The twenty photographs assembled for this composition represent a small sample of an ongoing project that dates back to 2015, dealing with grid-based, geometric forms found on everyday items. The captivatingly colorful paintings (both rudimentary and intricate – vibrant and faded) that adorn the legions of trucks crisscrossing the country of Turkey appear here as the subject.

Eyes are our first approach of reality, through them we can explore the world and fix all memories.
With eyes we also communicate and discover bad or wonderful emotions.
“Eyes” print is all that, in its simplicity.

Just fun with product shots, colours, grid and typography. The client didn’t like it. But I do so I don’t mind.

It’s 50 shades of orange. It’s a Mess. It’s an ORANGE MESS.
And the beauty lies in its contrast – chaotic in its best way yet considered within its setup.

Institute of Monochrome Art (IOMA) is the pairing of two artists who have worked, or continue to work in a single colour and explores, documents and questions the monochrome and the artists’ interest in it, highlighting both the similarities and differences. Facilitating ‘phantom’ or imagined exhibition opportunities for these artists can be seen at the project website below.

www.instituteofmonochromeart.com

Silkscreen poster for “Selfie” group exhibition, at XIII Havana Biennale. Commissioned by René Portocarrero Silkscreen Workshop, “Selfie” exhibition was focused on making a portrait of Cuban present society. With this in mind, the work adopted a critical approach to our own inability as social individuals to pay attention to our real problems. Most of the time we don´t listen to reasons and close our eyes to the reality. We cannot afford such passive stance.

“New Systems: Rules and Tools” featured a series of six artworks and two murals, all of them focusing more on the process, rather than the final product. The aim was to continuously create new shapes and generate new compositions, by creating new rules and building systems. The exhibition was part of EUROPALIA ROMANIA 2019-2020.

In times of uncertainty with our minds circling these postcards are a reminder that we’re all going to be ok again.

Floral motifs in weird landscapes. Organic forms and abstract foliage with a wondrous touch. Fine tuned with structure and textures. Inspired, among other things, by Japanese fabric patterns and medieval herb books. This mixture results in modern, subtle patterns and designs with fine details and nuances as well as vibrant and individual colour combinations.

Floral motifs in weird landscapes. Organic forms and abstract foliage with a wondrous touch. Fine tuned with structure and textures. Inspired, among other things, by Japanese fabric patterns and medieval herb books. This mixture results in modern, subtle patterns and designs with fine details and nuances as well as vibrant and individual colour combinations.

The Scottish Colourists were four well-known painters (Peploe, Hunter, Fergusson, Cadell) who were grouped under this title given their similarities within their approaches and philosophy. Despite differences in medium at times, their usage and angst-free application of colour in their work became their signature. »Every man has to find his way, and mine will be the one of colour.« Fergusson said; based on this sentiment we developed the Foundation’s identity to include a multiple different business cards each featuring a unique artwork detail on the front. This allowed the Foundation to show the sheer breadth of all artists both in terms of subject and style.

The mine is based on a blank sheet of white paper. I am tense. I don’t want thoughts but they don’t stop. I’m looking for the emptiness in my head. As white as the sheet of paper. A white with endless possibilities. What to do?
I’m starting. Carefully, slowly, then faster. The line is created. It runs through the pure white. I stroll to the left, stop, turn and circling, race back and stop. I come to rest more and more until it flows.
My drawings are created spontaneously. I let my pen slide freely over the paper to develop shapes and forms. Later I will go into the shapes that are created in more detail to create various organic elements.

Art piece – digital lettering.

Type Specimen for the Font – LED Pixel by Typo Graphic Design with over 73 Font-Styles & 903 glyphs,

Metallic Gold glänzender Poo Emoji 💩 mit Hearted Eyes 😍
in psychedelischen Neon Farben.

Idee & Gestaltung: Typo Graphic Design ■ Manuel Viergutz
Format: 10,5 cm B × 14,8 cm H (DIN A6)
Papier: Nachhaltiges Metapaper, warmwhite, extrarough 270 g/m2
Druck: Risografie (digitaler Siebdruck) mit umweltfreundlichem Metallic Gold + Neon Colors
von www.drucken3000.de

They are strange people, the colourful gnomes. As soon as they sense the presence of a happy cat in the vicinity, they immediately run towards it and jump into its mouth.
One day, amazed by the scene, I stopped a blue gnome before it jumped into the feline’s jaws and asked it:
“But why are you so happy to jump into the cat’s mouth? Once swallowed you will die!”
Then the gnome shrugged its shoulders and replied, in a calm voice: “That’s what we’ve always done. If we suddenly stopped, what else could we do?” and with that, it ran off, throwing itself on the big happy cat’s pink tongue.

For over 30 years the Trieste Film Festival, the most important cinema festival of Central Eastern Europe, has observed and narrated the creative yet often turbulent events of this part of Europe. A series of contrasting circles, transparent, vibrant, overlapping, complete, unfinished or merged, joined or separated, evoke this 30 years-long story.

The pictures from astronomic telescopes deliever extremely colourful views of galaxies, exoplanets and space. Those pictures show the tremendous impact of light and its absence on our perception of colours. My work “Holidays on Mars” illustrates and reflects the 2021 mars landing in a form of holiday photography. It’s built out of computer driven light gradients created within the main rule of quantum physics: by a fusion of chance and cause.

Two analog collages that belong to a larger series called “Views”.
I don’t use to think about the meaning of a collage when I make it. Sometimes the meanings come later, sometimes they never do it. In this case, this series was made in the spring of 2020, during the lockdown, so probably these works are talking about the need of going out, although I didn’t make them with this intention.

These images are self portraits taken using different polaroid cameras and out of date film. I experiment and disrupt the image and its chemistry using various techniques; layering damage to create strange abstractions. Images of my body metamorphose into the universal: landscapes, coastlines, weather fronts, fossils dug from the earth, or distant nebulae.

For me, colour is diversity, spirit, perspective, to live a joyful life. But some aspects are not self-evident for the queer community. Even though they represent colours in every way possible. But we are here and ready to fight hate with love. Together we can realize a colourful and queer future.