An attempt to make CPFW’s visual identity visually original. By going away from the modern logotype in a black san serif.

Between Protest and Poetry is a flexible protest-kit comprised of jackets with a hanging system and removable cardboard letters – making it easy to create different messages as forms of demonstration or daily poetry.

When you look at this poster, you are a free bird that flies over a free Ukraine. You can see steppes, mountains, and rivers. You can fly very high or go down and almost touch the ground. You can speed up so the image below will blur or slow down and hover above the ground, examining all the tiny details.

This poster is a flight of your imagination that can last as long as you want.

The new jersey for Stuttgart Art Academy’s football club was designed using a fully typographic approach. A white jersey, custom letterings and numbers form the teams identity.

The longest journey typographic illustration for a fashion show

Gold swim wear typographic illustration for a fashion show

3VC typographic illustration for a fashion show

This project was Haocheng’s research during his time in Belgium. He seeks to explore the dynamic visual language of bodily movement, capturing the structure between typography and the human form, while also delving into the emotional resonance of bodily expressions. Through collaborative efforts, Haocheng engages in cross-disciplinary exploration, collaborating with costume designer Bingyan Wu to push the boundaries of experimental design.

All Knit, No Quit on these custom Crew Socks made for the Designer who knows that (Point) Size Matters.

I created this bandana as a way to stay optimistic about the future. We were living in a time where masks were essential to everyday life. But I was hopeful there would be a future when we would not need them. This bandana was designed to have a life beyond the pandemic and could be worn over your face, around your neck, on your head or simply displayed as art on the wall.

This project was Haocheng’s research during his time in Belgium. This project aimed to explore body consciousness. It seeks to explore the dynamic visual language of bodily movement, capturing the structure between typography and the human form, while also delving into the emotional resonance of bodily expressions. Haocheng engages in cross-disciplinary exploration, collaborating with costume designer Bingyan Wu and model Anna Potsiluyko to push the boundaries of experimental design.

Keep yourself, your friends, your family and your pets(?) warm with this eye-catching tricolor scarf. Displaying its potential of detailed and varied glyphs, BT Flimmer adorns this scarf with its unique letters. On one side the letters are upscaled and are only shown in fragments. On the other side the full name of the Typeface is written out. The tricolor scarf is knitted with green, white and black acrylic yarn.

Woven typographic handmade rugs, as part of a campaign to raise awareness to the polluting fashion industry and Shopping addiction during Copenhagen Fashion Week.

The campaign took place in ILLUM, A shrine of consumer culture and shopping, located in the center of the world’s longest shopping pedestrian street.

read more here: https://rotemcohensoaye.com/FASTFASHIONKILLS

One year anniversary T-shirt design for the German record label TAU using a beta version of my custom typeface UNKNOWN. T-shirts are purchasable here. Photography by Felix Krüger.

Rüdiger Schlömer is a graphic designer, educator, and book author based in Zürich. With Typeknitting, he explores the typographic potential of hand knitting techniques. As a dialogue between digital typography / type design and the analog craft of knitting, this results in knitting patterns, posters and typefaces. His book “Pixel, Patch und Pattern. Typeknitting“ received a Certificate of Typographic Excellence from the TDC New York. He gives workshops in schools, museums and knitting festivals.

DRP is a festival that celebrates urban culture and takes place in Paris. For this occasion, they ask Marc Armand to create the poster for the event. He decides to pay tribute to urban fashion and draws inspiration from the iconic fabrics and materials that compose it (jacquard, puffer jacket, all-over monogram), and creates various DRP logos. Laura Le Gal then develops these logos both as motifs and patterns on different materials to create a sort of clothing market heap.

Emerging out of a font designed especially for MIGLĖ by the Berlin-based graphic studio Hanzer Liccini, Letterchain is a collection which fuses jewellery with typography: a classic curb chain metamorphosizes into letters and symbols to form names and words.
Available in silver and gold, three customizable jewellery pieces – necklace, bracelet and earring – come with the dowloadable Letterchain font, combining the digital and the analog.