What do you see when one of these letters is taken out of context? For this specific project, I researched the legibility of letters in the Latin alphabet. The aim of this research was to identify to what extent letters can be permuted without becoming unrecognizable. I create letters that become indistinguishable when taken out of their context, thereby raising questions in the process. This is done by utilizing analog materials and techniques that manipulate the shape of the letters.
Benny Goodman poster
This typographic poster is a tribute to Benny Goodman who gave a concert with his orchestra in Green Theatre (Odesa, Ukraine) in 1962. It reflects the idea of what his concert poster might look like now.
The custom lettering has been inspired by the experimental and expressive music of jazz and swing, so the letters dance and swing as well.
Misto font
Misto font is a loveletter to Slavutych — the youngest city of Ukraine, which was born after the Chernobyl explosion.
Misto is a reverse-contrast display typeface. Its squat, expansive letterforms draw inspiration from the shapes of the low, wide buildings in Slavutych, which incorporate architectural styles from eight regions of the former Soviet Union.
Misto font designed to work best in headlines, including logo design, brand identities, websites, packaging and posters. It supports both Cyrillic and Latin versions.
KREIS. Modular Typefcace
Kreis is a modular typeface with a modern sharp character inspired by the shape of oldschool CD-disk. It consists of three simple modules with the roots in square and circle shapes.
Letterforms create a geometric typographic pattern, but at the same time it remains readable.
Kreis supports basic Cyrillic and Latin versions and works best in headings, logos and strong messages.
Aerobik font
Here comes our new Aerobik display typeface! With its unique bouncing aesthetics made of outlines, it does not match any existing typographic style. It refers as much to graffiti in some aspects as to the way motion and speed are represented in comic books.
Conceived to be used with regular case or capital letters, it turns out to be surprisingly readable in both ways.
The experimental aspect of the font resides in the deliberate confusion between outlines, superposition, blank space, loops and angles.
PERLER FONT
The mixed media artwork WELL WELL made out of wood, HDPE and foam was the starting point for the development of the PERLER FONT. It was fun to create a whole font out of an artwork that was meant to stand for its own.
Sing Your Song!
The work was inspired by my daughter, who’s drive to sing and be an individual is an inspiration for me to be a bolder and more confident artist.
Betatron Typeface
Inspired by sc-fi movies set in the not too distant future, Betatron originally started life as a type experiment on CoTypes Instagram. After receiving an overwhelmingly positive response it quickly developed into a fully functional typeface which is now available to download for free. Betatron features solely vertical, horizontal, and 45° diagonal lines as it tries to capture each letterform in an abstract and dynamic way.
The type family features a Latin Extended character set, covering most languages written with the Latin script.
Betatron is free to use under under the Creative Commons license.
Unruly Landscapes
Poster for the conference Unruly Landscapes: Producing, Picturing, and Embodying nature in Early Modernity, organized by Christine Göttler, Ivo Raband, Michèle Seehafer, and Steffen Zierholz at the Institute of Art History at the University of Bern. An organic lettering was constructed after a model by Richard Nebbiolo (Lady Carole). Printed in offset with back and silver.
VideoEx 2020
Poster and Corporate Design for
Birth Defect DNA Typeface
Typedriven illustration and alphabet for a book review called ‘The Language of DNA Should Rewrite English, Too’ which focuses on the terminology of ‘birth defects’. A piece about language, text and translation in the context of the biomedical world and mainly focused on the early stages of life (and even before). The design is based on how chromosomes are structured and displayed. Of course, the font is not perfectly readable which reflects the main problem stated in the first place; the difference in usage of words with possible dangerous and serious consequences.
https://lennartsendebruijn.com/projects/neo-test
HOPE
MY OWN REALITY
Artwork exploring how our own reality can be totally different, with the same message.
Type Impression
moreless.type is an experimental typography project which treats letter as starting point to serach for a different means of expression.
these works are the impressions on type.
Experimental Type—Call for Submissions
Get ready, because finally the Experimental Type—Call for Submissions for the upcoming issue of Slanted Magazine has officially started.
Slanted #40—Experimental Type deals with experimental design strategies in typography and graphic design. This issue presents projects incorporating the accident into the design process, works based on mistakes and inaccuracy, fonts that derive from a concept or a system—in the end work that experiments or goes unconventional ways in design. This issue showcases cutting edge approaches as well as new experimental procedures, from processing to ai-generated typefaces or variable fonts.
Graphic designers, illustrators, artists—you’re very welcome to submit your artwork with a statement/quote that explains your work. Journalists, authors, or poets, we would be very happy if you’d contact us by email and talk with us about your text submission. Text contributions are highly appreciated!
Submissions can be uploaded until April 10th, 2022 (the issue will be published in October 2022).
We will curate and review all contributions and get in touch with you afterwards, if your work is selected. Once the issue has been published, you can order a free copy.
Type Portrait: Hangul Alphabet
This project investigates bilingual experiences between English and Korean as experiential typographic forms. Hangul alphabet is an English typeface designed using Korean consonants and vowels for the trans-languaging experience created by Taekyoem Lee. Type Portrait: Hangul explores generative self-portrait photographs. It portrays the typographer’s linguistic and typographic identity using the typeface as a Korean-American. This project transdisciplinary typographic research from typeface design to a contemporary medium such as computational selfies. It brings a new bilingual and trans-languaging experience between Korean and America.
