3rd Session TypeTech MeetUp 2020/21

At the end of the week will take place the 3rd Session TypeTech MeetUp 2020/21 — Tools and Collaborative Type Design. Starting this Friday, June 18th, 2021 starting at 4:30 p.m. (CET).

TTM’s new online format spans a ten-month period and is divided into four sessions, each focused on a specific topic. Every evening is structured in two parts. The first part will include three presentations, each followed by a short break to get to know each other. Part two will be a facilitated discussion session where the audience will have the chance to ask their questions and join in the discussion online. The event was previously designed as a face-to-face conference held in Munich. Due to the situation last year, it was moved to the online platform.

TypeTech MeetUp was created to fill a gap: Type engineers and designers, web designers and developers, industry experts, and tech and business professionals find a place on TTM to exchange ideas on technical topics and the current state of font technology, and to shape and develop the future together. Contributors collaboratively develop, discuss, and document to advance the state of the art and promote the integration of font technologies into the future of digital communications.

For June, they invited font developer Natalia Qadreh talking about Git-based workflows and font/software and engineer Denis Moyogo Jaquerye, who will share his thoughts on testing and developing fonts as keynote speakers. Additionally, you will hear from Simon Cozens about his Glyphs plugin that facilitates collaboration, and Tim Ahrens will present his Kern-On kerning tool. After this first part you will have a networking break with the possibiltiy of private conversations or just being in the virtual room with other participants and speakers. The fourth session will be accompanied by designer, researcher, and teacher Kyuha Shim from Carnegie Mellon University, who will present his generative typography project. The second part will be a moderated discussion session with experts Sol Matas, Toshi Omagari, Pooja Saxena, and Dominik Röttsches plus speakers.

3rd Session TypeTech MeetUp 2020/21 — Tools and collaborative type design

When?
June 18th, 2021
4:30 p.m. (CET)

Where?
The event will be streamed on the Vito platform

TTM is organized by GRANSHAN together with many partners and sponsors.
Find out more about the event here, read about the speakers or register 

Makers Bibles: München and Voralpen

Today is a perfect day to browse our Slanted Shop and discover new publications. Therefore we would like to present you Makers Bibles: München and Voralpen — Handgemachte Qualität, which are worth a look:

Makers Bible München

The Makers Bible München is a guide about makers & crafters, Händler Gastgeber (engl.: retailers and restaurants). The publication will be published in German language and contains a large number of real craftsmen and craftswomen who still produce in their city. The guide offers a selection of places, addresses, and destinations to discover Munich from a new perspective. It is also intended as an impulse for Munich residents to rediscover their hometown and take part in workshops, discovering stores and eateries they didn’t know about before. The publication supports and brings into focus restaurants, cafes, and delicatessens whose offerings are handmade, fresh, and made with a high percentage of local ingredients.

Join them along with Outville as they make their way to the foothills of the Alps between Lake Constance and Lake Königssee, pausing at dazzling lakes, stopping by brewers and distilleries, artisans and merchants, serving up bread and dinners, and settling into our feathers with passionate hosts.

“Servus, Mahlzeit, Prost, and bon voyage!”

Makers Bibles: München

Publisher: Melville Brand Design GmbH 
Authors and Editors: Sebastian Berg, Florian Brugger, Lars Harmsen, Milan Müller, Johannes König, and Michael Schmidt
Language: German
Format in cm (w × h × d): 14 × 21 × 2 cm
Volume: 208 pages
Release: 2020 
Price: € 18.60 
ISBN: 978-3-00-066844-9
Buy

Makers Bible Voralpen

Just like the Makers Bible München, the Makers Bible Voralpen is a compact city guide in a pocket-book-sized format that leads to handmade, genuine, and passionate quality in Munich. It is about makers & crafters, Händler Gastgeber (engl.: retailers and restaurants) in the foothills of the Alps between Lake Constance and Berchtesgadener Land district. It portrays authentic makers and brands who make their products largely or even entirely by hand. It is aimed at those who are looking for alternatives to mass-produced and quickly consumable goods.

Publisher: Melville Brand Design GmbH
Authors and Editors: Sebastian Berg, Florian Brugger, Lars Harmsen, Milan Müller, Johannes König, and Michael Schmidt
Language: German
Format in cm (w × h × d): 14 × 21 × 2 cm
Volume: 223 pages
Release: 2020
Price: € 19.–
ISBN: 978-3-00-068523-1
Buy

DIN—A Basicly Podcast

Let us introduce you to DIN—A Basicly Podcast initiated by students at the Berlin University of the Arts.

What exactly are the basics? And who decides what is fundamental? Based on these and other questions, the student-podcast DIN looks at the personal, social, and political consequences of the fundamentals in art and design. Together with their guests from fields of science, teaching, and practice, DIN combines both theoretical and practical perspectives to form possible constellations around the concept of basics. Students of the two courses Visual Communication and Communication in Social and Economic Contexts at the Berlin University of the Arts explore how the past and present of design principles look like and how they may transform in the future.

DIN—A Basicly Podcast

Speakers: Mara Recklies, Prof Susanne Lorenz & Prof Dr Thomas Friedrich
Editors: Visual Communication & UdK Berlin
Release: April 2021
Course by: Henrike Uthe & Stefanie Messner
Design by: Moana Schorlemer Filipe, Yael Rathjens, Pauline Luca Wunderlich, Jean-Noël Teschauer, Linh Nguyen Tran, Lukas Winter & Erik Reinhardt
Website: Hauke Irrgang

Listen here

Ou(te)r Space: Course as Collective Manifesto

Full of new visual ideas, bursting with young dynamism: Ou(te)r Space: Course as Collective Manifesto — By Jeremiah Chiu is now available at Slanted Shop!

Ou(te)r Space: Course as Collective Manifesto — By Jeremiah Chiu contains the work of 21 high school students that participated in the (virtual) Graphic Design section at Otis College of Art & Design’s Summer of Art in July of 2020. The month-long course, led by Jeremiah Chiu, was proposed to the students as a four-part experimental and collaborative workshop—activating the remote classroom as a space for self-reflection, critical inquiry, and expression through experimentation. 

