Catalogue and exhibition about Maria Sanmartí, a mid-20th century painter. Mother of the painter Antoni Clavé, she was highly recognized in Europe and in our country, but was absurdly forgotten. In this project, we have sought to create a dialogue between the created identity and the irregular forms, as well as her innocent and carefree brushstrokes.

Scroll is a manually created experimental typographic book that reflects the amount of time we spend on social media platforms every day. The book reflects on this scrolling. The total time spent is represented by the weight and thickness of the book – it’s like an encyclopaedia, and the momentary attention is represented by the fact that we can ‘read’ this book, scroll through it, in 5-10 seconds – just like we do with an Instagram reel.

Paris brutal typeface, shifted, destructed system.

States grotesque
States G works with the ever-relevant quirky elements of early american grotesques which in the
process of visual synthesis were tamed to the perception and expectations of modern spectator.
During reserach, while prawling late 19th century type specimens my attention got caught by
“bitten” letter t. Just about time when in the capital of United States Statue of liberty got erected,
dosens of various type foundries were struggling to come up with best serifless font.

Difraccions is an experimental music festival for which we have designed the visual identity. In 2023, the festival revolves around reinterpretation. Inspired by concrete poetry of the mid-20th century we created dynamic forms that interact with the theme of this edition.

Helvetica is considered to be the perfect font. However, is perfection possible? Is there a one and only one answer to a question? What if we consider all possibilities. This font is the result of using all the different weights of Helvetica at once. A vain effort to find the grey between the absolute white and black.

I let KI do all the work and extracted a set of glyphs from dall-e and playground AI. EEVA is for juicy headlines for crazy album artworks, cool shape patterns for your next publication or make funky posterstuff for your BFF’s birthday party at the secret location next week – 

This is an experimental typographical cover with Bulgarian letters for a poetry book.

The town hall butt — Numerous stone sculptures are characteristic for the historical town hall in Bardejov. They go also alongside the renaissance oriel, where you can find the most bizarre one — a little boy with his head between his legs, protruding his naked butt into the square.
According to a legend, it was a peculiar revenge on the town council for refusing to pay the builders of the town hall even though they had done their work well and on time.

The store opening graphics prepared for the Sneaks Up brand, titled ‘Sneaks Up Coming Soon,’ announce the news of their upcoming store openings to their target audience with powerful typographic illustrations carrying traces of sneaker and street culture.

Large, smiling face emoji with overlapping generative letter S. This composition creates a dynamic and engaging visual narrative, blending digital culture with traditional typographic elements. The work reflects the emotional and expressive power of emojis in contemporary communication.

The Creativity Workshops (in Portuguese: Oficinas de Criatividade) at Sesc Pompeia have existed since the beginning of the 1980s with the aim of democratizing art through courses on a wide range of subjects: from carpentry to embroidery; from comics to analogue photography. The whole visual identity is based on the word “workshops”. Written in a font with features that allude to the architectural design of the space, several copies of the word were printed, cut, pasted, burned and reconstructed.

A simplistic approach towards recreating the virtuoso and his legacy – in the series I explored both typographic approach alongside with symbolic compositions. Evocative compositions and dynamic music notations coming out of the master’s fingers.

A simplistic approach towards recreating the virtuoso and his legacy – in the series I explored both typographic approach alongside with symbolic compositions. Evocative compositions and dynamic music notations coming out of the master’s fingers.

A simplistic approach towards recreating the virtuoso and his legacy – in the series I explored both typographic approach alongside with symbolic compositions. Evocative compositions and dynamic music notations coming out of the master’s fingers.

This is the 8th-anniversary event of Shenzhen Museum of Contemporary Art and Urban Planning. The architect personally attended the event to communicate with the project party and discuss the review and exploration of the project. The poster design became a part of the space. Using mirror paper to emphasise the reflection of the theme ‘ reflections ‘ and architectural elements. The mirror poster can reflect the sky, echoing the name of the architect’s company name which means blue sky in German.

Futuristic marks from an ancient time. Brought up from the sand of Memphis, 18 kilometers south of Cairo. Gathered and reconstructed by German architects, true to an uncompromising geometry that seems to represent someone way more modern.

Same mundanity/familiar phrases, unexpected actions/reflection/darkly comedic.

The morning after a traditional Sunday breakfast, on the way back from the town to the city, parallel universes collide due to an accident. A child dies, a dog barks, and from that moment on, nothing is the same.

We prepared poster, invitation, and freecard designs for NKT’s new play “Kaza, Kopek, Kahvaltı ve Yumurta”, which premiered on April 6th.

In the play, we achieved the theme of parallel universe and simulta

“Freedom” is an experimental typographic work that combines abstract Arabic letterforms using paper airplanes. It depicts the Arabic word for “freedom” using folded paper airplanes arranged in a triangle, symbolizing unity and ascension. Each airplane represents an individual journey, together conveying liberty. The triangular shape emphasizes strength, stability, and upward motion, celebrating the spirit of freedom and the collective aspiration for a liberated future.

Numbers crafted from an extensive personal collection of minerals and meteorites photos.

The poster work themed “Disobedient” is created by photographer Selim Süme and graphic designer Erman Yılmaz for Art Unlimited magazine. What is disobedience in typography and photography? This work is not an answer, it is just an experiment.

Visual research based on the Gray-Scott model, which simulates a chemical process. Two substances react with each other. One substance is consumed, the other is formed. By adjusting the parameters accordingly, new, distorted characters are created. The implementation was done in Python. The parameters for controlling the reaction are very sensitive, so the process is mainly based on trial and error, which on the other hand always leads to surprising results.

The choice of a melting, spooky typography for the theme of “time slipping away” is particularly evocative. This design effectively captures the fluidity and transient nature of time, suggesting that it is constantly moving, morphing, and sometimes eluding.

Using the font Steam of Type Forward type foundry an experimental card deck was created.