Crack is a typeface developed since November 2025 at HEAD–Geneva, alongside CrackHead Football Collectif, a self-initiated, amateur and mixed student football collective. Built entirely without curves, its rigid, angular forms deliberately break with the visual conventions of football typography. Used on jerseys and communication materials, Crack questions football’s commodification and consumerist codes, reclaiming the sport as a collective and non-commercial space.

Kill Bill and the football schwalbe seem worlds apart, yet both stage exaggerated drama for effect. This project explores that unexpected common ground: theatrical suffering as spectacle. Through visual experimentation, close-up portraits merge stills from Tarantino’s Kill Bill with photographs of football players mid-fall, blurring cinematic violence and sporting performance into a single, tension-charged image — where pain becomes choreography.

Waddesdon Manor Wild Wood Adventure Playground poster announcing the new playground, encouraging children to play, explore and get active.

A simple twist on the traditional game of Dominoes – replacing the dots with coloured squares. We wanted to engage designers with the form, texture and tactility of real paper and print. We wanted to encourage physical play in a digital world. The Domino logotype replaces the O’s with squares to echo the card format.

Beijing 2022 was a proposal for the visual identity of the Winter Olympic and Paralympic Games, exploring the energy and movement of winter sport through typography and graphic form. Studio Sutherl& developed a flexible visual language inspired by snowflakes.

8×8 is a typographic project exploring how a familiar system can be reconfigured through type, structure and play. Using the 64-square chessboard as a starting point, Studio Sutherl& developed a series of variations that challenge how the grid can be seen, read and used. The project explores the space between typography and chess, turning a fixed structure into something fluid and unexpected.

ABRAZO is a film about an amateur tango club in Folkestone, exploring connection, duality and the relationships formed through movement. The identity reflects this idea through letterforms that embrace and intertwine, creating three distinct ligatures: AB, RA and ZO.

Film by James Poole, Angus Sung and Tom Ip

Studio Sutherl& began playing chess over Zoom during the Covid-19 lockdown using chess notation, which describes the name of the piece being moved and the square it’s moving to – for example, Bishop C8 to F5. “As inexperienced players we didn’t know the squares, so used written prompts on the board itself,” says the studio. “We then discussed producing a board where the A-G and 1-9 were intrinsic to the squares themselves. The lettering literally forms the chessboard.”

Studio Sutherl& began playing chess over Zoom during the Covid-19 lockdown using chess notation, which describes the name of the piece being moved and the square it’s moving to – for example, Bishop C8 to F5. “As inexperienced players we didn’t know the squares, so used written prompts on the board itself,” says the studio. “We then discussed producing a board where the A-G and 1-9 were intrinsic to the squares themselves. The lettering literally forms the chessboard.”

A limited edition of 50 typographic chess sets, inspired by text notation.

Bikedot sells and curates bikes, parts, and clothing. They have 30 years of experience with many of the world’s leading bike builders. Bikedot only recommends quality parts they have tested. They also offer a range of cycling attire, including their own bikedot brand.

Bikedot sells and curates bikes, parts, and clothing. They have 30 years of experience with many of the world’s leading bike builders. Bikedot only recommends quality parts they have tested. They also offer a range of cycling attire, including their own bikedot brand.

A typographic football scarf created for the launch of SZCZĘSNY, an Amazon Prime Video documentary charting Wojciech Szczęsny’s incredible career, from Arsenal to Barcelona. A variable typographic system expands and contracts like a goalkeeper filling the net, he italicised ‘Y’ nods to him diving to make a save, frozen in typographic form.

Visual identity and motion graphics for SZCZĘSNY, an Amazon Prime Video documentary charting Wojciech Szczęsny’s career. A variable typographic system expands and contracts like a goalkeeper filling the net, with match data woven into the narrative.

Inspired by Szczęsny’s physical ability to fill the net, the typographic framework utilises Podium, a variable typeface from Polish foundry Warsaw Capitalics. The type expands, compresses, and shifts in weight to fill the frame, adapting dynamically to display match locations, key milestones, and title cards. Within the wordmark, the italicised ‘Y’ nods to him diving to make a save, frozen in typographic form.

Inspired by Szczęsny’s physical ability to fill the net, the typographic framework utilises Podium, a variable typeface from Polish foundry Warsaw Capitalics. The type expands, compresses, and shifts in weight to fill the frame, adapting dynamically to display match locations, key milestones, and title cards. Within the wordmark, the italicised ‘Y’ nods to him diving to make a save, frozen in typographic form.

For FILA’s 50th anniversary, Amsterdam-based studio Thonik reenvisioned the iconic FBOX logo, merging FILA’s sports history with a modern design approach. They produced videos for the FILA FBOX anniversary event in Chengdu, China, capturing the essence of sports like tennis through contemporary digital techniques. Their approach respected the original logo while introducing new color and texture, celebrating FILA’s heritage and subtly evolving its brand identity.

Riders Sports needed a logotype capable of representing cycling in all its forms. Studio Picante created a flexible typographic system in which letterforms can shift in shape while remaining recognizably Riders. The evolving glyphs reflect the diversity of cycling—from racing and training to commuting, community rides and retail—creating an identity built around movement, adaptability and inclusion.

The After Read event brought together students from art and design schools across several cities in France for a football tournament in Amiens.

The event provided an opportunity for students from different schools to meet, exchange ideas, and connect through a shared sporting experience.

The visuals was declined in differents colors each representing the schools invited. The shape represents a football pitch moving out of the frame emphasizing the idea of thinking out of the box.

Kunstrasen26 is a football tournament for students and alumni of art, design, and film academies in Germany. The 2026 football jersey for Peter Behrens School of Arsch, a team from Hochschule Düsseldorf, features vivid generative typography that reflects the quick and dynamic movements of a football match. The small stars that make up the individual characters amplify the energy and spectacle of sports culture.

This project is the result of a collaboration between the professional football club of Amiens, France, and the Club Foot Ésad association at the Amiens School of Art and Design. It consists of a visual promoting the match between Amiens and Versailles (FCV).

The project was an initiative by Adrien Côté to establish a connection between the cultural and sporting sectors, both strong and significant elements of the city of Amiens, with the aim of highlighting student-led community initiatives.

This project is the result of a collaboration between the professional football club of Amiens, France, and the Club Foot Ésad association at the Amiens School of Art and Design. It consists of a visual promoting the match between Amiens and Versailles (FCV).

The project was an initiative by Adrien Côté to establish a connection between the cultural and sporting sectors, both strong and significant elements of the city of Amiens, with the aim of highlighting student-led community initiatives.

This project focuses more on the process of ‘Typing’ rather than the static ‘Visual Presentation’ of the font. The act of typing is used to simulate several aspects of shooting, like bullet, target and ejecting port. This display font serves as an interactive tool or method, much like a poster that stands as an independent conceptual piece. Therefore, in this font, I hope to emphasize concept and fun over readability.