Enalian office

ZIKZAK Architects have completed work on the project for the Cypriot office of the legal company Enalian. The client wanted a comfortable and stylish workspace done in light shades. The designers set out to create a space with an atmosphere of stability, calmness, confidence, and comfort. They drew inspiration from the tranquil coastal landscapes of the island.

Photodarium 2024

The new Photodarium 2024 is now available in our shop.

The popular classic PHOTODARIUM is appearing for the twelfth time and will delight us again in 2024 with an instant photo and a little story of our own. The high-quality tear-off calendar shows artistic and intimate snapshots of 365 well-known photographers and newcomers, professionals, and Polaroid fans from all over the world.

On the front of each calendar page there is an analog Polaroid photo, printed in its original size and finished with a special glossy finish that creates a real Polaroid feeling. On the back there is a small text with the often very personal story of the picture as well as information about the photographer and the Polaroid film used. And of course printed in the tried and tested quality and glued and bound by hand.

The PHOTODARIUM (formerly POLADARIUM) is a well-assorted gem and an eye-catcher for your desk, window sill, cake buffet, hat rack, shop window, bedside table … and of course the perfect Christmas present for all friends of analogue photography!

Safe your copy now!

Photodarium 2024

Publisher: Seltmann Publishers
Art Direction: Boris Kahl
Author: Lars Harmsen, Raban Ruddigkeit
ISBN: 978-3-949070-32-7
Format in cm (w × h × d): 12 × 8 × 9,5
Price: 32.50
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Identity for Japanese restaurant Ayashi

Japan is a country of contrasts: the small stands next to the large, the monochromatic is replaced by color chaos, and black hair lies on light skin. Therefore, for this corporate identity for the Japanese restaurant Ayashi, we wanted to find a character that would scream in a whisper, to do something simple and completely unique at the same time. This is how how the image of the monkey was born. It is thick and viscous, it is empty in one place, but in another there is already too much of it.

Sensitive Content

This print work is a continuation of my former project, Emojination, which marked the beginning of my career as a designer and digital artist. Emojination was a project from 2014. After a long break, I returned to the tools of Emojination to showcase the current state of Ukrainians, and how the world perceives them through social media.

fortytwomagazine #6—beliefs

It’s impossible not to believe. We all have a view of the world that is reflected in our beliefs. “I believe that” is what we say when we express our opinion. And when someone expresses views that are too far removed from our own values and worldview, we don’t believe them. But that doesn’t mean that beliefs are immutable. Our point of view can change. And similarly, a belief can change us. Did you know that a belief can affect how we perceive pain and that we believe different things depending on whether we are speaking our native language or a foreign language?

The 6th issue of fortytwomagazine is on the topic of beliefs and presents ten scientific perspectives and one artistic angle—this time coming from the artist Daria Chernyshova.

fortytwomagazine #6—beliefs

Publisher: Slanted Publishers
Editors: Eliana Berger, Kurt Bille, Lara von Richthofen, Lena Kronenbürger (Team)
Interviewpartners: Pia Lamberty, Alexander Kaurov, Nicola Gennaioli, Katja Wiech, Panos Athanasopoulos, Paul Hedges, Doowan Lee, Carla Hustedt, Hendrik Ohnesorge, Jasmine Hill
Artist: Daria Chernyshova
Art Direction: Clara Weinreich
Publishing Direction: Lars Harmsen, Julia Kahl
Release: September 2023
Format: 16 × 24 cm
Volume: 152 pages
Language: English, German
Workmanship: Softcover with flaps, thread-stitching, offset with spot color
ISBN: 978-3-948440-51-0
Price: €18.–
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Rage

This work was created for the exhibition called “When everything matters” which was organized by the Pictoric illustrators’ club as part of the international Book Arsenal festival in Kyiv. This work is about emotions, about the indescribable rage and pain that the author feels seeing and experiencing the losses and destruction in Ukraine as a result of the russian invasion.

