MA-MA Type

Today we would like to introduce you to Parisian type foundry MA-MA Type, which has a special appreciation for the craft and artisan approach to type design:

MA-MA Type is a small-scale type foundry based in Paris, France. It was founded in 2021 by Maxime Fittes as an open creative space allowing the making of singular fonts. The foundry believes in values of craftsmanship and is devoted to the making of context-related typefaces that tell their own story. As an independent foundry, MA-MA Type claims its freedom from type industry standardization. This translates into a specific creative process which the foundry tailors to each new release. Alongside its retail catalog, the type foundry designs custom typefaces for cultural projects: identities, magazines, etc.

Typefaces distributed by MA-MA Type:
Fork is a monospaced typeface designed as an exploration of geometry and simplicity. The overall sharpness of shapes brings a mechanical flavor to the characters as well as a singular typographic color.
Marcus is an uppercase-only display typeface which draws inspiration from old film titles and handcrafted signages. Its letters are inspired by Roman square capitals with condensed proportions.
Packer is a monospaced typeface designed as a cheerful alternative to monotonous office aesthetics. Its round and generous shapes offer a counterweight to the technical tone of fixed-width characters.
Ziggy is a strong display typeface inspired by hand-painted letterings found on boat hulls. Odd details and awkwardness features have been preserved to give its letters their distinctive identity.

MA-MA Type

Foundry: MA-MA Type
Designer: Maxime Fittes
Styles and Weights: From Thin to Bold with matching Italics
Formats: otf, woff, woff2, eot
Price Single Style: from € 50.–
Price Full Family: from
 120.–
Buy typefaces here
Find free trials here

Airport Wayfinding

Dedicated to the wanderlust, we would like to introduce you to a publication now available at our Slanted Shop, that takes a closer look at the complex infrastructures of our airports: Airport Wayfinding — Wayfinding Systems of 70 Airports.

Airports are places with multi-layered identities that millions of people pass through and where cultures meet: On the one hand, the history and the design heritage of the particular country can be identified and local characteristics are intensified and reinforced almost stereotypically. On the other hand, airports represent hypermodern functional environments in which processes are internationally standardized and maximally efficient, with a strong emphasis on entertainment and consumption.

Guidance systems navigate people through airports. The graphic language creates an image in the viewer’s head carrying the respective identity in its own compact form through color, fonts, and pictograms. The authors, both specialists in the field, decipher this identity and trace its emergence and evolution over the decades. From the perspective of information design, they examine and analyze the wayfinding systems of approximately 70 airports by aligning their identities and functions.

Airport Wayfinding — Wayfinding Systems of 70 Airports

Publisher: niggli
Editing and Design: Heike Nehl, Sibylle Schlaich
Release: April 2021
Volume: 272 pages
Format: 23 × 28.5 cm
Printing: Hardcover
Price: 44.– €
ISBN: 978-3-7212-1014-9
Buy

What Design Can Do: No Waste Challenge

The wait is over: The winners of the global competition What Design Can Do (WDCD): No Waste Challenge — 16 Ground-Breaking Ideas for a Circular Future have been determined and were unveiled in a video ceremony attended by nominees and jury members. A total of sixteen winning projects were named across all categories, representing innovative strategies for reducing waste and its enormous impact on climate change. Initiated in partnership with the IKEA Foundation, the competition now enters an exciting new phase as finalists gain access to an award package designed to launch their ideas into action.

“The quality and range of entries we’ve seen in this Challenge is remarkable,” comments Richard van der Laken, co-founder and creative director of What Design Can Do. “In a turbulent year, this shows that the creative community is willing and able to break away from centuries of linear thinking and bad design. And through redefining our relationship with waste, these ideas also help us to recalibrate our relationship with design: looking at ways it can be restorative and regenerative, instead of merely productive or destructive.”

Tasked with selecting the winners was an international jury comprising twelve leading experts in design, entrepreneurship, and climate action. Working remotely over multiple sessions, the panel selected 16 winners from a list of 85 high-potential nominees. In the end, the jury of the No Waste Challenge based their decision on the official Challenge criteria of impact, creativity & design, feasibility, and scalability.

