Page 26 – slanted

Slanted Magazine #35—L.A.

From the perspective of a European, Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around (damn you, General Motors streetcar scandal!), the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists and the shitty art museums … perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable.

We wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. We would also have liked to see David Hockney, who fled the austerity and grey oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.

We hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. We spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra (see our video interviews), and a number of other luminaries.

Our partner-in-crime Ian Lynam introduced us to tons of great designers, artists and teachers, who all—really, all—when asked where their allegiance lies: with N.Y. or L.A., yelled “L.A.!!!” without batting an eyelid. You can find their brilliant works in the new issue, and a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free.

Illustrations, interviews, essays, and a huge appendix with many useful tips and the best Californian typefaces complement the issue thematically.

Have a look at our limited L.A. special edition, containing an enamel pin showcasing your love for a good read, and a super glossy notebook to write down all your ideas.

Offset Printing: Stober
Silkscreen Printing: Seismografics
Paper: PERGRAPHICA® by Mondi Group

Awarded with German Design Award (Special Mention).

Auslöser Magazine Issue 3

Interview with Paul Albert Leitner, Nadia Morozewicz, Daniel Chatard, Katrin Koenning.

Behind the scenes: Vienna Secession.

In detail: Apple QuickTake

further 01

The Fotobus Society, set up by Christoph Bangert, is a network that connects more than 400 photography students from 29 German and European universities and photography schools. Members can avail themselves of a wide range of cultural and social activities offered by the association. At the heart of the community is a 30-year-old bus serving as a mobile photography school that regularly carries members to photo festivals, symposia, and professional events. Over the last years, the association has firmly established itself as a promoter of cultural and academic exchange within the international photography scene.

FURTHER 01 is showcasing selected works by members, inaugurates a series that from now on will be published annually by Verlag Kettler. The projects presented in this first edition offer an overview of different contemporary approaches that oscillate between documentary and conceptual photography, challenging and crossing the boundaries of the genre. Many of these works have already received international awards. Collected in a single volume, they provide intriguing insights into today’s young European world of photography.

Works by: Arne Piepke, Mafalda Rakoš, Vivian Rutsch, Max Slobodda, Felix Kleymann, Lena Kunz, Elias Holzknecht, Martin Lamberty, Maximilian Mann, Lucas Bäuml & Lando Hass, Alexander Ziegler, Ole Witt, Luise Jakobi, Ronja Hermann, Jann Höfer, Ingmar B. Nolting, Kristina Lenz, Markus Seibel, Patrick Junker, Lukas Kreibig, Sebi Berens, Rafael Heygster, Richard Heinicke, Magnus Terhorst & Thomas Morsch, Anna Roters, Theresa Albers, Fabian Ritter, Katja Sterzik & Wolfgang Gähtgens & Ronja Hermann & Florian Genz, Monika Hanfland, Victoria Jung, Elena Fiebig, Marvin Böhm, Josh Kern, Benedikt Ziegler

Şimdi heißt jetzt

“The first thing a big city does to us is sneak into their language, and if we don’t curse, the curse will fall on our cells.” Şimdi heißt jetzt (“Şimdi means now”) is a collection of personal essays. Fifteen authors tell of their encounters, adventures, and crises in Istanbul—lively, honest, humorous, and sometimes melancholic.

The interplay of atmospheric illustrations and background information on everyday Turkish culture creates a complex picture of this city in which so many cultural influences, social ideas and individual dreams mix together.

Şimdi heißt jetzt is intended to make encounters possible. Encounter with new impressions and personal perspectives that arouse curiosity and create connections between Turkey and Germany.

We are far away from each other. We are close to each other. And we care about each other.

With contributions from Tuğba Yalcınkaya, Carina Plinke, Matthias Wechsler, Seda Sina, Neslihan Yakut, Marie Hartlieb, Navid Linnemann, Onur Sesigür, Zeynep Ünal, Seden Filiz Güleç, Onur Sekmen, Derya Reinalda, Marlene Resch, Uğur Ugan, Sabrina Raap.

