The artwork emphasizes that every street in Cairo is a living fabric containing countless stories of the people who walked its paths, lived in its homes, and made memories in its corners Every street, every alley, every market is a witness to the lives that took place in this space, stories of love, loss, struggle, joy, and resilience The city’s streets are more than just physical spaces; the city is a treasure trove of history, culture, and personal stories.

Every ending is also a beginning. A second chance is not a guarantee of success, but a promise of possibility. It’s an opportunity to learn from past mistakes, to grow stronger, and to emerge from adversity with renewed purpose.

it’s an Arabic typography name means connection in a modern and fantasy style

A greeting card design about Ramadan. Ramadan is the ninth month of the Islamic calendar. Ramadan is big part of the Egyptian culture. It’s famous for fasting, family gatherings around the table, praying, and doing good deeds.

A tribute to the Egyptian Illustrator Helmi El-Touni (1934- 2024).

The following pictures are a collection of memories through the travels of Jamila Khalifa , a photographer who’s work is influenced by cinema and the dramatic framing and lighting.
She loves framing her characters alone surrounded by the atmosphere of a place, she loves the idea of not being alone but being alone though the nature is always there for her characters.
Which gives contrast to the idea of the photo overall,but yet a bit sad.
however In the end No one is really alone.

One Thousand and One Nights is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as the Arabian Nights.

This artwork is a love letter to our region with its deep culture and its love for storytelling.

A song lyrics lettering written two styles: the first is a rigid Kufi and the other one is cursive free lettering style. The lyrics tell the story of a mayor’s son who instead of staying in his homeland, he preferred to travel abroad to seek another opportunity since he has no other option.

A bilingual poster for Cairo showcasing the great pyramids of Giza, one of the Seven Wonders of the World. It is by far the oldest of the Ancient Wonders and the only one still in existence.

A tribute poster for Mohamed Abdel Wahab and his famous song Al-Nahr Al-Khaled (The immortal river). Abdel Wahab was an Egyptian composer and singer who lived between 1898 – 1991. He also known as The Generations Musician.

The artist shared his thoughts on how often people hug each other, reflecting his belief that we can be a bit meaner because we don’t receive enough healthy love. He believes that if we hugged more and expressed our love to the people we care about, we’d all be a little kinder.

A poster made for the Arabic international day.

This is my project: 3D Artistic Arabic-type Experiments Series
It contains some of my many experiments. While working on it, I asked myself if we could do that with Arabic type. What would that word or phrase look like in real life, as if you can touch it? So I tried to visualize and materialize that. So without any further ado, enjoy.

The artist studied Islamic art through one of the sentences that inspired him in his life. The poster draws inspiration from an old Persian solar calendar illustration that he discovered and chose to study.

Official poster for the third edition of CIAD, ‘Cairo International Art District’ which took place in Downtown Cairo. The poster draws inspiration from the vibrant energy of Downtown Cairo and its posters (with paper tears and overlapping prints), the landmarks of Downtown (like Talaat Harb’s statue), the elegance of Egypt’s royal colors, and the timeless allure of Egyptian vintage posters, prints, and its textures, encapsulating our rich cultural heritage.

The artwork is part of a collaborative project to create a calendar for 2025. Ramez was responsible for designing the illustration for May, the fifth month of the year. In Egyptian culture, the number five is traditionally associated with protection from envy, which inspired Ramez to incorporate this concept into his artwork. His design draws from a blend of Egyptian folk art, the aesthetic of Egyptian postage stamp designs, and elements of Islamic art.

This accordion flip book captures Egypt’s golden age of cinema through personal family archive photographs, with at least one family member featured in each image. It honors Cairo’s cinema scene and the lives of my grandparents, preserving their stories. Voice recordings of my grandfather and his sister guide the viewer. Minimalist silhouettes identify each person, creating an intimate journey through cherished memories and narratives.

The moment you realise you’re only pretty for you, you’ll be happy. Be yourself for yourself. Only change what you want when you want to and feel bonita!

A poster conveying stranger danger in an indirect manner.

“Lifecycle: A Performing Brick” was part of a sustainable design initiative, moving away from Cairo’s modern urban landscape of concrete and steel. The installation revived the craft of mud brick construction, inviting participants to engage with techniques that shaped the city’s architectural heritage. Its cyclical narrative—from creation to deconstruction—symbolized renewal, blending sustainability with Cairo’s enduring cultural traditions.

This illustration was drawn reflecting the messy state of mind of inner demons, but in a random manner.

A relatable poster visual of the moment your nail breaks.

A food festival poster where Teta makes mahshi for everyone!

A romanticised visual of mindlessness.