Riso Wall Calendar »2021«

Mit unserem Riso Wandkalender starten wir 2021 optimistisch und farbenfroh. 12 Monate plus Cover und silbernem Foldback-Clip. Jeder Monat wurde in vier strahlenden Riso Farben auf 300 g/qm CircleOffset 100% Recyclingpapier (ausgezeichnet mit dem Blauen Engel – zweite Edition auf Römerturm Jupp Ech Öko 250 g/qm) gedruckt. Gestaltung in Zusammenarbeit mit Benny (Druckwelle).

The Digital Shift

The Digital Shift is changing the world as we know it. Previously unimaginable technological possibilities are already in motion—or just around the corner. The rise of Artificial Intelligence will create new business models, products, and services. But in order to establish a new global prosperity paradigm, the industry must finally start thinking radically from a human perspective. Artificial Intelligence must become civilized. Artificial Intelligence must complete a transition, to what we call Personal Intelligence. Whereas it is currently a tool used only by the elite, Artificial Intelligence must become a tool for everyone. As a consequence, the discipline of design will take on a prominent role in the personalization of Artificial Intelligence. How do corporations adjust to this new personalized technology? To move corporations forward, Christian von Reventlow and Philipp Thesen, have developed series of radically new, human-centered methods, and models, delivered in this fascinating book The Digital Shift.

As Chief Innovation Officer and Chief Designer at Deutsche Telekom, von Reventlow and Thesen have analyzed the societal repercussions of the increasing adoption of AI. During the past five years, the duo has shifted Deutsche Telekom from being infrastructure-led to being design-led, placing empathy and humanity at its core. By fostering one of Europe’s largest design teams, the two have gained deep understanding of how artificial intelligence works within the public domain, and how it leaves an impact on millions of users every day.

The Digital Shift

Publisher: Steidl Publishers
Author: Christian von Reventlow and Philipp Thesen
Editor: Thomas Huber
Design: Winkreative AG
Photographer: Vincent Fournier
Illustrator: Matt Blease
Volume: 134 pages
Format: 17.7 × 23.7 cm
Language: English
Workmanship: cloth binding
ISBN: 978-3-95829-580-3
Price: € 20.–
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Mural istanbul

Mural istanbul Turkey’s first mural festival and every year there are various artists from around the world.
Organized through the support of the Kadıköy Municipality, Mural Istanbul is one of the city’s most prominent street art festivals. Bringing in amazing street artists from abroad to painted building-sized murals, the Yeldeğirmeni neighborhood has been turned into an open-air museum since the festival’s inception in 2012.

Lovestore — Ben&Jo Campaign

This poster comes from a campaign created by our agency. After the first lockdown that started in France last March, the companies we were working with suffered an economic impact. That is why we took the decision to gift a billboard campaign in Strasbourg to our clients.

All the posters were designed with the same structure: a typographic frame that creates a link between all of them. Each poster also integrates the specific visual identity previously created for each client. This poster presents (dé)boutonné.e.s, a lovestore in Strasbourg. It combines a raster photograph for its eroticism to a typographic composition evoking the spank of a good smack on the bottom.

Alex

Alex’s strussle with different men in different places on the day she sives an important work presentation. All the problems Alex experiences are ones any woman could face.

Ecstatic Clash

The Ecstatic collection is focusing on women and the female body. Growing up with media and getting confronted with the permanent presence of female discrimination and sexualization, gender equality became an important topic in Julia’s mind. Being half German/half Persian, she was recognising soon differences between men and women in both societies. Julia wants to point out, that independent from culture, patriarchism is still a big deal in the 21st century. The Ecstatic collection visualize the future woman, celebrating freedom and the full control of her mind, body, and soul.

Guide de l’étudiant of l’Ésac Cambrai

collab with Antonin Faurel (https://www.antoninfaurel.com). Book distributed to Ésac students at beginning of the school year. The book is composed of 2 parts, one informal in black and white, the size of which is enlarged in the other in colors (yellow and 2 pantones) composed of applats and photos of flowers. It’s talking of questions of graphic design through images. Type: Pickle-Standard (1) and Elastik regular C; Print: Jelgavas Tipogrāfija

Colors

I made this poster on a weekend just messing around with overlapping shapes in different colors as a form of relaxation. Playing with colors is really fun and can lead to very interesting, unexpected results such as this one. I’m really happy that we can perceive them with our eyes and also experience them in nature in such a vivid spectrum. 🙂

Metamarathon

Meta Marathon’s 2020 edition revolved around „Cyborgs“. Visitors would have been able to experience an array of cultural performances, lectures, installations and workshops – 42 hours, non-stop. The festival at NRW Forum Düsseldorf, scheduled for May 22–24 was cancelled. The essence of the identity is one of the crucial differences between machine and human. While human beings emit heat naturally, the temperature of metallic machines heavily depends on their surroundings. By utiliting the style of thermal imaging devices the union of human and machine as cyborg could be visualised in different ways, from slight body modifications to whole external limbs …

“I Don’t See Color” (Red Lines)

In the United States, it is common to hear people say “I don’t see color,” when it comes to race. They think that being “color blind” means they hold no bias. But ignoring race means ignoring racism. Recognizing racism means acknowledging the history of structural oppression and implicit bias. “Redlining,” for example, names discriminatory practices in housing, lending, and other services that systematically put poor and poor Black communities at a disadvantage. Typography in this composition becomes topography. It is a political message that aims to express that color, in more ways than one, matters.

Colour Calendar

Colour Calendar is a book of colours to hang on a wall, to change when the mood strikes, the sky turns, or the seasons change.

The project brings the customization and self-expression facilitated by digital products into a physical object, while giving new purpose to an object made obsolete by digital technology.

Each page is screenprinted with a custom blended colour, rendering colours in intensities far beyond what can be achieved with standard printing techniques.