Guidelines and Standards for Visual Design

Less than a quarter of a century after the end of National Socialism, Otl Aicher was commissioned to design the “cheerful” XX. Olympic Games in Munich, 1972 . He took a systematic and scientific approach, liberating visual communication from national pathos and reducing it to the essential, in the spirit of the Bauhaus: purpose. The manual “Richtlinien und Normen für die visuelle Gestaltung”, completed in 1967, is an astonishingly clear set of rules, a flexible system of colors, forms and writing that allowed Aicher’s team and partners to “play freely” and saved “unnecessary preparatory work and time-consuming detailed decisions.”
Aicher had a comprehensive requirement: everything should be able to be designed. With the results from more than 100 design areas, he succeeded in creating an extraordinary broad effect of the appearance and, in addition, in setting new standards in corporate design. To this day, Guidelines and Standards for Visual Design for Munich 1972 is considered the most successful design project of all the Olympic Games.
Otl Aicher (1922–1991) was an internationally acclaimed graphic designer and educator, renowned for his corporate identity work, visual communication systems, and typography. With concise corporate designs for commercial enterprises, for example the Deutsche Lufthansa, his visual communication system for the Munich Olympic Games of 1972, and in particular as co-founder (together with Max Bill) and rector of the Hochschule für Gestaltung Ulm—an experimental design school in the spirit of the Bauhaus—he achieved a high reputation worldwide.

Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews

Karl-Heinz Drescher (born on October 7, 1936 in Quirl; died on May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.

In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).

For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.

Awarded with Type Directors Club New York, and Tokyo TDC Award.

Original Poster: K.H. Drescher “Britisches Bühnenbild”

Karl-Heinz Drescher (1936-2011) was a graphic designer who worked for almost 40 years at the world famous Berliner Ensemble theater of Bertolt Brecht. His catalog of works today comprises over 400 posters, about a third of which are printed by letterpress. The original posters from the archive are provided by the family of K.H. Drescher. Despite the great age, they didn’t lose any of their value and history, that’s behind every single one of them.

More about Karl-Heinz Drescher can be found in the comprehensive book K.H. Drescher: Berlin Typo Posters, Texts, and Interviews published by Slanted Publishers.

WV 153: Britisches Bühnenbild → 1980
Internationales Theaterinstitut der DDR
81.2 × 57.4 cm
Limited to one poster.

Garbage Dog

In a down and out city, Garbage Dog huddles in his cardboard home dreaming of sweet pies and meaty sausages. Even in the darkest of times, a kind dog keeps his spirits up and looks after others. The warmth of Garbage Dog’s character in a cruel city reminds us all that kindness and sympathy is something we create.

A sweet tale that shows how the best gift is one we can all give—the gift of kindness.

Six Little Birds

What do six little birds do once they’ve learned to fly? One bird nibbles on a sunflower, another flies dangerously close to a hawk, and one little bird says goodbye to all of the birds who are flying south. During winter, another little bird meets some new friends, and finally, the story finishes in the spring in a full circle, right where it all began.

Simple rhymes and colorful illustrations make Six Little Birds a charming pop-up for small children. The book gives children counting skills, and it teaches them about the four seasons, nature and the cycle of life.

Auslöser Magazine Issue 2

4 long-form in-depth interviews with photographers: James Barnor, Pixy Liao, Alex Dietrich, Leah Edelman-Brier.

Behind the scenes photo reportage of the worldwide oldest, still running cinema: Breitenseer Lichtspiele in Vienna.