The course was structured into four, week-long topics: A Portrait Through Objects (image-making), Establishing a Voice (typography), A New Vision (research and writing), and Self-Publishing (authorship). In the final week, students collaborated with Chiu to compile a final volume documenting the results of their month-long study—seen here in this book. 

As the world we live in continues to change, so should the approach to educating, collaborating, and communicating with students and practitioners. The book serves as a starting point—an inspiration—for educators and students alike to engage, question, and evolve Graphic Design Pedagogy and Curriculum towards a more diverse, equitable, and inclusive future. 

From an educator’s perspective, it may seem obvious to teach as we have been taught. But too often, education is taught in binaries—right and wrong—and through biases—subjective “goodness” as a measure of quality. Beyond right and wrong, this book proposes that we re-establish the hierarchical balance between teacher and student, and that philosophical inquiry—ethical, political, and representational questioning—become integral to the practice of a contemporary designer. Instead of determining what is right or wrong, we may, alternatively, discover what is possible. 

Ou(te)r Space: Course as Collective Manifesto — By Jeremiah Chiu

Publisher: Slanted Publishers
Editor & Design: Jeremiah Chiu
Release: June 2021
Volume: 148 pages
Format: 20.3 × 27.6 cm
Language: English
Printing: Digital
ISBN: 978-3-948440-25-1
Price: € 24.–

Buy

Yearbook 2020: In limbo

We’d like to present you the Yearbook 2020: In limbo of the Burg Giebichenstein University of Art and Design!

The ninth edition of the yearbook of the Burg Giebichenstein University of Art and Design Halle is dedicated to the main topic “In limbo” and thus describes the state and feeling that has accompanied the artschool since last spring. On more than 150 pages as well as with digitally available contributions, it is presented how the Corona pandemic has changed the everyday life of the university. The yearbook of the BURG in German and English, also presents a variety of Art and Design positions of students, teachers, and graduates, which were created in the extraordinary academic year 2020.

With the onset of the pandemic, many encounters took place in virtual space. Since courses, symposia, lectures, and award ceremonies are often conducted digitally, the current issue for the first time includes numerous digital contributions that can be accessed via QR codes. Different perspectives on teaching and studying are presented in essays and individual diary entries by university members.

Yearbook 2020: In limbo Burg Giebichenstein University of Art and Design Halle

Publisher: Rectorate of Burg Giebichenstein University of the Arts Halle
Concept: Silke Janßen & Julia Gollan
Editorial management: Julia Gollan & Bert Sander
Design: Fabian Steidl & Arne Winter
Art Direction: Prof. Jonas Hansen
Publisher: University publishing house Burg Giebichenstein University of Art and Design Halle
Volume: 160 pages
Format: 18 × 26 cm
Production: Paperback
Languages: German and English
ISBN: 978-3-86019-165-1
Sponsor: Saalesparkasse Halle
Price: 7.– Euro

Buy here

Porto Design Biennale 2021

The program for the Porto Design Biennale 2021 (PDB’2021) — Second Edition is closed. Taking place between June 2nd to July 25th in the cities of Porto and Matosinhos, the event will organize more than 49 activities that aim to stimulate the interest of design in promoting new discourses and practices that can integrate the prospective capacity of the discipline to outline innovative solutions for collective problems. Exhibitions, conferences, workshops, and publications make up the programmatic skeleton proposed by the general curator, Alastair Fuad-Luke, for an edition that is to be held with the participation of all—citizens, visitors, professionals, and lovers of design—generating strategic and effective alliances for building communities of change.

The main program of PDB’21 will have as one of its main axes the exhibition Museu da Matéria Viva, where design is called to look at our sustainable relationship with all living beings. Alongside the exhibition, the Museu da Matéria Viva will convene a series of expeditions and workshops developed by Alexandra Fruhstorfer (Austria), Seçil Uğur Yavuz (Italy/Turkey), Julia Lohmann (Germany), Violaine Buet (France), Alastair Fuad-Luke (United Kingdom/Portugal), and Tiago Patatas (Portugal). Having as points of installation the Palacete Viscondes Balsemão and Praça Carlos Alberto, Radical Care: Architectures of Love and Reciprocity, a proposal guided by Ana Jara (Artéria, Portugal) and Alberto Altes (Spain), will gather stories of practices that contribute to increase the levels of care and love on the planet and about planet, resisting cynicism and toxic irresponsibility. Also to be held presentially, Habitar 424, curated by Assemble Studio (United Kingdom) and El Warcha (Portugal), will start a workshop developed by and for the homeless community in Porto. The project aims to reconceptualize the common understanding of homeless people, while at the same time providing increasing community resources for the future. In the inevitable extension to online, the general program of PDB’21 will launch the exhibition Invisible Lines, curated by CRA-Carlo Ratti Associati in collaboration with the MIT Senseable City Lab, which will present a look at the gentrification process and new ghettoization of the city with big data.

Complementing its installation dimension, Porto Design Biennale will also contemplate two spaces specially dedicated to the debate: a series of podcasts guided by the ideas proposed by the program (Vozes do Atelier, curated by André Cruz) and the cycle Friday Colloquia: Peripheral Perspectives, which proposes a set of colloquia attended by interdisciplinary academics, non-academic thinkers, designers, visual and performative artists, and citizens.

In line with the general curatorial proposal, France, as a guest country, presents a diversified program of radio conversations, exhibitions, installations, and social projects, curated by Caroline Naphegyi and Sam Baron.

The great challenge of the event for this year is to call on society, academia, industry, institutions, and cultural agents for a dynamic reflection on the construction of a “glocalized” future.

