The design of the book is rooted in its story. The soft cover is perforated, as also every page. The hole pierces through and eats up parts of words to match the narrator’s feelings of discomfort. You have to untie the knot in his throat in order to open it.
Although very distinct stories, the scenes are bound by a common thread: the narrator doesn’t feel with his heart or stomach. Every intense sensation travels through the neck and its elaborate chambers – jaws, tonsils, tongue, esophagus, mapping out the entire area of his emotional center. He uses phrases as “the roof of my mouth caved in” and “the root of my tongue was frozen solid”.
A book about tension & obsessions, a well built maze.

This book is not meant to boost confidence or reveal the one trick to perfect, never-ending self-esteem, but to be encouraging and show that everyone is only sometimes confident.

To achieve this goal, information pages, interview pages and comic pages take the reader through the topic of self-esteem. The interview pages can build on the theses and facts of the information pages and show different perspectives on the topic in which the reader can find himself. The comic pages loosen everything up again and again and show personal situations or experiences that shake my confidence.

Foto Foglia Napoli is a photographic project that began in February 2020 and ended in February 2021.
The result, after one year, is a book containing the history of the photographic studio of Simone Foglia’s family.
100 years of life, 4 generations and lots and lots of archival photographic material. A journey into the belly of Campania
as seen through the eyes of his family. Very happy to have contributed to the creation of this fantastic book!

In mid-nineteenth-century Turin, legend has it that, among the forms of discourtesy reserved by the people for the executioner, bakers would hand him the bread upside down as a form of contempt and evil eye. Local administrators, prompted by the executioner’s repeated reports and complaints, issued a city ordinance formally banning this discriminatory practice. So it was that the bakers, in order to circumvent the law with a creative choice, invented a new device with magical and symbolic power, a type of brick-shaped bread: the pancarré. In the impossibility of recognising the baking side, it could continue to be served upside down, thus exerting its silent power.

I come from a war-divided family. In hopes of reuniting with their babies trapped in North Korea after the Korean war, my grandparents cultivated a barren land in Sameri, Korea and built houses for the following generations to live together.

The Chronicles of Sameri collects the memories of this land from all family members. The gravity of the narratives shifts over generations; the family’s bickerings over dates and details are thoroughly recorded.

The glass book cover preserves the stories as if in ice. The process of blowing glass at the hot shop mirrored the process of cultivating a land. Coordinated movements based on mutual trust made both works possible.

Grandma is complaining about the death of reading. All of these young people would only browse through their phone all day.
NO ONE READS ANYMORE!!!!
In all of history only few people consumed novels, poems or magazines. Reading has always been an occupation for a minority. In the past people neither had the education nor the money to read. In the present we have money and education but Instagram is just way more entertaining for most.

Reading and books have always been a niche venture.
It never blossomed so it couldn’t have withered.
It never lived, so it couldn’t have died

We still read and we still don’t read.
nothing changed.
Grandma just waffling

A series of illustrations of a children’s Russian fairy tale about Emelya and laziness) He did not want to do anything and wanted everything to be according to his desire and command.

Mixed publication. Includes zine, fortune teller, 2-page fold-out, transparent zine QR codes are scattered throughout the printed matter which weaves in and out of digital and physical worlds. To Whom It May Concern was created to explore the concept of future memories (messages, people and situations one is yet to experience) this is done through navigating the permanence of messages, memories and situations.
TWIMC considers what information we choose to hear and take on for the future, past and present; with 6240 different combinations from just the databases, every interaction has unique potential.

This publication is available to purchase via www.chloeshephard.co.uk on the online shop.

This project remastered the journey of the birds from an ancient poem, Conference of the birds written by Attar of Nishapur in 1177. Thousands of years later, the poem is timeless with the message of finding the self. By reinventing the experience of crossing the seven valleys in a digital world, fully rendered models and wireframes are used to deliver the stimulation world on prints.
We will be playing the roles of birds as the same idea resembles a role-playing game. In my alliteration, the bird is also the text.
Using modern poetry methods and diagrammatic typography designs to break down the lines, The text is flying through the pages as if it is in a virtual world.

During the state-mandated lockdowns of the COVID-19 pandemic, photographer Brandon Alexander traveled the United States, capturing images of “an empty America we’ve never seen before.” What followed was a collection of deep landscapes of vacancy and isolation. Span designed a limited artist’s edition of 250 books, each featuring a different cover and pagination within, to serve as both archive and expression of a wandering journey through one of our country’s darkest times.
Custom software was written in Processing to generate 250 unique designs for the covers, each a wandering path through random points along the way.

This project is an attempt to take a look at the history of puppet theatre from a graphic design perspective. Abstract lenticular print on a cover refers to the experience evolving between a puppet and an actor – a still puppet becomes alive when animated, the same way – a book becomes an alive object when in one’s hands. The image “animates”, creates the interaction and enhances the experience.

Inside there’s a collection of archival photographs, interviews and documents which represent the history of a Puppetry Department of the Academy of Theatre Arts in Wrocław.

Edition: 1
Cover: Lenticular print
Paper: Munken Pure 120g
Binding: Perfect binding
Made in collaboration with Mateusz Barta

These posters are a visual representation of an online Iftar, created to help people celebrate the holy month of Ramadan during the COVID-19 pandemic. The posters features a vibrant, colorful and technological design that captures the essence of Ramadan. The posters concept successfully conveys the message of togetherness and community, encouraging people to come together despite the pandemic’s isolation.

