Slanted in Amsterdam: Vanessa van Dam

Posted on by Josephine Schroeder

Unveiling the boundless creativity of Amsterdam’s design scene in our 41st issue, the Slanted team embarked on an unforgettable journey through the captivating heart of the Netherlands’ capital city. Amidst our explorations, we had the privilege of crossing paths with Vanessa van Dam. With gracious hospitality, she welcomed us into her studio, offering a glimpse into her passionate dedication and visionary endeavors.

Vanessa van Dam (Amsterdam, 1971) is an independent graphic designer. She graduated in 1996 from the Gerrit Rietveld Academy (Amsterdam) and since then works for museums, architects, photographers, writers, etc. She has taught Graphic Design at several Art Academies in the Netherlands and abroad. She also participated in several commissions and juries in the Netherlands and abroad.

The work of  Vanessa van Dam can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with her, talking about his point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Vanessa van Dam / Slanted Publishers

Damaskuserlebnis

Posted on by Josephine Schroeder

Damaskuserlebnis is the title of the book created by Luise Klett as the centerpiece of her bachelor’s thesis at Bauhaus University Weimar. The Book comprises a diverse range of contributions related to the country of Syria. With input from fifteen distinct contributors, the publication provides readers with personal insights spanning Syria’s landscape from 1953 to 2022.

Amidst a media environment frequently characterized by coverage of strife and hardship within Syria, this initiative presents an alternative viewpoint. By means of the contributors’ narratives, readers are acquainted with a Syria characterized by other means. Drawing from the narratives of her grandparents and other key contributors to this compendium, Luise possesses an awareness that Syria’s historical and contemporary tapestry extends far beyond conventional perceptions here in Europe. In order to impart this perspective to a wider audience, she has undertaken the creation of this book. This work has several purposes: to highlight the constructive aspects of the Middle East while examining the intricate elements that contribute to the nation’s current situation. It is dedicated to better understanding different cultural contexts and highlights the importance of integration and unbiased communication within our social framework. This anthology of narratives serves as a poignant reminder of the power inherent in storytelling to bridge divides. Beneath the surface, it encourages to go beyond the familiar and to stand up for collective principles. In the past, as today, people all over the world leave their homes behind in search of a new future. The numbers of people fleeing are constantly increasing.

Collaboration forms the foundation of this project, illustrated by the partnership with LUCIA Verlag Weimar and the Wortschatz—Netzwerk Welcome Weimar association. The book’s pricing approach is carefully crafted: 15 euros to manage production expenses, alongside a 7-euro donation designated to bolster the Wortschatz Netzwerk. The remaining funds, allotted to LUCIA Verlag Weimar, energize educational endeavors and incubate fresh initiatives.

Damaskuserlebnis

Publisher: LUCIA Verlag
Editor and Design: Luise Klett
Supervision: Junior-Prof. Stefanie Schwarz, Dipl.-Des. Stefan Guzy, Department of Visual Communication Faculty of Art and Design Bauhaus-Universität Weimar
Format: 16.5 × 23.5 cm
Volume: 104 pages
Language: English, Arab, and German
Printer: DZA Druckerei zu Altenburg
Workmanship: Thread-sewn brochure, OTA-Bind digital printing
Paper: 270 gsm Symbol Card, 120 gsm Lona Offset
Fonts: ES Face (Extraset), Suisse Int’l (Swiss Typefaces), Nassim Arabic Pro (Adobe Originals)
ISBN 978-3-945301-55-5
Price: € 22,00.–

More info 
BUY here

The Final form

Posted on by Josephine Schroeder

The final form printed edition is now out. This is a special edition of form magazine (issues 300+301). It’s both a celebration of its journey and a poignant farewell, marking the end of an era.

Inside, the pages unfold with discussions about beauty, AI’s sense of aesthetics, graphic design intricacies, and even the cultural history of mirrors. A discourse on Camp David’s brand and hasty aesthetic judgments adds depth to the content.

It’s hard to believe that after 66 years, this journey concludes. Back in the day, the founders could never have imagined the legacy they were setting in motion. The news of form magazine’s final chapter is tinged with sadness. From 1957 to 2023, it has graced our lives, and now it bids farewell due to an array of challenges, including the dynamic shifts in media consumption patterns. It’s essential to note that the magazine’s closure doesn’t stem from its fundamental ideological values. Rather, it’s the culmination of various factors, such as the surge in paper costs and the changing reading preferences, that have prompted their decision.

The editorial of the last issue underscores a regrettable reality—it serves as a mirror to our capitalist society where securing funds for inventive, culturally significant, and imaginative ventures like form is a huge challenge. This sobering reality inadvertently accentuates the relatively diminished regard for design in Germany when compared to other industries. This disparity becomes strikingly evident when we examine the financial allocations that have been channeled into political ventures in recent years, often yielding results that fall short of expectations.