Porto Design Biennale 2021 (PBD’21) — Second Edition

What?
The 2021 edition of Porto Design Biennale (PDB’2021)
Exhibitions, conferences, workshops, and printed matters
Organisation:  esad—idea, Investigação em Design e Arte
Curators: Alastair Fuad-Luke (Chief-curator), Alberto Altés,  Ana Jara, Carlo Ratti , Caroline Naphegyi, Fran Edgerley, Inês Marques, Olivia Page and Sam Baron
Promoters: Câmara Municipal do Porto, Câmara Municipal de Matosinhos
Jury Open Call Graphic Design: Inês Nepomuceno, João Guedes, Lars Harmsen, Maria João Macedo, Raquel Pais, Tereza Ruller, Thomas Spallek

When?
June 2nd to July 25th, 2021

Where?
In the cities of Porto and Matosinhos
Find the map of exhibitions here

The complete program can be consulted here

FOTODOKS: Festival for Contemporary Documentary Photography

From today for four weeks, the FOTODOKS: Festival for Contemporary Documentary Photography — A house is a house is a house will present its tenth edition: A group exhibition with an interdisciplinary accompanying program and an extensive publication. Together, the contributions reflect the current understanding of home. Twelve photo projects, often developed over many years and shaped by personal experience, and the multi-perspective festival program with lectures, readings, and discussions, open up to the audience a broader perception of this dense and multifaceted social space.

A house is a house is a house is dedicated to current perceptions of home and refers to social inequality that is increasing due to the colonial, patriarchal, and capitalist power structures that exist around the world.

Exhibition with Emine Akbaba (Germany), Dannielle Bowman (USA), Cyprien Clément-Delmas and Lindokuhle Sobekwa (France, South Africa), Buck Ellison (USA), Nanna Heitmann (Germany/Russia), Sohrab Hura (India), Jochen Lempert (Germany), Noelle Mason (USA), Drew Nikonowicz (USA), Now You See Me Moria (Spain/ Afghanistan/ Syria), Arzu Sandal (Germany), and Henk Wildschut (Netherlands).

Accompanying program with Gürsoy Doğtaş, Sebastian Gansriegler (Auslöser Magazin), Filmscreening DOK.fest meets FOTODOKS, Max Houghton, Jörg Koopmann, Franziska Kunze, Christiane Mudra, Anna Schneider, Sonja Pham, Matthias Ziegler, and exhibiting photographers.

FOTODOKS: Festival for Contemporary Documentary Photography — A house is a house is a house

When?
June 7th to July 4th, 2021
Tuesdays to Sundays from 11 a.m. until 7 p.m.  

Where?
Lothringer 13 Halle
Lothringer Str. 13
81667 München, Germany
and online 

An extensive exhibition catalog will be published as part of the project free of charge and serves as a guide through the exhibition as well as for further reading.
Find further information here

Lottery: LOQI X SNASK

Secrets are heavy to carry around—that’s why LOQI teamed up with Stockholm-based creative agency SNASK who created a bold collection of bags, zip pockets, weekenders and laptop covers. Use the discount code LOQIxSLANTED to receive 10% discount on all LOQI products online, valid until 07/31/2021! Check it out!

SNASK is your future romance. A creative agency of misfit geniuses conquering the world through fine lookin’ design and real emotions. They seek to challenge conservative frameworks and they do it with their backs straight, supported by their unbreakable values. They don’t cower away from the challenge, as they see that the magic lies within the unexplored.

In order to be great—you have to be brave and bold.
In order to be real—you have to stand up for your opinions and beliefs.

Now you also have the chance to call a LOQI X SNASK bag your own: To take part in the lottery, write an email to [email protected] with the subject “LOQI X SNASK,” name your favorite bag (see list below) and let us know your postal address (for dispatch). The lottery ends June 11th, 2021, 11 a.m. (UTC+2). The winners will be drawn after the deadline and contacted by email. Whoever takes part in the raffle agrees to receive news from Slanted and accepts the privacy policy. Legal recourse is excluded. We wish you good luck!

Tiger Snake Beer Grey Recycled Bag
€ 11.99

Tiger Snake Beer Black Laptop Cover
€ 39.99

Transparent Secret and Classified Bag
€ 29.99

Transparent Secret and Classified Zip Pockets
€ 19.99

Transparent Secret and Classified Weekender
€ 39.99

Depeche Mode by Anton Corbijn

There aren’t many bands that are as strongly associated with a certain aesthetic as Depeche Mode. No wonder, this timeless, melancholic look has been created by Dutch photographer, film director and video director Anton Corbijn since the 80s and has contributed to the band’s casual and cool look ever since.

The 512-page book Depeche Mode by Anton Corbijn is not the first to reveal this liaison, but with more than 500 photographs, many still unpublished, from Corbijn’s private archive, his handwritten explanations of the photos, and an in-depth interview with the artist, this is the highly anticipated, lower-priced follow-up to the limited edition of 2020.

Created in close collaboration with Depeche Mode, DM by AC once again showcases Anton Corbijn’s impressive influence on the world’s biggest cult band and celebrates one of the most creative and enduring collaborations in music history. In this short video, Anton Corbijn himself introduces the book.

The book is very well designed, the balance between image proportion and white space is just right, the typography simple but not boring. Not only for fans of the band a delight for the eyes, but a great photo book!

Depeche Mode by Anton Corbijn

Publishing House: TASCHEN
Photographer: Anton Corbijn
Editor: Reuel Golden
Format: 24.3 x 34 cm
Volume: 512 pages
Weight: 3.67 kg
Workmanship: Hardcover
Price: 100.– Euro
BUY here

Typeface of the Month: West

Another month, another typeface for the month! We are happy to present our new Typeface of the Month: West by Fontwerk!

The following geometric shapes: square, circle, and triangle, often fascinate creatives, not least those who design typefaces. It’s therefore hardly surprising that many fonts that are rooted in these classical forms look rather similar. Although the construction of West follows in the same geometric tradition, it achieves independence and its own distinct character. It has a simple yet sophisticated formula: visually similar forms do not repeat.

Combining conciseness and pragmatism, it presents itself as timelessly modern but has its roots firmly planted in the practicality and functionality of classical modernism. West succeeds in reinterpreting the concept of geometric sans serifs in a contemporary way. Behind its apparent lightness lie a multitude of different design decisions by its designer Daniel Perraudin.

