Inspired by things you like to touch like rubber, finger games and buttons, the #BB BubbleButton font shifts glyphs into three-dimensional space. In the designed system, each letter fills a circular area and the letters merge with the background. The focus is on the resulting surface structure, which can be applied both digitally and analogously: Their materiality makes the letters seem tangible. You can imagine how they feel.

Typographic experiment, based on a vintage distressed long-sleeve found in front of my house. Hand drawn letterforms are distorted with layer styles, showcasing depth of distressed clothing through type. The letterforms draw inspiration from heavy music merch, such as Hardcore Punk. Standing up against norms, like wearing used clothing. Finally the base letterforms were spray-painted onto the long-sleeve with a stencil, bridging digital experimentation with physical and well known techniques.

inside cologne is a fictive all-city music festival in cologne. Using the city, with its various clubs and locations as festival ground and combining various genres, an adaptive branding was created. Year 2027 was created by Felix Darius, as seen here. Ceylan Aksu (2025) and Paula Geisen (2026) visualized other years of the festival. 2027 is focused on expressive use of typography and distortion, celebrating the the variety of people coming together, expressing themselves and enjoying music.

Panzersperre was created for the “Westwall Geschichten” exhibition late 2025. It draws inspiration from tank barriers, which are part of the Westwall (Siegfried-Linie) from WW2. Only capital letters are available, with various alternatives, representing the various forms and sizes of the real tank barriers of the Siegfried-Linie.

This work analyzes the informational content of digital characters. Using established methods, data is extracted from existing characters to create new ones. A reproducible process is developed in Processing, enabling clear visual representation. The study explores methodological approaches for data collection, transformation into typographic forms, and generative programming as a means to teach algorithmic structures.

CTM25 is a typeface designed for CTM Festival in Berlin. It combines sharp, angular forms with a gothic–fantasy sensibility, creating a bold and distinctive visual character. Its dramatic letterforms and subtle ornamental details suit music- and art-driven contexts. Recently, 3D effect and deformers have been applied to the typeface to generate new variations and sculptural interpretations.

Icelandic has changed remarkably little since the time of the Vikings and still uses special characters found in few other languages. Archiving Icelandic Special Characters explores a period in the 1960s when printers lacked access to these letterforms. Forced to experiment, designers developed creative solutions to preserve them in print. This little documented era reveals a fascinating chapter in Icelandic graphic design, where limitations sparked innovation and renewal.

A generative lettering tool where rotating line graphs orbit letter skeletons to create animated forms. Parameters can be tweaked to explore how the shape behaves in real time. The project was created during Vladimir Anosov’s “Bukving” course.

Spike C is a custom typeface made for a jazz festival. This typeface is available only for bulgarian cyrillic.

Still searching for cool fonts as a designer for non-latin languages in a big latin writing world. Designers wake up! Let’s stop being so eurocentric and open our eyes for the foreign!

The typeface 36 hertz was developed by Jannis Braunberger as part of his bachelor thesis Bass, published 2025 at HBKsaar. The project explores experimental translations of sound into visual language. Using cymatics and photography, structures created by a 36 hertz frequency were recorded. All elements were extracted directly from these images, making the typeface the direct result of a specific frequency rather than a conventional design system. This process is applicable to other frequencies.

Initially designed to embellish a varsity jacket as a chenille patch, this font gives a twist to traditional collegiate typography by keeping it simple, sporty, bold and yet cute. Although it was never used on the final product, it has continuously been developed and found its way back to textile on this specimen t-shirt.

A complete lowercase alphabet hand-sewn from Czech glass beads in two contrasting colours. Each letter is constructed as a modular beaded form that functions both independently and as part of a unified typographic system. The alphabet serves as a template for creating wearable typography—such as bracelets and necklaces—supporting the consistent construction of each character and ensuring coherence across the entire typeface.

Digital Jungle is an experimental poster that explores the tension between order and chaos within the contemporary digital landscape. Through fragmented typography and imagery, the viewer encounters only partial information, filtered through layers of visual noise. This balance between clarity and disruption gives the composition a sense of life – chaotic at first glance but ultimately unified and intentional.

A heart woven from words and their fragments. Repeating letters pulse like a heartbeat. This is a reminder: home is not an address or walls — it’s feeling another’s heart as your own. In a world where likes replace closeness, AI fakes emotions, and fractures isolate us, this poster demands radical connection: one heartbeat is everyone’s.
In the age of migration, housing crisis and digital homelessness: every home starts in the heart, every heart is someone’s home.

Remember Freedom is a typographic portrait where a human face is constructed entirely from imperative words and core values: REMEMBER,FREEDOM,KEEP YOUR EYES OPEN, COMPASSION ,LOVE,SEE THE WORLD. The text is not decoration — it is the very substance of identity. Consciousness is literally woven from these concepts. An organic background of leaves and neural-like patterns underscores the fragile link between inner human experience and external reality. The strict black-and-white palette he

Noise accompanies us everywhere in life. We can no longer fight visual, auditory and olfactory noise. It began to destroy us, to separate us from reality. It is necessary to conduct informational and visual hygiene, avoid the noise surrounding us. Make decisions in a calm environment, focusing only on your opinion and listening to your heart.
The poster was created for an international competition. Became a participant of Bucharest Graphic Days 2023

Ink gives us creative freedom. We can draw with a brush, a hand, or any object that we liked. Ink gives us the freedom to create sketches, try something new and remake, crumple, tear or soak. We can cherish our thoughts and then use them for the rest of our lives.
The poster was made by invitation to participate in the international exhibition of contemporary design Tongxiang-2023 International Exhibition of Contemporary
Ink Design

Generative design study around 26. We generated many iterations of the lettering. Expanding it boundaries, condensing it shapes to the core or revealing hidden connections as roots. We tried to see typography as a living body. One drawing of many organic layers and invisible circuits.

This project is a collaboration between Courtney Windham and Mario Bocanegra of Auburn University’s School of Industrial + Graphic Design.
The original collages are composed of photographs by Mario Bocanegra, collected images by Courtney Windham, and AI-generated images that have been cut, pasted, placed, and reassembled as new works of design and art. The work is designed to promote a call for presentations at the Spring 2024 MACAA Satellite Virtual Conference.

Poster series for exhibition of Rafael Alonso at Galeria Athena, Rio de Janeiro, with text by Vitor Paiva. An experiment with the reading flow, breaking linearity.

BreakPoint is a response to the question: what would a typeface look like if secrecy were coded directly into it, rather than applied manually. The result is a variable typeface with multiple axes that shift in legibility, complexity, and distortion—drawing directly to the ways secrecy manifests itself in digital systems.

Users are invited to experience for themselves: https://www.kamber.work/type-specimen/breakpoint

Web dev—Michael Lee
Created at RISD

This project involved the creative direction, cover artwork, and bespoke lettering for Be The Good People, the first full-length release by The Mighty Tiny for ÅND&. Letterforms were built from torn paper scraps, assembled and scanned to retain texture and material noise. This added a unique and personal touch to the visuals and emulated the essence of the music.

Design by Studio8585
Creative Direction by Mario Depicolzuane
Lettering and illustration by Varshini KVSS