I did these works based on randomness. I Googled random text, random photos. When combining such randomness, it causes dissonance and you look for new meanings

The visual concept for the book was to follow the character of the installation. The see-through quality of the book echoes the transparent character of “Oasis No.8” itself. The first and last pages of the book, including the cover, were printed on transparent paper. A feature that brought a challenge of its own in printing. The curved text beginnings with „banana swing“, first a mistake. The printed WhatsApp conversation, never questioned. Made with thread stitching, the book features numerous large-scale photographs as well as scientifical data carefully shown in infographics, and texts from several authors, in both German and English.

Unheimlich (“Uncanny”) is a reference to Freud’s term.

I undertook to embody the uncanny and surround the negative space with a ragged repetition of the title and idea of the book – “Unheimlich” as the essence of this term – a meeting with something very familiar, which leaves an ominous feeling.

This repetition principle is expressed on the front as well as on the back cover to become one unit. The back cover inherits the points from the letter i, extracted from the front cover word “Unheimlich”. It is a reference to a poetic rhyme, when words from one line convey particles of the sounds from the previous one.

Thus, Unheimlich is dark poetry and an uncanny encounter with the past.

SOLO is the first self published book by designer, photographer and author Nikolai Dobreff.

The book collects words and photos from a trip through South America. Nikolai fled heart broken to Rio de Janeiro and turned his diary entries from more than 2 months traveling into ten melancholic stories. “Too much gone to stay yourself”. In addition to the texts, the book also contains over 70 photographs from Brazil, Argentina, Chile, Peru and Bolivia.

172 Pages. Paper: Mohawk Extra Rough & Munken Lynx. Open multicolored thread stitching. Transparent Hot Foil Stamping on the cover. Swiss Brochure.

The wines of Santorini is a comprehensive guide and visual trip to the magic island of Santorini and its wines narrated by Yiannis Karakasis a Greek Master of Wine. The book consists of twelve chapters where experimental illustrations introduce each one. The layout has enough space for the reader to take time and enjoy reading the facts and history while going through poetic photography.
Overall the unique feeling of the book is something that hardly can be found in wine publications.

A club as an exhibition venue:In summer 2021, after more than a year of pandemic-induced downtime, the Institut fuer Zukunft (IfZ) reopened its doors to host two exhibitions, DOSIS 1 and DOSIS 2. Works were produced by a total of 58 artists, who took over the premises. The book contains views of the exhibited artworks, demonstrating the (im)possibility of combining the ideas of club culture and artistic production. It also contains material on the works on display and essays. The book is not a record of the exhibition; rather, it shows how the club can be transformed, with a period of crisis causing new ideas to be implemented.
– IfZ is an electronic music club in Leipzig, founded in 2014

Daemon is a photographic novel with text and pictures from photographer Malte Sänger. Using assistive technology he assumed the position of the DAEMON in order to understand the condition and feeling of being constantly enveloped. The result of these various approaches and observations is a diffuse look into our present and also a look into the future: where will new technologies and artificial intelligence take us? The question is unresolved, and the viewer has the feeling that he is enveloped by an intangible plasma cloud – the DAEMON.
Silver Award German Photo Book Prize 20|21

Photo credit: Harry Griffin
@wetfunadventure

Design: Laura Coombs
@lauracoombs

Editor: Mindy Seu
@mindyseu

Publisher: Inventory Press
@inventorypress

Please do not print the digital images uploaded below in the magazine. We will provide print-ready CMYK image to your spec with more information about the size they will be printed at and in what context/proportion.

Biblio-graph is a work-in-progress web application developed by Archival Consciousness in collaboration with de Appel Archive. The images are captured by staff, researchers, and the community of the archive and published on biblio-graph.org. Fragments of publications can be visualised in a timeline, browsed in a map view or as a graph of relations. The graph shows the network of people, organisations and publications in the archive. With biblio-graph, we are experimenting with graph technologies and linked data in the front end to map the collection and aggregate visual information into the database, which later will be annotated to enrich metadata and data from the content of publications.

Irma Boom has designed a remarkable cookbook for the Rijkmuseum. Printed on very thin, parchment-like paper, it features hundreds of full-color illustrations of objects from the collection.

In the cookbook, 50 ingredients characteristic of Dutch cuisine – from potatoes and seaweed to cod and eel – form the basis for 130 traditional and modern dishes. The recipes are inspired by paintings from the museum’s collection.

„24 Stunden“ is a book project that both visualizes time and allows you to physically count it. It includes a total of 24 books, each visualizing one hour of the day and each page representing one second of the day. At the intersection of each hour to the next, the book can be put together to form a circle, creating the image of a clock.
While the books can function as a kind of calendar and offer the opportunity to record moments and experiences, tied to a very specific time, they can also be used as a stopwatch or timer. It takes about as long to turn the pages as the time indicated on the pages. The book spine with the ruler printed on it can be used as a tool for measuring objects.

“Graphic Design in the Post-Digital Age” examines the challenges and opportunities in the wake of the rapid rise of creative coding within a growing community of designers opting to make their own design tools. The book includes over twenty interviews with major figures in design.
On the level of design the first part contains a more academic account of the research, while in the second part the design team proposed to analyze the texts with the help of machine learning algorithms and thus to rearrange them in thematic fields.
Research team: Demian Conrad, Rob van Leijsen, David Héritier
Graphic Design: Johnson/Kingston