P2P2P is an abstract depiction of how ideas are given life over the internet through collective input. The matrix takes inspiration from bitfields in torrent files, each point representing a single contributor, while the variance in textures, patterns and colours mimics the polarizing yet tribalist nature of human opinion.

This poster can be described as a kinetic still life, a celebration of the dynamic community that has formed around CalArts. A legacy that thrives on the diversity between people, forms, and ideas; brought together as an experiment that can be loosely defined as concrete poetry, geometric jazz… and semi controlled scientific experimentation (thinking about 80s movies Toxic Avenger, Weird Science, etc… always a silly mix of temptation and greed to counterbalance the science at stake). The splitting and splicing of organic and geometric forms establishes a foundation for one to stand on, but there is a strong desire to breakout against the structure. This is where the fun happens.

A flag designed in celebration of the 4th year anniversary of my marriage. The flag was created and gifted to my wife to monumentalise this milestone (linen) and the memory of the big day.

Symbolic elements have been incorporated into the flag to highlight different aspects of our wedding day. The central circle and radiating triangles symbolise the London lighthouse where the ceremony took place, line work represents the date 07.04.17, and the colour tone picks up on the bouquet.

I created the poster while listening to “Let the water run dry” by Inna de Yard and Ken Boothe. I took the lyrics from the song and arranged them in a different way
to address the environmental problem of water scarcity. There is no dry run for us to solve the environmental problems.

First installment in a series of vinyl EPs released by The Very Polish Cut–Outs label. Eastern European Cut–Outs focuses on 70’s and 80’s music from Eastern Bloc countries.

As we design posters for theory-intense events, they usually end up type-crowded, so we try to keep ’em loud, interesting and still mindful.
Color is used for entertainment, supporting content or just attracting ones attention.

Photos are part of the art project Digitalizing The Water. The project’s main idea is to offer an “alternative way” to save water with its digitalization. Humanity tries to preserve knowledge, intellectual and cultural heritage with digitalization techniques. Why not try doing the same with water, the most precious element on the planet. Photos are made with a phone camera without any computer editing.

Music was always one of the most important things in my life. For a long time I’ve been creating posters for various music venues in Poland for both, local and foreign artists. Posters are very special to me as I think they stand exactly where art and graphic design touch. In my work I’m always drawn to vivid colours and this is especially visible in my posters.

Large poster for édhéa’s 70 anniversary celebration.

“La nueva disquera” is a fake record label.
It’s just my chance to design (fake) album covers.

I start doing this illustrations back in 2019.
The project has been exposed at El Diluvio Universal (Barcelona), april 2021.

The COVID-19 pandemic has proven how much we depend on labour. People fear for their existence and are demanding the right to work much as in earlier times. But in fact, what they actually aspire to is the right to exist in dignity. Is a dignified existence without labour unimaginable? The image «Beyond Labour» is part of an image series of the fictive report SWISSTOPIA AUTOMATA. The report visualises and thereby introduces us to a society in which labour does not play such a central and in many ways problematic role. It is a glimpse into a colourful world in which a dignified and self-determined existence realises itself through leisure.

Poster for diploma show at édhéa. Typically it is hot in July, the student work is sexy and desirable as an ice cream in summer is.

Poster for the third (and last) edition of Minuit avant la Nuit (“Midnight before the night”) pop-rock music festival in Amiens, produced by La Lune des Pirates. For each edition we wanted a special atmosphere, inspired by mysterious dreams, natural elements & music.

1,100m2 color-code Scirocco is a work for a residential and commercial building in Vienna-Favoriten, Austria.
Two open light wells on both sides of the corridors, 14 meters high, are attracted with a color code of 16 different colors. Colors of this code can be found in the hallways to the apartments.

Architect: sandbichler architekten
Photos: Rupert Steiner

You can find beauty in color all the time. You just have to look closely and might need to change your point of view. In our dreary everyday life we often tend to lose joy in the little things. This picture was taken on an ordinary day in spring. Just me and some friends eating Udon Noodles and fooling around in my car. Capturing the small moments that count. Oh and look at those colors!

Hand lettered logo for an exhibition in three parts,: made for, made from and about children.

Welcome to the world of colors.

Playground is a coffee and roastery based in St. Pauli, Hamburg. With their handpicked, fairly-produced coffee — it’s a playground for every barista.This playfulness is reflected in the branding as well. The combination of a bold typography — a custom font with distinctive characters like the R and rolling O — and ludic illustrations are the integral parts of the design.
The white top and the typeface serving as recurring elements on the packaging, while the illustrative space functions as the graphical playground. Where whimsical, movie-inspired illustrations for King Kongo, Gujira or Skywalker enter the classic movie world, each sip opens a new universe for your senses. Sit down. Stop.

Artist Book.
25 x 35 cm
274 pages

This book contains screenprinting test-prints I did between 2014 and 2018 mostly at Barra de Ferro (escola EINA’s printing dept.) and many other nomad printing studios settled during those years: (Barcelona, Amposta and la Sénia)

A creative act of analog color performance fuses with the digital act and finally results in a graphic work. Without confining themselves Into-Outer-Space.

(Font design by Vivien Flavia Maria Sorrentino)

For my final project, I developed a fictitious networking space concept for designers and people interested in design. This place intends to bring designers together, initiate discussions, and bring design closer to visitors. The corporate element I developed for this space is a large-scale “R12” (based on its address) which is just as diverse and flexible as the forum and its events. The poster “Movie Nights” is one of those events.
Typeface: Apparat Trial by Michael Clasen

This is a questioning checklist of the major activities happening in our lives while living in isolation. And the vortex this routine creates in the back of our mind.