PHOTOPIA Hamburg

As a conference partner of the Hamburg Messe at PHOTOPIA Hamburg, the Art Directors Club is hosting a one-day congress on Thursday, September 21st, under the theme Beyond the Photoverse, focusing on photography in the context of Web3, Metaverse, NFTs, and Crypto. In addition to a lineup of international speakers, such as Barry Sutton and Ben Hopper, three conferences, and numerous galleries, participants at PHOTOPIA can expect panels, workshops, an expo area, and valuable industry insights.

Whether for professional photographers, videographers, content creators, or experts from all disciplines of creative communication, the program provides information about new tools and platforms.

PHOTOPIA Hamburg—Behind the Photoverse

When?

September 21nd, 2023

Where?
PHOTOPIA Hamburg (Messeplatz 1, 20357 Hamburg, Halle A1)

Click here information.

Slanted in Amsterdam: Haller Brun

Peeling back the layers of Amsterdam’s design scene in our 41st drop, the Slanted team dove headfirst into the core of the Netherlands’ capital. Our journey led us to the wonderful Sonja Haller and Pascal Brun, the driving forces behind Haller Brun. They welcomed us into their studio, unveiling their passionate drive and boundary-pushing design ventures.

The a design studio run by Sonja Haller and Pascal Brun. After graduating in Switzerland, they moved to Amsterdam where they established their studio in 2011. They mainly work in the fields of art, design, and architecture with a focus on editorial design. Their work is characterized by a combination of the Swiss tradition of precision and typography with Dutch directness and playfulness.

The work of the Haller Brun can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with Sonja and Pascal, talking about their point of view on design and opinions about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Haller Brun / Slanted Publishers

Typodarium 2024

Typodarium 2024 is dedicated to celebrate diversity in all its forms, helping to establish new connections. The diversity of languages, concepts, and artistic forms contributes to the enrichment of our world, with the Latin alphabet being just one voice in a diverse chorus of cultures.

Typodarium 2024 features a colorful collection of 366 new typefaces created by 292 type designers from 34 countries. This diverse selection of typefaces serves as a decorative calendar and source of inspiration throughout every single day of the year.

Since 2008, Typodarium is a rich collection of the latest typographic trends and finds a firm place on the desks and in the hearts of creatives.

Typodarium 2024

Publisher: Verlag Hermann Schmidt
Editors: Lars Harmsen, Raban Ruddigkeit
Design: Julia Uplegger
Format: 15.2 × 22 cm
Volume: 384 pages in 12 colors, printed on both sides
Language: English
Workmanship: Packaged in a sturdy collecting box for archiving the type samples
EAN:4260172810944
Price: €20.– (DE)
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Inscript Experimental Type Festival 2023

The Inscript Experimental Type Festival 2023 is the 2nd festival organized by the Inscript collective. With more than 30 speakers and moderators, this five-day virtual-only and accessibletoall event takes place October 4th to 8th, 2023—inclusive, diverse, bold, and favored with technologists and creatives alike.

A conference for sharing the wildest experiments or latest innovations, the Inscript Experimental Type Festival highlights industry experts across typography, creative coding, phygital media, and more. From artificial intelligence to type knitting; from augmented realities to the massive interactions in the physical landscape; from financial models to ferrofluid, Inscript blends cutting-edge tech and innovative thinkingboth elemental in forming our collective realityand amplifies its genome with a dynamic range of speakers and themes across a large number of creative disciplines.

The 2023 festival lineup is curated by strategist and creative practitioner Ksenya Samarskaya, AGI member, and former director of the TDC; graphic and type designer Alex Slobzheninov, founder of Contemporary Type; and journalist Loukas Karnis, ex-editorial director of Typeroom.