Form, established in 1957 by Jupp Ernst, Willem Sandberg, Curt Schweicher, and Wilhelm Wagenfeld, has undergone a series of transformations and currently boasts a robust brand presence. In 2012, Peter Wesner assumed ownership of both the magazine and the form publishing house, fostering their growth in Frankfurt alongside his wife, Barbara Glasner. Their focus revolves around enriching the realms of design, architecture, and corporate publishing through innovative book releases.

Throughout its journey, chief editors have played an instrumental role in shaping Form’s essence. This influence traces back to Karl-Heinz Krug, who dedicated 36 years to the magazine’s evolution from 1962 to 1998. The legacy continued with Petra Schmidt (1999–2005), Gerrit Terstiege (2006–2012), Sophie Lovell (Executive Editor, 2012–2013), Stephan Ott (2012–2019), and, since 2020, Nina Sieverding and Anton Rahlwes as co-chief editors.

Don’t miss the chance to get your hands on the last form magazine edition. We extend heartfelt gratitude for the thought-provoking articles that have been a part of our lives. To our colleagues, we wish you all the best in your future endeavors.

Slanted in Amsterdam: Mainstudio

Posted on by Josephine Schroeder

Revealing the limitless ingenuity of Amsterdam’s design landscape within our 41st publication, the Slanted crew undertook an adventure through the enchanting heart of the Netherlands’ capital. Amidst our trip, we were fortunate to intersect with Edwin van Gelder from Mainstudio. He kindly opened the doors of his studio, inviting us to partake in his passion and visionary pursuits.

Mainstudio is a design practice based in Amsterdam founded by Edwin van Gelder. Within a strong dialog with commissioners, the studio creates projects deriving from the intersection of art and architecture—as visual identities, publications, and digital media. The work has won countless awards including: Best Dutch Book Design, AIGA 50 Books, TOKYO TDC, and ADC NY.

The work of Mainstudio can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with Edwin van Gelder, talking about his point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Mainstudio / Slanted Publishers

BETWEEN Werkschau 2023

Posted on by dhbw

We are pleased to inform you about the upcoming BETWEEN Werkschau 2023, a showcase of the accomplishments of 53 graduates from the esteemed Media Design program at DHBW Ravensburg. This event is poised to unveil a collection of exceptional bachelor’s theses spanning Graphics, Interaction, Motion, and Transmedia.

Designed to foster innovation and inspire the creative community, the exhibition offers an array of engaging experiences. Attendees can look forward to thought-provoking talks, valuable networking opportunities, and celebratory moments that highlight the graduates’ achievements.

For those seeking a glimpse into the forthcoming creative revelations, an enticing preview is scheduled for the evening of September 22nd, coinciding with the Ravensburg Art Night. This exclusive preview promises to captivate your curiosity and set the stage for the main event.

The official opening is scheduled for 10 a.m. on Saturday, September 23rd, and the exhibition continues through September 24th. It will take place in multiple venues though out Ravensburg. Don’t miss the opportunity to immerse yourself in the future of design at the BETWEEN Werkschau 2023 of the DHBW Ravensburg.

BETWEEN Werkschau 2023

When?
Preview at September 22nd, 2023,  from 6 p.m.
September 23rd and 24th, 2023

Where?
Altes Theater (DHBW Ravensburg Media Design, Marktstraße 13/15, 88212 Ravensburg)
Ravensburg Art Museum (Burgstraße 9, 88212 Ravensburg)
Kapuziner Creative Centre (Kapuzinerstraße 27, 88212 Ravensburg)
Die Burg Cinema (Marienplatz 4, 88212 Ravensburg)

More Information here.

Last Call for the International German Design Awards

Posted on by Josephine Schroeder

Companies, designers, architects, and agencies worldwide are invited to submit their products and projects for the Last Call of the international German Design Awards 2024. The German Design Awards by the German Design Council sets an international standard for innovative developments in design and competitiveness on the global market. It exclusively distinguishes projects that are ground-breaking within the German and international design landscape. The awards serve not only as a visible mark of success, but also provides the winners with access to a valuable network, international reach, and additional opportunities on the market. Registration closes on September 1st, 2023.

The German Design Awards have made supporting the diverse transformative challenges of our time through design its goal, for the reason that outstanding examples provide inspiration to others. Now more than ever before, meeting current demands means focusing on society and the impact that products and services have on it: through multi-perspective approaches, sustainable design processes and production that is both resource friendly and environmentally friendly. The top-class international jury for the German Design Awards will distinguish these ground-breaking design achievements; the award provides design trends with visibility across all sectors in a glamorous context.

The award ceremony in Frankfurt am Main in January 2024 is among the largest design events of the year, where international guests from diverse industries can come together and exchange ideas. The Gold award winners will also then be presented in an exhibition.

Top performances in the categories of Excellent Product Design, Excellent Communications Design, and Excellent Architecture will be honoured.