In detail: a special, selected camera from the WestLicht camera museum

Squadron

For artistic duo of typographer Jan Matoušek and photographer Vojtěch Veškrna, the gateway to the subject was its visual power. Through the creation of fonts and photographic images, they tried to mirror the themes in a new, personally conceived form. The font family and the photographic series, in harmony with the historical context, create an original work that allows the viewer to perceive the past and the present simultaneously. Squadron is a book—a tool really—for further intellectual searching and new interpretations, published by Biggboss. Within the rigid confines of the font patterns with carefully observed dimensions, that is, into a space where rules are paramount, the creators attempted to also imprint a living, organic content. Just like the pilot is part of the extremely technically-dominated world of his aircraft.

Two timelines intertwine in Squadron. On the photographic level, history is represented by the work of Ladislav Sitenský, whose photographs of British bases were digitalized specifically for this book. The present day is represented by Vojtěch Veškrna and his photo series from the air base of the tactical Air Force in Čáslav. Both photographers have in common a fascination with aviation, and therefore also with the symbiosis of man and machine.

A fundamental moment for the creators of the Squadron project was their meeting and interview with Brigadier General Miroslav Štandera. During his life, he managed to experience enough for at least two additional ones, despite which he withstood all of the dramas and somersaults of fate, and with elegance and humor at that. In response to the question of why, in 1939, he voluntarily left his, at the time, occupied homeland, he replied: “We took it as our duty. We were brought up a little differently than you’ve been. We were Masaryk’s guys, most of us simply thought that way.”

Those words helped Matoušek and Veškrnareason understand for why, despite the uncertainty and facing a dramatic fate, Czechoslovak airmen voluntarily left to fight for democratic ideals, freedom and human values. Not three weeks after their visit to Miroslav Štandera, this last fighter pilot and direct participant in the battles in France and Great Britain passed away, at the age of 95.

As representatives of the generation born at the end of the twentieth century, Matoušek and Veškrna were able to glimpse the last rays of light of a setting story. Czechoslovak airmen often paid twice for their courage—those who survived the war were jailed or otherwise persecuted. And even their children, due to the inconvenient reputations of their fathers as “western airmen” were not allowed to study, or were subjected to other hardships in their lives.

Since the end of the Second World War, the world has managed to change radically and accelerate. The world witnesses and participates in the shifting of human and technical possibilities, rapidly changing standards of behavior, social dogmas and rules. From this moment of the present, people constantly reflect on the past and create a vision of the future. Squadron is a tool designed to support this creative process, of which everyone is a co-creator. Hopefully, it also bears the torch of a story that should be remembered.

TypoLyrics – The Sound of Fonts

Graphic designers love music. This is shown not least by the great enthusiasm of the readers of the typography magazine Slanted for the category Typo Lyrics, in which designers reinterpret music with the help of writing. For the publication of the same name, renowned graphic designers and young talents from all over the world have been inspired by lyrics to innovative font designs. The result is a collection of fascinating visuals – “typefaces” that present contemporary fonts in a slightly different way.

The extraordinary combination of typeface design and music brings the fonts alive and makes them literally dance. In contrast to classic pattern books or fonts, a special, emotional approach to typography is created, which makes clear the great potential for expression of fonts. Analogous to the traditional classification of fonts, the book is divided into eleven chapters, each of which deals with a font family and song lyrics of a specific musical genre.

With contributions from:

123buero (GER)
Base (ES)
bauer (A)
Bureau Mario Lombardo (GER)
Bureau Mirko Borsche (GER)
Fons Hickmann m23 (GER)
Gavillet & Rust (CH)
L2M3 (GER)
Mainstudio (NL)
Matt W. Moore (USA)
Norm (CH)
Paula Troxler (CH)
Pixelgarten (GER)
Vier5 (FR)
und vielen anderen

The Fourth Estate Utopias—House of Common Affairs #1

The House of Common Affairs (HOCA) is a new, smashing journal about the Fourth Estate Utopias. It provides an opportunity to challenge the niche and yet popular field that exists in the overlap between the arts and journalism. HOCA invites a more diverse range of voices into the conversation with the aim to promote an international and interdisciplinary exchange of ideas, as well as knowledge. It seeks to offer a space for critical thinking with the aim of provoking further developments in this field.
The Fourth Estate Utopias is the first issue of HOCA, and as such addresses the project’s subtitle, “fancy discussions about Fourth Estate utopias,” and is about the role of visual communication in relation to journalism.

