This is an experimental typeface that Alice has been working on. It’s still a work in progress, but Alice has already created promo posters for it. The idea is quite simple, to have a typeface that contains only a simple star element.

FamilyTree Letter Type is a research project designed to explore alternative digital vector tools. I try to follow the logic of the tool and explore new styles of writing. Like a typographic rodeo. To tame the tool and bring out its wild nature.
FamilyTree font includes uppercase and lowercase letters, massive collection of ligatures, initials, and endings. Support Latin Basic, Western European, Central, and South Eastern European languages.

Aurinko is a display typeface inspired by a sunflower meadow.
The free and curved shapes are intended to capture a positive, natural and free mood that is reminiscent of sunflowers.
The font styles Saat (seed) and Wiese (meadow) make Aurinko a variable font.

Music/Form is an ongoing self-initiated project called to explore relationship between musical pieces and letterforms. Discovering different aspects of music (pitch, duration, texture, character etc) and expressing them via letterforms by experimenting is a key goal of the project.

During her work time at the youth club, Cora spent a lot of time with cards and board games. During one of many miserable attempts to introduce her favorite game Bonanza to the children, she played around with the cards and noticed the graphic, random top view of the cards. This led to her first typographic experiments with this randomization and her fascination for coincidence in design.

This is a poster and lyric video for a song called Bug Like An Angel written and sung by Mitski. The song is about addiction and bad habits. The typeface used for this project is the sophisticated Times New Roman. My goal of running the type through water is to show lack of control of something stable. I included handwritten words, for it is a form of design susceptible to error and change. I used misprints for the paper and texture to come alive and fully speak to the meaning of the song.

Exploring the influence of analog tools on design, the project “Type Tools” examined everyday objects for their design potential. What shapes and structures can these tools create, and how can they be used in typography?
During their first semester with Sandra Doeller at HS Mainz, students created 19 typefaces (A-Z, 0-9) through analog experiments, which were later used in poster designs. The project encourages discovering new design possibilities by breaking with conventional methods.

The project visually presents the generations through their handwriting. The experiment contains writings of sixty people aged between six and ninety-two.

The creation of the letters and digits of the English alphabet are a group activity. Each character was made with the signature of ten people. The letters are turned into sentences and texts as the individuals assemble into generations and society.

Consularies: Dr. Erdei Krisztina, Drs. Kolcsár Zsolt

The observation of trabucchi, ancient fishing machines typical of a part of the Italian coast, led to rediscovering a chaos of languages generated by elements that came from the past. From the analysis of the traces they left over time, a new system of communication was generated. How would a trabucco communicate today? According to tradition, an opportunity for dialogue with the community was held on Sunday lunchtime, when fishermen and their families gathered on board by setting large tables.

Letter explorations focus on playing with individual letter shapes through repetition and colour blends to discover patterns, textures, and shapes. This exercise helps create design assets that will be useful in future projects, whether for posters or layouts.

The poster was created in the process of learning, improvisation. I created the letters out of duct tape, and put together a word that came to mind. I decided to rhyme the other words on the poster, to add hand drawn typography. I wanted to create something that was both pessimistic and benevolent, as I was feeling at the time

As lover of vintage typography, complex and intricate art has always appealed to Anton. But in the era of shortened attention spans, there is less and less interest in creating time consuming graphics. This thinking gave him the idea of exploring intricate typography in a new way.

In a bid to preserve his love to vintage typography, in the last year’s #36daysoftype10 project Anton was aiming to explore a symbiosis of old and new.

I created the poster as part of my creative learning process, it was originally intended to be a theater poster, so I created experimental letters using stencils, shapes of a pocket folding knife my grandfather gave me as a child, cut pieces of wet wipe packaging, yes, even that. I wanted to portray Othello’s jealous, passionate and fiery nature

This poster is the outcome of a design exercise where I’ve been investigating type as a visual element. It’s part of a broader series that delves into the theme of nature.Combination of experimental typography and typeart create a whole image where all elements are constructed with type. In the poster ‘The Universe,’ I recreated the flower using type art. In this poster, I use a single quote for all elements, serving as both the title and the type art.

This poster is the outcome of a design exercise where I’ve been investigating type as a visual element. It’s part of a broader series that delves into the theme of nature.Combination of experimental typography and typeart create a whole image where all elements are constructed with type. In the poster ‘Flowers,’ I used transformed graphic elements to create the letters. In this case, the individual elements combine to form the typography.

This poster is the outcome of a design exercise where I’ve been investigating type as a visual element. It’s part of a broader series that delves into the theme of nature.Combination of experimental typography and typeart create a whole image where all elements are constructed with type.

In the poster “How is the weather inside you?”, I recreated typical weather forecast graphic elements using typography, where each letter symbolizes a different weather condition.

While many creators, designers, and artists are hesitant to use AI in their work due to copyright concerns, Anton is exploring how to incorporate this technology into his projects. He experiments with shapes and textures to create entirely new, unique type designs.

While many creators, designers, and artists are hesitant to use AI in their work due to copyright concerns, Anton is exploring how to incorporate this technology into his projects. He experiments with shapes and textures to create entirely new, unique type designs.

The typeface Byblis shows the moment of transformation of the eponymous figure from greek mythology. Ovid’s work “Metamorphoses” served as a basis. Byblis is in love with her twin brother Caunus, but he rejects her. She then goes mad and pursues him for a long time until she collapses exhausted and wets the grass with her tears. The nymphs try unsuccessfully to help her and finally create an inexhaustible spring and Byblis spills over in her own tears.

_I_I_ is a clock concept developed as part of a typography course under the supervision of Christian Hoffelner at the University of Arts in Linz. _I_I_ features a clock face where each digit of the font corresponds to the degree of the clock hand.

30° — 1.
60° — 2.
90° — 3.
120° — 4.
150° — 5.
180° — 6.
210° — 7.
240° — 8.
270° — 9.
300° — 10.
330° — 11.
360° — 12.

The “Artificial Type Archive” showcases the synergy between human creativity and AI, fostering a dynamic dialogue between the two. It serves as a platform for designers seeking inspiration and understanding AI’s creative potential. By leveraging AI to generate letters through three distinct models and prompts, it unveils uncharted typographic possibilities. This project highlights technology’s role in inspiring creativity and chronicles the advancements in AI’s typographic capabilities.

In his works, Wolfgang Herbold deals with scientific and technical image strategies.
The unexpected, surprising and unexpected is provoked from the most diverse digital possibilities.
One element of his working method is the causation and experimental triggering of accidents, incompatibilities and malfunctions,
be it in the exchange between digital programmes, be it in the constant change between digital work
and other techniques such as drawing/painting, as well as within a technique.

For the the first artwork it represent the desperation that has been in me for a quite some time. the best savior during a hard time is ourselves. and how can others save us if we ourselves are already desperate. the second artwork is one of the experiment series that i did, themed flyer for a rave event

In his work, Wolfgang Herbold deals with scientific and technical image strategies. When analysing the letter “M”, it was discovered that it contains other letters.
To do this, it was analysed, broken down and lines and surfaces were shifted in its structure.
From this we can derive the formula M = A = U = W.