Postcard | Golden Poo with Neon Heart | Riso Print

Metallic Gold glänzender Poo Emoji 💩 mit Hearted Eyes 😍
in psychedelischen Neon Farben.

Idee & Gestaltung: Typo Graphic Design ■ Manuel Viergutz
Format: 10,5 cm B × 14,8 cm H (DIN A6)
Papier: Nachhaltiges Metapaper, warmwhite, extrarough 270 g/m2
Druck: Risografie (digitaler Siebdruck) mit umweltfreundlichem Metallic Gold + Neon Colors
von www.drucken3000.de

The colourful gnomes and the happy cat

They are strange people, the colourful gnomes. As soon as they sense the presence of a happy cat in the vicinity, they immediately run towards it and jump into its mouth.
One day, amazed by the scene, I stopped a blue gnome before it jumped into the feline’s jaws and asked it:
“But why are you so happy to jump into the cat’s mouth? Once swallowed you will die!”
Then the gnome shrugged its shoulders and replied, in a calm voice: “That’s what we’ve always done. If we suddenly stopped, what else could we do?” and with that, it ran off, throwing itself on the big happy cat’s pink tongue.

TSFF 30

For over 30 years the Trieste Film Festival, the most important cinema festival of Central Eastern Europe, has observed and narrated the creative yet often turbulent events of this part of Europe. A series of contrasting circles, transparent, vibrant, overlapping, complete, unfinished or merged, joined or separated, evoke this 30 years-long story.

tat*

tat* — Inspirational Graphic Ephemera is a bit of a graph­ic designer’s curse. Walk into any design stu­dio and you’ll see bits and pieces of graph­ic ephemera pinned to the walls or taped to a com­put­er screen. Even the purist will have a secret cache hid­den away some­where. Design­er Andy Alt­mann has been col­lect­ing tat for more than 30 years. He finds inspi­ra­tion in the ordi­nary, and mag­ic in the mun­dane. Final­ly he has decid­ed to share his col­lec­tion with the world. Con­ceived and edit­ed by Andy, this is the apoth­e­o­sis of tat. A visu­al trea­sure trove, full of sur­pris­es, it should find a place on every graph­ic designer’s desk.

Andy Alt­mann is a found­ing part­ner at Why Not Asso­ciates, one of the UK’s lead­ing mul­ti-dis­ci­pli­nary design com­pa­nies. Although he trained as a graph­ic design­er, Andy’s work typ­i­cal­ly blurs the bound­ary between design and art. His projects range from exhi­bi­tion design to postage stamps, via adver­tis­ing, pub­lish­ing, tele­vi­sion titles, com­mer­cials, cor­po­rate iden­ti­ty, and large-scale pub­lic art. The com­mon thread is a fun­da­men­tal love of typog­ra­phy, research, and experimentation.

As a student, a decision to present a scrapbook instead of a sketchbook for his interview to St. Martin’s School of Art, was the catalyst for starting his collection of tat: “I rummaged through the drawers at home and found some football cards from the 60s / 70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes … Then I started on the magazines, cutting out images of anything that interested me … and photocopied things from books before reaching for the scissors and glue.”

It was the beginning of a significant collecting habit that he has maintained ever since. So what is it that makes a piece of graphic tat interesting? Is it the ‘retro’ thing—a fascination with a bygone age, the primitive printing techniques, naivety of the design or use of color? All of the above of course, but it’s never quite that simple. It has to have that indefinable element of magic. To a graphic designer, most of this book could safely be regarded as ‘bad’ design. But there is something special in each and every piece that made Andy pick it up off the street, trawl online or enter a dodgy looking shop on the other side of the world to snap up. You’ll find everything from sweet wrappers to flash cards, soap powder boxes to speedway flyers, wrestling programs to bus tickets. More tat than you can shake a stick at. Taken together, it represents a lifetime of gleeful hunting and gathering.

tat* (noun)—any­thing that looks cheap, is of low qual­i­ty, or in poor con­di­tion; junk, rub­bish, debris, detri­tus, crap, etc.

