Slanted Magazine #35—L.A.

Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around, the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists, and the shitty art museums … perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable!

The Slanted team wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. They would also have liked to see David Hockney, who fled the austerity and gray oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.

They hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. They spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra, and a number of other luminaries.

Slanted’s partner-in-crime Ian Lynam introduced the team to tons of great designers, artists and teachers, who all—really, all—when asked where their allegiance lies: with N.Y. or L.A., yelled “L.A.!!!” without batting an eyelid. You can find their brilliant works in the new issue, and a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free.

Illustrations, interviews, essays, and a huge appendix with many useful tips and the best Californian typefaces complement the issue thematically.

Slanted Magazine #35—L.A. comes along with contributions by Abstract Office, Another Human, Benjamin Critton Art Department, Caleb Boyles, Brand New School, BUCK, Burning Settlers Cabin, Kat Catmur, Counterspace, ELLA, Emigre, Raymundo T. Reynoso a.k.a. Eyeone, Ed Fella, Folder Studio, Forth + Back, Jens Gehlhaar, Shawn Ghassemitari, Ella Gold, Denise Gonzales Crisp, Green Dragon Office, Escher GuneWardena, Jamal Gunn Becker, Happening Studio, David Hartwell, Headline Records, Hennessey + Ingalls, Inventory Form & Content, Bijou Karman, David Karwan, Mr. Keedy, Udo Kier, Kevin Kim, Knowledge Design Lab, Lux Typographic + Design, LSD, Ian Lynam, MCKL, Maria Menshikova, National Forest, Kali Nikitas, nohawk, Hyu Oh, OH no Type Co., OOG Creative, Ara Oshagan, Hrant H. Papazian, Alex Pines, poly-mode, Robo, Zack Rosebrugh, Brian Roettinger, SEEN, Justin Hunt Sloane, Some All None, Still Room, Stink Studios, Studio BLDG, Daniel Sulzberg, Gail Swanlund, TOLO Architecture, Use All Five, Dameon Waggoner, Jiaqi Wang, and Yours Truly Creative.

In addition to this exciting publication, a limited special edition has been published and is exclusively available in the Slanted shop. It contains an enamel pin showcasing your love for a good read, and a super glossy notebook to write down all your ideas. If you subscribe to Slanted Magazine until May 31st, 2020, you’ll receive the special edition for free 😉

Last but not least: Thanks so much to everybody we met and who is part of this issue! Many thanks also to our supporters and sponsors, without whom the magazine would not have been possible in this form. Thank you very much!

Slanted Magazine #35—L.A.

Publisher: Slanted Publishers
Release: May 2020
Volume: 256 pages
Format: 16 × 24 × 2 cm
Language: English
Offset Printing: Stober
Silkscreen Printing: Seismografics
Paper: PERGRAPHICA® by Mondi Group
ISSN: 1867-6510
Price: € 18.- (DE) / € 21.- (International) 

BUY MAGAZINE
BUY SPECIAL EDITION

COVID UFO

This poster is actually a part of a short animation where about a week ago, The Pentagon released a U.F.O. video that confirms extraterrestrial life yet the government isn’t so sure what that is. While watching the video, I automatically linked it to COVID-19 as me & many others coped with the virus as this unorthodox being taking over. I coexist with COVID-19 just like a UFO.

Ichi-go ichi-e

“Ichi-go ichi-e” — “One lifetime, one meeting”

A Japanese four-character idiom that describes a cultural concept of treasuring the unrepeatable nature of a moment. The term reminds people to cherish any gathering that they may take part in, citing the fact that any moment in life cannot be repeated; even when the same group of people get together in the same place again, a particular gathering will never be replicated, and thus each moment is always a once-in-a-lifetime experience.

NO PROBLEM

The graphic design studio OOOZ Club and graphic designer Tanja Geltsch designed the Magazin NO PROBLEM with works from BAM Photographers.

Shot in Barcelona over a weekends time, the easy-peasy fashion & automotive related images portray Noé, Irina, and Frederic. The whole series entailed cruising around and shooting with the clique and the collectors car BMW M6 from 1986.

The aim was to create a bubble, an environment where people would feel such a “NO PROBLEM,” peer-to-peer interaction on set. The limited edition magazine includes the legendary extraterrestrial ALF that was hanging from the rearview mirror of the shooting car, wearing his most famous quote “NO PROBLEM” from the TV shows that aired on NBC in 1986 too.

To fit the visual language, OOOZ Club and Tanja Geltsch created a a unique and timeless design, added fresh colors and experimental layouts, which transfer exactly the vibe Ben and Martin of BAM Photographers created back in Barcelona.

Limited Edition
If you want to get the splendid Limited Edition, you have to follow the good ol’ALFER with some simple rules:
– Donate 35 Euro to “Learning Lions,” which is a non-profit organization in Eastern Africa and supports its ICT Education program that helps young adults to live a life full of better opportunities: www.learninglions.org/donate
– It’s easy, helps people, and you’re doing something really good … Plus, you will get a nice magazine instead of spending your bucks on another round of frozen pineapple margaritas on a Friday night. Or just do both. 🙂
– Send a copy of your gracious donation receipt and your shipping address to: [email protected]
– Receive the BAM ~NO PROBLEM~ L94 Limited Edition Magazine fresh out of the press.

