Visual experiments and explorations of the letterforms during 36 days of type #10. Every letter has a topic: B = brutal, M = memories, O = other dimensions, V = vision and victory, I = I believe in myself, Y = your roots, L = let’s play with ASCII, G = Google sheets, K = kin, C = childhood, F = favourite city , Q = god save the queen, R = reflection, P = play with negative space, E = ethno.

The poster was designed for an invitation to a specific theme: Beautiful Seoul. While looking for Seoul’s character that fits well with my own visual approach, I was caught by the cavalcade of the Seoul Lantern Festival.
“In a Buddhist tradition, lanterns are lit and hung on houses, streets and temples in South Korea. The upcoming birthday of the Buddha is celebrated with the lantern parade.” At the lantern event, the curved, spherical body of the lanterns fully covers the field of vision, densely next to and above each other. I processed this cavalcade with my own typographically motivated solution.

Die verostatic-Schrift war die erste Schriftart die ich experimentell und analog mit Stift, Papier, Lineal und Kopierer zeichnete und entwarf und später in der Finalversion digitalisierte. Die Schrift wurde schnell zur „verostatic“, was quasi als Wortneuschöpfung zu verstehen ist; „static“ aufgrund ihrer statischen Erscheinungsform und „vero“ abgeleitet von meinem Rufnamen Verena sowie der lateinischen Bedeutung für wahr, echt oder auch glaubwürdig. So wurde die verostatic direkt auch Pseudonym und später Namensgeber für mich und meine Arbeiten.

Burnt Coffee Shadows is an ongoing typographic experiment. The genesis is material from note and sketchbooks dating back to 1996. The project features visuals generated from thoughts, scribbles and experiments that mix analogue and digital tools, like old fax machines and the latest mobile technology. It is an ongoing project, using impression and expression to create dark, brooding typographic landscapes — ‘typescapes’. In a constant state of renewal, the material is updated, remixed, sampled and revised, manipulated and variations created, focussing on the process instead of the outcome.

Burnt Coffee Shadows is an ongoing typographic experiment. The genesis is material from note and sketchbooks dating back to 1996. The project features visuals generated from thoughts, scribbles and experiments that mix analogue and digital tools, like old fax machines and the latest mobile technology. It is an ongoing project, using impression and expression to create dark, brooding typographic landscapes — ‘typescapes’. In a constant state of renewal, the material is updated, remixed, sampled and revised, manipulated and variations created, focussing on the process instead of the outcome.

“That is not a typography” is an experimental poster aimed to question the limits of typography. This by creating a relation through a superposition of layers of a very strict and geometric typography, combined with a very manual inscription over it.

Upon completing each puzzle, a letter will be revealed. Once you have solved all the puzzles, a secret word will appear, that can be used to unlock the 
.zip-file containing the font.

Make sure to underline all the words in each puzzle accurately. To claim the font, head over to Interna Publishing’s website or Instagram page, where you can find the .zip-file waiting for you. Let the games begin!

These Ps were born as an improvisation by colouring the negative space and letting it define the shape of the letter. Created for the 36DOT #10 challenge.

With the russian invasion bright and peaceful future is the only thing that everyone wants to see not only in Ukraine but in the whole world. This artwork is a cover of imaginary magazine called “Тримай майбутнє” (Hold the future). But what’s inside? Hopes, plans, challenges, births and losses, life and death. Future is bright and unstable at the same time.

Exploring our new variable font.

Typographic exploration using Illustrator’s limited 3d capabilities.

Our studio font.

these are some typography designs that I loved creating.

The art print was commissioned to commemorate a supporter of the amazing @mcgoverninstitute — it features the string of 1368 letters of the Cas9 protein sequence, which is a key element on CRISPR gene editing technology!

The art print was commissioned to commemorate a supporter of the amazing @mcgoverninstitute — it features the string of 1368 letters of the Cas9 protein sequence, which is a key element on CRISPR gene editing technology.

The art print was commissioned to commemorate a supporter of the amazing @mcgoverninstitute — it features the string of 1368 letters of the Cas9 protein sequence, which is a key element on CRISPR gene editing technology.

Ausschlaggebend für diese experimentelle Schrift war die Annahme, dass jeder Buchstabe in ein Quadrat als Grundform passen muss und jeder Buchstabe selbst aus Rechtecken oder Kreiselementen besteht. So entstand: Jedes Quadrat ist ein Rechteck oder eben die Quadratur des Kreises.

Some experiments with forms and aesthetic for 36daysoftype marathon. Figma was used as a tool and work environment.

The poster was inspired by the song Dine N Dash by the Chats. The typography was created by hand using ink and a piece of textured toilet paper for a punk-ish & grungy effect.

Lettering for enzo’s new music video. MAYDAY by enzo × Josha Hewitt out now!

Posters for the discussion series «gestört erzählt» at Neubad in Lucerne Switzerland. Mental health is not a taboo subject! The moderator and psychologist Matthias Boss talks to affected people about their story and their mental health crisis.

Monthly posters for an event location in Sursee, Switzerland. The posters were projected onto the LED wall in Kulturwerk 118 and digitally processed.

Time runs tirelessly, accidental hacking of the system attracts changes, no matter how we try to stop time. In design, I think of my creative results as projects. The theme of the exhibition, for which the poster was created, sounds like “Project is tomorrow”. Tomorrow is a concept of time, and we cannot stop it, because every new action we take brings “tomorrow” closer

In design, I think of my creative results as projects. The theme of the exhibition, for which the poster was created, sounds like “The project is tomorrow.” I believe that my works is my “tomorrow”, which will come, begin to breathe and exist if I will do what I do and will not be afraid of blank sheet, like the words on this poster that flow like time and bring this “tomorrow” closer