This poster was created for the “B/W Signals” exhibition at Museum Head. Grounded in the idea that black and white emerge from the combination of many hues, the design uses multicolored typography to assemble the letters of “B/W Signals,” which collectively form a larger black-and-white rendering of the same text.

Designed by deconstructing and reassembling key imagery from the exhibitors.

An A2-sized Risograph archive leaflet for a strawberry culinary experience.

I directed the graphic design and print production, while also contributing to the docent-led program. The leaflet introduces seven strawberry varieties through the lens of their environment and history. At the event, the self-standing cover acted as a visual anchor, adding texture and depth to the venue atmosphere.

This poster explored the arrangement and perspective of “Doing Feminism, Writing the World” in Hangul (Korean) and English. It was designed to promote the conference “Doing Feminism, Writing the World,” hosted by the Academic Society of Feminism and Korean Literature in Seoul, South Korea.

”From Sharp to Rounded“ is a book that documents the entire process of the exhibition ‘From Sharp to Rounded’—from its preparation and the creation of artworks to installation, dismantling, and beyond. The book details the transformation of a tire shop in Geumcheon-gu, Seoul, into sculptor Hyejin Noh‘s studio, where artworks were created, and later into an exhibition space. It includes the artistic process, exhibition views, and conversations between Hyejin Noh and art critic Hanbum Lee.

Dorkache draws inspiration from traditional Korean folk art depictions of the tiger — a creature rendered across centuries as both fearsome guardian and comic protagonist. That graphic boldness is translated into digital maximalism: stark black forms, cycling neon palettes, and relentless motion fracture and reform across the frame in a work that never rests. The tiger blinks back at the viewer, its eyes shifting through spectrums of color, alive and unpredictable. Above it, the sun and moon cyc

An A2-sized Risograph archive leaflet for a strawberry culinary experience.

I directed the graphic design and print production, while also contributing to the docent-led program. The leaflet introduces seven strawberry varieties through the lens of their environment and history. At the event, the self-standing cover acted as a visual anchor, adding texture and depth to the venue atmosphere.

The two cities press their lands together. Beneath the ground, history flows like blood. I have seen Seoul as my own body and claimed that body through images. With this body of the city, I encountered Berlin. Its colonial past evoked resentment; its division, empathy. This love-hate
obsession led to a visual crossbreeding of the two cities. I imprinted the process onto paper, leather, and metal—through photographs, video, and typography. The book was exhibited as an independent artwork.

This is a poster for a jazz performance held at Jazz Club “Muddy” in Gunsan. To emphasize the bass-centered jazz trio, the four strings of the bass—its defining characteristic—were expressed typographically in the design.

“Finding Kim⛝⛝” is a book that explores the gap between the self and one’s public image.
It compiles and curates images of Kim Nayeon as interpreted through the eyes of others.

This book offers readers a small opportunity to reflect on the relationship they have had with Kim Nayeon and the image through which they have viewed her.

TT Seoul 80th Liberation Anniversary Exhibition: “So It Unfolds” – Exhibition
[Intersecting Traces] 1945 to 2025, the intersecting timeline traced through remnants connects the past, the present, and what lies ahead.
Revealed through a layered and complex composition, both physical and deeply subjective.

The protagonist, Jung-su, endures anxiety by twisting his body, clenching his fists, and pacing back and forth. For some reason, this brought to mind a Hi-Tec pen—drawing thin, unstable lines until it eventually wears away and vanishes. Jung-su’s anxiety will be much the same. A heart that held only weight without substance will eventually fade into nothing.

〈Abnormal Orbit〉 is an exploratory log that likens individual identity to an undiscovered planet. Organized into five categories—love, family, education, job, and age—it brings together the narratives of about fifty participants. Through these stories, the project aims to highlight that even outside an expected orbit, every life carries its own direction and inherent value.

This project was developed by the designer, inspired by traditional door knockers found on large wooden gates of palaces and hanok architecture in Seoul, Korea. Referencing the Goblin-shaped knockers, the design translates their form into a smartphone ring accessory. Beyond their practical function, these figures traditionally serve as guardian symbols believed to ward off evil and bring good fortune. The project reinterprets this cultural meaning into a contemporary everyday object.

This is the for Masterplan Studio, a design studio inspired by geometry and architecture. It features a modern graphic design reminiscent of architectural drawings. *This is a self-initiated project developed by Masterplan Studio for our own branding.

This is the for Masterplan Studio, which centers on the two keywords of ‘plan’ and ‘design’ derived from architecture. It features a modern design using our unique mix of illustrations and typography. *This is a self-initiated project developed by Masterplan Studio for our own branding.

This is an LP (vinyl) package design by Masterplan Studio. Inspired by Samuel Beckett’s Quadrat 1+2 and reinterpreted as ‘Doom or Burn,’ it explores religious aesthetics and geometric movement. *This is a self-initiated project developed by Masterplan Studio for our own branding.

Inspired by culture and tradition, Chair 11 was combined with a contemporary form, resulting in a harmonious collaboration with the wonderful furniture brand — Garagegage. For this reason, I wanted to merge the modern silhouette of the chair with a folk ornament. Continuing the idea of lightness, I turned to the motif of clouds. I proposed a four-color palette that I frequently encountered in Korean temples during my travels.

A project for Graphic Methodology at D-hak explored connecting a random keyword—mine was “tomb”—with a ship. Over a month, I worked through the concept through sketches and iterations.

A tomb signifies stillness, the end of life. With an oar, it gains movement, and what was still begins to move. What seems like an end becomes a beginning. Like a ship ready to sail again, the tomb marks the start of another journey. The ship is a tomb, and the tomb is a ship.

This is an LP (vinyl) package design by Masterplan Studio. Inspired by Samuel Beckett’s Quadrat 1+2 and reinterpreted as ‘Doom or Burn,’ it explores religious aesthetics and geometric movement. *This is a self-initiated project developed by Masterplan Studio for our own branding.
Black-and-White Photography Copyrights for Samuel Beckett

For the 2024 S/S season, Saint Pain collaborated with graphic design studio Triangle-Studio on graphic T-shirts. Triangle-Studio’s identity, which features diverse visual tones centered on graphic identity and brand design, is fully reflected in the typography and graphic-focused T-shirts. The shoot took place at (1)by3 First by Three, a cafe operated by Triangle-Studio, completing the collaboration of brand × design × space.

Yongdap Station is split between a market (Exit 1) and nature (Exit 2); we defined these as ‘Reality’ and ‘Fantasy’ zones. The Reality Zone features typographic experiments on personal worries, while the Fantasy Zone captures dream-like imagery. Separated by a thick Foamex center representing a concrete wall, the book reads bi-directionally from both ends. This structure is a tactile attempt to communicate the boundary between heterogeneous spaces through physical materiality.

This is the ‘Post-card’ collective series by Masterplan Studio, created by mixing and recombining unrelated black-and-white photographs. *This is a self-initiated project developed by Masterplan Studio for our own branding.

I developed the logo based on the iconic form of the chair for the wonderful furniture brand — Garagegage — this shape became the foundation of the typography and set the overall character of the visual system.