Among the winners are solutions that focus on the production process—aiming to revolutionize the taking and making of all the things we use and eat. Sustrato (Mexico), for example, combines traditional craft, contemporary design, and waste from the pineapple industry to develop a range of sustainable bioplastics. Modern Synthesis (UK) makes use of a similar waste stream—this time from apple farms—to feed microbes that grow fully circular fibers for the fashion industry. Meanwhile, working to clean up the construction sector are Carbon Tile (India) and Packing Up PFAS (Netherlands), two projects which offer innovative building materials that actually remove toxic pollutants and carbon dioxide from the environment.

Moving away from the factory floor, other winners are unified by their desire to uproot entire value systems. These projects are looking to prevent waste by addressing the underlying problem of consumerism. Reparar.org (Argentina) for example, is a service which connects individuals to local cobblers and repair shops, working to promote a culture of care and the right-to-repair. Similarly, Project R (Japan), is a community centre that empowers citizens to learn about circular techniques and lifestyles. Another disruption to throwaway culture is Nyungu Afrika (Kenya), a social enterprise hoping to make low-cost and biodegradable menstrual products the norm across Africa.

Together, these ideas suggest inventive ways for us to reconcile what we want with what the planet needs. Liz McKeon, Head of Climate Action portfolio at the IKEA Foundation, says: “A pillar of the IKEA Foundation’s mission is to reduce greenhouse gas emissions. One way is to find solutions for waste by tapping the creative power of design. As part of the jury, I was thoroughly impressed by the many great young entrepreneurs and creatives from around the world who submitted designs to tackle the root causes responsible for waste, and their determination to find solutions. I can assure you that even those who were not selected as winners will contribute just as much to creating a liveable planet for the many.”

INNOVATION WITH LONG-TERM VISION
Work now begins on strengthening each winning idea, and deepening their potential impact. Teams will receive € 10,000 in funding, and access to a development program co-created with Impact Hub Amsterdam. This program begins with a week-long bootcamp, and is tailor-made for the special blend of change-makers present among participants. Winners can expect mentorship on a range of skills they need to make their projects a success—from developing a viable business model, to impact-assessment, and networking. Combined with valuable exposure and publicity, the program is set to provide unique support for the thinkers, doers, and makers of the new economy.

ABOUT THE NO WASTE CHALLENGE
The No Waste Challenge is What Design Can Do’s third Climate Action Challenge in partnership with the IKEA Foundation. Launched in January 2021, the design competition called for bold solutions to reduce waste and rethink our entire production and consumption cycle. It was open to creative entrepreneurs everywhere and offered three design briefs tackling different aspects of the ‘take-make-waste’ economy. Additional tracks were also provided for participants in our partner cities: Amsterdam, Delhi, Mexico City, Nairobi, São Paulo, Rio de Janeiro, and Tokyo. The open call ended in April with an exceptional 1,409 submissions from innovators in more than 100 countries.

What Design Can Do: No Waste Challenge

Find further information about What Design Can do here. All projects can now be viewed on their platform.

Lexik

Today, we would like to share the typeface Lexik by Binnenland Typefaces and Thomas Hirter with you.

Have you ever wondered what the vocabulary of a typeface is? From a designer’s point of view, it is the shapes which determine the character of a font. Typefaces don’t communicate with words, but instead are able to convey a message with their visual appearance. Binnenland’s new release Lexik consists of organic curves along with sharp straight lines. This juxtaposition of round and pointy shapes is what makes up the formal language of their new serif typeface.

Lexik comes from the Greek léxis (“speech,” “word”) and means something like the vocabulary of a language. In terms of typography, this raises the question of the vocabulary, the formal language of a typeface. In the case of Lexik, it is the juxtaposition and interplay of organic round forms and sharply cut terminal forms and serifs.