German Design Council–the award giver
The German Design Council has served as the leading international centre of excellence for communication and knowledge exchange in the fields of design, brand, and innovation. It is a part of the global design community with its international services, support for young talents, and memberships, and has always contributed to establishing communication and networks worldwide. The German Design Council provides networking opportunities to its members and numerous other international design and brand experts in the form of events, conferences, awards, jury meetings, and expert panels; promotes discourse; and delivers important stimuli to the global economy. Its members currently include more than 350 companies.

Last Call for the International German Design Awards

Call for Entries: April 25th, 2023
Registration for the Early Bird Award: by June 23rd, 2023
Deadline for grant applications: August 25th, 2023
Registration closes for physical submissions: September 1st, 2023
Registration closes for digital submissions: September 7th, 2023
Jury session: September 28th and 29th, 2023
Award Show: January 26th, 2024
More information and submission documents: register.german-design-award.com

Submit now here!

 

Slanted in Amsterdam: Chantal Hendriksen

Posted on by Josephine Schroeder

Unveiling the boundless creativity of Amsterdam’s design scene in our 41st issue, the Slanted-team embarked on an unforgettable journey through the charming capital of the Netherlands. Amidst our explorations, we had the privilege of crossing paths with Chantal Hendriksen. She welcomed us into her studio, sharing her passion and vision with genuine enthusiasm

Chantal likes to challenge as a graphic designer the profession’s autonomy through various collaborations. This finds its way to the public in many formats; lectures, workshops, exhibitions, publications, identities, and printed matter characterized by a distinctive style. Accumulative Chantal is acting co-head of the Graphic Design department of the Royal Academy of Art, The Hague.

The work of Chantal Hendriksen can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with her, talking about her point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Chantal Hendriksen / Slanted Publishers

Alle Tage

Posted on by Josephine Schroeder

Design changes the world. The book Alle Tage showcases works of visual communication (posters, exhibitions, magazines, books, as well as work materials and concepts), primarily from the social and cultural domain. It aims to encourage utilizing everyday life as a resource and employing communication design for a better coexistence.

In addition to texts by Anna Berkenbusch and works from her studio in Berlin, as well as numerous student projects, it presents brief statements from young designers about their profession. One chapter is dedicated to the collaboration between Cuban designers and students, as well as a collection of printed materials from everyday visual communication over the last 100 years. With over 500 illustrations and extensive indexes at the end of each chapter, along with guest contributions from various authors, the book is comprehensive.

As small pauses or bookmarks, printed everyday finds are included in the book, such as text fragments, photographs of signs, or newspaper clippings from Anna Berkenbusch’s collection. The cover flaps are sealed with different stickers featuring quotes, greetings from the author, or handwritten notes–making each book unique. The hidden pages reveal what lies behind the works: designers in work situations, setting up exhibitions, and presentations.

Alle Tage

Publisher: University Press of Burg Giebichenstein University of Art and Design Hall
Editor: Anna Berkenbusch, Burg Giebichenstein University of Art and Design Halle
Concept: Anna Berkenbusch
Author: Anna Berkenbusch
Guest Contributions: Prof. Matthias Görlich, Dipl. Des. Ferdinand P. Ulrich, Prof. Andrea Zaumseil,
Nelson Ponce, Pepe Menéndez,
Jenny Baese, Christian Gralingen, Manja Hellpap, Nina Hug, Francis Hunger, Laura Maikowski, and Susanne Beer, Melanie Mues, Alex Papoli-Barawati, Katrin Schek, Sanna Schiffler, Carla Streckwall, Konrad Renner, Ferdinand Ulrich, Tina Wende, Linda Wölfel
Translation: Faith Ann Gibson
Proofreading: Pia Oddo Heidy Stecker
Design: Anna Berkenbusch, Christian Gralingen
Format: 12,5 × 16,5  cm
Volume: 490 pages
Language: German, English
Workmanship: Ota binding black, red, or neutral edges
ISBN: 987-3-86019-160-6
Price: € 24.–

More Information here.

 

SW001

Posted on by henson

SW001 is a collaborative online art project that aims to showcase the diversity and richness of various cultures through digital art. It is released by Signal Weltfunk.

The compilation consists of 31 pieces of music by artists scattered around the world, to show as many different perspectives on electronic music as possible in this hyperglobalized world. In this way, the questions are addressed and answered as to where the boundaries between these positions lie, whether they exist at all and what meaning they have, where they intertwine with one another. A case study on electronic music that mainly takes place in the internet and the communication forms that come with it, getting to know new people, bridging connections between organizations.

Each track is accompanied by its own music video, which add up to a 2 hour long visualizer to watch along listening. It features collected field recordings and public domain footage, which is glitched, layered, and looped. The videos are trying to capture the essence of it in visual form, together they form a movie like experience to watch along listening.

