Visual identity for our digital platform to create a willingness to deal with the “taboo topic” organ donation in Germany.

In which controversies do we prefer to ignore rather than giving attention? Today’s civil society is flooded with issues that are relevant to everyone’s life, but are often successfully suppressed – one of them is the topic organ donation. Distant, uncomfortable, even frightening to some people and full of prejudice – there never seems to be the right moment to listen what people have to say about this topic.

A partner project with Kira Pawlewski 🙂

Series of 6 images done with the same colour palette (5 vibrants colours) in hommage to the New Yorker magazine covers.

The poster combines political satire with promotion for architecture critique. It was published in 2020, when the media was criticising UK Prime Minister, Boris Johnson, for confusing semantics regarding the pandemic. It was created for an online discussion about architecture at the Uroboros Festival.

As part of my bachelor’s thesis, I created 27 posters. The topics were given by friends and were drawn randomly every day. This poster deals with the term “Buttergemüse” German for buttered vegetables. Inspired by the dish, I designed a small-scale and colorful poster that depicts all the different ingredients and put them together like a mosaic.

Wir arbeiten mit dem Konzept des «Aufgeschriebenen Design». Unser Programm kombiniert Bilder und fügt diese mit der Methode der Fragmentierung zu einem Ganzen zusammen. Diese Methode eignet sich besonders für serielles Arbeiten, wie beispielsweise bei Erscheinungsbildern (Corporate Design). Das Programm greift dabei auf unterschiedliche Archive zu.

fractals are works based on repetition of one single picture.
The basic single pic was realized with a sx70 camera and sx70 Polaroid film dedicated to skyscrapers.The starting pic it’s then repeated in order to create a new final pattern, a kind of psychedelic texture.

I based this composition on the esthetics of the “chivas”, a rural form of transportation that represent the colombian idiosyncarsy with a beautiful and picturesque combination of color and forms. The “chivas” were declared cultural patrimony in 2008 and are a symbol of the emblematic floklore that I wanted to transmit in this poster.

The FORKA Project is a platform that includes various creative activities that develop innovative approaches to research of the form, both in its formal form, and in the sense of its abstract expression, perception and understanding of the sensual, emotional, material and mental aspect.
According to various types of creativity and activities, the motto THE MORE IS MORE, THEN LESS, is an important source for creative solutions.
The result was the mixing of different design genres, which would show the basic idea of a new approach in design dedicated to very young artists.

I am more then my colour or my measurements.

Twice a year the centre organises Pilar Asap: a multidisciplinary festival of exhibitions, performances, lectures and workshops. A selection of young artists and musicians that Pilar believes should be on everyone’s radar takes centre stage. As far as communication about the festival is concerned, designers Corbin Mahieu and Lennart Van den Bossche went in search of a typography that embodies the different worlds of Pilar: the historical force and age-old generations of the university on the one hand and the rebellious, punky youngsters of Pilar on the other. The font Bill from 1950 by the artist Max Bill (1908-1994) encompasses both elements.

Prate is a calendar, a command line, a depository for illustrator files, an open directory and an aesthetic testbed for myself. This is a piece of Prate.

The work move consciously at borders of the photographic image.
They are lab experiments, developed from moments where light or chemical
process of development dominated the depicted. Concentrating on the visibility of the image often leaves the process of visualization too short, ignoring the production process in favor of what you see in a photo.

The work places these questions at the limits of visibility, at the borders between
the intentional and the unintentional. It switches perspectives, manipulate pieces
to let the material compete against the sign: the view as a gateway for inevitabilities
of all kinds.

analoge C-Prints 50 x 40 cm

In the dawn, when the sun sets up before your eyes, you feel like you’ve had a good night.

Celia Álvarez Muñoz is a conceptual multimedia artist, recognized internationally for her diverse and multifaceted body of work including artist books, photography, painting, written text, installation, and public art. She often used the Cibachrome printing process to produce oversized photographs of staged objects and sculpture. This catalog was created with Art League Houston in commemoration of their 2020 Lifetime Achievement Award in the Visual Arts. For the cover, we collaboratively chose this colorful gas mask feathered assemblage on a hot pink background, a perfect nod to the strife of quarantine life and how we seek identity and self-expression under the toughest of circumstances.

Spray paint drawing on paper done on New Year’s Eve 2020 reflecting the mood of celebrating alone with my girlfriend Stacey during the COVID-19 lockdown.

Müller/Schüßler is an artist duo working together since 2015. Throughout plain-air-painting-trips across Europe, our collaborative work concerns different appearances of landscape. We are driven by all things landscape and nature has to offer for us – we are stunned by form and color, dazzled by light and atmosphere of a flashy scenery. Mostly, we work on site, some works are a product of simultaneous work others solo. We’re into painting on canvas, drawing on paper or even doing clay models of the scenery.

This piece is part of a collection in which I explore the contrast and tension between a subject and its environment, the abstract and complex, nature and geometric shapes.

The first 2 images are a technique possible only by using vintage Polaroid film. I render the image transparent and paper collage behind the portrait.
The follow pair of images is a direct emulsion separation and transfer. The technique is a bit more savage and instinctive. You have to accept all the accidents.

Environmental graphics for the adidas North American headquarters in Portland Oregon. The art work deconstructs the iconic geometry of the brands identities and products.

Die Buchreihe stellt ausgewählte Frankfurter Architektur der Nachkriegszeit. 1 Buch = 1 Jahrzehnt = 10 außergewöhnliche, besondere, charmante, dominante, eigenartige, fabelhafte… Bauten. Mit Essays, die den zeitgeschichtlichen Kontext behandeln. 21 x 24 cm, +/- 200 Seiten.

Originally commissioned by the New York Times to design the cover art for the 50 Years of Pride issue. Half a century ago, the police and patrons clashed during a raid on the Stonewall Inn, a gay bar in Greenwich Village. The riot poured out onto Christopher Street where the pride colors now intersect with the street crosswalk lines. That clash helped spark a movement that continues to this day. Designed to commemorate that historic moment, the cover draws inspiration from the pride colors painted on the Christopher Street crosswalk, turning them into a 50. The cover was then turned into a limited edition of 50 signed and numbered 24” x 36” artist prints.

Die-cut skate graphic. Single color (white) printed. All color is courtesy of the bottom ply of each deck. Pictured are the primary yellow/blue/red versions, but there were nearly limitless options built.

Plausible Landscapes is a series of fictitious landscapes. They are superimpositions of three unrelated color photographs that were never intended to coexist. For each photograph, only one color channel of the RGB colorspace is kept. A new landscape emerges where the photographs overlap. With careful positioning and contrast filtering the artist never has to resort to physical masking. Once converted to black and white, the antagonistic colors are blended into a seamless amalgam, their diametrically different hues now sharing a grayscale value, lightness and darkness. The results are plausible and somewhat familiar but ultimately deceiving.

The pursuit of this body of work is to document the ongoing flux of novel events that I experience. My goal is to share my perception of the world so that others can see the beauty, color, and humor.