Samarskaya will introduce and moderate sections along with Studio Dumbar/DEPT® Creative Director and DEMO co-initiator Liza Enebeis, motion and generative designer Kiel Danger Mutschelknaus, Yale’s director of graduate studies Nontsikelelo Mutiti, and Monotype executive creative director Charles Nix.

Confirmed speakers include:
Golnar Adili, artist and educator, Iran / United States
Gianluca Alla, graphic designer, United Kingdom
Chae Byung-rok, art director and designer, South Korea
Suzy Chan, graphic designer and visual artist, China / Germany
Nazareno Crea, type designer and creative director, United States
Dinamo, type foundry, Germany
Paul Elliman, visual artist and designer, United Kingdom
Patrik Hübner, programming designer and creative director, Germany
Ksawery Kirklewski, media artist, Poland
Anna Dora L, applied art director, United Kingdom
Jürg Lehni, artist and designer, Switzerland
Mònica Losada, graphic designer, Spain
NaN, type foundry, Germany / Australia
Nguyen Gobber, graphic design practice, Austria
Tra Giang Nguyen (Gydient), freelance art & design director, Vietnam / Germany
PAY2PLAY, graphic design studio, China
Rajshree Saraf, art director, designer and researcher, India / United States
Rüdiger Schlömer, Switzerland
Schultzschultz, design studio, Germany
Liad Shadmi, graphic designer and art director, Germany / Israel
Bobby Joe Smith III, graphic designer, media artist, and educator, United States
Gianpaolo Tucci, creative director and consultant, Italy
Sparks Edition, graphic design studio, South Korea
Studio Dumbar/DEPT®, identity and motion studio, Netherlands
Sun Young Oh, independent designer, South Korea
Khyati Trehan, graphic designer and 3d visual artist, India / United States
Hansje van Halem, independent graphic designer, Netherlands
Lena Weber, system designer and creative coder, Germany
Adam Yeo, graphic and type designer, researcher, Ivory Coast / Singapore / France
Rozi Zhu, freelance designer and creative technologist, United States

In addition to five days of visionary presentations, Inscript will host a workshop in partnership with Southland Institute for critical, durational, and typographic post-studio practices, to be held virtually following the festival. The workshop, titled “Working with Whats (T)here and Proposing What Isnt” will integrate play while asking critical questions about today’s cultural and technological landscapes, prodding us to find opportunities within limitations. No prior knowledge or experience required to participate.

The branding for the 2023 conference is created by creative director and consultant Gianpaolo Tucci in collaboration with designer and engineer Kacper Pietrzykowski. To represent the plurality of speakers coming together for the event, and reflect every individual’s unique tone of voice, Tucci and Pietrzykowski developed a tool that responds to audible input, serving as a visual echo that translates one form of communication into another.

The sonic brand was created by composer, conceptual new media artist, and programmer
R. Luke DuBois, working with home-built analog synthesizers and custom software.

Hailed as the year’s must-attend event and a festival that left Eye Magazine feeling exhilarated and liberated in 2022, this upcoming rendition of Inscript is bound to motivate, engage, and inspire while foreshadowing the trends-to-come. 

Inscript Experimental Type Festival 2023

When?
October 4th to 8th, 2023

Where?
online

More Information and registration for Inscript 2023 here.

Paula Scher—Type Is Image

Since June 2023, the exhibition Paula Scher—Type Is Image has been showcased at Die Neue Sammlung in Munich. Paula Scher, a pioneer in graphic design for over five decades, began as an art director in the 1970s, gaining influence through her unique typographic style. In 1991, she joined Pentagram’s New York office, leading a global team crafting brand identities, signage, packaging, and publications.

Guided by her belief that “words have meaning, and type has spirit,” Scher’s typographic work resonates emotionally, even without reading. She redefined the language of performing arts through her iconic Public Theater identity and integrated custom typefaces into modern branding. Her environmental graphics transformed streets into dynamic type installations, while her personal map artworks reinvented the world with handwritten lettering.

