This is the ‘Pentagon Pizza Index: Publication, Editorial Series’ by Masterplan Studio. We planned, produced, and designed this editorial, which features interviews on the pizza preferences of the Pentagon members.

A poster introducing a poster design workshop in collaboration with duedance Studio.

This is the ‘Playing Cards’ collective series by Masterplan Studio. Using black-and-white photography to embody our aesthetic, we incorporated our unique illustrations into the design. *This is a self-initiated project developed by Masterplan Studio for our own branding.

It reconsiders the act of “seeing” at the boundary of sight and touch, and more broadly, at the threshold of the senses. Visible letters, touchable letters, audible letters — the senses remain open to one another, continuously connected.

This is the ‘Pentagon Pizza Index: Publication, Editorial Series’ by Masterplan Studio. We planned, produced, and designed this editorial, which features interviews on the pizza preferences of the Pentagon members.

This project visualizes a reference relay conducted in a Visual Design Theory class. Each student selected ten references reflecting their interests and explained the relationships between them. Using library and online resources, participants gathered materials within 15 minutes and presented their connections in 3 minutes. The resulting “Collective Bibliography” was visualized as a single, continuously circulating structure of knowledge.
420 × 790 mm, Digital Print (RGB)

This is the ‘Pentagon Pizza Index: Publication, Editorial Series’ by Masterplan Studio. We planned, produced, and designed this editorial, which features interviews on the pizza preferences of the Pentagon members.

Poster design for the film, Christmas in Summer, as a part of «DIFF N POSTER» at Daegu Independent Film Festival.

This is the ‘Pentagon Pizza Index: Publication, Editorial Series’ by Masterplan Studio. We planned, produced, and designed this editorial, which features interviews on the pizza preferences of the Pentagon members.

Two figures standing side by side, a fragment of breath exhaled, within the ambiguous hour between night and dawn.

Work participated in Gridshift, 19th exhibition of Korean Society of Typography.

This is the ‘Pentagon Pizza Index: Publication, Editorial Series’ by Masterplan Studio. We planned, produced, and designed this editorial, which features interviews on the pizza preferences of the Pentagon members.

Poster design for the exhibition, Rainbow Shadow Chaser. Rainbow Shadow Chaser explores melancholy, the defining sentiment of Seoul—a dynamic city where speed and convenience coexist with irrationality and disorder. The exhibition closely examines the intricate and multifaceted landscapes of those who navigate life within the city.

This is the ‘Masterplan The Architectural Robot.’ It was created by focusing on our signature geometry, mechanical components, wit, and architectural beauty. By reinterpreting existing robot toys, it transforms from architecture when folded to a robot when unfolded. This is the front view of the folded state.

Physical album design for singer-songwriter saeneok.
Each track becomes a coordinate, revealing fragments that compose the boy. As the listener turns the pages of the album, they wander through the narrator’s memories—like sailing, or drifting. The recurring square motif visualizes the fragmented imagery inherent in the word ‘pieces.’

small mess extends P.S. 1 by reworking residual elements from its risograph production. Margins, ink variations, and unintended compositions are cut, collected, and reassembled into new pages. Without adding content, it reframes what is typically discarded as primary material. Through this iterative process, the work shifts attention to the conditions of making as a generative structure.

Poster design for the exhibition, The Withered Blade Of Grass Broke Without Sound.

AG Choijeongho Sunmyeongjo Family is a display serif typeface designed by Korean typographer Choi Jeongho. Based on 24 original reference characters drawn by the designer, it reinterprets their formal qualities with fidelity. Built on a square structure, it features strong stroke contrast and clear terminals. Designed in five weights for versatility, it carefully adjusts counters by weight. It supports 2,780 Hangul syllables, 339 Latin characters, and 1,047 symbols including punctuation.

Poster for From the dark day, exhibition about Korean Democracy 1975-2025. In 1988, a significant event occurred in Korea: the Seoul Olympics, which had both positive and negative influences on the country’s democracy and politics.

This is the ‘Masterplan The Architectural Robot.’ It was created by focusing on our signature geometry, mechanical components, wit, and architectural beauty. By reinterpreting existing robot toys, it transforms from architecture when folded to a robot when unfolded. This is the side view of the unfolded state.

This poster was created for an exhibition.
It is based on a respect for diverse dumpling cultures. By researching regional differences in form, cooking methods, and cultural contexts, I distilled their key characteristics into a unified graphic composition.
Printed using risograph, it embraces ink bleed and slight misregistration to create depth and rhythm through layered colors.

《The Island That Was Called an Island》 explores Sorokdo, an island once used to isolate people with Hansen’s disease since 1916. Stemming from the residents’ habit of calling their home simply “the island” due to social stigma, the exhibition presents two projects created during a two-week stay with local elders and members of Haerok Art Society, Sorokdo’s first self-organized art group.

This is the ‘Masterplan The Architectural Robot.’ It was created by focusing on our signature geometry, mechanical components, wit, and architectural beauty. By reinterpreting existing robot toys, it transforms from architecture when folded to a robot when unfolded. This is the rear view of the folded state.

Poster design for the exhibition, Spectral Plateaus.