Lexik was designed by Thomas Hirter for the layout of the men’s newspaper (now ERNST Magazine). Under a long process of refinement and in close cooperation with Binnenland it was optimized for fluid reading and expanded to a family of five weights and their corresponding Italics.

Lexik

Foundry: Binnenland Typefaces
Designer: Thomas Hirter
Release: 2021
Styles: Light, Light-Italic, Regular, Italic, Medium, Medium-Italic, Bold, Bold-Italic, Black, Black-Italic
Price: € 60.– per Style, € 435.– for the Complete family
Buy

INSTANT NUDES

We are very excited about today’s release of INSTANT NUDES! For years, the collection of intimate instant photos of the creators of PHOTODARIUM Private, a tear-off calendar that brings together the most fascinating images of international photographers from around the world, has been growing. Now the archives are opening up and present a curated selection in this high-quality photo book.

In the photo book INSTANT NUDES the work of eleven photographers who use instant images to capture erotic moments. Some of the photographs are revealing, some more discreet. What they all have in common is their reverence for a beautiful body. Because of its authenticity, the medium of the instant photo is the antithesis of digital photography. Instant photos enhance the erotic-voyeuristic moment through their intimacy, uniqueness and materiality, often not perfect and therefore all the more authentic, provocative and yet differentiated.

In their everyday working lives, models are projection screens for social ideas of beauty. They are staged by the photographers and a whole staff of stylists and hair & make-up artists. It is different with the photography of nudes at home, in the intimacy of their private surroundings. 

The calendar PHOTODARIUM Private has been published since 2016. The tear-off calendar shows uncensored instant pictures with an artistic approach to nudity. Day after day a new erotic, naked, or cheeky instant image is revealed. A modern and young look at eroticism beyond pornographic clichés—by photographers and individuals from all over the world. Emancipated and honest. 

This project was brought to life through a successful Kickstarter campaign. We would like to express our gratitude to all supporters!

INSTANT NUDES

Publisher: Slanted Publishers
Design: Clara Hoppe
Curators: Boris Kahl, Herr Merzi
Photographers: Alan Marcheselli, Christoph David, Frank de Luyck, Herr Merzi, Jens Voshage, Luc Masson Todeschini, Philippe Galanopoulos, RRRDiaz, Solimano Pezzella, Stefano Questorio, Timo Schäfers

Text: Dr. Denise Susnja, Clara Hoppe
Release: July 2021
Volume: 192 pages
Format: 16 × 21 cm
Language: English
Printing: Full color
Workmanship: Hardcover with linen, hot-foil embossing, thread-stitching
ISBN: 978-3-948440-23-7
Price: € 29.–
BUY

Paintings League

Today, we would like to present you the photo book Paintings League by Max Siedentopf and invite you to visit the accompanying exhibition in the Galerie Kernweine in Stuttgart, Germany, which takes place from July 3rd to September 3rd, 2021.

Paintings League seeks to answer the age-old question “How can you make art for people who don’t normally like art?” After much research, artist Max Siedentopf concluded that people who avoid the museums and galleries are often the same people who would rather spend their time watching soccer. If there are certainly more soccer fans than art fans, why not cater to this newfound audience? This is where Siedentopf tried to find the solution by creating a series of paintings that would please both the most discerning art lover and the most serious soccer fanatic. Paintings League pays homage to iconic soccer teams such as FC Bayern Munich, Inter Milan, Chelsea FC, Manchester United and FC Barcelona by painting the teams’ iconic jerseys in acrylic on canvas. Art lovers will appreciate the minimalist, abstract approach and brushstrokes of the paintings, while soccer fans can enjoy the colors of their favorite team. Just like soccer, the paintings function like a league. Each painting represents a different group of people through their interests, passions, and backgrounds, ultimately trying to be the champion of the Paintings League.

Max Siedentopf is an artist, photographer, video director, and freelance art director living in London and Berlin. He is the founder of the art magazine Ordinary.