tat* — Inspirational Graphic Ephemera

Publisher: CIRCA PRESS
Release: April 2021
Author & Designer: Andy Altmann
Volume: 400 pages 
Format: 25 × 21 cm
Language: English
ISBN: 978-1-911422-27-3
Price: £ 45.–
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Holidays on Mars

The pictures from astronomic telescopes deliever extremely colourful views of galaxies, exoplanets and space. Those pictures show the tremendous impact of light and its absence on our perception of colours. My work “Holidays on Mars” illustrates and reflects the 2021 mars landing in a form of holiday photography. It’s built out of computer driven light gradients created within the main rule of quantum physics: by a fusion of chance and cause.

“Views”

Two analog collages that belong to a larger series called “Views”.
I don’t use to think about the meaning of a collage when I make it. Sometimes the meanings come later, sometimes they never do it. In this case, this series was made in the spring of 2020, during the lockdown, so probably these works are talking about the need of going out, although I didn’t make them with this intention.

Fluorescent Echoes

These images are self portraits taken using different polaroid cameras and out of date film. I experiment and disrupt the image and its chemistry using various techniques; layering damage to create strange abstractions. Images of my body metamorphose into the universal: landscapes, coastlines, weather fronts, fossils dug from the earth, or distant nebulae.

the future is queer

For me, colour is diversity, spirit, perspective, to live a joyful life. But some aspects are not self-evident for the queer community. Even though they represent colours in every way possible. But we are here and ready to fight hate with love. Together we can realize a colourful and queer future.

All Letters Are Beautiful

The typographical world is a seemingly endless and creative one — but works are often presented in reduced colors or entirely in black and white. The “All letters are beautiful” poster shows the diversity of typography in a contrasting way through colors; celebrating the beauty of different letters, shapes and styles. Realized as RISO prints, a color gradient was created with fluorescent pink and orange tones and printed on Metapaper warm white as well as on black drawing paper.

Shadok

Shadok is a place dedicated to digital arts, video games, djing, and events linked to digital field. The combination of colors, shapes and rhythm refers to an imaginary, fluid and moving technological world, able to cover various areas such as video games, techno music, children play and hacking.

rgb — construction

rgb — construction is an abstract art illustration that deals with the rgb colors. The illustration implies the interplay of red, green and blue.But it also shows that each color clearly stands for itself. A construction that only works through the union of individuals.

DANKE FÜR DIE KLEINEN DINGE

Die kleinen Dinge sind es, die das Leben ausmachen. Ein freundliches Lächeln, eine nette Geste, oder eine gute Tat. Kleine Dinge können den Unterschied machen. Angesichts der großen Aufgaben in während der Pandemie kann man sich entmutigt vorkommen und an den Herausforderungen verzweifeln.

Jeder kann auch mit kleinen Dingen helfen, unterstützen und einiges bewirken.
#zuhausebleiben #supportyourlocal #wirschaffendas

Eine Initiative der Bewegung für Radikale Empathie. @radikal_empathisch

Type Drives Communities

The Type Directors Club (TDC) announced the launch of the Type Drives Communities Global Virtual Conference that will explore the ways typography is used to form and transform creative communities.

Taking place online on May 7th–8th, 2021, the conference includes two half-days of talks, presentations, and group discussion spanning a broad range of design disciplines, and both local and global communities. TDC, part of The One Club for Creativity, has assembled a top global panel of diverse voices to share their experiences in driving communities. The complete list of speakers can be viewed here.

Sessions will highlight communities that use typography to pursue a common purpose, establish intergenerational connections, and spark and sustain change. Discussions will also encompass what these strategies suggest about how designers might navigate the challenges of our present moment of physical distance and virtual connection.

Type Drives Communities
Type Directors Club’s Global Virtual Conference

When?
May 7th–8th, 2021

Where?
Online

Register here
Early-bird registration for reduced-price tickets is available through April 12th, 2021