Dieter Fuder. Der Funke der Semantik. Designtheorie als Erkenntnismethodik

Dieter Fuder. Der Funke der Semantik. Designtheorie als Erkenntnismethodik

Published by Queredo-Verlag
240 pages, 21 × 28 cm, german
Facts
Lessebo design smooth 130g/qm, Hardcover, Thread binding

For a period of two semesters a seminar worked on a congenial enquiry and reprocessing of both research and teaching of Prof. Dr. phil. Dieter Fuder (1947-2011).
The aim was to clarify the metareflexive view of his teaching. The dialogue of text and picture follows a logic which refers to the second view and invites to …

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For a period of two semesters a seminar worked on a congenial enquiry and reprocessing of both research and teaching of Prof. Dr. phil. Dieter Fuder (1947-2011).
The aim was to clarify the metareflexive view of his teaching. The dialogue of text and picture follows a logic which refers to the second view and invites to discourses. The photographs serve as catalysts for broader images.
“visualize what makes you think”
Dieter Fuder defined the sparks of semantics, the imaginary significant, as a blank in the image thus challenging the observer’s process of reflection transcending the mere transmission of information.
Project manager: Prof. Irmgard Sonnen
Photography: Kathrin Tillmanns (accr. Designer)
Students: Anna Gepting, Bianca Gorny, Kristina Hapich, Maja Hoffmann, Julia Kehlenbach, Daria Kruschinski, Letizia Margeritha, Sirin Simsek, Annika Strathmann, Tobias Textor

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