A poster conveying stranger danger in an indirect manner.

“Lifecycle: A Performing Brick” was part of a sustainable design initiative, moving away from Cairo’s modern urban landscape of concrete and steel. The installation revived the craft of mud brick construction, inviting participants to engage with techniques that shaped the city’s architectural heritage. Its cyclical narrative—from creation to deconstruction—symbolized renewal, blending sustainability with Cairo’s enduring cultural traditions.

This illustration was drawn reflecting the messy state of mind of inner demons, but in a random manner.

A relatable poster visual of the moment your nail breaks.

A food festival poster where Teta makes mahshi for everyone!

A romanticised visual of mindlessness.

Captured the journey of life through photography how hard it’s for everyone how lonely it’s

The project tells the devastating story of a young woman who endured a traumatic childhood, facing sexual abuse from her brother, maternal uncle, cousin, and paternal uncle between the ages of five and twelve.

To translate her story, an exhibition was created featuring eight A1-sized illustrations. These illustrations were UV-printed on MDF wood, which had been manually painted white to enhance the vibrancy and clarity of the final pieces.

The book is designed to explore the deep connection between Egyptian culture and tea, highlighting the historical impact and the cultural significance of tea in the lives of Egyptians.

The project aimed to celebrate the uniqueness and complexity of governmental institution employees, represented by Madame Afaf while presenting a different perspective on her character. The book explores Madame Afaf’s persona through three key aspects: her appearance, attitude, and habits.

The Project, titled “Letters & Patterns” :
Exploring the creation of modern, dynamic, playful patterns from Arabic letters, and showcasing the potential of Arabic letters and how they can be used in a fun, creative, and different way.

The Project, titled “Letters & Patterns” :
Exploring the creation of modern, dynamic, playful patterns from Arabic letters, and showcasing the potential of Arabic letters and how they can be used in a fun, creative, and different way.

A series of Arabic lettering experiments, visualising emotions through composition and colour.

“Dhamma Collective” is a transformative project in Cairo that is set to restructure the local music scene by promoting alternative electronic and club music in a way that mostly supports female DJs and allies. In a city where opportunities for underrepresented artists are limited, Dhamma Collective aims to create a supportive, safe space that embraces female DJs as resident performers. Through curated events, and workshops, the collective seeks to challenge stereotypes and break down barriers.

A self-initiated lettering project created over the span of a year. Type Series A was originally a single work-break sketch that turned into more than 100 sketches of Arabic letters. A process of drawing, erasing, redrawing and altering, exploring legibility limitations and stylistic variations. Out of all sketches a select few were digitised and coloured, creating vibrant visuals of uniquely illustrated letters.

The artist employs a bold color palette and graphic forms to transform the vintage Sanyo fan into a pop art icon. The simplified shapes and contrasting backgrounds create a sense of energy and movement.

A verse from the Quran rendered in an elegant Kufic-inspired typography style. The calligraphy is presented in a minimalist design with a contrasting color palette, making it a striking piece of modern Islamic art.

The Project, titled “Letters & Patterns” :
Exploring the creation of modern, dynamic, playful patterns from Arabic letters, and showcasing the potential of Arabic letters and how they can be used in a fun, creative, and different way.

WARA ELNEESH is a hypothetical branding project focused around creating exhibitions out of the homes of people in Egypt. ElNeesh is a cabinet traditionally used for storing China and silverware during marriage, but these items go almost entirely unused and for display purposes only. WARA ELNEESH builds on that through exploring this previously untouched space by encouraging community connection around the antiques and the personal stories they hold while still questioning their existence.

A collection of illustrated observations on the busy streets of Cairo. The calendar is a collaboration of 13 artists, hosted by Andreas Trenker.

Tabann is a collective book documenting Cairo,Egypt visually and verbaly. The book consist of photos taken in Cairo, a vernacular mostly of the new slangs that has not been documented yet and some of the old ones to revive them and finally stickers to be used online in chats or offline as any usual sticker.

The book is bilingual to help foreigners get to understand the Egyptian slangs better.

Digital Threads explores the convergence of art, fashion, and technology through three intertwined narratives. Samir navigates transness and diasporic identity via performativity, Nada explores fashion’s intersection with migration and agency, and WeirDo subverts perceptions of disability through expressionist art and fashion. Themes of potentiality, experimentation, and reality’s gamification reflect how fashion-tech & MR amplify marginalized expressions.
Selected for Cairo Video Festival 2024.