“Ture Téhéran” celebrated the anniversary of the Argo factory’s establishment in 1930. The factory, which is now a contemporary arts museum, used to be the oldest brewery in old Tehran. The event featured fashion, exhibitions, live music, talks, drinks, and a party.

The message on the label shirt for Klinika Records is an anti-statement about the thriving techno scene and and relativizes the cult status of some techno stars. Words by Horkheimer. Klinika Records is a techno label for hypnotic, dark techno without borders and was founded in 2015 by the Ukrainian duo Klinika.
One color screen print on the front, and the back. Vegan, and PETA-conform. 100% organic cotton.Oversize boxy cut.

Love is Extrabold; This project aims to showcase the word “Love” using Persian letters in a bold and contemporary style to create a heavy and outspoken typeface. Studio Melli has created a collection that takes inspiration from the names and fascinating stories of lovers and beloveds in ancient Iranian art including tales, poems, and paintings. Anyone can fill in the blanks with their name and their lover’s name.

Die MONO Crowd Limited Edition besteht aus 48 Unikaten, die in Cooperation mit Matrix Basel von Hand bedruckt wurden. Aus der Idee, das Pre-Order-Stricklabel MONO zu gründen. Jeder Pullover trägt ein Stück der vier Buchstaben M–O–N–O. Mit „Ich möchte Teil der Mono-Bewegung sein“ manifestierte MONO 2021 neue Ansätze in der Nachhaltigkeitsfrage: Nur noch herstellen, was bereits gekauft wurde. https://crowdfunding.ichtragmono.ch

A series of 10 cyanotype scarves were designed, produced and tailored by hand with fully analogue methods. On the fabric itself, you can see the shadows of written letters, addressed to a person called Esther. Some letters are readable, other parts are more abstract and reduced to a purely typographical interpretation. Each of the 10 scarves has its own part of Esther’s story. Cyanotype is a chemical process and early form of photography in which UV light transferred negatives to the textiles.

The aim of this project is to show how long our clothes actually stay on the earth. Which material takes the longest to decompose? Will your sweater outlive you? Or will it disappear after just a few weeks? Show it through your label! Simply enter the necessary information in the label and make a statement.

A T-shirt collection where positivity meets minimalistic style with a twist. The thoughtful lyrics are printed upside down, so people can read it while wearing. Each shirt harbors a hidden message in it’s sleeve, urging wearers to take risks or embrace bravery. The clean design contrasts with the emotional impact of the words, and vibrant colors accentuate the uplifting lyrics. A positive and optimistic message for the wearer only, without being too obvious for surrounding people.

This piece pays homage to the timeless Times New Roman font, exploring the essence of clothing in a playful manner. Each person is encouraged to unleash their creativity in styling this ‘A’. Whether paired with a classic blouse for a sophisticated look or dressed down to add a touch of excitement to everyday wear, the possibilities are endless. Why settle for printing messages on fabric when you can wear them? The ‘A’ represents the beginning of the alphabet, universally understood, symbolizing

Yves Sweater Collection was born from the idea that typefaces should not only be used on paper, but that everyone should be able to wear their own favorite letter on their body. The used typeface Yves is a geometric sans serif font that is characterized by its striped elements. Stripes also serve as a stylistic element for the packaging design and web presence. Choose your favorite letter!

The LAZY project explores the interplay between content, design and type design with that font selection. It is about how design decisions can contrast with content. The sharp yet dynamic lines contrast with the meaning of the word, making LAZY a decorative element. Transferring the letters to fashion adds an extra dimension and makes the font dynamic on a three-dimensional object. The visual tension between word and design stimulates conversation and transforms the hoodie into wearable art.

Studio Melli collaborated with a local brand in Tehran to create a unique design based on old Iranian stories. The design is inspired by the tale of Obed Zakani’s cat and mice, which is an allegory of human life situations. The objective was to create an imaginative and controversial atmosphere of conflict between the cat and mouse, using Persian and Arabic letters and elements that evoke the state of war. It was published as a series of limited edition one-color silk screen prints on t-shirts.

