Cairo in Green is a poster designed as a heartfelt tribute to the city of Cairo. Inspired by the aerial view of its landscape, the creator was struck by the overwhelming presence of red bricks, a sight they found unappealing. This inspired the use of bold Arabic typography to envision a greener, cleaner Cairo. The poster also serves as a symbolic award, honoring those who work to transform the city into a vibrant and sustainable space, free from the dominance of red bricks.

An exploratory approach to design in relation to technology. Focusing on three aspects “Distortion, creation and configuration”. Using different media and tools to achieve these three aspects. The book will be exploring new techniques disciplines and have fun with it. This project will highlight research, process results and personal insights in an organic manner that intertwines within each other.

Alongside the Elbe river, Rana started a research journey during her residency at Kunstlerhaus Lauenburg on rocks and nature. A journey which lead her to explore many mediums for research including: audio, moving image, still image, drawing and writing, as tools for documentation and exploration.
This research project is simply a reflection of her design and art practice and her speculative methodology towards art and design.

This project explores digital immortality, simulating life after death to provoke reflection on this emerging reality. The poster represents its final stage, offering a glimpse into a digital afterlife. The chaotic design reflects the limitless, rule-free nature of digital existence.

Dystopia is an editorial project exploring how humans misuse power and push beyond their limits, questioning the consequences of assuming roles beyond their nature. The book includes six chapters, including “Humans vs. Gods”, which the poster is about, a chapter that delves into real-life crises and human limitations.

This poster emphasizes the undervaluation of designers, challenging the misconception that their work is effortless or insignificant. It suggests that this lack of appreciation may stem from envy or a misunderstanding of their talent, possibly driven by jealousy rather than genuine critique.

Khayamiya, an ancient Cairo-born craft that once adorned tents and pavilions, now faces the brink of extinction. Yet, its dedicated craftsmen persevere, weaving intricate beauty and hope for its revival. “Beauty in What is Hidden” delves into this artistry, featuring French folds with poetic verses co-written with artisans and handmade covers crafted with the tent’s fabric, dak. It invites viewers to see through the craft, unveiling channeled years of practice, experience, and dedication.

Inspired by the iconic folk song ‘Yama Hamamy Sarah’ this handcrafted Khayameya celebrates Egyptian traditional folklore. Titled “Flight of Longing”, this piece dives into the depths of longing and tradition echoing through generations. Central to the design is the silhouette of the Borg Hammam, standing steadfast as a bridge connecting the past to the present, where the song of a single pigeon whispers tales of resilience, nostalgia, and the eternal dance of the human heart.

This postcard collection, explores the intersection of culture and food. Each postcard mimics a recipe card, featuring instructions for preparing dishes. The focus is on Tteokbokki, a Korean dish of cylindrical rice cakes in a sweet chili glaze. This project delves into both the physical and design aspects of cultural cuisine, offering a unique perspective on the connection between food and creativity.

This publication, born Branding Design course, evolved into a three-volume series exploring agriculture and the environment through storytelling. Each volume, 1.historical narratives, 2.challenges, and 3.acknowledgments, connect chronologically through symbolic colors: red for narrative allure, brown for depth, blue for calm, and green for closure. Combining photography and text, it blends editorial and artistic elements, questioning the balance between aesthetics and functionality.

This project is a chaotic personal memoir captured through six moments, using postcard frames and symbolic elements to evoke emotions reflecting each scene. Tied to the Khaat Sakaker typeface, a blend of Arabic calligraphy and personal heritage. They collectively explore themes of vulnerability, family, and grief. Khaat Sakaker serves as both a tribute to home and a reflection of identity, blending sophistication and sentimentality

Last winter in Berlin felt heavy, with tensions rising after the ban on pro-Palestinian protests and a growing sense of division. In this atmosphere, I began noticing everyday objects with a sense of nostalgia, as if they carried new meaning. This inspired my zine, themed “Home,” a collection of objects that tell personal stories. Like a mini museum of memories, it explores how thoughtful curation makes the mundane significant, inviting others to reflect on their own ties to “Home.”

This book is a heartfelt conversation with Laila Al-Husseini, the author’s late grandmother, who lived through displacement and carried her Palestinian identity across Jerusalem, Damascus, Cairo, and Amman. Using ChatGPT, the author reimagines the dialogue they never had, uncovering her emotions, challenges, and connection to her roots. *Blossom in My Imagination* reflects the essence of the homeland through a blend of roots and aspirations, connecting her story to Palestine’s enduring spirit.

Egyptians tend to follow their traditional values unequivocally, as they provide a sense of belonging and keep them grounded in their roots and identity. These traditions stem from various origins, serving as a guide in daily life and influencing how Egyptians judge situations and those around them. At times, followed without logical reasoning, it’s worth questioning why we conform to these traditions, examining their hold on us, and reflecting on their consequences for ourselves and others.

This movie poster was created for a university course where we explored a different design technique and film genre each week. For this particular poster, the assignment was to incorporate geometric shapes. The film featured the renowned song “Do’o Al Shamasy”, which is about umbrellas on the beach. To reflect this theme, I used paper cutouts to form the shapes of umbrellas, blending the song’s imagery with the geometric style required for the project.