Paintings League

Book:
Publisher: Hatje Cantz

Concept and Design: Max Siedentopf
Release: 2021
Language: Englisch
Volume: 96 Seiten
Format: 16 × 23 cm
Production: Integral binding (flexcover)
ISBN: 978-3-7757-5106-3
Price: 20.– Euro
Buy

When?
July 3rd to September 3rd, 2021

Where?
Galerie Kernweine
Cottastrasse 4–6
70178 Stuttgart
Germany

Review 26. Leipziger Typotage

This year, we had the chance to participate online in the 26. Leipziger Typotage—Turn by Turn. Typography and Navigation, which took place in the Museum of the Printing Art in Leipzig from June 4th to 6th, 2021. The event presented the speakers’ findings and research to an interested group live and online. Particularly exciting was the variety of topics discussed and the many practical tips from the working lives of designers and typographers, presented in a calm and pleasant environment. Thank you for the opportunity to participate in the event online as well. Perhaps this format of events is something that can continue to give people from all over the world access to new content in the future. Hope to see you again next year!

On Saturday, June 5th, 2021, the 26. Leipziger Typotage focused on typography as a medium for orientation in digital and analog contexts. Not only questions about individual type design have been addressed, but also the role of typography as an information carrier for (guided) communication processes. The lectures have been addressing user interface design, gaming, cartography, generative design, and visual communication, which reflects a broad spectrum for typography as a navigator.

The following voices have spoken: Claudia Friedrich (Hamburg), Julian Jarosch (Mainz), Nadya Kuzmina (Berlin), Jana Moser (Leipzig), Jay Rutherford (Weimar), Benjamin Schöndelen (Berlin), and Nico Wüst (Stuttgart/Berlin). The conference was moderated by Peter Mohr (Agency Zentrumwest, Leipzig).

The Leipziger Typotage is an event organized by the Gesellschaft zur Förderung der Druckkunst Leipzig e.V. Since 1995, the event has been held annually at the Museum für Druckkunst Leipzig. Initially conceived as a two-day event, since 2008 the Typotage program has essentially been concentrated on one Saturday in the spring. In addition to type and typography, the conference focuses on graphic design, art, production techniques in the print sector and related topics. Renowned speakers look at various issues from ever new angles, in both analog and digital contexts, looking back and forward. The Typotage sees itself as a platform for all interested parties and promotes professional exchange as well as dialog with other disciplines.

Photos by Klaus-D. Sonntag and excerpts from the opening conference.

schaubau 2021

schaubau 2021 is an international summer school which takes place in the heart of Dessau—the city of the Bauhaus. A design camp, which is targeted at all creative students, pupils, craftsmen and -women, and creators of value of all designing disciplines like design, architecture, fashion, and art. This year, the schaubau Summer School of Design is dedicated to the future. And in this context, completely in line with this year’s motto weigh, choose, and dare. “Change means opportunity. It’s all in there, you just have to decide what to take out of it. The future belongs to those who find solutions where others only formulate problems.”

For one week, participants weigh, re-select, and venture forth. They explore and design graphic and typographic commentary to creatively formulate future perspectives and political possibility spaces. Using the environmentally friendly instant screen-printing process MiScreen, the designed results are put on paper, walls, and truck tarps and become visible in the urban space of Dessau. In addition to designing and creating, a culturally program ensures a varied, sunny workshop week. So don’t forget your swimming gear.

schaubau 2021

What?
A sunny screen printing workshop week in Dessau, organized by BüroHallo and Drucken3000

When?
August 15th to 21st, 2021

Where?
VorOrt e.V.

All information about the schaubau Summer School of Design Dessau can be found here

100 Beste Plakate 20 Catalog

For the 20th jubilee of 100 Beste Plakate e.V., we are delighted to present the 100 Beste Plakate 20 Catalog (100 best posters of 2020), which is now available at our Slanted Shop!

