Blood is the most precious gift that anyone can give to another person — the gift of life. A decision to donate your blood can save a life, or even several

I was inspired by the song text “Mein Name ist Mensch” from the German punk band “Ton Steine Scherben” for these artworks. No matter what color, human is human

The spectrum of visible colors in maximum saturation give the best opportunity to experience the quality of the color-as-it-is. using a geometric approach and slightly adjusting brightness, each work uses colored squares to experiment on different visual effects. The main scope of this series of prints is a playful and abstract approach on the topics of diversity and integration.

In the absence of colour this happy vase finds its fulfillment. She enjoys the colourful life around her by fully embracing her own emptiness. Because she knows that where there‘s a void, there is potential for change — for life to happen.

I arranged all the names of colours together to show how they can all work together.

Every year I say “thank you” to my customers and businesspartners with a personal greeting card. This fu***ng corona-year I want to bring happiness and motivation in a very simple way to my businesspartners. A smile. Printed on a beautiful warm yellow premium-paper, 350grms. Never get down – be happy! Thats it.

Don’t we all love being in awe? This work attemps a symbolic representation of being in awe. You might see a rainbow, a portal, a warp tunnel frozen in time. Whatever brings you closer to the miracle is fine.

Every year I say “thank you” to my customers and businesspartners with a personal greeting card. Most time I take the chance and try something new – in this case the special challenge was: foil on embossed premium-paper.
Some other hard facts of the project: Individualized and personalized greeting card in 18 colour-variations, refined with sleeking-foil on the embossed paperside, printed digitally with a dry toner system.

A bold poster-series from A to Z. Choose your letters, combine them and write whatever you want. Two examples of a typographic poster-series in a coloured variation.

PosterLad is an art project by Czech designer Vratislav Pecka. He believes that a poster does not have to always necessarily promote some event or product. Instead, Pecka uses the medium as a space for expressing his art ideas. The main common features of Vratislav Pecka’s work are simple shapes and vivid colors. His work was influenced by the Bauhaus school and a certain nostalgia and memories of the 90s. Posterlad posters do not aim to express any thoughts or to deliver a message. The main goal of these posters is to visually captivate and please the observer’s eye.

Joy of life – an exaggerated expectation or the recipe for happiness? We often set our focus on a certain goal, which we believe will make us happier. An overdrawn picture of the future. Colour saturation sliding to the right. Achieving this, the colours fade and the moment joins the pale life around us. So expand the circle of joy in the here and now. Colour your world today. Then you join to the joy of life.

With this posters – and the whole corporate design – I want to celebrate happiness and joy of life. Thats it for the beautiful event of five winery owner from the Pfalz. All media could be adapted very efficiently and by the use of nearly unlimited colour-variations very individual. And also important: The campaign attract attention and is distinctive.

With this postcards – and the whole corporate design – I want to celebrate happiness and easy life for the heimspiel in Karlsruhe. The design-templates should be very easy modifiable by the customer. The basic layout is always the same – only the colours vary. Easy and fast to modify by global settings.

This is the collaborative result of five people from Numo Team. We conducted a mini-research about color, and ran a workshop where everyone visualized their idea as a separate image. The starting points were brain color perception peculiarities, individual and cultural interpretation, physical nature and thought experiments.

The images were randomly combined into a single composition using an algorithm. We had no control over the end result, and used randomness as a creative tool along with the involvement of each participant.

This is the collaborative result of five people from Numo Team. We conducted a mini-research about color, and ran a workshop where everyone visualized their idea as a separate image. The starting points were brain color perception peculiarities, individual and cultural interpretation, physical nature and thought experiments.

The images were randomly combined into a single composition using an algorithm. We had no control over the end result, and used randomness as a creative tool along with the involvement of each participant.

This is the collaborative result of five people from Numo Team. We conducted a mini-research about color, and ran a workshop where everyone visualized their idea as a separate image. The starting points were brain color perception peculiarities, individual and cultural interpretation, physical nature and thought experiments.

The images were randomly combined into a single composition using an algorithm. We had no control over the end result, and used randomness as a creative tool along with the involvement of each participant.

“Access” is part of a series of works based on everyday observations of the urban landscape, on the commute to my studio. As I move around the city, I get in contact with many urban elements which can be seen as abstract pieces of art in themselves, but go rather unnoticed in the context of daily routine. This work is inspired by all the doors that open for me, in a daily ritual, leading me, one by one, into chaos, stress, pressure, but also into the diverse, colourful and comfortable life in the city.

Kintsugi is a Japanese technique that people use to repair broken objects with a golden glue. In this way, the object is given a second life, and it becomes more beautiful than before. This poster depicts our planet, that we broke with our activities, but if we commit to repair it, it will live again.

Dyslexia has been a very defining part of my life. To make sense of any dyslexic strifes, this publication was made out of my flaws to represent and raise awareness of the learning disorder.

The publication focuses on defining ‘dyslexia’, and it includes existing articles that explain the encounter and understanding of dyslexia. It also consists of personal photographs that are mostly disordered and shifted to mimic the mind of a dyslexic individual.

With a wink and an optimistic mind, it captures a personal feeling with which many people can identify in the last year’s crisis. The subject matter aptly depicts the constant insecurity and instability we have been confronted with in recent months and shows in an honest and yet expressive way: Everything is fine – despite adverse circumstances I will always get up again.

If a rainbow would be skateable and some rabbits join your Ride.

Our identity for the London Centre for Book Arts has been developing over the course of a year, a dialogic process which allows us to shape how the designs are taken up and used in real time, to give LCBA a tailored and functional identity. The look relies heavily on a fat logo set in Original Sans, and on bold use of Caslon Ionic – both typefaces which hint to local history as the Caslon foundry’s last site. We combined this slightly heavy-handed branding approach with a vibrant colour palette to reflect the multicultural, LGBTQ+ friendly, alternative scene around LCBA, and play with materials and processes as much as possible, crucially producing all printed matter in-house.

My design explores arabic typography and print of the word ‘Salam’. Salam means peace in Arabic.
I choose the type in arabic for multiple reasons. Arabic in a formal form of symbol comes across as rigid and if religiously related would be considered blasphemous. (KSA flag, IS flag etc). I wanted to create such a type that can be read from top to bottom eliminating that ‘fear’ of where’s/ what’s right or wrong. Also on the note of xenophobia, i created this type with traditional Arabic pattern ‘Kiffiye or Shamagh’ which is a symbol of freedom but has now become such a strong political symbol, and i choose to pair it with peace. Salam x Peace