We designed this two pinball posters for an exhibition in public space near Brest, Bretagne (commissioned by Éditions Ultra) and we also printed copies for art collectors. We mixed different graphic skills and personal mood of the moment, this work is dedicated to Gilet Jaunes movement.

A rallying cry to people to wake up and realise their leaders lie and mislead them on a daily basis to suit their own political agendas. This print was created on a western proofing press and uses a combination of wood letter type, ornament and laser cut plates.

Selected and included in the Protest Posters – reverting to type exhibition at the Standpoint gallery in London 2020/21

Size: (w) 32cm;

We designed this two pinball posters for an exhibition in public space near Brest, Bretagne (commissioned by Éditions Ultra) and we also printed copies for art collectors. We mixed different graphic skills and personal mood of the moment, this work is dedicated to Gilet Jaunes movement.

The work is based on the outcome of the 36daysoftype challenge on instagram. The difference from other type projects is that only one letter was designed per day instead of designing a group of letters from the beginning. I started early to make variants of each letter though, which makes the typeface more versatile and flexible to use. I experimented with simple and geometric shapes and reused those shapes for the following letter whenever possible. The typeface grew slowly and became playful, funny and funky. Since I love playing with colors as well, color became another important element in the series for 36daysoftype.

The joy of colour comes from it’s ability to expand, clash and mix together. This is an attempt at creating a space for colour to shows it ability as a autonomous tool. Much needed space for judgment free creation of colour.

The work is based on the outcome of the 36daysoftype challenge on instagram. The difference from other type projects is that only one letter was designed per day instead of designing a group of letters from the beginning. I started early to make variants of each letter though, which makes the typeface more versatile and flexible to use. I experimented with simple and geometric shapes and reused those shapes for the following letter whenever possible. The typeface grew slowly and became playful, funny and funky. Since I love playing with colors as well, color became another important element in the series for 36daysoftype.

Bloom – Symbolises the rejuvenation and growth of our togetherness as a nation in these unprecedented times. It is also a thank you to all the NHS staff and key workers who have unselfishly put others first.

Bloom was an animated artwork as part of a photo project celebrating ‘stories of hope’ from the NHS that screened at London’s Piccadilly Circus.

The project was curated by ‘The People’s Picture’ showcased more than 12,000 photos and stories of key workers, carers, patients and NHS staff.

feat. Thyme, Basil, Parsley, Artichoke, Orchidea, Gerbera, fern, wood, gras, sage, money tree, anthurium, lamiacea, flamingo flower & glas.

This is a type specimen poster for the Alio™ Pro typeface. We would like to showcase the unique design of the letters – inspired by sleek sans serifs and flowing cursives – to create fun vibes.

The table displays daily recorded telephone times of a relationship and structures them according to a colour code.

Color and type is a powerful combination. At the same time, the elementary and serving character of typography usually requires a limitation to a single color. That is why the design of polychrome (multi color) fonts is still a niche. The polychrome font TR Grind contains 12 layers that can be colored and combined in any way. The character is inspired by wood type styles, geometric patterns and modernist shapes. Depending on the configuration of the layers, the font conveys a variety of tones. TR Grind is currently designed as an uppercase font which includes a Latin Extended character set.

The table displays daily recorded telephone times of a relationship and structures them according to a colour code.

A visualization of synesthetic perception. A feeling of an unbearable connection between months of the year and colors. My interpretation of how words, letters, numbers and shapes can trigger a vivid color experience.

Here’s a type specimen poster for the Cubio™ Mono font family from R9 Type+Design. With the hexagonal silhouette as our inspiration, we applied this angular form through all aspects. This includes the overall look of the letters, patterns and icons to the terminal of each letter stem.

I have explored how fields of flat colours change, interact and become three-dimensional depending on the relation to one another.

This book spread was created as a type specimen for our latest typeface, Aldero™. With five weights, ten styles and 1,100+ glyphs per style, this font family is excellent as a display type and legible and readable in small sizes.

The SculptPuzzle is part of a process (see also Colour Animé poster) where I had a wish to create patterns to interact and build with. I experimented with one shape (based on a square divide in four) to make flat colour patterns and three-dimensional puzzle sculptures with.

I explored how flat shapes could translate into three-dimensional shapes. I explore how colours change depending on relation to one another and depending on the light that hit it.

(Hand-painted plywood)

Photo by Sara Danielsson

A humorous illustration showing that anyone could find the time for some snacks to elevate their mood.

A humorous attempt at visualising FOMO (fear of missing out) in the form of a typographic illustration.

Color-Sculptures is a free photographic work about caducity and the short time in between which we can’t see without technical help of artificial light. The Sculptures, which are made of Red and White Paint, only exists for about 1/8000 of a sec.

This illustration was inspired by nostalgia for old video games. As a kid, when I had my Super Nintendo console, sometimes the cartridge wouldn’t work, and you had to take it out, blow in it and try again. Usually that would resolve the issue. It’s a reminder of simple, carefree times, when all the problems were so miniscule, even though they seemed like a big deal.

Love, pain and hope are close together.
These are photos taken with fluorescent body colours and UV light.

The MINDSNAKE poster series combines photography and quotes from literature or songs. This one refers to Peter Licht’s Song about Rainer Maria Rilke’s quote DU MUSST DEIN LEBEN ÄNDERN.