Signal Weltfunk is a label and collective for electronic and contemporary music from Nuremberg, Germany, focused on sharing knowledge and building a platform for an exchange of different art forms, displayed around music releases and events.

SW001

Audio: Spotify, Bandcamp, Soundcloud
Visualizer here. 
Music: Various Artists
Mastering: Maurice Schirm
Artwork: Henrik Stelter & Maurice Schirm
Visualizer: Henrik Stelter & Manuel Schiller

More information on Signal Weltfunk website or on instagram!

Slanted in Amsterdam: MacGuffin

Posted on by Josephine Schroeder

Embarking on an exhilarating journey through Amsterdam’s design realm, we delved deep into the heart of the captivating Dutch capital, unraveling its artistic treasures in our 41st issue. Our quest for inspiration led us to cross paths with the extraordinary minds of MacGuffin: Kirsten Algera and Ernst van der Hoeven. As we stepped into their office and talked about their inspiring Magazin.

With each issue based around a single object, MacGuffin magazine is a platform for fans of inspiring, personal, unexpected, highly familiar, or utterly disregarded things. Widely recognized as a fabulously designed and immaculately researched design and crafts biannual, it is an indispensable resource for all those who want backstage information about the life of things.

More about MacGuffin can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with Kirsten and Ernst, talking about their point of view on design and opinions about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © MacGuffin / Slanted Publishers

DIPLOME

Posted on by Helene Hohmann

The catalog DIPLOME showcases the diplomas from HfG Offenbach for the years 2021 and 2022 in the fields of art and design. In doing so, the cube-like object in vivid orange challenges traditional norms and embraces innovative book design principles.

The names of the 82 graduates form the spine of the book. The catalog separates text and images to give the content a new room for unfolding. It consists of two equal parts, connected by the graduates names, emphasizing their unity. The layout is clear and precise, with an orange guiding system for navigation.

164 diploma projects in art and design, six theoretical, and 18 practical subjects, texts in German and English, various visuals, on 400 pages total. Accompanied by a preface, an essay and an index, the catalog encourages readers to actively immerse themselves in the content and engage with the presented works on a deeper level.

DIPLOME—Final Theses and Projects of the HfG Offenbach of 2021 and 2022

Publisher: HfG Offenbach (Bernd Kracke)
Editor: HfG Offenbach (Katja Kupfer & Jens Balkenborg)
Concept and Design: Lea Johanna Becker & Biarna Diegmüller 
Release: July 2023
Format: 17 × 24 cm
Volume: 400 p.
Language: German, English
ISBN: 978-3-945365-40-3
Price: € 39

BUY   

Images: © Lea Johanna Becker

Tÿpo St.Gallen 2023

Posted on by Josephine Schroeder

The three-day typography symposium Tÿpo St.Gallen 2023 holds a significant position as the most important gathering for designers in the German-speaking region. This year, in its 7th edition, the event aims to delve into discussions about topics that are often left unexplored or overlooked, asking the questions that have seldom been asked before.

With a lineup of approximately 20 distinguished speakers, Tÿpo St. Gallen 2023 offers a unique opportunity for attendees to gain insights into the professional lives of these industry experts. The symposium will be a platform where speakers share their day-to-day work experiences, courageously addressing taboo subjects like dealing with criticism and facing online sh*tstorms, coping with setbacks and doubts, handling financial matters and clients, exploring the Darknet’s influence, and navigating the world of artificial intelligence. Attendees might even be treated to some well-kept trade secrets.

The theme for this year’s Tÿpo St. Gallen is What nobody talks about, inviting participants to join the discussions and presentations from 10th to 12th November, 2023. The event is proudly organized by the esteemed School of Design St. Gallen.

Through this symposium, the organizers aspire to inspire designers to open up about the often unspoken challenges they face, fostering an environment of mutual learning and growth within the design community. Tÿpo St. Gallen 2023 is poised to be an unforgettable and enriching experience, where participants can engage with candid discussions, gain fresh perspectives, and forge meaningful connections with fellow professionals.

Tÿpo St.Gallen 2023

Where?
Gewerbliches Berufs- und Weiterbildungszentrum St. Gallen
Schule für Gestaltung
Demutstrasse 115
CH-9012 St. Gallen
Switzerland

When?
10th to 12th November, 2023

What?
Take a look at the program and more details here.

You can also find more information here and on  Instagram, and Facebook.

Fontstand International Typography Conference 2023

Posted on by Josephine Schroeder

Dublin is set to host the fourth annual Fontstand International Typography Conference 2023, promising an exciting two-day event that will immerse attendees in the art of letters. The conference kicks off with a series of practical workshops on the first day, diving deep into type design, scripting, and innovative type usage.

On the second day, the program takes a captivating turn, offering a rich lineup of talks and presentations covering diverse aspects of typography. From role of exploring in print to its application in motion design and branding, participants will be inspired by a wide range of perspectives from industry experts.