In order to maintain a harmonious canon of shapes and to do justice to its construction and symmetry, he varied individual letter widths. He emphasized this unique character further with unusual glyphs, the diagonal endings or angular dots. The characters beautifully oscillate between Art Deco influences and more technoid, monospaced influences of the nineties as well as the classical effect of fully reduced geometric grotesques. All together, these design idiosyncrasies result in a compelling, contemporary mix.

The range of West is also something rather special in the geometric genre: nine font styles ranging from Hairline to Black, matching Italics as well as variable fonts that are all included in the Complete Package, giving the user full flexibility.

Thanks to the exceptionally open “un-compact” finish, West is recommended not only for display use but also for smaller text or for wayfinding or signage systems.

Typeface of the Month: West by Fontwerk

Foundry: Fontwerk 
Designer: Daniel Perraudin 
Release: May 31st, 2021
Styles and Weights: 18 (9 upright weights ranging from Hairline to Black and corresponding Italics)
File Formats: ttf, otf, woff, woff2 
Price Single Style: € 50.–
Price Full Family: € 350.– (Variable fonts included in the family package)
Buy

Watch an inspiring video about West here

Three Best Branding Tips From Lovework Studio

Did you ever wanted to create a brand strategy that resonates and a brand identity that cuts through? To deep dive into Branding? Robyn & Campbell Butler invite you to their three-week Branding NOW online course from June 3rd until June 24th, 2021. Apply until May 31st, to get your Special Offer! Branding is more than just crafting logos and typefaces. According to Lovework Studio, brands need to go further than that. To give you a taste, we would like to present Three Best Branding Tips From Lovework Studio that are important to keep in mind when developing strategies or brand identities:

Tip #1
Ask the team “what is your brand fighting against?.” Get them to write their answer on a blank protest sign, make a punchy slogan and draw a symbol for the movement. Everyone holds their sign aloft and leads a protest through the office! This activity helps the team to think about the really important things the business stands for and how to articulate it.

Tip #2
If it doesn’t make you cringe it probably exists already. Make it simple enough to work at any size but detailed enough to provide meaning. It takes hundreds of variations before you get a logo that works. When you get the right design, you know. It conveys the right meaning, has the right attitude, and stands out from the crowd.

Tip #3
When your team has lost momentum, stop what you’re doing. Get them team together. Break down the job into bite sized chunks. For example, get everyone to spend an hour just working on color palettes. Then come back as a group and review.

Loved these Three Best Branding Tips From Lovework Studio? Then you’ll enjoy the ultimate Branding NOW online course led by Robyn & Campbell Butler. From creating a strong brand strategy, story, and brand identity, to leading the team and launching the brand into the world—this online course covers them all.

Brought to you by Future London Academy—an Executive School for Creatives where you learn the latest frameworks in branding, innovation, UX, and design leadership. 

Three Best Branding Tips From Lovework Studio—Branding NOW Course

What?
Branding NOW online course led by Robyn & Campbell Butler (Lovework Studio)
The course includes five hours of pre-recorded video content, weekly Q & A sessions and exercises and feedback. After completion of the course you will receive a completion certificate.
Course length: Three weeks
Special Price: £ 990.– (Until May 31st)
Full Price: £ 1,190.–

When?
June 3rd to 24th, 2021

Where?
Online

Sign up here
For further information visit the Future London Academy’s website 

Lottery: Arpona Sans Family

Take your chance to take part in the Lottery: Arpona Sans Family — By Floodfonts

Arpona Sans is a contemporary sans serif family inspired by the work of Edward Johnston and Eric Gill for London Underground. As well as its serif companion Arpona it is a symbiosis of different design concepts. Arpona Sans combines the aesthetics of a geometric Sans with the usefulness of the humanist concept and the calm of the modernist proportions. Arpona Sans is a good choice for editorial design, branding, app design, and web design—a poetic workhorse well readable even in running text on screen.

The family comes with nine weights, ranging from Thin to Black plus corresponding Italics. Each style includes 588 glyphs supporting all western-, eastern-, and central-european languages including four sets of figures and various currency symbols.

“When I had just finished the serif fonts of Arpona, I decided to test the concept as a Sans and drew a few sketches. One of the results I liked the most reminded me of the alphabet Edward Johnston drew for the London Underground later revised by Eric Gill and published as Gill Sans. Gill Sans was an influencial predecessor for all modern Humanist Sans as well as for the Geometric Sans concept. It is still in use today but unfortunately there are quirky details in many letters (for examle the calligraphic influence on ‘a’ and ‘R,’ the right angle in ‘p’ and ‘d,’ or the extreme dynamic in the stroke modulation) and the family had never become a homogenous piece of design nor even the single fonts.
Because of its strong character I very much liked the idea to interpret the typeface in a new and contemporary way. I decided to keep the mix of concepts and add even more components due to the fact that modern letter proportions work better on screen. Apart from that I tried to remove unusual details focussing on a consistent design as if cast from one mould.” — Felix Braden

Now you have the chance to call the Arpona Sans Family your own: We raffle a desktop license of the whole Arpona Sans Family. To take part in the lottery, write an email to [email protected] with the subject “Arpona Sans.”  The lottery ends on June 4th, 2021, 11 a.m. (UTC+1). The winner will be drawn after the deadline and contacted by email. Whoever takes part in the raffle agrees to receive news from Slanted and accepts the privacy policy. Legal recourse is excluded. We wish you good luck!

Lottery: Arpona Sans Family

Foundry: Floodfonts
Designer: Felix Braden
Release: March 9th, 2021
Format: OTF, WOFF
Styles and Weights: 18 weights from Thin to Black (incl. Italics)
Price Single Style: $ 49.– 
Price Full Family: $ 495.–
Arpona is part of Adobe Fonts and freely available for all users of the Creative Cloud
Buy here or get your Variable fonts and Trial fonts on request
Until 6/29/2021 there is a 60% introductory discount at Fontshop (for the whole Arpona Sans family and for the individual cuts)

If you want to know more about the Arpona Sans Family, check out Floodfonts or MyFonts

cache 01: Gegen|Wissen

How can the social dimension of Open Access in the humanities be strengthened? What kind of stories would arise if the individual caches, the places for unfinished things in everyday research, were interconnected? cache is a series and publishing tool for research groups examining exactly that. It enables research collectives to work together on a topic, to arrange source material associatively and to publish books generatively and as open access on a website. The resulting series is a mixture of a collective essay and material collection. cache 01: Gegen|Wissen is the series’ first edition.