S for Slanted
An animation, made with Processing for the “Experimental Type”-issue of Slanted
Branczyk vs. Ruddigkeit – ELEMENTS
Wish We Were There (poster for Weltformat Graphic Design Festival)
This poster is designed as a boarding pass. During the pandemic we (like so many others) were naturally unable to travel, and as time went on this was one of the things we wanted to do most. In that sense the boarding pass represents this ticket to freedom and the idea of being able to escape from your everyday reality—something we’ve probably all wanted to do a lot during the pas year! So when we started thinking about the Weltformat Festival we ended up talking a lot about this idea of being unable to travel, and hence the idea of the boarding pass as a poster—a way for us to come to Lucerne. On top of this lies the idea of playing with media and formats and to intentionally “misuse” them.
COLD FACTS (campaign for GANNI)
The cold fact popsicle is an awareness appetiser. It’s not meant to sweeten your day. It’s not meant to point fingers at you either. It’s a simple serving of ice cold facts, giving you a heads up on our planetary situation. And hopefully, a reminder to take part in cooling down the Earth together.
[Photos by: David Stjernholm]Mark Gowing: Inside the Oblong
With the limited-edition volume sold out, Formist is pleased to release a new edition of Mark Gowing: Inside the Oblong. This updated edition features an essay by Eye Magazine’s John L. Walters alongside the foreword by design writer Kevin Finn.
Mark Gowing: Inside the Oblong collects twenty years of posters by the esteemed designer and is a portrait of his uncompromising process for commercial clients and his own personal practice. Over 288 pages the book explores the rhythms, proportion, and dynamics of the oblong space that is the poster. The work is divided into five broad categories: Commercial, Exhibition, Film, Music, and Practice. The posters display an approach to type, image, and pattern that is immediately recognizable as Gowing’s and no-one else’s.
As Finn writes, “Gowing deeply understands the rules of design, yet regularly breaks them without restraint. He frequently uses the poster format in the same way one might use an artist’s canvas: as a means to express ideas, to experiment, to challenge, and to discover new things in the process.”
Always with an audience in mind, the works featured include posters for the Sydney Opera House, Venice Art Biennale, Australian War Memorial, Sherman Contemporary Art Foundation, Preservation Music and Hopscotch Films, as well as a selection of personal works, including the Warsaw Poster Biennale Gold Medal-winning Oil Kills Peace. As Walters explains, “Gowing gets to the heart of each subject. The posters map his understanding of nuanced, multi-dimensional content (art shows, talks, performances, architecture, films) on to what graphic design can do within the four corners of a flat surface, the ‘oblong’ of the title.”
The first 60 pages of the book feature photographs documenting process, display, and various exhibitions Gowing’s posters have appeared in, printed bronze ink on black paper. The texts are set in a custom typeface designed by Gowing using a rigorous grid, resulting in a sharp and unusual feel.
Mark Gowing’s work has been exhibited and published around the world. He has received numerous international awards from staples such as Graphis, the New York Type Directors Club, and the Tokyo Type Directors Club. In 2008 he became the first, and only, Australian to win a Gold Medal at the International Poster Biennale in Warsaw. A member of the Alliance Graphique Internationale, his work is held in numerous institutional collections including the Cooper Hewitt Smithsonian Design Museum in New York, USA.
Mark Gowing: Inside the Oblong
Publisher & Design: Formist
Volume: 288 pages
Format: 240 × 170 mm
Essay: John L. Walters
Foreward: Kevin Finn
Typeface: Formist Graph by Mark Gowing
ISBN: 978-0-6485963-5-6
Price: $ 50.–
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Damascus Modular Typeface
The Damascus Modular Typeface is based on the characteristics of the Umayyad Mosque in Damascus, Syria. The ancient mosque is particularly known for the columns in its courtyard. For the type project, the shapes of these columns were deconstructed and turned into a modular grid system. As a result, positive and negative forms reflect the domes of the mosque, while ornamental letter connections create the impression of arcades.
While the mosque is surrounded by chaos of war today, the typeface is intended to give an idea of what the city of Damascus is truly about: the majestic splendour of Islamic architecture.
To be creative, practice
Achtung: hochgeladen von Slanted > credits müssen noch erfragt werden.
~COLLINS Ideas
ED: Paul Jun
Snifform
Look, observe, search, experiment. Sniffing the city and discovering its language. Snifform is a project by Husmee that invites everyone to participate in a collective graphic design project.
As in the past with projects such as Timeless Massimo Vignelli or 60 Helvetica, Husmee is now developing another project of its own: Snifform.
This project aims to explore and test urban morphology in all its aspects and dimensions, from basic static figures to the formal dynamics of digital space.
Starting from a photograph, using basic geometry and the Snifform grid as a base, shapes are (de)organized and synthesized in a layout system to form one or more graphic pieces that resemble the core structure.
On November 19th, 2021 the website was launched and on Instagram the base document and the Snifform grid were shared to invite everyone to experiment graphically and participate with their own exercises.
The purpose is to bring two cents to graphic design, away from ties and commercial demands, encouraging people to experiment, explore their urban environment, and have fun creating graphic pieces in a common and collective project.
The project is open to anyone who has the curiosity to experiment and the will to enjoy in a graphic sense, with absolute freedom.
Snifform
Visit the website to get more informations and download the grid to be part of the project. You can check out the exercises on instagram.