This exceptional event is organized by Fontstand, the pioneering typeface discovery and rental app, in collaboration with esteemed institutions: TU Dublin School of Art and Design, School of Media, and Typography Ireland. With such an impressive partnership, attendees can expect to be exposed to a wealth of knowledge and creativity from all corners of the typographic world.

For anyone passionate about fonts and design, the Dublin typography conference is an unmissable opportunity to learn, network, and be inspired by the forefront of typographic innovation.

Fontstand International Typography Conference 2023

When?
Friday, 8th September, 2023
10 a.m.–6 p.m.: Workshops (more Information here)
8 p.m.–9 p.m.: Annie Atkins—Fake love letters

Saturday, 9th September, 2023
10.10 a.m.— 10.50 a.m.: Clare Bell & Mary Ann Bolger (TU Dublin), Max Phillips (Signal Type Foundry)
10.50 a.m. — 11.20 a.m.: Jeppe Pendrup, Jonas Hecksher (Playtype)
11.20 a.m. — 11.50 a.m.: Jon Barnbrook (Barnbrook Fonts)
12.30 a.m. — 1 p.m.:František Štorm (Storm Type)
1 p.m. — 1.30 p.m.: Liza Enebeis (Studio Dumbar)
3 p.m. — 3.30 p.m.: Matteo Bologna (Mucca Typo)
3.30  p.m.— 4 p.m.: Chorong Kim (Sandoll)
4 p.m.— 4.30 p.m.: Astrid Stavro (Collins)
5.15 p.m. — 5.45 p.m.: Rutherford Craze (Mass-Driver)
5.45  p.m.— 6.30 p.m.: Mark Porter (Mark Porter Associates)
8 p.m. : Official Saturday dinner part

Where?
TU Dublin East Quad
Lower Grangegorman
Dublin 7
D07 XFF2
Ireland

Get you Ticket here.
More information here.

Typeface of the Month: Spades

Posted on by Josephine Schroeder

Spades is a contemporary Baroque typeface that blends historical influences of ornate 18th century typography with the modern device of an inktrap. Designed by Oakland-based type designer Sascha Hopson, the family was released through Order Type Foundry in July 2023.

The family explores the juxtaposition of two distinct historical periods: the Black Arts Movement and the Baroque Era. While seemingly contradictory, Spades finds an overlap and forges its voice as a typeface through the extravagance, expression, and attitude of the respective eras.

The origins of Spades began with Hopson reflecting on the work of and paying homage to revered artist David Hammons. A key piece of inspiration early on in the project was Hammons’ collection of body prints starting from the 1960s. The use of spades or shovels were frequent motifs throughout his early work, centered around confronting and reclaiming the deprecating racial slur “spade.” Beyond his direct confrontation of this language, Hammons used perversion in his art to ask provocative questions such as, what is Black art, what does it mean to make Black art, and can it be free to be anything?

The Spades family originated from sketch explorations. Foundationally, the base of Spades is an old-style design. When Hopson dove deeper into stylings of the 18th century, he discovered the scalloped-serif construction of Fleischmann’s work. Through early exploratory sketches, he attempted to combine the modern visual device of an inktrap with these historical foundations. This exercise in merging two opposing styles leaned into the thinking of uncovering expression and subversion in Black art. The amalgamation created tension that—through later refinement—found a visual relationship.

Spades is a meditation on subversion through these juxtapositions, and an homage to the expansiveness of blackness in the medium of a typeface.

Spades

Foundry: Order Type Foundry
Designer: Sascha Hopson
Mastered: Tiny Type Co.
Release: July 2023
Formats: Desktop, Web, App
File Formats: OTF, TTF, WOFF, WOFF2
Weights: Thin, Light, Regular, Bold, Black
Price: Single Weights 50.– $, Two Weights $75, Family Package 120.– $

Available for testing and purchase here.

Slanted in Amsterdam: Irma Boom

Posted on by Josephine Schroeder

Diving into Amsterdam’s design scene, Slanted ventures into the captivating capital of the Netherlands, revealing its creative marvels in our latest 41st issue. Our quest for inspiration brought us to the extraordinary Irma Boom, a warm and remarkable artist, graciously opening the doors of her creative sanctuary.

Irma Boom is an Amsterdam based bookmaker. Her experimental approach challenges the conventions of the traditional book. She teaches at Yale and Harvard Universities and lectures worldwide. MoMA, the Vatican Library, and the Centre Pompidou have her books in their permanent collections. The University of Amsterdam has her Living Archive. She has been awarded the Gutenberg Prize, the Johannes Vermeer Prize, and many other prizes.

The work of Irma Boom can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with her, talking about her point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Irma Boom / Slanted Publishers

Indiecon 2023

Posted on by Josephine Schroeder

Indiecon 2023, a three-day publishing festival held in Hamburg’s Oberhafen, celebrates its 10th anniversary by bringing together independent magazine, book, art print, and zine publishers from around the world. This year the festival presents more than 120 exhibitors from 30 countries and 20 german cities.