In Type is Image, Die Neue Sammlung continues its tradition of showcasing contemporary designers. Paula Scher responded with an immersive exhibition, enveloping visitors in her creations. From floor to walls, suspended letters to posters, her works captivate. Even display cases incorporate letters, offering fresh perspectives and captivating interplays. This unique installation provides a special encounter with Scher’s artistry, featuring works from her early career to today. Encompassing projects like the Public Theater’s identity and the post-Hurricane Sandy Rockaway Beach campaign, the exhibition reveals the breadth of Scher’s diverse oeuvre. Have a look and enjoy the exhibition!

Paula Scher—Type Is Image

When?

23rd June, 2023 until 22nd September, 2024

Where?
Die Neue Sammlung—The Design Museum
Türkenstraße 15
80333 Munich

More information here.

© Die Neue Sammlung – The Design Museum. Photo: Anna Seibel

Slanted in Amsterdam: Lesley Moore

Exploring the limitless ingenuity of Amsterdam’s design milieu in our 41st publication, the Slanted team embarked on an indelible odyssey through the enchanting core of the Netherlands’ capital. Amidst our adventures, we were fortunate to intersect with Karin van den Brandt and Alex Clay, the founders of the design studio Lesley Moore. They generously swung open the doors to their studio, beckoning us to witness their unwavering dedication and visionary quests within the design realm

Lesley Moore is the brainchild design duo of Karin van den Brandt and Alex Clay. With graphic design as their weapon-of-choice, they aim to inspire meaningful change by triggering imagination.

The work of the studio can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with Karin van den Brandt and Alex Clay, talking about their point of view on design and opinions about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Lesley Moore / Slanted Publishers

Typeface of the Month: Synthes

We’re thrilled to introduce to you this month’s Typeface of the Month: Synthes by Blaze Type.

Synthes, a typeface that draws inspiration from the iconic neo-grotesque masterpieces defining Swiss design excellence from the late 1950s to the 2000s. Embracing the spirit of two influential fonts, Helvetica by Max Miedinger and Univers by Adrien Frutiger, Synthes reimagines their timeless charm while striking a harmonious balance between the two renowned styles.

Crafted with meticulous attention to detail, Synthes exhibits clear and powerful shapes that radiate precision and professionalism. Its weight effortlessly adjusts, accentuating contrast and counterforms for unrivaled legibility, even at smaller sizes, making it an optimal choice for body text in any context.

With consistent and well-balanced forms, it embraces a modern and sleek aesthetic, elevating its adaptability across diverse design applications. From commanding headlines to immersive body text, this versatile typeface seamlessly blends into various projects, creating a cohesive and captivating visual experience.

Synthes emerges as an invaluable tool for designers, boasting unrivalled flexibility and adaptability. Its capabilities extend from forging compelling branding elements to crafting refined editorial layouts, shining brilliantly across diverse media. Not to mention, its immaculately-crafted letterforms ensure exceptional performance in web interfaces, offering users a seamless and delightful reading journey.

Typeface of the Month: Synthes

Foundry: Blaze Type
Designer: Matthieu Salvaggio , Tim Vanhille, Ferdinand Del Fabro
Release: September 2023
File Formats: OTF, TTF (variable)
Styles : Neue, Grotesk
Widths : Normal and Expanded
Weights : Thin to Black with Italics
Price: per style: € 40.–; per family (Neue/Grostesk): € 1,440.–; Full family + variable: € 2,880.–

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Wienerlinien

Wienerlinien is a versatile pixel type system by brand developer Helmut R. Nowak, inspired by the overhead displays on Vienna’s subway platforms. Wienerlinien pixel font is a large-scale system of multiple fonts and many symbols that can all be fitted into the same pixel grid. In addition to constructive sophistication Helmut R. Nowak has incorporated an incredible amount of wit and attention to detail into the fonts.