Basic idea of ​​the design was to automate repetitive activities in the design process and to provide the researchers with an easy-to-use tool. Contrarily to the series’ name cache, the script-based approach is on purpose being exhibited in the layout-design. The layouts are therefore subject to many intrinsic logics in terms of vertical arrangement, column handling, and hierarchy. Therefore the projects’ backend generates various HTML- and PDF-versions based on XML data.

Its first issue Gegen|Wissen inquires the role of the sciences and knowledge in the protest movements of the 1970s and 1980s.

cache 01: Gegen|Wissen

Designers: Loraine Olalia, Reinhard Schmidt, Victoria Knabe, Michael Simic
Coding: Janis Perren
Editors: Nils Güttler, Niki Rhyner, Max Stadler
Authors: Max Stadler, Nils Güttler, Niki Rhyner, Mathias Grote, Fabian Grütter, Tobias Scheidegger, Martina Schlünder, Anna Maria Schmidt, Susanne Schmidt, Alexander von Schwerin, Monika Wulz, Nadine Zberg
Publisher: intercomverlag, Zürich
Release: October 2020
Typefaces: “cache Mono” by Atelier Mateo Broillet (custom font, 8 weights in normal and extended width), “Gerstner-Programm” by Forgotten-Shapes, “Lyon Text Regular No 2” by Commercial Type
Volume: 528 pages
Format: 16.8 × 24.5 cm
Language: German
ISBN: 978-3-9524954-4-5
Price: € 25.–
Buy

 

aiXdesign

What is the future of design? How does artificial intelligence influence designers and creatives? aiXdesign is a research project at the University of Applied Sciences Hamburg (HAW Hamburg), centered around the question how complex algorithms, incorporating big data collections, change the way designers work.

We are undergoing another digital transformation: Big Data, Machine Learning, and other artificial intelligence methods are becoming part of many products and services. A.I. is increasingly becoming a part of design tools, which have always influenced the characteristics of the products and services they help to create. Therefore, the question of how design is influenced by A.I. and what impact A.I.-influenced design has on society is extremely relevant. Not only for designers and the creative industry, but the entire society.

To face this new and rapidly evolving field aiXdesign is all about gathering opinions, opening up discussions and building a community with people from different backgrounds facing the questions of our technologically infused working world.

The website aiXdesign.space contains seven crucial questions regarding designers’ sentiments towards artificial intelligence. The goal is to get a bigger picture how machine learning technologies are perceived in the creative industry. What do you think? Share your opinion in the aiXdesign.space! To get a deeper insight in creatives’ work with artificial intelligence aiXdesign invites speakers from various backgrounds to the aiXdesign.space shuttleevents. Every other Wednesday at 6 p.m. (CET) experts from all over the world give insights about their experience: From machine learning at Adobe, automated advertising in design agencies, artistic approaches to image and sound generation to all the questions beyond.

Sign up for their newsletter or visit their website for further information

29LT Okaso & 29LT Oskura

We are very pleased to present you today the two typefaces 29LT Okaso & 29LT Oskura — By 29LT (29Letters), a type foundry based in Madrid, specializing in Arabic and Latin typography.

Abstracted from handwritten Aljamiado texts, Okaso and Oskura are one-of-a-kind typefaces: seeking to retain the spirit of the Andalusian Maghribi style, they embody a free and simplified interpretation that gave birth to unique letterforms absent from traditional calligraphic styles.

Exploring the manuscripts illustrates the link between the simplified geometric handwritings and the cursive rough writings. This spectrum is represented with Okaso and Oskura, placing Okaso on the geometric side and Oskura on the cursive side. They are vibrant typefaces that incorporate a carefully studied balance between solid forms and dynamic contours, giving them a lively feature within a corporate and serious existence.

The low-contrast design approach, with short medial heights, long ascenders and descenders, and energetic letterforms draws the Arabic and Latin scripts together. The Latin script emulates the vitality of the Arabic script with uncommon contextual alternates and stylistic sets that allow the switch between short and long letters, straight and round glyphs, or shifted capitals besides the extended set of ligatures.

In Okaso, the interplay of square or round letterforms echoes the diverse straight and curved outlines existing in the Arabic glyphs. While the shift between short or long Latin letters reflects the horizontal width change existing naturally in Arabic letters, the Kashida notion is also taken into account.

Oskura exists as a typeface on its own and can act as a companion to 29LT Okaso. In the Latin, it can be used as an upright Italic, especially when the stylistic set three is activated. In the Arabic, it can be used as the cursive or freehand version of Okaso. A change of typographic voice can be achieved between the two, and interesting typographic combinations can be achieved. The typefaces share common typographic parameters making it easy to switch between one and the other within a project.

29LT Okaso & 29LT Oskura

Foundry: 29LT (29Letters)
Designer: Pascal Zoghbi (Arabic Script) and Linda Hintz (Latin Script)
Release: 2020 (Okaso), 2021 (Oskura)
Styles and Weights: Extra Light, Light, Regular, Medium, Bold, Extra Bold, Black, and Variable
Formats: OTF, TTF, OET, WOFF, WOFF2 and VF (Variable Font)
Price Single Style: $ 50.–
Price Full Family: $
275.–

Buy Okaso and Oskura at 29LT or Fontstand 

Praktikum bei Slanted Publishers 2021/22 – jetzt bewerben!

Slanted Publishers hat ein 6-monatiges Praktikum im Bereich Redaktion/Grafik ab September 2021 zu vergeben: Wir suchen eine(n) engagierte(n) Studierende(n) mit großem Interesse an Typografie und redaktionellen/organisatorischen Aufgaben, der/die Lust hat zu erfahren, wie wir arbeiten und für 6 Monate Teil des Slanted-Teams wird.

