Poster created for the ALLSTARS silkscreen exhibition organized by PDP Conference in Novi Sad, Serbia. Seventy distinguished designers, illustrators and other visual artists presented their work on the theme of Process.

Poster for the works exhibited by graduate students of graphic design, who studied under Koichi Sato of Tama Art University. Research works along with works made after developing as a graphic designer were exhibited. A spring being a flexible object, was used in typography to represent the diversity and flexibility of graphic expressions.

Visualized Korean traditional candy pillar “Ok-chun-dang” using hangul typography. The repetition and stacking of the form of the candy pillar (only placed during Korean celebrations) was expressed.

We envision fonts as more than just tools for reading and writing. We are changing the definition of fonts into ‘digital communication media in the new normal era where anyone can create and use their own to create new communication’. For us, what was more important than simply making a readable font was to capture the value and personality of the user in the font.
So, in the fall of 2021, I took part in the youth artist training project conducted by Korean Disability Arts & Culture Center, and made a departure from the existing fonts. Together with young disabled artists, we designed our own letters from each point of view, and made the designed letters into a font file to promote digital

Bouleversé is an experimental display and modular typeface with multiple variants for all glyphs to connect, and to provide options for better legibility. It carries many personal connotations, ideas, and concepts.

This is an ongoing project that explores how rasterization, dithering, and overlays affect the shapes and counterforms of type and written words, and how those features create a visible mechanical pattern across all permutations that help create new alphabets, letters and symbols.

Poster for concert and workshop by electronic musician Jason Kahn.
Client: Quintavant/Audio Rebel
Year: 2018

This typeface is designed to not be read. It is designed to have fun with the shapes of the letters. You can see letters but you can also puzzle them together to get special new forms and shapes. The letters are designed in a 5×8 grid so that they fit to each other. Have fun with creating something out of this typeface.

Poster for the concert by instrumental duo Tomaga (England / Italy), featuring pieces inspired by minimalist and industrial music, free improvisation and krautrock. The textual information is set in a giant monospaced typography mixed with a circular black and white pattern, altering the original letters shapes. The same information appears minutely positioned at intervals proportional to the circles of the halftone.
Client: Alavanca
Year: 2019

Poster for the instrumental music concert by Sambanzo, solo project of Brazilian saxophonist Thiago França. A modular typography is filled by a gradient of alternating orientation that helps the identification of each letter and creates an optical effect that relates to the name of the project.
Year: 2017
Client: Quintavant/ Audio Rebel

The main goal of this project was generation of a whole font from a single glyph. Enabling the type designer to get an approximate idea how the final font would look like. This was a test to study the behavior of AI in transforming letters. More than 3000 fonts were used for the machine learning process. In only 24 hours, the whole system based on CycleGAN (Generative Adversarial Network) was able to trace and transfer style between glyphs.

Poster for the concert of Brazilian folk-rock singer and songwriter Siba at Casa da Gávea, Rio de Janeiro.
Year: 2015
Client: Quintavant/ Audio Rebel

Experimenting with dramatic 3D letters using digital painting for each letter individually. Poster was done in a collaborative session with students from Dortmund (type design done by me/background picture done by Dortmund student) .