Collaborative work made by Liad Shadmi and Choi Gunhyuk. Initiated from by Liad Shadmi, this work is a horizontal still version of an animation made with code and risograph, using the palindrome EYE.

was a series of sketches based on stereographic projection and quaternions. Here, it intersects with , a series about a mutant turtle too far from home.

is a series derived from experiments in drawing cube maps with ray marching. is a separate series exploring repeated 3D space, while using pseudo-randomness to create uneven variation. This work was a combination of the two.

In South Korea, some people hang images of sunflowers in their house or office, hoping for financial prosperity. May all who encounter this live a wealthy and happy life.

[Between the Strange and the Familiar: ODD82 Exhibition in Munich] ODD82, a Munich based collective of Korean designers, presents an exhibition exploring the shifting meaning of “home.” Moving between unfamiliar environments and everyday routines, the works reflect on how strangeness becomes part of a new normal. The artworks reflect a state that exists between adaptation and longing, between the familiar and the unfamiliar.

Logo lettering for the immersive musical
〈Cha-cha-cha Dimension, Reaching Another Dimension〉

Some people carry words in their hearts, while others choose to carry them on their bodies—I created this work with that idea in mind.

To celebrate Hangul Day, I participated in a Korean typography tattoo feature in GQ.

The visual was created based on a piece of writing about the phrase “Don’t be hurt” by Jang Ryujin.

I participated in the Jeonju International Film Festival exhibition 100 Films 100 Posters with a poster design for the documentary Fantasy by Isabel Pagliai.

Visuals drawn with ray marching while experimenting with drawing shadows, reflections. Originally made for the touring exhibition .

Key visual graphic design for the 2024 concert tour 〈LOVE〉 by Gummy.

“The best mirror is a friend’s eye.”

I expressed this proverb—reflected left and right like a mirror image—through the frame of a decorative metal mirror.

In a multilingual society, different languages seem to merge with each other. Future societies might encounter a singularity where multiple languages converge and explode into new languages.
Drawn mostly with code. Font VibeMo Pro from Morisa Fonts. Made for the poster exhibition .

A0 size version of the series. Originated from a sketch made while experimenting with drawing grids on spheres using ray marching. The series was initially made as a video on instagram, then as an interactive installation at a residency program , and as an image big enough for A0 size printing for a poster exhibition .

This is a Korean digital lettering work combining the words “Candy” and “Kkun.” I intended “Candy” to convey a smooth and sweet impression, while “Kkun” refers to a person who is highly skilled or accomplished in a particular task. Through this combination, I aimed to express the idea of someone who performs work in a refined and appealing manner. This work was exhibited in 2022 at the National Hangeul Museum.

I often spend time with my two sons, and we frequently talk about “farts.” When my younger son, who is seven years old, brings up the topic, we burst into laughter and build a strong emotional connection. “Fart” has become a joyful and playful subject in our conversations, strengthening our bond. The reason I chose the character “Bang” is to express these meaningful memories through my work, and I made a particular effort to reflect this experience in both form and color.

This poster was designed for the 2025 special program of the Daegu Independent Short Film Festival. The film title “PLANET SPOILIA” is arranged up and bottom, main graphics putted to center. The design features abstract graphics that reflect the film’s theme, primarily utilizing line-based elements.

Euljiro in Seoul, South Korea, has long faced issues of redevelopment and gentrification. This work is a graphic design contribution to the 2021 archiving project by Listen to the City, a group advocating awareness of these urban issues. While many activists address such topics, collaboration with graphic designers can enhance communication and make these issues more accessible and impactful.

This poster was designed for the 2020 special program of the Daegu Independent Short Film Festival. The title “SEIRE” is rendered in both Korean and Roman lettering, inspired by the visual language of traditional talismans. Reflecting the film’s theme—centered on events involving the dead—I chose the talisman as a symbolic object to represent the unseen spiritual world.

This poster was designed for a performance by the Korea National Contemporary Dance Company, titled “Dance × Technology.” The design integrates flexible and fluid lettering with imagery and symbolic elements that represent movement. These layered components visually express the dynamic interaction between dance and technology. The work was created for a performance held in 2022 at the Sejong Center S-Theater.

Poster design for the invited work at the Daegang Poster Festival: Falcon (Songgolmae) – Do Not Know and Lived the World (“세상모르고살았노라”). In reference to the song’s title, the eyes were removed to convey a sense of disconnection from the world.

Season launch poster for the Korean fashion brand holyof. Created under the title The Special People Club, it was developed for the season inspired by Todd Solondz’s Welcome to the Dollhouse.

A poster created by Joonghyun Cho to commemorate a party with friends after opening his studio in Seongsu-dong. This work marked the beginning of broader recognition for his practice.