Contents
• Introduction by Noortje van Eekelen
• Forum 1: “An Artist, a Politician, and a Journalist Walk Into a Bar …” with Belle Phromchanya, Ruben Pater, Ken Hollings, Monika Parrinder, Noortje van Eekelen and participants; moderated by Paula Minelgaite
• “Form, function, content, payroll: micro and macro politics of design,” essay by Depatriarchise Design
• Interviews with Alina Negoita, Chourouk Zarkaoui and Latifah Al-Said
• Forum 2: “What Do We Want? Clickbait! When Do We Want It? The Answer Will Shock You!” with Olivier Kugler, Jessie Bond, Theo Inglis and participants; moderated by Paula Minelgaite
• “Parallel channels,” essay by Jaione Cerrato

Contributors
• Alina Negoita is an interdisciplinary artist
• Belle Phromchanya is a designer, visual researcher, and filmmaker
• Chourouk Zarkaoui is a multidisciplinary designer and communicator
• Depatriarchise Design (Anja Neidhardt and Maya Ober) is a research platform focusing on Design Patriarchy
• Jaione Cerrato is a graphic designer and artist
• Jessie Bond is a writer, researcher, and editor
• Ken Hollings is a writer, broadcaster, and cultural theorist
• Latifah Al-Said is an artist of British/Omani heritage
• Monika Parrinder is a design writer, consultant, and educator
• Noortje van Eekelen is the founder and director of ACED
• Olivier Kugler is a reportage illustrator
• Paula Minelgaite is a designer concerned with the politics of truth
• Ruben Pater is a designer and researcher
• Theo Inglis is a graphic designer and writer

Analog Algorithm—Source-Related Grid Systems

This book is a tool kit to create new forms. It deals with grid-based design and gives the reader techniques to develop new forms, fonts, logos, and patterns. The concept represents a design process in which individual decisions follow much larger and deeper principles than immediate and spontaneous-intuitive actions.
Using a wide variety of examples, each chapter contains a detailed description of the procedure from form analysis to setting up design rules and their application. Both a workbook and a source of inspiration, this publication provides designers and architects with the tool they need to find analytical forms—analog, algorithm-based, exploratory but never of arbitrary origin.
The procedures described allow an almost infinite number of possibilities. The designer is thus transformed from inventor to interpreter or curator, who assesses individual forms for logos, fonts or patterns on the fly and ensures that the design process is always efficient and goal-oriented.

Will Feel Eyes on

The photo book Will Feel Eyes on by Kai Jünemann, internationally renowned photographer, represents a colorful and spontaneous visual diary with 113 photographs taken during his first and intense stay in Teheran, Iran.

From the editorial by Dirk Gebhardt:

“On the street, patterns and signs shape a unique space of non-verbal communication. The Western gaze recognizes them in part by recalling familiar pictorial patterns. Porcelain horses, cheetah prints, and the last supper directly reference the sociological and symbolic significance of the Occident. In combination with the curved writing of Koran suras on pillows, covered hair, and colorful printed fabrics, they develop a new, unknown meaning. To confront Iran photographically, while remaining unaffected by its political dimension, is a challenge.

Kai Jünemann circumvents a personal statement through the coded, playful exploration of visual surfaces. The details, frames, and harsh exposures of his images, cut objects, people, and situations out of reality with the precision of a scalpel. Jünemann’s world is reduced to patterns and rhythms, thereby metaphorically representing the merging and cross-influencing of cultures.

The unusual is so mundane that the familiar astonishes the viewer, who is immediately confronted with the question of his own clichés and habits of seeing. Symbols of status and pride, elegance and banality, power and eroticism collide with each other in a colorful and mixed way, thus forming a cosmos of humanity—comprehensible and emphatic. What was once foreign ground is transformed into home territory, despite or maybe even because of the exoticism of many pictures in Jünemann’s visual Iranian diary.”