For twenty years the association 100 Beste Plakate e.V. has been spotlighting the most groundbreaking poster designs from Germany, Austria, and Switzerland. In its anniversary year, the group and its members are facing existential questions, just like graphic designers all over the world. The coronavirus has laid waste not only to people’s lives but to cultural life as well. In our day and age, museums are closed while people are still allowed to shop at DIY stores; they can get a haircut, but theaters remain off-limits. The place of culture in society is shifting, which most often means it is becoming less relevant. But what is society without culture?

Some of the posters included in this book were made for events that never happened, for billboards that remained empty, for an audience that wasn’t there.

These upheavals have had an impact not only on the selection of the 100 best posters of 2020, but also on current trends in the graphic arts. Last year, as the authorities imposed restrictions, or in some cases even outright bans, on interpersonal communication, the desire for visual communication and design seemed to grow by the same measure. This book and the posters presented in it can be regarded as a physical testimony to the time and space that was lost in 2020.

100 Beste Plakate 20 Catalog

Publisher: Verlag Kettler
Format in cm (w × h): 24 × 17 cm
Volume: 376 pages
Language: German, English
Bookbinding: Softcover
ISBN: 978-3-86206-913-2
Buy

The photo series has been specially developed in collaboration between the book designers Christof Nardin and Michael Simic and freelance photographer Niko Havranek.

Rundgang Stuttgart State Academy of Art and Design 2021

Once a year the approximately 900 students of Stuttgart State Academy of Art and Design (ABK Stuttgart) present their most recent projects and assignments during the Rundgang Stuttgart State Academy of Art and Design 2021 which is taking place from July 23rd to 25th in a hybrid format. The official opening of the Rundgang is taking place on Friday, July 23rd at 6 p.m. on the online platform.

The current student’s works from the departments of Architecture, Design, Arts/Art Education, and Conservation—Art History will be seen in all their facets on the interactive website www.abk.live. Performances and DJ sets, award ceremonies and Rundgang highlights nominated by distinguished representatives of the culture and art scene are part of the digital live program that will complete the large virtual exhibition of a diverse range of creative practices.

In addition to this, residents of the Stuttgart area can explore further select locations such as the Württembergische Kunstverein which will host student projects and make up the decentralized part of the Rundgang. As the doors of the Campus Weißenhof must again remain closed due to the current situation, these satellites in the urban space thus replace, at least to some extent, the traditional student exhibition in the studios and classrooms.

The annual Rundgang is the high point of the year, for students as well as for professors and members of staff, who all cooperate towards achieving a unique and multidimensional exhibition for the visitors. This year, the Rundgang is focused on digital content, more accessible than ever before and addressing a wider audience. Visitors from all over the world are invited to tune in and experience experience which great variety this art academy has to offer.

Rundgang Stuttgart State Academy of Art and Design 2021

When?
July 23rd to 25th, 2021

Where?
Online
and at the Württembergische Kunstverein
Schlossplatz 2

70173 Stuttgart
Germany

Find further information here

Miss Clara Hotel

It’s hard to believe that it’s already been three weeks since our editorial trip to Stockholm to take a look at the city’s creative scene. We were happy that after an exciting but also exhausting day we were able to relax in the small and stylish design hotel Miss Clara. The small boutique hotel belongs to the Nobis hotel group and is situated in an Art Nouveau building that was an all-girl school for nearly 40 years.

World famous architect Gert Wingårdh has managed to unite a warm feeling of modern day exclusivity together with outstanding functionality. This is all the more impressive of a feat given how he has been able to simultaneously keep many of the original details (the amazing stone floors for example) and features of the building, thus managing to celebrate its historic past.

No wonder the hotel is a member of Design Hotels, a community that reflects the vision of independent hoteliers with a passion for culturally-rooted hospitality and cutting-edge design and architecture.

Miss Clara describes this beautifully in her own words: “We’ve always felt that the number one thing of a fabulous hotel experience is the actual presence of an experience—you know that feeling when the front desk staff knows your name without consulting their computer, or when the bartender asks how you’re doing, not because she is trying to be polite but because she actually cares.”

And perhaps it is precisely these details, the fantastic a la carte breakfast, the fragrant care products from Byredo that make the stay so unforgettable …

Thanks for having us!
More information can be found here.