The typeface contains hundreds of symbols and even the Greek alphabet. The 4 styles, Pro, Poster, Caption and Mosaique have different shapes and proportions but can be perfectly combined. All 4 styles come in 5 different pixel shapes: Square, Rounded, Dots, Hatch, and Polaris.

Wienerlinien Pro is the powerhouse of the family. With a strong emphasis and wide proportions it is the best choice for legible text. Its symbols can be used for public transport and tourism matters, but also for everyday life issues and joys.

Wienerlinien Poster is a strong and compressed typeface designed for large applications combined with normal size text set in Pro.

Wienerlinien Caption offers a legible possibility for small text usage, when paired with normal-sized text set in Pro.

Last but not least, there’s Wienerlinien Mosaique, a sort of gala princess within the entire family. It’s comprised entirely of monospaced tiles filled with letters and beautiful patterns. If you’ve ever wanted to type amazing pattern landscapes, opt for Mosaique and relish the experience.

Wienerlinien

Designers: Helmut R. Nowak
Foundry: Wannatype
Release: September 2023
Languages: Latin Extended, Greek
Styles: Pro, Poster, Caption, Moa
Pixel Shapes: Square, Rounded, Dots, Hatch, Polaris
File Formats: OpenType
Prices: from € 14.–

 More information here and buying options here.

Murmurs of Earth—The Voyager Interstellar Record

The master project Murmurs of Earth—The Voyager Interstellar Record (orig.: Signale der Erde — Unser Planet stellt sich vor) by Maria Knaub delves into these queries by redesigning an existing non-fiction book, encompassing content and design elements. The outcome is the redesign of the book.

Conceptual book design aims to align the inherent content structures with the unique structure of the book itself. However, the extent to which an existing narrative can be altered through design and the resulting value from this intervention remain questions to explore.

Carl Sagan’s 1978 book details the formation of Voyager Golden Records—data disks affixed to Voyager 1 and 2, launched in 1977. The Voyager 1 and 2 embarked on a monumental mission to explore the outer planets of our solar system and venture into the farthest reaches of space. They encountered Jupiter, Saturn, Uranus, and Neptune before journeying to the solar system’s edge. Despite aging, they continue to transmit data to Earth and may cease around 2030 while maintaining a speed of 48,000 km/h. Earlier missions, carried messages for potential alien life. Inspired by this, Voyager 1 and 2 carry a comprehensive cosmic message in a bottle. These disks carry visual and audio information about Earth, sent as a message to potential extraterrestrial life.

Beyond the central 118 images, the original book incorporates graphics, tables, and diverse textual styles. Maria’s thesis redesign of the book focuses on a modern narrative of the NASA project. The original version contained 118 images, diverse graphics, and tables, which were digitized and refined for improved language and storytelling.

Analog content underwent digitization, language refinement, narrative assessment, and necessity evaluation. Following content evaluation and refinement, a new design concept emerged, aligned with the theme and subsequently applied to structure, layout, and material in the redesign. The outcome is a redesigned book that prioritizes enhanced access to intricate thematic content. Complex ideas are visually represented for intuitive understanding through heightened readability and restructured narrative, all within the context of the emotional-science visual interplay. The core task was translating this aim into a comprehensive design concept—a guiding idea shaping the book’s form. Content and design were interwoven during the redesign, with scientific information made visually accessible, adopting a restructured narrative. Emphasizing the book’s role as a medium led to a redesign enabling readers to fully immerse themselves in the Voyager mission’s subject matter.

Murmurs of Earth—The Voyager Interstellar Record

Design & Concept: Maria Knaub
Format: 155 × 230 mm
Volume: 612 pages
Language: German
Workmanship: Swiss Brochure Stitch, Chain Stitch
Material: Inside: Metapaper rough 90 g, Cover: Metapaper rough 300 g & Matte Cellophane Coating, Enhanced with UV Varnish
Bookmark: Satin Ribbon, White, Screen Printing

More Information here.