Wir bieten:

  • Einblicke in unsere Verlagstätigkeit (Konzeption, Redaktion, Organisation, Vertrieb, PR etc.)
  • Redaktionelle und grafische Mitarbeit an unseren Publikationen
  • Redaktionelle Mitarbeit in unseren Onlinekanälen (Blog, Social Media)
  • Studiofotografie und Reportagefotografie
  • Verantwortungsvolle, selbstständige Arbeit und unter Anleitung
  • Organisatorische und administrative Aufgaben
  • Mögliche Teilnahme an Designkonferenzen im Rahmen unserer Medienpartnerschaften

Das sollte der/die BewerberIn mitbringen:

  • Abgeschlossenes Grundstudium im Bereich Grafikdesign (o. Ä.)
  • Sehr gute Deutsch- und Englischkenntnisse
  • Sichere Anwendungskenntnisse in InDesign und Photoshop
  • Interesse an neuen Strömungen in den Bereichen Design, Kunst und Kultur
  • Begeisterung für Typografie, aktuelle Strömungen im Typedesign
  • Redaktionelles Interesse
  • Selbstständigkeit, Weitblick, Flexibilität, Kreativität und Ideenreichtum
  • Organisationstalent und Kommunikationsstärke
  • Gewissenhaftes und genaues Arbeiten
  • Das Praktikum erfolgt im Rahmen eines studienbegleitenden Pflichtpraktikums

Das Praktikum bei Slanted Publishers findet vom 01.09.21–04.03.2022 in Karlsruhe statt und wird vergütet. Bewerber*innen sollten erklären, warum sie ihr Praktikum bei uns machen möchten. Bitte richtet Eure vollständige Bewerbung als aussagefähiges PDF-Portfolio ab sofort bis spätestens 01.06.2021 an Julia Kahl: [email protected]. Die Bewerbungsgespräche finden nach Sichtung aller Bewerbungen anschließend statt.

Wir freuen uns sehr auf Eure Bewerbung!

Visual by Nina Steimel

Im Dschungel wird gewählt & The alphabet is not a planet

The lion has re-routed the river in the jungle and built a large swimming pool directly in front of his cave. The other animals are angry, they have no more water and feel betrayed. They start a demonstration and decide to elect a new jungle leader. But what is an election? And what exactly does democracy mean? Who stands for election and how exactly does it work? These are precisely the questions addressed in the children’s book »Im Dschungel wird gewählt« (original title “Eleicao dos Bichos”), which encourages dialog about living together.

It is based on workshops held with children in Brazil and is written with children for children. The illustrations and texts by Larissa Ribeiro, André Rodrigues, Paula Desgualdo and Pedro Markun are to the point and easy to understand. At the end of the book there is an appendix that briefly summarizes and explains the most important terms. A must-have for all parents who want to explain to their children at an early age how decisions can be made in a community for the good of all.

Prestel Junior (pub.), hardcover, 48 pages, 24 × 24 cm, 48 color illustrations, ISBN: 978-3-7913-7469-7, € 15.– From 5 years.

The Alphabet Is Not a Planet—a Crazy Reading Adventure in Two Languages

Oh dear, oh dear, oh dear, what kind of ABC is that? Was astronaut monkey Anton really in space with Buzz Aldrin? Was the Donutosaurus Rex one of the most legendary dinosaurs of all time? Are there narwhals that fit into a nutshell? Or is it all just nonsense? The fact is: This universe is teeming with curious creatures and strange symbols. Page by page, little ABC explorers can navigate through the cosmos of letters as if with a compass and get to know the whimsical creatures from A to Z illustrated by Alex Hanke. Alphabetastic reading fun!

Verlag von Wegen (pub.), hardcover, 58 pages, 20 × 23 cm, ISBN: 978-3-00-068175-2, € 19.–. From 3 years.

Slanted Magazine #37—AI

The impact of Artificial Intelligence on design and how these technologies can change our lives can now be found in one comprehensive publication: Slanted Magazine #37—AI is out now!

Artificial Intelligence (A.I.)  has become—besides being an over-hyped buzzword across industries (that the design world is no exception to)—a reality. We debate about the impacts of A.I. and its subsets, machine and deep learning, and consider everything from virtual to augmented realities, and how these technologies may change our lives, jobs, and social relationships altogether.

We live in times where decisions about what we want are no longer under our control. While we believe to be free (at least in our western world), algorithms dictate our lives, hopes, and dreams. We are the parents and children, gods and slaves of the technology we invented: although it’s a masterpiece, there is a great dependence. If “algorithms will liberate themselves entirely from us,” Peter Weibel proposes, dystopian science fictions may help us clarify what we desire and do not want.

At Slanted, we are “hands on.” We love the human spark, provoke happy accidents (scratches and glitches), explore edges, and consistently enter unknown terrain. So yes, although this is a printed issue, it could very well have been transported to a neural chip. And we definitely figured out some ways to bring the issue to another dimension: A unique motif by CROSSLUCID has been printed for each cover of the entire edition—the aesthetics between portrait, still life, and expressionist topography, alien to our comprehension of what is human, natural, artificial, and digital.

More than ever this issue made us adventurers: looking with doubtful eyes at this new world of computation, numbers, and transhumanism, where (OMG!) machines are in many areas smarter than us and, occasionally, even encoded with higher ethical and moral standards than we will ever have.

Alongside the issue, a limited Special Edition has been published, a high-quality and 100% recycled bag by LOQI with a design by artist Sofia Crespo.

We would like to take this opportunity to express our sincere thanks to all participants of the issue who made a significant contribution to the result. Many thanks also to all supporters and sponsors, without whom the magazine would not have been possible in these special times. Thank you very much!

