specific: poster, printed matter, 350*490mm
client: gangnam commune
2024. 05

The Poster Project is a catalog that reconfigures exhibitions held at Gangnam Commune Gallery into a series of posters. For each exhibition, 00graphicstudio creates 3–4 posters by collaging the artist’s works with images of the exhibition space. These posters then serve as the individual pages of the catalog, blurring the line between promotional medium and editorial documentation.

specific: poster, printed matter, 350*490mm
client: gangnam commune
2024. 05

The Poster Project is a catalog that reconfigures exhibitions held at Gangnam Commune Gallery into a series of posters. For each exhibition, 00graphicstudio creates 3–4 posters by collaging the artist’s works with images of the exhibition space. These posters then serve as the individual pages of the catalog, blurring the line between promotional medium and editorial documentation.

specific: poster, printed matter, 350*490mm
client: gangnam commune
2024. 05

The Poster Project is a catalog that reconfigures exhibitions held at Gangnam Commune Gallery into a series of posters. For each exhibition, 00graphicstudio creates 3–4 posters by collaging the artist’s works with images of the exhibition space. These posters then serve as the individual pages of the catalog, blurring the line between promotional medium and editorial documentation.

specific: poster, printed matter, 350*490mm, 40pages
client: gangnam commune
2024. 05

The Poster Project is a catalog that reconfigures exhibitions held at Gangnam Commune Gallery into a series of posters. For each exhibition, 00graphicstudio creates 3–4 posters by collaging the artist’s works with images of the exhibition space. These posters then serve as the individual pages of the catalog, blurring the line between promotional medium and editorial documentation.

specific: poster, printed matter, 841*1189mm
2024. 10

This project features a collection of images of uniquely shaped mannequins discovered at a vintage shop in Florida. 00graphicstudio sought to present how a single mannequin can embody diverse identities through portraiture, depending on its styling. To focus entirely on the mannequin’s form, the artist avoided using any external elements for shading, expressing the visuals solely through the raw imagery of the mannequins themselves.

specific: poster, printed matter, 350*490mm, 38pages
client: gangnam commune
2025. 06

The Poster Project is a catalog that reconfigures exhibitions held at Gangnam Commune Gallery into a series of posters. For each exhibition, 00graphicstudio creates 3–4 posters by collaging the artist’s works with images of the exhibition space. These posters then serve as the individual pages of the catalog, blurring the line between promotional medium and editori

Motion graphics based on the poster , designed by Anastasia Temirkhan.

Collaborative work made by Liad Shadmi and Choi Gunhyuk. Initiated from by Liad Shadmi, this work is a horizontal still version of an animation made with code and risograph, using the palindrome NOON.

Collaborative work made by Liad Shadmi and Choi Gunhyuk. Initiated from by Liad Shadmi, this work is a horizontal still version of an animation made with code and risograph, using the palindrome EYE.

was a series of sketches based on stereographic projection and quaternions. Here, it intersects with , a series about a mutant turtle too far from home.

is a series derived from experiments in drawing cube maps with ray marching. is a separate series exploring repeated 3D space, while using pseudo-randomness to create uneven variation. This work was a combination of the two.

In South Korea, some people hang images of sunflowers in their house or office, hoping for financial prosperity. May all who encounter this live a wealthy and happy life.

[Between the Strange and the Familiar: ODD82 Exhibition in Munich] ODD82, a Munich based collective of Korean designers, presents an exhibition exploring the shifting meaning of “home.” Moving between unfamiliar environments and everyday routines, the works reflect on how strangeness becomes part of a new normal. The artworks reflect a state that exists between adaptation and longing, between the familiar and the unfamiliar.

Logo lettering for the immersive musical
〈Cha-cha-cha Dimension, Reaching Another Dimension〉

Some people carry words in their hearts, while others choose to carry them on their bodies—I created this work with that idea in mind.

To celebrate Hangul Day, I participated in a Korean typography tattoo feature in GQ.

The visual was created based on a piece of writing about the phrase “Don’t be hurt” by Jang Ryujin.

I participated in the Jeonju International Film Festival exhibition 100 Films 100 Posters with a poster design for the documentary Fantasy by Isabel Pagliai.

Visuals drawn with ray marching while experimenting with drawing shadows, reflections. Originally made for the touring exhibition .

Key visual graphic design for the 2024 concert tour 〈LOVE〉 by Gummy.

“The best mirror is a friend’s eye.”

I expressed this proverb—reflected left and right like a mirror image—through the frame of a decorative metal mirror.

In a multilingual society, different languages seem to merge with each other. Future societies might encounter a singularity where multiple languages converge and explode into new languages.
Drawn mostly with code. Font VibeMo Pro from Morisa Fonts. Made for the poster exhibition .

A0 size version of the series. Originated from a sketch made while experimenting with drawing grids on spheres using ray marching. The series was initially made as a video on instagram, then as an interactive installation at a residency program , and as an image big enough for A0 size printing for a poster exhibition .

This is a Korean digital lettering work combining the words “Candy” and “Kkun.” I intended “Candy” to convey a smooth and sweet impression, while “Kkun” refers to a person who is highly skilled or accomplished in a particular task. Through this combination, I aimed to express the idea of someone who performs work in a refined and appealing manner. This work was exhibited in 2022 at the National Hangeul Museum.

I often spend time with my two sons, and we frequently talk about “farts.” When my younger son, who is seven years old, brings up the topic, we burst into laughter and build a strong emotional connection. “Fart” has become a joyful and playful subject in our conversations, strengthening our bond. The reason I chose the character “Bang” is to express these meaningful memories through my work, and I made a particular effort to reflect this experience in both form and color.