What makes this event truly special is the introduction of publishing planets, curated by four experts, dedicated to topics they champion, including independent magazine matters, artist book architectures, small press tools, and storytelling methods. It’s an immersive experience that offers unique insights into the world of independent publishing.

Visitors can engage with creators, explore publications, and be captivated by a diverse range of artistic expression and thought. Indiecon believes in the power of independent publishing to shape a free society by providing glimpses into different realities, sparking ideas, and encouraging positive change.

Returning to the newly opened, community-run Gleishalle, Indiecon reaffirms its commitment to fostering a sense of belonging and camaraderie among creators and attendees. Since its inception in 2014, Indiecon has grown into an international platform for publishers, showcasing resilience even during challenging times. If you want to learn more about the festival, feel free to check out our blog posts about Indiecon 2022 and previous editions.

Join Indiecon 2023 to celebrate creativity, widen your world, and be part of a thriving community of independent publishing enthusiasts and professionals. We will also join the event with our books and magazines! This unique event promises to be an inspiring journey into the multiverse of independent publishing.

Register here!

Indiecon 2023

What?
See all exhibitors here.

When?
1st–03rd September, 2023

Friday, 1st September, 2023
3 p.m. to 7 p.m.

Saturday, 2nd September, 2023
11 a.m.–7 p.m.

Sunday, 3rd September, 2023
11 a.m.–5 p.m.

Where?
Gleishalle,
Oberhafen 5+1 e.V.
Stockmeyerstraße 43
20457 Hamburg

More information here or on Instagram.

Do the Stars Need a Reason to Shine?

Posted on by Josephine Schroeder

Do the Stars Need a Reason to Shine? is a thought-provoking book by designer Markus Weisbeck, with text by Daniel Martin Feige, exploring visual research through 230 color illustrations, published by Spector Books.

Designer Markus Weisbeck has had a sustained focus in recent years on basic visual research. This book presents eighteen visual works created between 2011 and 2022. Most of the designs are predicated on the principle of improvisational loops. Interim results are repeatedly tested and varied until a final theme and form emerge from the process. Weisbeck also applies this mode of thinking, which is quite familiar to designers, outside the parameters of commissioned work: the results of his ongoing visual research are presented here in context.

Markus Weisbeck is a designer and professor of graphic design at the Bauhaus-Universität Weimar and at the Paju Typography Institute in Korea (since 2017). Daniel Martin Feige is a professor whose research and writing focuses on philosophical aesthetics and philosophical anthropology at their point of intersection with classical notions of practical and theoretical philosophy.

Do the Stars Need a Reason to Shine?

Publisher: Spector Books
Authors: Markus Weisbeck
Text: Daniel Martin Feige
Format: 17 × 23 cm
Volume: 189 pages
230 color illustrations
Language: English
Workmanship: thread-sewn hardcover
ISBN 978-3-959056-38-0 
Price: € 38,00.–

More info & BUY

Design Biennale Zurich 2023

Posted on by Josephine Schroeder

The Design Biennale Zurich 2023 is a platform for experimental design. With the theme SHIFT, the fourth edition is dedicated to small and big changes. Regardless of whether it’s an object, society, or the climate, constant change is taking place. What does this look like and what influence can design have on it?

The exhibition at the Old Botanical Garden UZH consists of 15 interactive design installations created specifically for the Design Biennale Zurich. These installations make the exploration of the SHIFT theme tangible for visitors. A diverse supporting program offers public and private guided tours, workshops for children and adults, as well as special events

The Biennale is part of the Zurich Design Weeks, founded in 2022.

The Talent Award by Swiss Re
For the first time, the Design Biennale Zurich will present the Talent Award by Swiss Re. This award aims to spotlight emerging talents. Visitors to the exhibition are invited to vote for their favorite project among five contributions nominated by the curators. The project with the highest number of public votes will be awarded the Talent Award by Swiss Re, which comes with a prize of CHF 5000. The award ceremony will be taking place at the Talent Award Night on September 15, 2023, at the schwarzescafé located in the Löwenbräu Complex in Zurich.

Design Biennale Zurich 2023

When?
1st–19th September, 2023, 2:00 p.m.: Daily tour
1st September, 2023, 5 p.m. – 8 p.m.: Vernissage
15th September, 2023, 6 p.m.: Talent Award by Swiss Re

Where?
Old Botanical Garden of the University of Zurich,
Pelikanstrasse 40,
8001 Zurich,
Switzerland

The design positions
ALIAS & COMTE/MEUWLY
Fiona-K
Frédéric Dedelley
Get It Studio
Hochschule Luzern, Kunst & Design
honey & bunny
Ice Formwork
Laurent Hermann Progin
Léa Coquoz/Manuel Wirth
Livia Lauber
NULLSERIE
Studio Eidola
Tanski/KOSMOS
Thomas Renggli/Tina Friebel
Yael Anders

Curated by Gabriela Chicherio and Andreas Saxer

Free entrance. More information here or on their Instagram and Facebook.

