FRONT KIT developed the verbal and visual identity of “2022 Dear Seohaean.” Seohaean, the west sea shore of the Korean Peninsula, has one of the world’s most significant tidal flat ecosystems — a UNESCO World Heritage site. The title contributed to building emotional connections that motivate people to protect the sea and its marine life. The main graphic was created by pixelating the coastline, translating its sea, mud flats, and land into a vivid color system with variations.

Polish fine art photographer Marcin Ryczek gained international recognition when his work “A Man Feeding Swans in the Snow” went viral in 2013. FRONT KIT developed the identity, key visuals, and spatial design for his first exhibition in Korea — drawing on the Korean aesthetic of ‘yeobek’, the beauty of empty space. FRONT KIT created unique typography inspired by the photographs and used a dividing line — symbolizing coexistence, contrast, and harmony — as a central motif throughout the design.

Deodeok, a root vegetable found across East Asia, is only used as food in Korea. “Deodeokmong” was created to promote its diverse potential. FRONT KIT developed the naming, logo, graphic, and space design. The logo was derived from the silhouette of bundled deodeok roots, transforming their organic form into a bold graphic symbol. Through this branding, Deodeokmong has been selected as a Korean Souvenir and received a ministerial award, establishing itself as a representative Korean brand.

Intense Difference of Its Own was an exhibition commemorating the 60th anniversary of diplomatic ties between Korea and Canada. The exhibition explored the world of artworks by disabled artists from both countries. FRONT KIT developed the main graphic by intersecting and overlapping different shapes — each representing the distinct perspectives of the artists, coming together as one unified form. This graphic was applied throughout the posters, invitations, and spaces as an integrated visual.

FRONT KIT Blue Dragon Card is designed to carry wishes of happiness and success. In ancient Korea, ‘blue’ meant ‘birth of life’ and ‘east’ meant the ‘source of light’, and the blue dragon was considered the guardian of the east and the symbol of good fortune. This card carries encouragement, gratitude, and greetings for the various moments in our lives — holding gifts of money or cards within the dragon’s form. A red hologram adds contrast in color and texture, while the envelope features silver

FRONT KIT Blue Dragon Card is designed to carry wishes of happiness and success. In ancient Korea, ‘blue’ meant ‘birth of life’ and ‘east’ meant the ‘source of light’, and the blue dragon was considered the guardian of the east and the symbol of good fortune. This card carries encouragement, gratitude, and greetings for the various moments in our lives — holding gifts of money or cards within the dragon’s form. A red hologram adds contrast in color and texture, while the envelope features silver

FRONT KIT Blue Dragon Card is designed to carry wishes of happiness and success. In ancient Korea, ‘blue’ meant ‘birth of life’ and ‘east’ meant the ‘source of light’, and the blue dragon was considered the guardian of the east and the symbol of good fortune. This card carries encouragement, gratitude, and greetings for the various moments in our lives — holding gifts of money or cards within the dragon’s form. A red hologram adds contrast in color and texture, while the envelope features silver

What represents our time is not numbers, but the pieces of life we create. Therefore, FRONT KIT Block Calendar is made of a non-linear arrangement of 12 blocks. These blocks are not about seasons, holidays, or deadlines, but rather the moments we will shape. Instead of following a series of time periods, let’s enjoy the year as accumulated pieces of life. FRONT KIT hopes that your calendar will be filled with meaningful pieces of life.

What represents our time is not numbers, but the pieces of life we create. Therefore, FRONT KIT Block Calendar is made of a non-linear arrangement of 12 blocks. These blocks are not about seasons, holidays, or deadlines, but rather the moments we will shape. Instead of following a series of time periods, let’s enjoy the year as accumulated pieces of life. FRONT KIT hopes that your calendar will be filled with meaningful pieces of life.