Oktoberfest 1984–2019

We are pleased to announce that the Photo book Oktoberfest 1984–2019 by Volker Derlath can now be pre-ordered at our Slanted Shop!

For 35 years, Munich photographer Volker Derlath has hardly missed a “Wiesn” day. With his camera, right in the middle of the action, he is capturing intimate moments, touching scenes, moments full of violence and comedy. The “folk festival of all folk festivals” reminds him, with its incomparable coarseness of folk amusements, of the Middle Ages, he says. The “Wiesn” is a kind of utopia where visitors can live out what has long since been domesticated in their everyday lives and swept under the rug of civilization.

The Munich Oktoberfest, also known as the “Wiesn,” is considered the largest folk festival in the world: two exhilarating weeks with beer, chicken, rides, and partying people from all over the world. But like last year, this year’s festival has been canceled due to a pandemic. Sad news for the worldwide fan community. With the book Oktoberfest we would like to remember a time when people could still unconditionally drink, flirt, and celebrate together.

Oktoberfest 1984–2019

Photographer: Volker Derlath
Editor: Melville Brand Design
Design: Lars Harmsen, Florian Brugger
Publisher: Slanted Publishers
Release date: September 2021
Format: 210 × 280 mm
Volume: 208 pages
Language: German + English
Binding: Stitched Binding
Cover: Refined book cover
ISBN: 978-3-948440-28-2
Pre-order now

Werksatz

Inspired by early grotesque typefaces such as Akzidenz Grotesk and Venus, Werksatz – By Identity Letters is a contemporary interpretation of this beloved genre.

Some things are timeless. These are the things that only get better with use. The aforementioned typefaces certainly belong into this category. Rediscovered by designers from every generation again and again, they are here to stay. However, as tools evolve and technology moves on, even a well-tried design has to adapt to this evolution continuously in order to stand the test of time. Werksatz is such an adaptation, taking the best from the invincible classics and infusing them with the warm blood of today’s tech.

With ten weights from Thin to Black, each with painstakingly fine-tuned obliques, and more than 940 characters per style, this font family is ready for the future. Its Extended Latin support ensures you won’t miss a letter in any of hundreds of languages. Special glyphs like three variations of arrows and additional shapes will make your design work so much easier—for well-structured forms as well as radical editorial layouts.

Among a treasure trove of OpenType features, you’ll find essentials such as Capital Spacing, Case-Sensitive Forms, and Ligatures, but also advanced functions like Small Caps, Subscript and Inferior figures and letters, plenty figure sets (Lining Figures, Tabular Figures, Old-Style Figures, circled and squared figures, figures for small caps … you get the idea), Slashed Zero, and more.

You’ll discover that Werksatz is less formalistic and rigid than other neogrotesk typefaces. Sure, you can use it for serious business—whether in corporate design, branding, editorial design, publication design, or web design for industries and topics ranging from politics, government, management, or law to technology, entrepreneurship, commerce, or finance. However, Werksatz is much more versatile than that. Its more human appearance also allows for effective use in culture, fashion, art, entertainment, sports, exhibitions, leisure, and luxury. It’s an excellent choice for wayfinding applications, apps, packaging, and all kinds of nonfiction books.

“Other Grotesks with big names are left behind outdated by their proprietors, but Werksatz is here to stay. The classic industrial warmth of these letterforms will age like fine wine.” — Identity Letters

Werksatz

Foundry: Identity Letters
Designer: Moritz Kleinsorge 
Release: April 2021
Styles and Weights: 20 Styles, Ten Weights, Roman and Italic
Price Single Style: € 40.–
Price Full Family: € 255.–
Buy 

Typographic Architectures

We are delighted to announce that the publication Typographic Architectures — By Éditions B42 is now available at Slanted Shop! Immerse yourself in the world of Wim Crouwel, whose influence extends far beyond the borders of the Netherlands.

