the concept allows for a wide variety of viewpoints – as a counterpoint to the process of selective exposure. The curated images on each topic serve as emotional catalysts, and the linked (via QR codes) in-depth text content is dynamically generated algorithmically from aggregated information from multiple sources (bubmag.com).

I Take Full Responsibility is an experimental Risograph and screen-printed 36-page book collecting ten of the most notable communications from technology company CEOs since November 2022, who, during that time, have reduced their employee bases by huge swathes. Accompanied by a personal introduction, photos, and artwork from ten years in tech, it is a time capsule circumventing Silicon Valley’s short-term memory and a clear statement of fact that work will not love you back. Its urgent message arrives packaged within a transparent acetate cover with laser-cut accessory prints and delivered in a personalized Inter-office envelope. Its first edition sold out in less than 24 hours.

What is our contemporary sublime? How does the sublime landscape shift to a more complex and distanced nothingness? To find the visual representation of the awe and terror of sublime experience caused by the impact of digital technology nowadays, the awe-inspiring size and complexity in this work present the computer language of one single landscape image in a five-meter-long scroll.

When these digital translations apply to an analogue format, they also alter their original context’s narrative. The digital components and infinite information show a kind of distanced and complex relationship between nature and the network environment.

‘Uncreative portrait’ is an accumulation that documents the designer’s single portrait in multiple visual languages produced by the impact of computers and cyberspace.

By examining the digital sublime as an alternative visual representation, it establishes a discourse around the aura of self-identity in the age of digital reproduction. These images continuously explore our digital self’s shifting authenticity and identity in the contemporary digital era. Is there a line between the self and its data shadow? Where is our physical memory going in this endless re-identification process?

“The big balancer. Eternal WORK IN PROGRESS. Born while listening to my favorite no wave performers. Always balancing in the minute of OR, on the border of ‘A’ or ‘B’, stuck in the moment of decision. Programmed but handmade, for display, but for text, traditional grotesk, but handwriting based, mechanical, but full of intuitive details, guitar music, but wants to destroy guitars, wanna make music but it should be no-music.“ — Boldizsár Tóth
Inspired by these thoughts I designed a specimen for Boldizsár’s BETU font, through an interview with him and the process of making the font. Besides typographic compositions I integrated some of the InDesign crashes I captured during the process.

Is seven a lot? // Seven. What does seven mean? Seven at one stroke. You have to cross 7 bridges. The world was created in 7 days. There are 7 days in a week. 7 world wonders. 7 dwarfs. And so on. The seven seems to play a leading role. In religion, mythology and also in superstition, it appears everywhere. But is seven a lot or a little? Or perhaps just the right amount? The answers are seemingly limitless and consist of countless fragments. One possibility branches out into further possibilities and these in turn into further proliferating facets. Questions about truth, reality and actuality arise.

“Sex, but how?” is a publication that highlights the topic of sexual diversity from twelve different perspectives as part of sexual education. It tells the stories of drastically different, extraordinary people, that are not afraid of speaking openly and loudly about sexual diversity, and willing to share their personal experiences. It was of a great importance with the project “Sex, but how?” to not only pay certain contribution to explaining the diversity of sexual identities but make this important information accessible and exciting for young people.