Slanted Magazine #37—AI

Publisher: Slanted Publishers
Cover Images: CROSSLUCID
Release: May 2021
Volume: 288 Pages
Format: 16 × 24 × 2,3 cm
Language: English
Offset Printing (Inside): Stober Medien
Digital Printing (Cover): Limego

Cardboard Cover: CONSTELLATION Snow E/E06 Tela for HP Indigo, 280 g/sm by Fedrigoni
Paper: ARENA Smooth Extra White, ARENA Rough Natural, 120 g/sm by Fedrigoni
Bookbinding: Swiss brochure
Introduction texts: Tom Barbereau & Jack Dignam
ISSN: 1867-6510
Price: € 18.–

Single Issue
Subscription
Special Edition

Designing With Artificial Intelligence

We are happy to announce that the Proceedings of the First Conference on Designing With Artificial Intelligence by Marc Engenhart and Sebastian Loewe is downloadable for free now!

The Proceedings cover theoretical papers on the impact of machine learning on design and its principles, practical research on how machines can be used to create design and art, and essays on the discourse of the creative nature of artificial intelligence. Machine-intelligent systems and processes are no longer simply science fiction. Users are now surrounded by an overwhelming amount of digitally intelligent applications. These applications, while running seamlessly in the background of customer-centered products and hence going unnoticed by users, become deeply influential in the design of digital products’ user experiences. This pervasive implementation contrasts starkly with the absence of digitally intelligent applications in the critical academic discussion of applied AI-based design practices.

The conference raises the following questions that result from designing both with and for machine learning algorithms and assist systems: How do designers’ traditional understandings of their practices change when the machine makes fundamental and far-reaching design decisions in the blink of an eye and ceases to be merely a passive design tool? How do design practices change when predictions become a major part of the user experience? What ramifications do these changes have on the notion of creativity? Also, how can designers (re-)design human-machine participation and what kinds or levels of agency do designers retain? Lastly, how does machine learning alter strategic design, corporate identity, and the idea of personal design aesthetics?

To address these questions selected experts from the fields of design, science, art and industry have been invited to present their visions in four separate keynotes. Additionally, the conference is scheduled to provide an inspiring program of discussions, paper talk sessions, case studies, workshops, as well as enough time to engage in dialog and network with participants.

Designing with Artificial Intelligence in 2020 aims to bring together a diverse audience of design practitioners, design managers, design theorists, design leaders, and interdisciplinary thinkers interested in the pressing questions raised.

Proceedings of the First Conference on Designing With Artificial Intelligence

Publisher: Applied AI (TUM)
Editors: Marc Engenhart & Sebastian Loewe
Contributers: Jennifer Heier, Patrick Hebron, Qian Yang, Rebecca Fiebrink, Andreas Refsgaard, Gerhard Anger, Andreas Muxel, Elias Naphausen, Jan-Henning Raff, Anika Meier, Manuel Rossner, Klaus Neuburg, Simon Nestler, Sven Quadflieg, Marc Engenhart and Sebastian Loewe
Design: Marc Engenhart
Volume: 159 pages
Language: English
ISBN: 978-3-00-068634-4
Price: free of charge

Download here

Graphic Days® Eyes On the Netherlands

Graphic Days® Eyes On the Netherlands is launching an international event in collaboration with Graphic Matters and the Embassy and Consulate General of the Kingdom of The Netherlands in Italy to present the best of Dutch visual design in Turin.

Graphic Days® is a cultural project dedicated to international visual design. Since its first edition, Graphic Days® has hosted a different guest country in an exhibition named Eyes On. The project aims at presenting the excellence of the visual culture of a selected nation through artworks and designs made by some of the most relevant studios and professionals. After Spain, Poland, and Romania, this year the Netherlands becomes the protagonist of the dedicated exhibition.

From May, 14th to 30th, a program of free online events, workshops and exhibitions will showcase the highlights of Dutch visual communication and the contamination among European trends and influences in this field.

A vast exhibition itinerary guides visitors to discover the visual landscape made in the Netherlands. The project Alphabet of Cases of The Palace of Typography Masonry is presented for the very first time in its complete: An imaginary museum dedicated to the abundance and diversity of visual communication techniques, born from the idea of the Dutch graphic designer Richard Niessen, in collaboration with Dennis Elbers, founder of Graphic Matters. An utopian palace that brings together Niessen’s graphic experimentation and his research aimed at creating an interdisciplinary cultural history and a new theory of typography.

Graphic Days® Eyes On the Netherlands — Best Of Dutch Visual Design

When?
May 14th–30th, 2021

Where?
Online
and at Toolbox Coworking, Turino

Get your Ticket for free online events here or book a workshop of your choice. You can also find further information here.

 

BRASILIA #7 TOGETHERSEPARATE

BRASILIA #7 TOGETHERSEPARATE is now available at Slanted Shop!

BRASILIA is a monothematic magazine made by design students at the University of Applied Sciences and Arts, Hanover. The seventh issue was released in March 2021 and is dedicated to the topic togetherseparate. to|geth|er|sep|a|rate (to drift apart; to relate remotely); BRASILIA traces collective and collaborative practices for design and living, making them the focus of attention. What happens when ingrained forms of togetherness are suspended? When algorithms, filter bubbles, and right-wing conspiracy propaganda suggest proximity, but actually separate us from each other more than ever? Brasilia sheds new light on topics that move us, yet leads us to persevere in demanding flexibility from ourselves when we seek security.

Philine Dorenbusch investigates the human-made underwater noise, that endangers marine life. Khadra Farah writes about the casual racism she encounters everywhere as a black woman. In his contribution, Friedrich Weltzien assesses the everyday routines of an intellectual during the coronavirus lockdown. Nora Depner wonders how we could possibly speak with extraterrestrials when we would have to develop a message that we ourselves are not able to conceive.

The creation of this magazine is inherent proof that togetherseparate forms of cooperation are possible. The texts and images compiled here will arouse longing for a return to life beyond Zoom tiles, self isolation, and discount-store purchases. And even if the Duden dictionary distinguishes between joining words together or separating them, the current crisis has reinforced our impression that, as formulated by the philosopher Jean-Luc Nancy, we are actually “singular plural.”

