This series explores the limitless boundaries of fashion and how it’s a blank canvas for typography.

Rearranging existing things can create new perspectives and interesting compositions.

For this project, I scanned packaging, tickets and other things that would normally be
thrown away to carve out details that I turned into new designs for posters using overlays
and tools in Photoshop.

I once again chose interesting
sections from the resulting compositions
to design a scarf. This project shows
that new products can be created from
disposable items. All you have to do is (re)arrange.

Bufferzone is an upcycling studio based in Porto. The tote bag features its typographic identity.

I’ve decided to create merch for our small team in design studio, but do it in a different way. Everyone fed up with typical corporate items which promotes only the company. I’ve come up with idea to tell the story about each of us with custom phrases which based on feelings, routine, phrases of my teammates. The fonts also telling about character of each member, and the logo of our bureau on the back.

Introduction Panel Exhibition 26 X 26 by #AndréToet

Finally, a shirt that you can read! Two Way Tie for Last is a zine in long sleeve tee shirt form. The debut issue—spanning TWO shirts—features a killer essay about Japanese convenience stores, lighting, the Olympics, and design, and a mini-essay about “innovation”. Also includes a recommended listening playlist and heaps of new and old graphics by Ian and Sam printed in fluorescent orange and reflex blue on heavy white Gildan long-sleeve shirts!

A long sleeve tee-shirt for Tokyo retail shop Sailosaibin’s flagship Yokonikawa line. Hand lettering in the style of motocross jerseys.

This metamorphosis of a recycled second-hand blazer into a two-piece outfit is intended to encourage self-reflection. Its message – to take responsibility for our environment, particularly in relation to wildfires. The text on the back of the top is a reminder – we must be
aware of the impact of our actions; the text on the front of the skirt gives advice on how to reduce wildfires, highlighting methods for improvement. The clothes incorporate burnt areas to draw attention to the theme.

“生生不息 생생불식（Saengsaengbulsig）” means to grow and multiply. In the context of a bilingual environment, we wanted to connect Korean and Chinese in the font structure. In the visual design process of this event, we want to take the font design of Chinese and Korean characters as the starting point. And around the structure of the font to build the entire visual system of the event. The systematization extends to every form of the visual, which corresponds to the concept of “Saengsaengbulsig”.

In a design and coding studio, the keyboard is the item our hands are in contact with the most during the course of a working day. It’s the interface through which our work gets done. In order to contribute to this undervalued object, we have created the weholo keyboard scarf. Keyboard on one side, circuit diagram and lettering on the other. It comes in two colorways and is available via instagram pm.

An attempt to make CPFW’s visual identity visually original. By going away from the modern logotype in a black san serif.

Between Protest and Poetry is a flexible protest-kit comprised of jackets with a hanging system and removable cardboard letters – making it easy to create different messages as forms of demonstration or daily poetry.

When you look at this poster, you are a free bird that flies over a free Ukraine. You can see steppes, mountains, and rivers. You can fly very high or go down and almost touch the ground. You can speed up so the image below will blur or slow down and hover above the ground, examining all the tiny details.

This poster is a flight of your imagination that can last as long as you want.

The new jersey for Stuttgart Art Academy’s football club was designed using a fully typographic approach. A white jersey, custom letterings and numbers form the teams identity.

The longest journey typographic illustration for a fashion show

Gold swim wear typographic illustration for a fashion show

3VC typographic illustration for a fashion show

This project was Haocheng’s research during his time in Belgium. He seeks to explore the dynamic visual language of bodily movement, capturing the structure between typography and the human form, while also delving into the emotional resonance of bodily expressions. Through collaborative efforts, Haocheng engages in cross-disciplinary exploration, collaborating with costume designer Bingyan Wu to push the boundaries of experimental design.

All Knit, No Quit on these custom Crew Socks made for the Designer who knows that (Point) Size Matters.

I created this bandana as a way to stay optimistic about the future. We were living in a time where masks were essential to everyday life. But I was hopeful there would be a future when we would not need them. This bandana was designed to have a life beyond the pandemic and could be worn over your face, around your neck, on your head or simply displayed as art on the wall.

This project was Haocheng’s research during his time in Belgium. This project aimed to explore body consciousness. It seeks to explore the dynamic visual language of bodily movement, capturing the structure between typography and the human form, while also delving into the emotional resonance of bodily expressions. Haocheng engages in cross-disciplinary exploration, collaborating with costume designer Bingyan Wu and model Anna Potsiluyko to push the boundaries of experimental design.