As a major figure in contemporary European graphic design, Wim Crouwel (1928–2019) has widely influenced the history of the discipline through his extensive practice of design, applied both to the cultural and commercial field. Over the course of his career, he has carried out simultaneously works in the range of typographic creation, visual identities, posters, book design, or scenography.

In the 1950s and for decades, Wim Crouwel, whose influence extends beyond borders of the Netherlands to a large extent, has managed to develop an approach to graphic design combining modernist heritage with pop fantasy. Through two texts written by Catherine de Smet and Emmanuel Berard, and one by Wim Crouwel himself, this book testifies the diversity of his work and analyzes his wide range of production in diverse fields such as visual identities, publishing, or poster creation.

Abundantly illustrated, the book Typographic Architectures focuses on the layout of the catalogs made for museums such as the Stedelijk Museum of Amsterdam, as well as on the genesis and presentation of The New Alphabet, created between 1964 and 1967.

Typographic Architectures

Publisher: Éditions B42
Authors: Wim Crouwel, Catherine de Smet, Emmanuel Berard
Design: Experimental Jetset
Volume: 104 pages
Format: 16 × 22 cm
Languages: English, French
Release: June 2021
ISBN: 9782490077472
Price: € 20.–

Find further information here

Vrij Beton

The intruiging Vrij Beton — Collective Ownership in Amsterdam campaign from Amsterdam Alternative (AA) is now online and on the streets:

Together with design agency 310k and the financial support of Stichting DOEN Amsterdam Alternative (AA) has just launched a campaign to promote the Vrij Beton (Engl.: Free Concrete) project. A project that aims to liberate real estate from the market and turn it into collective property. To offer permanent spaces for “experiments and projects that do not fit the commercial world as they aren’t profit driven.” Combing living, working, education, and public functions under a single roof. Spaces where “art and culture are not necessarily the main focus, but social, political and social activities have a place too.”

Vrij Beton borrows from projects that emerged from the squatter scene. However, it is important to recognize that our initiative is not simply a replacement for what is not officially allowed anymore. The past was beautiful, but the world and the law have changed. We have to accept that, change is inevitable and not negative per se. Vrij Beton is a new energy, a movement that everyone can join. Together, we take action for new free spaces in the city.” — Amsterdam Alternative

Amsterdam Alternative is a collective project, an association built on the strength, energy, and dedication of its members. An organization like AA cannot exist without people who want to help, think along and/or provide financial support. AA is an association with a horizontal organizational structure. They think it is important that people who join AA can take part in the collective thought and decision making process. That’s exactly where the strength of collectivity lies. By being a member you get the opportunity to cast your vote, both at meetings and via the online voting system.

Vrij Beton — Collective Ownership in Amsterdam

Concept, Editing, and Design: 310k
Photography: Leon Hendrickx
Video: Copyride
Color grading: Gary Grade
Sound: Peter Rutten
Voice over: Lilan Hak
Photography and Set Design: Framer Framed
Watch their promo video, read more, donate or become a member

The campaign has been created by friends and supporters of Amsterdam Alternative and the Vrij Beton project.

Momentum

We would like to introduce you to Momentum – Die Zeitkapsel für Design in der Krise (Engl.: Momentum—the time capsule for design in the crisis) published by master’s students at the HTWG Konstanz:

What kind of working life awaits us “after Corona?” Many people are rather anxious about the future. 21 design master’s students at the HTWG Konstanz wanted to know more and interviewed renowned designers, researched, and created a print and an online magazine that can be downloaded for free.

Momentum – Die Zeitkapsel für Design in der Krise is a 200-page snapshot that offers entertaining elements alongside serious forecasts and professional discourse. Infographics, self-tests and entertaining knowledge from twelve previously unthinkable months always lighten up the young designers’ magazine, as do the bright red, good-humored illustrations that make Momentum – Die Zeitkapsel für Design in der Krise a well-designed print product.

