The letters of our alphabet have a fascinating history and a promising future. We can see, hear and even feel words, but what’s next? Dutch design studio Autobahn and Mark Buxton Perfumes introduce GLYPHS – The Alphabetic Perfume Collection and invite you to write your story in perfume.

The photo was part of a project, where I had the challenge to create an alternative album cover for an Icelandic jazz band. The idea was to represent the color and improvisation that lays within jazz while connecting the band’s style and humor to their country of origin.

Poster for an exhibition at Künstlerhaus Bethanien. The theme of the exhibition is the artistic exploration of the topic “swimming pool” and water. For some a place of longing, for others an expression of Western decadence. I had printed the title of the exhibition on transparent foil and sunk it into a swimming pool. For the poster I spent an afternoon at the pool and shot photos of water reflection and the title, which slowly sank into the pool. A really fun job, finally working in swimming trunks at the pool instead of sitting in front of the computer.

My work always comes up against borderline experiences and moments. Total artificiality is juxtaposed with existential questions of feminism, organical and material conditions of physicality and a recurring question of transformation.

en theos / the god inside
Every day we are surrounded by countless images and can read them virtuously and subconsciously. But even the smallest change irritates our eyes and pulls us out of the usual flow of vision. In my collages we can observe the layers below. We can see into the shape and soul of the humans. And as we are looking inside, something looks back at us and grows outwards. Implosion and explosion.

The poster celebrates the beauty of living things. It honors the colors and shapes that nature has created and reminds us to be gentle with the beauty that is our planets wildlife.

It’s all about the colours! I love the contrast between earthy tones & fluorescent neons most. Maybe that’s because I spent the majority of my 20s discovering the beautiful landscapes of British Columbia at day and its dance floors at night? Together with friends I have been enjoying the outdoors and making people dance since 2019 – sometimes both at the same time. I’ve designed posters for various events, including the debut of Cool Underground Music (C.U.M.), a collective of music lovers that came together just before the world went on pause in 2020. I can’t wait to see people get together again some day soon!

Visual Identity and editorial design for the annual symposium UdK 2030 held at Berlin University of the Arts. The symposium deals with the development and different possibilities of how an art school looks like in the future. This topic is visually translated to a set of different logos. Every year the talks and workshops get included in a magazine. These are the covers of the magazines published so far.

originally taken at a black beach on Tenerife.
transformed to a template for screen printing.
printed on a kind of leporello with different zoom stages for each side.
inspired by the film Blow Up by Michelangelo Antonioni.

2021 poster is composed of multiple colored layers. This poster is part of images that we regularly create in parallel to our commissions.

First I discovered Tame Impala when I saw amazing animation music video to the song named “Feels Like We Only Go Backwards”. I remember that I listen to this song again and again and it hooked me up. Then I listen to their whole discography, previous songs and albums. It was trippy, hypnotizing and blow my mind and I got addicted by them for a while. From this point I tried to express and illustrate my feelings on this poster. The LSD on the tongue resembling vinyl guides you to the parallel universe painted in psychedelic colors with its music.

From a posters serie exploring creation with curves only, in a single freehand stroke.
From Paper to Screen.

We took coffee Arabica and visualized 5 types of coffee connecting them to each other. Ingredients are separated by colors. Next, we illustrated them in a form of desert. We have solved the visualization issue of diverse types of coffee by transforming the desert landscape into corresponding color pieces. The coffee water was depicted in the form of clear blue sky, chocolate in the form of desert cliffs, milk in the form of light feathery clouds and foam milk in a more dense cloudy form. Camels and small oases betray an even bigger association of the desert. In order to show different types separately, we created a window. By rotating it you can find layers of particular coffee.

In Norse myth, after Ragnarok and the end of all things, the earth will sink into the sea and the world would end in fire and ice. It is very reflective of global contemporary issues as political and societal conflicts continue to grow more intense and the threat of climate change looms over everything. Norse myth also tells of a new earth that rises from the sea after the apocalypse, a vibrant and lush world of new hope, rebirth, growth and life. Hope and Rebirth represents the strength of change and the power of that hope, the focus on a Valkyrie standing tall and symbolic of a changing power structure as new progressive ideals emerge from the crumbling destruction of the old pantheon.

