This poster comes from a campaign created by our agency. After the first lockdown that started in France last March, the companies we were working with suffered an economic impact. That is why we took the decision to gift a billboard campaign in Strasbourg to our clients.

All the posters were designed with the same structure: a typographic frame that creates a link between all of them. Each poster also integrates the specific visual identity previously created for each client. This poster presents (dé)boutonné.e.s, a lovestore in Strasbourg. It combines a raster photograph for its eroticism to a typographic composition evoking the spank of a good smack on the bottom.

Alex’s strussle with different men in different places on the day she sives an important work presentation. All the problems Alex experiences are ones any woman could face.

The Ecstatic collection is focusing on women and the female body. Growing up with media and getting confronted with the permanent presence of female discrimination and sexualization, gender equality became an important topic in Julia’s mind. Being half German/half Persian, she was recognising soon differences between men and women in both societies. Julia wants to point out, that independent from culture, patriarchism is still a big deal in the 21st century. The Ecstatic collection visualize the future woman, celebrating freedom and the full control of her mind, body, and soul.

This jacket is made from upcycled sample and deadstock football goalie gloves.

collab with Antonin Faurel (https://www.antoninfaurel.com). Book distributed to Ésac students at beginning of the school year. The book is composed of 2 parts, one informal in black and white, the size of which is enlarged in the other in colors (yellow and 2 pantones) composed of applats and photos of flowers. It’s talking of questions of graphic design through images. Type: Pickle-Standard (1) and Elastik regular C; Print: Jelgavas Tipogrāfija

I made this poster on a weekend just messing around with overlapping shapes in different colors as a form of relaxation. Playing with colors is really fun and can lead to very interesting, unexpected results such as this one. I’m really happy that we can perceive them with our eyes and also experience them in nature in such a vivid spectrum. 🙂

Besides my commercial work I free my mind with very quick fashion sketches.

Key visuals for the open days of the Academy of Fie Arts in Warsaw, PL

The Case of Lost Curiosity was born when like minded people join the quest of exploration of the unseen in everyday life through the method of observation and co-learning.

This work is a mixture of layers of different mediums, a puzzle peace of a puzzle itself. Exploration point.

Ground Zero – a starting point for a New World

An inquiry into the relationship between human and nature in the age of the anthropocene. Multiple sculptures were constructed to produce new plants that are beautiful and colorful although “fake”.

An inquiry into the relationship between human and nature in the age of the anthropocene. Multiple sculptures were constructed to produce new plants that are beautiful and colorful although “fake”.

Environmental Blindness due to Covid 19 (see the green).

Poster for a tragic comedy. Derived from the director’s statement: “Reality doesn‘t have to be grey and cruel. It can also be colourful and cruel.”

Poster for the club’s anniversary party, commissioned by Robert Johnson

Meta Marathon’s 2020 edition revolved around „Cyborgs“. Visitors would have been able to experience an array of cultural performances, lectures, installations and workshops – 42 hours, non-stop. The festival at NRW Forum Düsseldorf, scheduled for May 22–24 was cancelled. The essence of the identity is one of the crucial differences between machine and human. While human beings emit heat naturally, the temperature of metallic machines heavily depends on their surroundings. By utiliting the style of thermal imaging devices the union of human and machine as cyborg could be visualised in different ways, from slight body modifications to whole external limbs …

Key visual for festival of organ music in Legnica.

In the United States, it is common to hear people say “I don’t see color,” when it comes to race. They think that being “color blind” means they hold no bias. But ignoring race means ignoring racism. Recognizing racism means acknowledging the history of structural oppression and implicit bias. “Redlining,” for example, names discriminatory practices in housing, lending, and other services that systematically put poor and poor Black communities at a disadvantage. Typography in this composition becomes topography. It is a political message that aims to express that color, in more ways than one, matters.

Colour Calendar is a book of colours to hang on a wall, to change when the mood strikes, the sky turns, or the seasons change.

The project brings the customization and self-expression facilitated by digital products into a physical object, while giving new purpose to an object made obsolete by digital technology.

Each page is screenprinted with a custom blended colour, rendering colours in intensities far beyond what can be achieved with standard printing techniques.

Stay together, stay happy – this image of a couple is my interpretation of lockdown and self-isolation.

In “In Time” work, the time of the book is represented by the color of its pages. The intensity of the color indicates the distance of time in space. The closest one to the present is the lightest one. Books that moving away from today increasingly gets darker. The darkest one is the oldest one. Books on the shelf -that representing these 30 different moments-, shows the reader a time interval in a single glance.

Production Technique and Material of the Artwork:
30 books collected from second-hand booksellers, metal shelf.

Dimensions of the Artwork:
48 cm x 23 cm x 16 cm

Year: 2019

The Memage series -in which the name derives from the combination of “memetic” and “image”-, is based on recording the colors of things encountered in daily life. Each photograph in the series was produced with the action of taking pictures with mobile phone without any artificial lighting or editing afterwards. Each picture was named with the digital data registered on the phone. These images are grouped as a reference to the light spectrum, grayscale and color contrast principles. This project is a personal image diary that investigates the registration and representation of colors which have been taken at different time intervals and different locations since 2018.

Panopticon Color Wheel is built on the model named Panopticon idealized by the British philosopher Jeremy Bentham. Panopticon is an architectural model of a prison which aimed at keeping large numbers of people under surveillance. This model is structured in a ring of single-chamber cells. According to French philosopher Michel Foucault, this model constitutes the functioning logic of many basic institutions of modern society such as schools, hospitals, prisons, factories, etc., and shapes human thoughts by systematically identifying them. This artwork is criticizing the system of academia’s “fundamentals and principles” of art and design education by referring to the Foucault’s thoughts.