Poster »AZ – The Future of Type«

hinzkunst Poster designed by burkhardthauke, a multidisciplinary design studio founded in 2009 by Ralph Burkhardt and Daniel Hauke. The office has since been honored with numerous national and international awards.

The Monocle Travel Guide Series – Hamburg

Founded in London in 2007, Monocle magazine is at home all over the world. Thanks to its network of international offices (London, New York, Toronto, Zurich, Istanbul, Tokyo, Singapore) and more than 30 correspondents worldwide, the team always delivers valuable first-hand information.

The Monocle Travel Guide Series is aimed at travellers who do not see themselves as tourists, but want to move around in a foreign city like locals. With an in-depth understanding of the dynamics of the metropolises, the Monocle team puts together the best insider addresses that are indispensable for a city trip off the beaten track.

If Berlin is Germany’s clubbing capital then Hamburg is the dinner party that’s as raucous as it is refined—and the guests are a varied bunch too. Stroll around this port city and you’ll brush shoulders with local fishermen on the banks of the River Elbe, world-renowned gallerists hosting cutting-edge exhibitions, and independent retailers flaunting wares that are either “Made in Hamburg” or exotic. Pull up a chair and meet the lot of them.

The Monocle Travel Guide Series – Athens

Think of Athens and the first things that spring to mind are ancient ruins and camera-toting crowds. But there’s much more to the Greek capital than temples and tourists. We’ve looked beyond the admittedly awe-inspiring Parthenon and explored the city’s modernist marvels. For now, though, strap up your sandals and allow us to introduce you to this chaotic but ever-so-charismatic city.

The Monocle Travel Guide Series – Zürich, Geneva + Basel

In this guide we delve into three Swiss cities and uncover what makes them tick. We tour the spotless streets of Zürich, highlighting its distinguished commercial-gallery scene, glistening lake, inviting swimming spots and burgeoning set of top-notch restaurants and bars. Next, we head west to explore Geneva, with its luxury retailers, independent chocolatiers and curious collection of architecture. Finally, we finish with a jaunt around petite Basel and admire its robust offering of contemporary structures and world-class museums. The Monocle Travel Guide to Zürich, Geneva + Basel celebrates the richness of these three cities and dives beneath the surface to bring an unexpected mix of creativity, entrepreneurialism and design.

Structuring Design. Graphic Grids in Theory and Practice

In visual communication, contents are arranged, organized, and presented. Design laws and principles that are inherent to every medium ensure that from a distance a novel looks like a novel, an art catalog like an art catalog, and a magazine like a magazine. This publication offers a compact mix of explanations, practical tips, and background information on the topic.
At its center is the grid as the most important design principle, whose function and application are thoroughly discussed. The grid allows a consolidated approach to a structured design like a blueprint that supports not only faster and easier reading but also better comprehension of information. In a second part, the author discusses the design process itself with answers to seemingly simple questions of what to observe when designing and the sequence of steps. Another chapter focuses on relevant theoretical aspects such as how method and intuition are correlated. The final section contains an extensive glossary.

Slanted Magazine #34—Europe

Available as an ebook in bookstores and on all common platforms.

The European Union with its 28 (status 2019) member states today is facing difficult times: financial crisis, refugees, loss of allies, and exit scenarios—as implemented in the United Kingdom—lead to fear and insecurity. Above all, we are also witnessing how the digital revolution is creating a new image of mankind. The technical possibilities are about to go beyond what is politically and morally imperative.

So far, Slanted has devoted its editions to individual countries or metropolises in order to take a look at the design scenes. This time we are reacting towards the need of getting together and showing the importance of the voice we have and should use, to protect the freedom others have reached for us.