NO PROBLEM

Title: BAM – NO PROBLEM – L94
Designers: OOOZ Club together with Tanja Geltsch
Authors: BAM Photographers
Editors: BAM & OOOZ Club
Publishers: Self Published
Release date: December 2019
Volume: 124 pages
Format: 210 × 297mm
Language: English
Production/Finishing: F&W Druck- und Mediencenter GmbH
Retail price (in €): Donation

Less Go

This work is about a feeling we all have. We are less able to go anywhere. But we’re also starting to recognize it may be better to go less and that super-fast growth may bounce back at us.
During quarantine, I’ve realized that doing less can be a positive thing.

Screenprint on paper (65×50 cm)

20+1

“20+1. Ein Vergleich von ausgewählten serifenlosen Schriften der letzten zwanzig Jahre.” is a study that was produced as part of the “Jahreskurs Typografie” (tgm Munich), led by Rudolf Paulus Gorbach, that captivates both with its content and its careful and aesthetic design: a comparative investigation of sans serif typefaces from the last twenty years.

In the first chapter the proportions of upper and lower case letters are shown. Chapter Two deals with the capitals of the twenty-one scriptures and Chapter Three with the common ones.

Twenty-one (20+1) fonts for one sans serif font each year! A book for all those who daily use sans serif fonts, who are perhaps still searching for the right one and who have always lost themselves in the small, fine but decisive differences, but also wanted to find them again.

Including: Quay Sans 1990, DTL Argo 1991, Myriad 1992, Scala Sans 1993, TheSans 1994, DIN 1995, Dax 1996, Corpid 1997, ITC Officina Sans 1998, Linotype Aroma 1999, FF Fago 2000, Compatil Fact 2001, PTL Manual Sans 2002, FF Unit 2003, FF Nexus Sans 2004, Monitor 2005, Phoenica 2006, Candara 2007, Museo Sans 2008, Secca 2009 und Carter Sans 2010

20+1

Publisher: August Dreesbach Verlag
Author: Manuel Kreuzer
Format: 21 × 30 cm
Volume: 144 pages
Workmanship: Swiss brochure
Price: € 18.–
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36.letterspace.amsterdam

letterspace.amsterdam usually showcases Amsterdam’s typography through informal monthly gatherings, lectures and presentations. However, with the 23rd edition of letterspace aligning with #36daysoftype and coinciding the height of the global CoViD-19 pandemic, the organizers decided instead to invite their speakers and visitors to push the possibilities of the OpenType Font Variations technique.

Typeface of the Month: Forever Grotesk

We are presenting our Typeface of the Month: Forever Grotesk by Nouvelle Noire, their contribution to the category of Swiss Grotesque typefaces.

The success story of the Grotesque typefaces began at the dawn of the 20th century with typographic workhorses such as Akzidenz Grotesk, Stein Grotesk, amongst others. In the 1950s Max Miedinger created the first Swiss version of those typographic multi-talents, named “Neue Haas Grotesk” (today Helvetica). In parallel, Adrian Frutiger published “Univers,” both globally recognized and becoming standard choices for designers. Since then the world hasn’t lost its appetite for Swiss Style Grotesque typefaces. Even so, over the years many amazing contributions have come in the form of Haas Unica, Theinhard Grotesk, and Akkurat, just to name a few.

Seventy years after the start of this success story, Nouvelle Noire is ready to make a contribution to this ensemble of outstanding type families. It took them some time to find a perfect form that fills the gap between simplicity and neutrality. They didn’t want to design yet another “neutral” typeface.

The designers have searched for shapes that are simple and which encourage the designer to create amazing things—and by the way make other people smile. Nouvelle Noire is calling this type family Forever Grotesk, celebrating a desire to keep just a tiny bit of the spirit of the original meaning “Grotesque” alive for years to come.

Forever Grotesk

Foundry: Nouvelle Noire
Designer: Anton Studer
Release: May 2020
Format: OTF, TTF, WOFF, EOT, Variable
Weights: Thin, Light, Normal, Medium, Bold, Black, Fat and Italics
Price: From 60.– CHF
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VIRUS

Every crisis is also an opportunity. Maybe we learn from the invisible enemy that we humans are friends. Maybe we learn to cooperate, not just to copying. Maybe we find more cohesion in this time of confrontation.

BLAH

Intervention on four advertising billboards where new posters was installed with the message BLAH, BLAH, BLAH, BLAH
The new posters were overlade on existing advertising from Scientology Church, Catholic Church and Political adv

Look With Another Eyes

Questioning, provoking, highlighting the forgotten and generating empathy is what the “look with another eyes” posters have to promote. The posters centralize those who are seen on the society margins in order to focus on essential services and questions about the situation of the poorest classes in this moment of crisis. The phrases surrounding the photograph are a plea for empathy, respect and admiration for these people. Grids, in a proportion that is not 100% respected, show a breakdown of the status quo and the tireless search of the human being to find a perfect formula.