BRASILIA #7 TOGETHERSEPARATE

Publisher: Department for Design and Media at the University of Applied Sciences and Arts, Hanover
Publishing house: Blumhardt Verlag, Hanover
Designers: Vivian Dehning, Nora Depner, Max Heinemann, Patrycja Kopinska & Gesa Krieter

Authors: Nora Depner, Philine Dorenbusch, Khadra Farah, Fabian Fiechter, Prof. Ute Heuer, Alina Holze, Prof. Hans-Jörg Kapp, Patrycja Kopinska, Bernd Linde, Verena Lobert, Jens Mahlstedt, Luise Schlütsmeier, Ole Spata, Prof. Gunnar Spellmeyer, Katharina Stein, Figen Ünsal, Jonas Vietzke & Prof. Dr. Friedrich Weltzien
Editors: Vivian Dehning, Nora Depner, Max Heinemann, Patrycja Kopinska & Gesa Krieter
Release: March 2021
Volume: 132 pages
Format 22 × 28.5 cm
Language: English and German
Printing House: Gutenberg Beuys Feindruckerei, Langenhagen, Germany
ISBN: 978-3-932011-98-6
ISSN: 2367-2064
Retail price: 8.– Euro
Buy

Junge Grafik Award 2021

From now on, projects from young graphic talents can be submitted to Junge Grafik until June 14th, 2021, for the Swiss competition Junge Grafik Award 2021!

Great graphic work is being made in Swiss schools and universities—the makers of the Junge Grafik Award 2021 (Engl.: Young Graphic Award 2021) are certain of this. That’s why the association has created an award for Swiss graphic talents in training. The idea is simple: Young graphic talents should be able to show their works outside of school, university or apprenticeship. The award is therefore aimed at all students and trainees of graphic arts throughout all parts of Switzerland. In addition to small cash and non-cash prizes, the 30 winners can look forward to an exciting audience: “The winning works will be presented in a traveling exhibition at various schools and published in a special publication. The winning works can also be seen on our website,” explains board member and graphic designer Loana Boppart. “Above all, it is also important to us to offer the young talents the opportunity to network with each other and with important people in the scene. The award night and after-party offer them a great way to do that.”

The winning works are selected by an illustrious jury of Swiss graphic artists. In addition to big names such as Felix Pfäffli, Marion Fink, Jonas Vögeli, Valeria Bonin, Demian Conrad, Dennis Moya, and Larissa Kasper, two young graphic artists, Lena Ruppen and Audrey Fleur Ljubenovic, will also have their say in the selection process. The association behind the Junge Grafik project consists of eleven mostly young representatives and experts of the Swiss graphics scene. As simple and necessary as their project may sound, the journey from the initial idea to the award was challenging: “Since the award should to be supported by all institutions and will remain a non-profit cause, we had to convince all schools and partners of the idea and worked closely with the two professional associations SGV and SGD,” says board member Remo Stahl. “At the same time, we had to find benefactors and foundations to finance the expenses.”

The association has mastered both—and so the only thing standing in the way of the Award Night on October, 9th may be the pandemic. But Meret Fischli is convinced that even this hurdle will be overcome: “We are broadly positioned in a variety of areas—from web and print to events, social media, and travelling exhibitions. So we are more flexible than long-established events.” On March 15th, the call for entries of the Junge Grafik Award 2021 was launched. “We are looking forward to the many great works that will hopefully arrive—after all, we have been working towards this moment for almost two years!,” says Meret Fischli.

Junge Grafik Award
Call for Entries

Deadline: June 14th, 2021
Initiators: Junge Grafik
Jury: Felix Pfäffli, Marion Fink, Jonas Vögeli, Valeria Bonin, Demian Conrad, Dennis Moya, Larissa Kasper, Lena Ruppen, and Audrey Fleur Ljubenovic
Award ceremony and afterparty: October 9th, 2021
Start of traveling exhibition: October 9th to 16th, 2021 in Lucerne, Switzerland
Number of winning entries: 30
Contribution per project: CHF 20.– (≈ € 18 Euro)
Accepted work: 20 Students from across Switzerland. All years of study and training. Work completed within the last two years: school year 2019–2020 and 2020–2021.

Submit your work here or find further information about the call for entries and the submission process on the website Junge Grafik 

Latinotype

Today, we would like to present you Latinotype, a Chilean independent type foundry:

The power of letters combining to form words to communicate thought is monumental. From scribbling on cave walls and stone tablets, to writing on paper and typing them out, words have been a fundamental part of life as we know it for thousands of years. Words tell our story, evoke emotion and action. They are essential. 

And so Latinotype formed, a group of graphic designers, type designers, account managers, translators, and programmers dedicated to making the most out of words. Based in Chile, the foundry began in 2008 as the first typeface distributor in Latin America. Since then, they have grown into a dynamic team of typography lovers with more than 200 original fonts, and they distribute many more. If their library does not have what you’re looking for, they will create the font you need to make each word of yours carry the meaning it deserves. 

Fonts like Abstract, created during a pandemic, a contemporary and eclectic serif typeface with a generous family, including a true italic variant that has a personality of its own.

Straight lines combined with curves and triangular shapes, Águila and its set of more than 400 characters supports over 200 Latin-based languages. Another singular font in Latinotype’s portfolio. 

The foundry prides itself on creating and distributing fresh fonts, and Apparel is a testament to that. Apparel is the perfect blend of class and freshness. Times New Roman meets Caslon.

In case it’s not yet clear, their library is extensive and varied. Offering superfamily fonts such as Galeana, a flat-sided san serif typeface that features a closed aperture, representative of their Latin American roots. Top-sellers such as Juana, based on the Jazmín typeface that offers an extreme contrast between thick and thin strokes for balance and poise. 

Kenac, distinct yet practical, particularly fit for headlines, headers, anything to accentuate brand identity. And then a whiplash to Winden, a slab-serif typeface that wants to be seen, giving off a modern feel. 

Add a varied library like theirs to an array of customization options and it’s clear why Latinotype has grown to become a well-known and trusted source for fresh fonts. Modifications, customizations, and all the options in-between, this foundry is a household name when it comes to making words stand out.

For more details, the “finer print,” visit the Latinotype website. The main purpose as of now is that this foundry formed by Luciano Vergara and Daniel Hernández is now on your radar, if it wasn’t already. Ample options and services make Latinotype a source to bookmark.