While living in a prototype for the typical German small city, K 0105. took several circumstances and moods as an impetus to find mindful methods for escaping the alleged “nothingness”. The concept of the Flâneur served as an act of taking off one’s blinders of monotony and simultaneously finding the unknown beauty in the known cityscape, like the bold “DAS BAD” neon sign on the facade of the municipal swimming pool next door. On the garment itself, it opens up another process of rediscovering.

Collaborating artists Marie Walser and Louisa Grambole combine their specialities by experimenting with the placement and design of typography on garments. Analog and experimental they explore various methods how letters, words, sentences or even entire texts can be shown on the different parts of a long-sleeved white shirt. Beyond traditional paper mediums, clothing opens up endless possibilities of playing with different materials, textures and the dynamic relationship between text and body.

Zimile is the image of an image. She is the visualization of a self-narration. A two-dimensional interpretation of a three-dimensional character of a four-dimensional person. She is confused by her role as a woman. Zimile struggles with her self-discipline to self-actualize in the shadow of fulfillment culture and its disenchantment spiral. She is a typeface, textile pattern, work wear and an attempt at a self-portrait in one.

Joy Display is eccentric, dynamic and unconventional. It is experimental and multi-faceted. Both the typeface and its earrings were inspired by the expressive hand-letterings and jewelry of the 70s, an expression of queer joy.

Ugly Cute is exaggerated in every way: this typeface is wider, more important, better and worse than it has any right to be. Ugly Cute is fantastic, it’s annoying, it’s flamboyant, it is queer. The Ugly Cute Jacket is this typeface come to life – blown up, extreme proportions. A hand-sewn quilted jacket in contrasting, gaudy colors. Huge sleeves, ultra cropped & a collar standing so tall, it swallows its wearer up to the eyes. This ugly cute jacket is one of The most eye-catching pick-me pieces.

Re-imagined battle jacket, visually inspired from patched vests of various, glorious subcultures.
Content-wise a summary of and homage to the personal garderobe.
Concept-wise a change of hierarchical importance, to value up the obsolete artifacts into the main visual object.

Sweatshirt for „connected archives“ an international collective of like-minded photographers.

Merch, Jersey and Label design for the restaurant „22k“.

Design for the work jacket celebrating the tenth anniversary of the furniture design store, Area®.

Branding and Merch Design for the Architecture Department „die architektur“ of the Kunstuniversität Linz, Austria.

Coat design for the pop-up store of “Copyright by Steiermark” the intellectual property of Styrian winemakers from the winegrowing regions of Styria.

In response to the climate strikes, I delved into the aspirations of the younger generation. Central to this exploration is the tension between self-discovery and forging a new collective identity. Uncovering the influence of generational paradigms, I uncovered youth movements intertwining politics with fashion history. The culmination: three prints and eight outfits, each intricately designed to symbolize distinct themes through fabric patterns and cuts mirroring data visualizations.

Curated and styled by Annie Lian, “Ethereal Angels” is a performance piece featuring handmade chest plates formed from moldable plastic and skirts repurposed from discarded materials. Dancers Sofia, Chloe, and Zeema animate these creations with their fluid movements, infusing the stage with a sense of ethereal beauty. The captivating essence of the performance is skillfully captured by videographer Dan Aragon.

The two-part-blouse is made entirely of fabric handkerchiefs. The inner one is tight-fitting, the outer part is loose and made of pieces hanging randomly. On the fabric are song lyrics, poetry and quotes from various artists that show the range of farewells we go through in life: ones of separation, but also ones to stages of life, ideals or conditions. They can hurt, cling to us or constrain us, but they also shape us throughout our lives as realized via the diversity of tailoring.

Olof Runmarker is an emerging fashion designer who gives new life to recycled materials, making one-of-a-kind pieces at the highest standards. His family created and owns their last name, so a monogram that plays with the alliteration of ‘R’ has been created, to become a strong and recognisable element for the brand. This symbol is applied and treated in different ways throughout the whole identity. A logotype has been crafted, too, putting emphasis on the ‘R’s.

Multidisciplinary artist Yamuna Forzani’s practice centers around a desire to build her queer utopia that celebrates her community, making them part of and inspiration of her creative outputs. Yamuna’s work takes form through textile, she explores the medium in collaboration with other design, artistic and social initiatives – often involving, organising events, dance performances, embedding fashion and costume, public art and versatile installations.

Football scarves are made for supporters and statements. With this scarf I support democracy and stand against racism and nazis. The message: Scheiss Nazis (german for fuck nazis).