SEEDULE overlays organic cross-sectional imagery of fruit onto the structural logic of the calendar—a system designed to manage and regiment time—translating functional order into sensory experience. Within a single frame, the regimented grid of dates collides with the entangled interior of seed and flesh—reconstructing the familiar architecture of time as an estranged visual order.

SEEDULE overlays organic cross-sectional imagery of fruit onto the structural logic of the calendar—a system designed to manage and regiment time—translating functional order into sensory experience. Within a single frame, the regimented grid of dates collides with the entangled interior of seed and flesh—reconstructing the familiar architecture of time as an estranged visual order.

SEEDULE overlays organic cross-sectional imagery of fruit onto the structural logic of the calendar—a system designed to manage and regiment time—translating functional order into sensory experience. Within a single frame, the regimented grid of dates collides with the entangled interior of seed and flesh—reconstructing the familiar architecture of time as an estranged visual order.

SEEDULE overlays organic cross-sectional imagery of fruit onto the structural logic of the calendar—a system designed to manage and regiment time—translating functional order into sensory experience. Within a single frame, the regimented grid of dates collides with the entangled interior of seed and flesh—reconstructing the familiar architecture of time as an estranged visual order.

specific: book, booklet, printed matter, 182*257mm
client: 염지희
2018. 10

This catalog documents artist Jihee Yeom’s multi-exhibition project. 00graphicstudio collaged works, installation views, and notes into booklets bound into a single volume. The cover is coated with actual black sand used in the artist’s work; by scattering the sand manually, each edition features a unique, tactile pattern, making every copy a one-of-a-kind object.

This design visualizes the Hangeul character ‘등’ (deung)—which means ‘light’ or ‘lamp’—in the physical form of a fluorescent light tube. 00graphicstudio reinterprets the strokes of the letter as luminous glass structures, transforming the linguistic meaning into a tangible, glowing object.

specific: poster, printed matter, 510*740mm
client: 중구문화재단, 만리아트메이커스
2021. 10

This exhibition features artworks by artists based in Euljiro, Seoul, all priced at 100,000 KRW. To promote art consumption, 00graphicstudio embraced the concept of “commercialization of art,” designing the poster around the visual motif of a sales receipt. The design transforms a mundane commercial tool into a symbolic medium for cultural exchange.

specific
book, printed matter, 135*216, 236pages

– PVC 칼라 0.3-1 48inch- 미네랄 페이퍼 450g
– 문켄프린트크림18 115g, 디자이너스 칼라 DC_I60 116g, 씨에라 128g

client
SFAC
2021. 01

specific
goods, 12” vinyl cover, printed matter, 304.8*304.8mm
client
nomadelab
2024. 11

choreography performance poster

specific: poster, printed matter, 420*594mm
https://becoming-dancer.com
client: project yyin
2021. 11

specific: poster, printed matter, 594*841mm
client: centro cultural coreano
2025. 10

This is the main poster for ‘Hangeul: cuando la letra se convierte en arte’ in Argentina. 00graphicstudio composed the visual entirely of Hangeul characters, using elegant, flowing curves to showcase the sculptural beauty of the Korean alphabet and its transformation into art.

This poster was designed for ‘Art Truck,’ a mobile exhibition held in Yeongdeungpo, Seoul. The concept envisions a truck transporting artworks from Tampa, Florida to Los Angeles, California. 00graphicstudio designed the visuals around the playful idea of “clandestinely viewing” the art inside the cargo hold while the truck is parked at a highway rest area. The design captures the fleeting, hidden nature of this mobile gallery experience.

specific: poster, printed matter, 350*490mm
client: gangnam commune
2025. 06

The Poster Project is a catalog that reconfigures exhibitions held at Gangnam Commune Gallery into a series of posters. For each exhibition, 00graphicstudio creates 3–4 posters by collaging the artist’s works with images of the exhibition space. These posters then serve as the individual pages of the catalog, blurring the line between promotional medium and editorial documentation.

specific
poster, printed matter,
594*841mm

client
KCDF

2026. 04