experimental poster for a show “transmission” held in maison de la culture de tahiti. readability is significantly complicated here, but the poster has retained an information structure that still allows it to be read. in the word “transmission” letters are divided into component parts to convey possible distortions in the transmission of information.
made at workshop of peter bankov
fonts in use:
oktah round, rothek stencil (slightly rounded) by groteskly yours studio
conceptual poster for a theatrical show “die spielverderber / oder das erbe der narren (the spoilsport / or the legacy of fools)” held in theater köln süd
fonts in use:
dina chaumont by bvh type
conceptual typographic poster for a theatrical show “der geisterbräu (the ghost brew)” made at peter bankov poster workshop.
although posters with a room-space are common, i tried to bend the right side of it partially so that the viewer would not be completely sure that he was really looking into the room. the cat is used as a counterweight to the curvature and returns the viewer to the space of the room. a good cat.
fonts in use:
dina chaumont by bvh type
conceptual poster for a theatrical show “ten lost years” held in domino theatre in kingston
made at workshop of peter bankov
fonts in use:
eurocat by giliane cachin (maxitype)
resist sans by groteskly yours studio
poster for the sdgs taiwan international image design invitational exhibition (tunghai university & national taiwan normal university).
sustainable development goals (sdg) lead to the flourishing of humanity, which is literally interpreted through the prism of flowers.
fonts in use:
righteous by astigmatic
The poster is dedicated to the Klask Boardgame tournament held in Batumi on 20 April 2024 at HopHut Bar (@hophutge). It reflects the colors and features of this game.
conceptual poster for a show “adieu les magnifiques (farewell to the magnificent)” held in maison de la culture de tahiti.
made at workshop of peter bankov
fonts in use:
large letters by me and oktah round by groteskly yours studio
conceptual poster for a theatrical show “kaviar trifft currywurscht (caviar meets curry sausage)” held at hefter-kultur saal, grassau.
fonts in use:
rezak by anya danilova (available at typetogether)
apfel grotezk by collletttivo
The poster is made out of dots and dedicated to Bankov Poster School
conceptual poster for a theatrical show “achtung bär (attention bear)”. since the performance is a comedy, i tried to weave the bear into the poster in the lightest and most edible form.
Mediana is a platform for discussing important social issues, highlighting current problems, and seeking solutions. Our design team came up with three different logos that together combine into one platform — the Mediana Festival. Each logo has its own bold character and vibe, reflecting the diversity and uniqueness of each creative medium.
I think “insight” can be understood as our ability to perceive things. The truth is often hidden underneath complicated appearances, and when we pierce through the layers of fog and are finally able to obtain the answer, we will feel great surprise and excitement. I wanted to convey this emotion through my images.
This poster was designed for the Cezhi’s national tour.
The Toilet Paper Band (Cezhi) is an experimental rock band that uses music to address social issues.
With scratch-off lottery as the form of inspiration, reflecting the band’s satire and thinking about the current social situation. By taking highly saturated colors and metaphorical graphics from lottery tickets and putting them together, the DNA of underground rock music is revealed.
The motivation for doing this work will sound a little strange. There was a time when I loved chewing gum because chewing it helped me relieve stress and stay focused. One day I had an idea that I thought I could do something fun with it, so I chewed the gum into rough strokes and then used a bamboo stick to make textures on the surface of it to give them a carving-like texture… it looks pretty good, doesn’t it?
Nobly is the mascot of Noblanco Studio. It is an N-shaped dragon, which represents the good of the studio: honor, virtue, and honesty.
In the realm of experimental typography, innovation emerges from the intersection of philosophy and design. The “Dar Más” poster, commissioned by No Blanco, explores the concept of emptiness inspired by Taoist philosophy. By integrating tactile craftsmanship with digital technology, the designer created a striking piece. This project shows how intricate compositions can convey complex ideas and evoke deep responses, challenging conventional typography.
The accidental discovery of penicillin by Alexander Fleming in 1928 revolutionized medicine. Mold inhibited bacterial growth, leading to the development of antibiotics in 1942. This text, created using mold, symbolizes this milestone.
The international exhibition of EKKM Tallinn, Cloudbusters: Intensity vs. Intention explores the invisible connections between the human psyche and technology, using the metaphor of natural and data clouds. I redrew manually some letters of the word ‘Cloudbusters’ with Kazuhiro Aihara’s Sword font, applying them across various formats for the fictional identity.
Supervisor was Kert Viiart (EKA)
SPOORA explores the interplay of technology and human interaction where intimacy navigates through the complexities of a post-digital world.
The project is a collaboration between media and dance artists. At the beginning of the performance, typography played a crucial role as people filled the dark space with their messages, revealing the area and the performers.
Artists:
Péter Tóth, Flóra Virág, Isaac Butler, Anna Fauro, Viktor Varga, Barnabás Tóth, Anna Rósz, Zsuzsa Oláh, Nóra Barna
Undesigning my grid based font and schedule for an event.
an experimental type for the “cool words” exhibition in Nanjing Japan.
A diptych poster celebrating the anniversary of the PAN Museum in Emmerich. The words »20 Years of Poster Museum« are creatively fused in a tongue-in-cheek manner with chocolate analogies, paying homage to the museum’s unique location in a repurposed old chocolate factory. These two posters reference each other, as they promote two different events, prompting the question, as always, »Do you prefer white or dark chocolate?«
爱 is the Chinese character for love. This visual is a work of art for the exhibition “Narratives of Love” in Beijing, China.
“Atlantic” is a typeface born from calligraphic letterings and drawing exercises, and serves as a bridge between 16th-century letterforms and contemporary typography. The distinctive feature of “Atlantic” lies in its bend at the midpoint, making it both left- and right-italic. This unique characteristic represents a reinterpretation of traditional type classifications and opens up a new category that can be described as the “double-slant.“