No Border

The concept / idea of borders needs to be reconsidered constantly in a world where borders are both naturally given and at the same time artificially constructed while pushed and dissolved or neglected at the same time.

cornucopia

The body of work “cornucopia” consists of stills I shot during the corona lockdown. The pictures were taken under improvised conditions on my coffeetable showing things I found in our flat. At the same time they represent my reduced horizon due to the curfew and the cornucopia of weird ideas.

// blur

Two beings are standing on a cliff. It is unclear whether they are moving closer or keeping the distance. An indistinct perspective opens up to them. waves blurring in the fog show uncertainty which is both hopeful and intimidating.

We Can Still Wave…

The city of San Diego began locking down all non essential businesses and further curtailing social interactions on Thursday the nineteenth of March, in an attempt to deal with the spread of the novel coronavirus. Later that evening, I designed and printed the poster I’m seen holding in the photo, which my wife shot the following morning. I posted the picture to my social media account with the intention of letting all those both near and far know, that regardless of the immediate issues at hand, we are still capable of simple acts of kindness, communication and solidarity. Now and in the future.

New Babel

The Tower of Babel narrative in Genesis 11:1–9 is an origin myth meant to explain why the world’s peoples speak different languages.

According to the story, a united human race in the generations following the Great Flood, speaking a single language build a tower tall enough to reach heaven. God, observing their tower, confounds their speech so that they can no longer understand each other, and scatters them around the world. (Paraphrased from Wikipedia to reduce text size)

Visually the entire space is divided 50/50 : Black/White. Different, yet equal in shape, size and importance.

#united #respect #empathy #balance #winwin #coexist

Needed Coexistance

The poster is produced in 1 colour, black. So, the opposite, the non-produced is white.
Black and white are the opposite and they have always to coexist. So the poster is divided into 2 vertical parts.
In both colours, black and white. The written part is designed with the opposite colour so, they have to coexist somehow, and for these colours is an endless coexistence. The meaning is that, beyond the virus, we have always to coexist with something that is the opposite.
This why in the middle the two words appear together, because, at some point, the opposites have to coexist.

Das Grafische Atelier Stankowski + Duschek

Logos, signage, corporate identity—these essential components of every modern company’s brand image were still in their infancy in the mid-twentieth-century. The Stankowski + Duschek graphic design studio in Stuttgart spearheaded their development; for many decades, it was one of Germany’s leading communication design agencies. The partnership spawned many famous trademarks and company images, including those of Deutsche Bank, Viessmann, and Messe Frankfurt.

After having made a name for himself in the Swiss avant-garde during the 1930s, Anton Stankowski (1906–1998) went on to build on his reputation as a graphic design pioneer with his Stuttgart studio founded in 1951. His kindred spirit Karl Duschek (1947–2011) joined the firm in 1972 and soon became a partner. Their ability to reduce complex messages to an essential telegraphic style and encapsulate them in memorable sign systems was the defining feature of their approach.

This book is a comprehensive introduction into Stankowski + Duschek’s work that offers fascinating insights into late twentieth-century German corporate culture. It documents the studio’s output by presenting sketches, variations, realized designs, jobbing work, advertisements, and corporate fonts, complemented by academic essays, interviews with contemporaries, and a complete list of all of their clients.

Das Grafische Atelier Stankowski + Duschek

Editor: Christina Thomson for the Art Library of the Staatliche Museen in Berlin
Publisher: Verlag Kettler
Volume: 240 pages
Language: German
Format: 22 × 27 cm
Workmanship: Hardcover
ISBN: 978-3-86206-800-5
Price: € 38.–

Atiptap–Climate Protection meets Design

“If we all switched from bottled to tap water, 1.5 times as much CO² could be saved as is produced annually by domestic air traffic.”

The Berlin based Studio Last designed a new website for the association A TIP: TAP e.V., who advocates since 10 years for the use of tap water. With the project “Wasserwende”, which is supported by the National Climate Initiative, the association aims to reverse the trend of using bottled water instead of tap water.

The new website supports the project by providing a fresh approach to the topic. In addition to information on the association’s projects and offers, knowledge about tap water is offered in various formats. The color scheme and design is inspired by water. With the unusual design concept Studio Last want to point out the importance of the topic “Tap Water” in a catchy and playful way.

The bright but clear tonality of the websites conveys the relevance of the topic as well as the positive approach of the climate protection initiative. A novelty is the “join in” button, which invites you to volunteer and support memberships. The classic donation button is thus supplemented in a participatory manner.

Atiptap–Climate Protection meets Design

Concept & Design: Studio Last
A tip: tap Website
Code: web3000