Slanted in Amsterdam: Donald Beekman

Posted on by Josephine Schroeder

Discovering the awe-inspiring design scene of Amsterdam in our 41st issue! Slanted set sail on an inspiring journey through the enchanting capital of the Netherlands. Our exploration led us to the talented Donald Beekman, who warmly invited us into his creative studio on his charming houseboat.

Donald Beekman born and raised in Amsterdam studied at the Rietveld Art Academy. He started the graphic design studio DBXL and has been part of Typeradio since its beginnings in 2004. All his life Beekman has been played in bands, which has given him a large network in the music scene. Beekman also designed many typefaces, mostly emanating from logos or art-work designed for clients.

His work can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with him, talking about his point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Donald Beekman / Slanted Publishers

History of Press Graphics 1819–1921

Posted on by Josephine Schroeder

Step back in time to a captivating era where art and storytelling converged flawlessly in the pages of newspapers and magazines. History of Press Graphics 1819–1921 is an exceptional compendium celebrating the artistry of graphic journalism and political cartoons from 1819 to 1921. The book about the golden era of the illustrated press was published by TASCHEN and is authored by Alexander Roob.

Covering a wide range from 1819 to 1921, this collection features a wealth of news graphics, political cartoons, and satirical masterpieces. Renowned artists like Jean Cocteau, Juan Gris, and Käthe Kollwitz share the spotlight with the often-overlooked “special artists” of their time, including Thomas Nast, Honoré Daumier, and Gustave Doré, whose remarkable works have been rediscovered within these pages.

Beyond being a mere historical artifact, the rich and diverse press work showcased in the compendium holds immense significance in the world of art. It served as a pioneering influence on modern artistic expression, laying the groundwork for revolutionary techniques, from proto-cinematic narratives to daring forays into abstraction.

Intriguingly, the book takes us on a journey into the mind of the great artist Vincent Van Gogh, revealing his deep fascination with the illustrated press. For him, it wasn’t just an artistic inspiration, but a reflection of the spirit of social reform. Van Gogh’s extensive collection of press graphics led him to consider it nothing less than a “Bible for Artists.”

In summary, this captivating compendium offers a glimpse into the golden age of graphic journalism, which continues to influence and inspire the world of art today. It is a must-read for anyone who appreciates the unique fusion of images and words that defined this exceptional art form.

History of Press Graphics 1819–1921

Publisher: TASCHEN
Author: Alexander Roob
Format: 24.6 × 37.2 cm
Volume: 604 pages
Language: Edition: English, French, German
Hardcover
ISBN: 978-3-8365-0786-8
Price: € 60.–

More information here.

Images: © TASCHEN / Slanted Publishers

FEED—Festival Eastern European Design

Posted on by Josephine Schroeder

The Festival Eastern European Design, short FEED, is a festival dedicated to visual design in Central, Eastern, and Southern Europe. It is held as part of the activities of the Network Eastern European Design (NEED).

FEED showcases the history and contemporary design from countries in Central, Eastern, and Southern Europe, which are often overlooked and undervalued on the international design scene. The festival’s aim is to uncover and promote the visual culture of this region. Additionally, FEED focuses on networking and integrating design events such as festivals and conferences, which take place in Eastern European countries. Through a shared platform, organizations can develop and explore methods of action during times of political, economic, and climate crises.

The festival will consist of a public conference, a gathering of visual design event organizers, a meeting of European community representatives, a series of practical workshops, and networking sessions.

Attendees will include event organizers, curators, local influencers, design journalists, a diverse range of designers, and an audience interested in design culture.The conference, scheduled for September 2nd, explores the history and current landscape of European design, featuring Eastern and Southeastern Europe’s visual culture, showcasing design scenes from various countries, and covering historical contexts, contemporary scene, community situations, famous artists, important projects, and more.

Following the conference, on September 3rd and 4th, a convention of design organizations from all across Europe will take place. On Sunday, there will be Europe’s Design Event Organizers Assembly, a gathering of organizers from across the continent representing the East, West, and South. This special event features a series of engaging presentations and a joint networking session, dedicated to organizers, curators, journalists, lecturers, and representatives of institutions. Notably, we are delighted to bring together representatives from 37 esteemed design organizations spanning Europe. Following the assembly, get ready for expert talks, where a series of specialist lectures will delve into the key issues prevalent in the visual design industry. Stay tuned for a detailed program and additional information, which will be made available soon. On Monday: Practical Insights for Design Organizations, an invitation-only event focusing on methods, strategies, and tips for organizers. Furthermore Shaping the Future, an invitation-only workshop dedicated to future network strategies for events and design communities.