The collection “Yves Summer Shirt” consists of 26 T-Shirts with all letters of the alphabet in three colour variations. It was born from the idea that typefaces should not only be used on paper, but that everyone should be able to wear their favorite letter. The used typeface Yves is a geometric sans serif font that is characterized by its striped elements. Stripes also serve as a stylistic element for the packaging design. The color combinations make us dream of strawberry ice cream &limoncello

In this typography-focused crochet project, I’ve interpreted the bold curves and sharp edges of gothic calligraphy into the fabric of a scarf. The phrase emerges with striking clarity, each letter meticulously designed and crocheted to maintain its distinctive shape. Through the craft of yarn and hook, the essence of the typography is captured, creating a wearable piece of art that demands attention and invites exploration of its intricate details.

“Test Print” consists of five self-taught screen-printing friends, which carries out mandates for the art and design worlds as well as self-initiated projects. The mix between comissions & made-up visuals blurs the boundaries between these fields, changing the status of the so-called test prints (the tests on prototype fabrics before the final prints), bringing them to the forefront and happily adding extra layers to them in order to achieve charged compositions bordering on abstraction.

Who tells us what fashion is? Who decides when you are fashionable? Isn’t it more about feeling and radiating fashion? Isn’t it more about the attitude than the clothes themselves?
It’s certainly fun to let off steam in the fashion world and create looks that have a common thread. But isn’t it more about feeling good in your own fashion? Feeling good inside and showing what you want to show. Fashion can get under your skin, merge with you and embody you. You decide how you feel in fashion.

Temporary Hardware is a series of 3D printed, typographic fashion accessories. Overall shapes and functional parts are based solely on typographic elements. The chokers shown here are the first in-progress test for the series, which is intended to include rings, bracelets, necklaces, and other accessories.

Fonts used: AUTHENTIC SANS by AUTHENTIC, Basteleur by Keussel via Velvetyne Type Foundry, Isenheim by Benoît Ferran via Tunera Type Foundry.

Musa del Asfalto is a brand of typographic scarves. Our second collection is called «BONDI», the slang used in Argentina for buses. Our scarves honor one of the most cherished public transport systems by «porteños». The overall surface design and typography is inspired by their colourfulness’s and graphic traditions, that go back to 1928. In our scarves collections we depict different ways of touring the letters and history of our beloved city, being travelling by BONDI a beloved one.

Musa del Asfalto is a brand of typographic scarves. This project derives from a sister one called «Letra Capital»: our typewalk tours in Buenos Aires. The overall designs are inspired by our discoveries while researching and conducting tours. The lush landscape and letters of Buenos Aires became our muse. A kerchief is not only a fashion accessory, but also a vessel for deeper meaning. We think of our relationship to the city as a correspondence; and these scarves are a love letters for her.

Layers makes garments and textiles that reflect a lifestyle of culture and style.
Through an interpretation of Eastern typography and visual language, Layers crafts unique, civilized designs for inspired people.


Layers makes garments and textiles that reflect a lifestyle of culture and style.
Through an interpretation of Eastern typography and visual language, Layers crafts unique, civilized designs for inspired people.

A fashion project has been created focusing on extinct animal species from the past year. This hoodie, for example, serves as a memento to the Guam Flying Fox. Red crosses symbolize the Red List of endangered animal species, while irony and black humor emphasize conservation urgency, like the phrase “Available after 2024.” “RIP” now signifies animals continuing to roar in heaven – or paradise. Although fictional, this project could raise awareness and support conservation if realized.

55555 is not a typeface, but a structuring machine!

This open modular system uses the unicode classification order to turn a simple font file into a controlling tool for all visual applications.

based on a simple 5×5 grid, providing more than 400 glyphs for latin and cyrillic script + numerous graphical elements, wildly combinable in an almost infinite manner.

Layered on silk; digital repetition and haptic sensation; first in a series of wearable pieces.

This tag embodies the interplay between destruction and construction, presenting a fresh concept for those in need of inspiration. Conceptually, the work appropriates elements with a strong recognizable aspect and translates them into a new context. By using a familiar guiding system as a tool for communication, this manual gains a strongly accessible character, motivating a straightforward approach to creativity. The headpiece works as an example for translating this idea into reality.

This project questions the traditional narrative that places blame on consumers for the harmful impacts of fast fashion, rather than holding accountable the corporations and regulatory agencies responsible. The fashion industry has become synonymous with overconsumption and waste, yet the burden of responsibility is too often placed on the individual consumer rather than the companies producing these harmful products.