Colours’ fluidity is the reflection of our perception. This dynamic attitude, due to the undefined number of variabilities, reveals the multiplicity of the spatial and emotional feelings.

As I indicated in the text submitted yesterday with another photo. It is about a “photographic capture” staged not retouched and not rigged. This photo is one of the two elements of a photo diptych I submit the second image as well.

Just like stained glass patterns, the human dynamic is interchangeable. It is formed by an evolving sequence of elaborate yet basic emotions that are found in every person. Basic emotions may seem divided through cultural differences but are actually all bound by the same complex and beautiful human feelings. Facial expressions are proof that we have universal manifestations that are independent of culture and language. Stained glass is animated by colour, light, and form. Likewise, the face is altered through the expression of emotions.

This work approaches in different ways the shifted perception of reality, self-perception and intimacy during the first lockdown. Many everyday contexts are unchanged, but feel different, more intense or numb. Sometimes the days of the week blur, sometimes life seems to stand still, as if one’s own presence exists outside of general “time.”

An effective retreat from the linear concept of measurable time cannot succeed, because this time inevitably passes: the measured moment is unfortunately always completed with the execution of its measurement.

I am tired, I am weary /
I could sleep for a thousand years /
A thousand dreams that would awake me /
Different colors made of tears.

– The Velvet Underground, “Venus in Furs”

This poster was screen printed in a limited edition and exclusively sold at the concert it was made for.
It was also chosen as one of “100 Beste Plakate 2019”.

Ignore is no tolerance.

We have all been deprived of attending cultural events for almost a year. I just want everyone to remember how much these events brings happiness to our lives. That in the future, we humans are able to interact with each other, in person.

Hart is a leading Belgian magazine about art. Hart looks, reflects and writes with insight and inspiration. About artists and their work, about exhibitions, art institutions, collecting and engagement.
In September 2019 Hart had undergone a visual transformation at the hand of Vrints-Kolsteren. The studio was responsible for the re-design and still is for the ongoing art-direction of the monthly publication. The persistent use of typography and a structured layout leaves room for the content to take the lead. Each issue, a quote gets highlighted on the cover in a contemporary position, infused with a surprising new color combination.

Network space in Yeongdeungpo area with various values and individuality, and online interactive arts festival that blurts and disappears boundaries!
We are connected to each other in Yeongdeungpo.

Allan Sekula: OKEANOS inaugurated TBA21’s year-long series of events, exhibits, talks and performances dedicated to the oceans. The exhibition presented a selection of works by American artist and theorist Allan Sekula whose most significant area of inquiry remained the political economy of seafaring.

The visual identity features a vibrant color palette, robust typography and corrugated rectangular shapes echoing Sekula’s recurring motif of cargo-containers. The stacking of solid colors evokes the diversity of forces that shape global economy.

Poster for Khruangbin’s show in Z-Bau in Nurenberg on December 12, 2019.

Colores Santos (Holy Colors).
In colors and shapes we trust. we trust to express ourselves in the most honest way.
Colors and Shapes define our moments, our statements and our point of view to say something in an specific moment.

Single tone coloured pencil drawing created as a limited edition t-shirt design.

A project created to explore the beauty in everyday normality through the female body. I combine real life proportions with a stylised drawing approach, exploring an intense, fleshy pink colour palette and elements of the present-day. This allows me to transform the traditions of classical art present in my work into ambiguous narratives of modern life.

It’s a “captation photographique” personal term to my work. This is a photographic staging made without special effects or computer retouching. All the color, composition and light work is done in the studio during the shooting.
For the print, I would like you use the best possibility.
Also, I would like to propose you a second proposition. As you will see on my website, I make very colorful wallpapers for the walls of my exhibitions and installations. I propose to create a pattern especially for Slanted which will be printed in full page with bright colors and neon inks. The presence of this motif on a full page suggests the extension of the motif outside the magazine like a wallpaper.

Typographic series for Foundry 852 – A new WPP Campus in Hong Kong. It’s a “Space to Create”, with each poster illustrating a different value for the new space, in Chinese lettering. Spanning multiple creative techniques as design, illustration, 3D animation, clay sculpting, & augmented reality. The posters and animations were displayed on screens and as prints throughout their new campus as motivation.

AGENCY: Ogilvy Hong Kong
CREATIVE DIRECTION: Michele Salati
DESIGN: Daniel Brokstad
3D DESIGN: Edu Torres

This one is for the train nerds. Detailed wall we painted in Zuffenhausen for Deutsche Bahn. We picked up some elements of the different Stuttgart s-train coatings, mixed it up with some DB-displayboards and added some graphic patterns and graffiti-elements. Thanks Paul Furmaniak for rendering the 3D-water drops.

Trying to combine the aesthetics of insects with the aesthetics of glas. With the help of simple 3d shapes and just a few colours.

“Polydor Records asked me to design a poster responding to a track from Paul Weller’s most recent album „On sunset“. Sonically the album has a psychedelic, earthy vibe. I was really excited about the task to design a poster for a lyric. When I still went to university, I used to do this more often as a practice for designing posters. Music and lyrics in general do not only determine the content of posters, but give a lot of inspiration for the design. The lyrics of mirror ball immediately inspired me and it was fun to create the poster for it.

This piece belongs to Jesu Moratiel’s Superfake Paintings series. A body, from the point of view of a film camera, appear with a new skin. With a post-punk cybernetic aesthetics, that also remind to a new ancient egyptian hieroglyphics, the body with the texture of Spotify appear in a suggestive position, dancing, in a festive situation, that remind us of body contact sensations and the rituals that define us as social beings. The corporate image of the large multinationals in the digital age is expanding, becoming the packaging that represents us, they end up being part of our needs just like the skin we inhabit. We are part of them and they are part of us. Welcome to the great hive.

Witten Lab is the interdisciplinary Future Learning Laboratory of the University Witten/Herdecke. The magazine is an invitation to be part of Witten Lab and its Learning Experiment. With the launch of the magazine the purpose of Witten Lab is also becoming the topic of the first issue: New Learning. Dyed through pages, the play between black and yellow, the use of colours: this magazine feels like a multicoloured inspiration.

Le Mans 1970 from a different angle: Porsche in person, behind the scenes – and in black and white. This exquisitely illustrated book of photographs shows many previously unpublished pictures before and after a triumph that has shaped the history of the company to this day. thekitchen created a black & white Hardcover Book with few coloured specials in order to highlight different parts of the book like eg. three colored bookmark ribbons.