The Children of Loki is a series of collaged banners that use symbolic imagery as metaphors for modern day societal and political conflict themed around Norse myths. The series tells the story of the rise of the American post World War 2 generation and the coming conflict with the younger generation through issues such as widening income inequality, the rising cost of education, a growing Millennial voting base, climate change and eventual generational conflict. The imagery is structured around the Norse myths of Creation, the Mead of Poetry, the Golden Apples of Idunn, the Children of Loki, the Sons of Muspell, and Ragnarok.

The project “Reef” includes photographs of objects made by Wróblewska entirely of recycled disposable plastic (bottles, mugs, straws, cosmetics and food packaging, etc.). These objects represent the vision of future coral reefs. They were, intentionally, created as beautiful and colourful (reflecting colours of natural reefs) but their beauty is just an illusion. Plastic beauty is superficial and temporary with no life in it. Let’s remember that while making daily choices. Little things matter.

For most of us times are not easy right now and it just has to be true that all will be ok in the end. It is what I have to believe and what I want others in difficult times to believe.

I am submitting ten pages of poetry from a project called “Burnout Poems” that I began working on in February 2020 that was almost from the outset greatly molded and impacted by the pandemic. It is not “about” the pandemic but it is wholly informed by it.
It covers the topics of spirituality, gender dysphoria, trying to find good porn, anxiety, crystals, exiting toxic communities, Eileen Myles, social media, the pandemic, Sex and the City 2, the gig economy, healing from trauma, using writing as a coping mechanism and more.

2021 HYPNOTIZE : 6-Color Symmetrics Series.

My work stands between surprise and disappointment. I use the printing and painting tradition to set it against itself with its own means. I like the idea to put together elements from different physical dimensions, ages, meanings, flatten them on the same level with my scanner, and changing them by entering this continuous loop that doesn’t end with print, either with the paint. Space City has also been printed in large format 120×170 on tarp and exhibit in a gallery space, I like the idea to see this image in two different contexts and printed in different ways, again, between surprise and disappointment, due especially to the quality of the print, should it have stayed on my computer?

Project based on the printing of graphic clichés found in an old printing press of former companies that have already disappeared in Malllorca. Printed using the letterpress technique, we used an old wooden typeface for 2021. This work aims to pay tribute to the art of printing and bring back to life old brands and illustrations that were once part of posters and advertisements

In this project, I was asked to create playlists cover and to do so I had carte blanche. I wanted it to be colourful because music can make everyone happy, but also beautiful because music is an Art and the Art is full of colours. There are numerous genres of music: alternative, pop, classic, folk,… and each genre can be divided into subcategories and so on, music is also totally different according to a country and to its culture and origins. A Tibetan monk is probably not going to listen the same music as a grocer in Sao Paulo but music brings together. Music is personal therefore I wanted to have a different cover for each playlist and some abstract for it to be a personal experience.

Taken from the project “cornucopia”.
Cornucopia is dealing with abundance in times of isolation and restriction. The body of work is addressing photographic stereotypes as e.g. beauty, kitsch through recreated topics and setups like sunsets, selfportraits, flower still lifes etc.The aim is to scrutinise traditional procedures in photography and to bend the established aesthetics.

A gift that keeps on giving. Designed by Martin as a gift for Thomas house bar (the client: Julia, Thomas’ wife). Then, a limited edition was gifted to the visitors at the first Studio Mut birthday. Never stops making people happy. Available for the first time, here. The poster is printed in the original format 70 x 100 cm (27.5 x 39.4 in) and in the smaller format 50 x 70 cm (19.6 x 27.5 in) using on-demand digital inkjet technology for vibrant colours on matte paper. We tested the quality and are very happy with the colour reproduction.