All events at the festival will be free of charge. To participate, simply fill out the registration form. You can also find the festival on Instagram, Facebook and Twitter.

FESTIVAL EASTERN EUROPEAN DESIGN

Where?
New Theatre (Nowy Teatr)
ul. Madalińskiego 10/16
02-513 Warszawa

When?
2nd–4th September, 2023
Register now here.

What?
Take a look at the program and more details here.

Register here!

Blurred Territories – Kunst / Gestaltung / Forschung

Posted on by Henrike Uthe

To what extent is research conntected to art and design? Aren’t art and design always a form of research as well? In five issues, Blurred Territories: Kunst / Gestaltung / Forschung collects contributions from 39 authors, including essays, papers, dialogues, artistic image and text contributions, and project documentations in German and English.

The publication explores different positions and moments of interconnection between art, design, research and teaching within the Weißensee Kunsthochschule Berlin. The publication is released as part of the publication series +dimensions publications by form+zweck Verlag Berlin. +dimensions is an artistic and design research project (2021–2024) represented by all nine departments of the university. The transdisciplinary project is supported by the Stiftung Innovation in der Hochschullehre.

Blurred Territories: Kunst / Gestaltung / Forschung

Editors: Juana Awad, Madeleine Madej, Stefanie Rau and Henrike Uthe (+dimensions)
Contributors: Juana Awad, Marleen Clara Bauer, ­Elaine ­Bonavia, Kaja Busch, Kathrin Busch, Florian Dombois, Knut ­Ebeling, Denis ­Esakov, ­­­Judith ­Glaser, Essi ­Johanna Glomb, ­Christine ­Goutrié, Verena Graf, Herbert Grüner, Constanze Hein, Robin Hoske, Jörg Hugo, George Jaramillo, Mona Jas, Konrad Jünger, Pascal Kress, Nils Krüger, Daniel ­Kruse, ­Birgit Kunz, Madeleine Madej, Alexia ­Manzano, Verena Melgarejo Weinandt, Tyyne ­Claudia Pollmann, Felix ­Rasehorn, Stefanie Rau, ­Christine ­Reeh-Peters, Katharina ­Reinsbach, Patricia ­Ribault, Lara ­Roßwag, Christiane Sauer, Mona Schmidtke, Sandra Stark, Mareike Stoll, Henrike Uthe, ­Ruven ­Wiegert and Hanna Wiesener.
Publishing House: form+zweck Verlag Berlin

More informations can be found here

Slanted Magazine #40—Experimental Type 2.0

Posted on by Josephine Schroeder

Due to the swift sell-out of Slanted Magazine #40—Experimental Type upon its autumn 2023 release and the high demand from numerous individuals inquiring about the availability of remaining copies, we have initiated a new call for submissions to gather additional content for Slanted Magazine #40—Experimental Type 2.0. In response, we have reprinted the entire issue in black and white, accompanied by exciting new supplementary material spanning 320 pages!

Experimental Type 2.0 delves into the realm of experimental design strategies in typography and graphic design. This issue showcases projects that incorporate accidents into the design process, works inspired by mistakes and inaccuracy, fonts derived from concepts or systems, and ultimately, designs that explore unconventional paths. The publication serves as a platform to present cutting-edge approaches and innovative techniques, ranging from processing to AI-generated typefaces or variable fonts.

Each featured work provides glimpses into uncharted territories, challenging conventions, limitations, and thoughts, pushing them to the next level. However, the journey is never complete. The discovery of new realms, technologies, and ideas continues to serve as a constant source of inspiration, research, and experimentation for those who seek to push boundaries and explore uncharted creative frontiers.

Slanted Magazine #40—Experimental Type 2.0

Publisher: Slanted Publishers
Release: July 2023
Publishing Direction: Lars Harmsen, Julia Kahl
Release: July 2023
Format: 16 × 24 × 1.7 cm
Volume: 320 pages
Language: English
Printer: Stober, Germany
Workmanship: Softcover with thread-stitching, black and white
ISBN: 978-3-948440-56-5
Price: € 21.–
Buy

Slanted in Amsterdam: Hansje van Halem

Posted on by Josephine Schroeder

Exploring Amsterdam’s design haven in issue 41  Slanted Magazine #41—Amsterdam! Join us on an enchanting journey through the captivating Dutch capital. We had the pleasure of immersing ourselves in the incredible world of Hansje van Halem at her vibrant creative studio. Get ready to be inspired!

Graphic designer Hansje van Halem (1978) gathered recognition with her distinctive typography and geometric, almost psychedelic illustrations built on complex patterns. Van Halem digitally scratches, draws or weaves her letters and designs stamps, posters and illustrations. Her design-experiments sometimes lead to commissioned applications for public space.

The work of Hansje can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with her, talking about her point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Hansje van Halem / Slanted Publishers