Slanted Magazine #34—Europe is a plea for a multi-faceted and vibrant Europe, against the backdrop of an Europe of nations, right-wing populism, and selfish politics. It is an inventory of Europe, showing a comment, a perspective, a feeling of illustrators, photographers, writers and graphic designers from all around Europe.

On occasion of the release of Slanted Magazine #34—Europe, a limited Europe special edition has been published and was exclusively available in the Slanted shop. It contains a tote bag with the European flag motif and a collection of 9 zines, printed with 2 colors on a risograph, that take a closer look at the values of Europe.

Awarded with ADC Award Germany (Silver).

Limited Europe Special Edition / Magazine + Risograph Zines + Tote Bag

On occasion of the release of Slanted Magazine #34—Europe, a limited Europe special edition has been published and is exclusively available in the Slanted shop. It contains a tote bag with the European flag motif and a collection of 9 zines, printed with 2 colours on a risograph, that take a closer look at the values of Europe.

This Is Europe

The great importance we attach to the fundamental values of Europe shows that these are more than ever the essence of European identity. In the seminar This Is Europe at Karlsruhe University of Art and Design (HfG), 9 students asked themselves the following questions: What about freedom, democracy, equality, tolerance, rule of law? What values does Europe stand for today, and what are the common achievements of which we as Europeans are proud of?

The results are now visible in this collection of zines that are a personal plea for a multifaceted Europe.

Concept and supervision: Julia Kahl
Design Zines: Adrian Dickhoff (DE), Bob Reinert (LU), Cara Kollmann (DE), Emma Lilo Keller (DE), Gisela Chueca de Bruijn (ES), Julia Ihls (DE), Juliane Schmitt (DE), Laura Kluge (DE), Miriam Hörig (DE), Zhang Xinyi (CN)
Volume: 9 × 16 pages
Format: 14.8 × 21 cm
Paper: Holmen Trnd 2.0. 80 g/sm
Printing: Risograph, orange and medium blue
Binding: staple binding + banderole and sticker

Europe Tote Bag

Show your colors with this tote bag!

Design: Slanted Publishers
Size: 38 × 42 cm
Material: 100% heavy cotton
Version: long handles (70 cm)
Print: Silkscreen

Slanted Magazine #34—Europe

The European Union with its 28 member states today is facing difficult times: financial crisis, refugees, loss of allies, and exit scenarios—as implemented in the United Kingdom—lead to fear and insecurity. Above all, we are also witnessing how the digital revolution is creating a new image of mankind. The technical possibilities are about to go beyond what is politically and morally imperative.

Slanted Magazine #34—Europe is a plea for a multi-faceted and vibrant Europe, against the backdrop of an Europe of nations, right-wing populism, and selfish politics. It is an inventory of Europe, showing a comment, a perspective, a feeling of illustrators, photographers, writers and graphic designers from all around Europe.

Publisher and Design: Slanted Publishers
Volume: 256 pages
Format: 16 × 24 × 2 cm
Language: English
Printing: Stober
Paper: Holmen TRND Vintage 1.6 by Holmen Paper, MultiArt Gloss by Papyrus Deutschland
Cardboard Cover: Atelier by Papyrus Deutschland
ISSN: 1867-6510

Also available without Slanted Magazine #34—Europe.

Limited Europe Special Edition / Risograph Zines + Tote Bag

On occasion of the release of Slanted Magazine #34—Europe, a limited Europe special edition has been published and is exclusively available in the Slanted shop. It contains a tote bag with the European flag motif and a collection of 9 zines, printed with 2 colors on a risograph, that take a closer look at the values of Europe.

This Is Europe

The results are now visible in this collection of zines that are a personal plea for a multifaceted Europe.

Europe Tote Bag

Show your colors with this tote bag!

Design: Slanted Publishers
Size: 38 × 42 cm
Material: 100% heavy cotton
Version: long handles (70 cm)
Print: Silkscreen

Also available with Slanted Magazine #34—Europe.