But how are established colleagues doing in the professional world? The students spoke with designers in Germany and abroad, such as Qian Jiang, who works as an industrial design consultant in Stockholm, Dr Andrea Augsten, who works at the German Society for International Cooperation, the creative director Christian Haas, or Dirk Wachowiak, Cihan Tamti, Boris Kochan, and many more. Their professor in the master’s seminar “Design and Strategy,” is Jochen Rädeker, who is co-owner of a leading German design agency, was also among the 20 interview partners.

The result is a multi-voiced picture. And the answers, as Sophia Hummler reports, were more positive than anticipated. Many of the interviewees saw the Corona crisis as a sort of catalyst for digitalization that helped to further advance developments that had already begun. Many were also excited about the new possibilities that occur and the fact that digital collaboration is a given. Five theses provide insights and outlooks into the working world as designers. “Creative consultation is the design of the future” is one of them, which sums up where the trend seems to be heading at the moment. Because in a world where computers can create logos, edit images, and typeset texts faster than people, it is because of digital development that humanity matters: only people can be creative and empathetic. And only people enjoy the fun facts, the well-designed infographics and the humorous lists that lighten up the magazine. The students laughingly report that they were inspired by Bravo, a well-known German teen magazine; there are hots-and-nots, a camera-turned-off-list, a self-test “Which Corona type are you?” and a photo spread in black and white that illustrates the current state of the times with snapshots of empty seats and closed borders.

All interviews can be found as transcripts in the appendix of the online magazine. And for those who prefer analogue: the printing company Eberl&Koesel has sponsored a limited print edition. So the magazine can not only point to the future but also be a reminder of special moments in a time long after Corona. Just like any good snapshot would do.

Momentum – Die Zeitkapsel für Design in der Krise

Publishers: HTWG Konstanz (Department of Architecture and Design) and Prof Jochen Rädeker
Authors, Designers, Editors, and Marketing: Felicitas Baaske, Nicole Friedl, Jan Vogel, Felix Eisele, Tamara Geißer, Leonie Hoffmann, Rebecca Krähmer, Sarah Bastigkeit, Carlotta Ellegast, Sophia Hummler, Julia Neufend, Natalie Götz, Marcel Riedel, Robert Straubmüller, Louise Krank, Laureen Reck, Jialu Hu, Felix Lohwasser, Katharina Schönberger, Franziska Weber, and Alexander Vaccaro

Release: March 2021
Volume: 203 pages (online version)
Format: 21 cm × 29.7
Language: German
Production and Finishing: Sponsored by Eberl&Koesel (also online version on the website)
Download your copy here

Graduation Show 2021: 30DEGREES

The Bachelor and Master graduates show their work at the Graduation Show 2021: 30DEGREES — At the Merz Akademie. The Akademie is happy to welcome you to the parcours of the Summer Semester back to the Kulturpark Berg on Saturday, July 17th, 2021.

30DEGREES: The graduates will present their work in the fields of Film, and Video, New Media, Visual Communication and—for the first time—Crossmedia Publishing. Their projects deal artistically and critically with topics such as gender ideologies, ideals of beauty, and pornography as well as the influence of online media, and algorithms. The exhibition will feature documentary, fictional, and interactive films, photographs, video essays, 3D worlds, installations, publications, and much more.

The exhibition of graduates is also aimed at students as well as their parents who would like to take the opportunity to get to know the Merz Akademie; individual student consultations are available.

One week later, on July 23rd, 2021, starting at 5 p.m., the digital version of the graduation exhibition 30DEGREES will begin. In addition to the Bachelor and Master projects, there will then also be a digital showcase of current projects from all areas of study, which have now been created in what is now the third online semester.

A bit of euphoria certainly resonates after such a long time, but of course we will design the exhibition on the Merz Akademie Campus according to the current incidence situation and only open with an adapted hygiene concept.

Graduation Show 2021: 30DEGREES — At the Merz Akademie

When?
The live Graduation show will be open on Saturday, July 17th, 2021

The digital version of the graduation show will start on July 23rd, 2021, at 5 p.m. 

Where?
Merz Akademie Campus

Kulturpark Berg
Parkstraße 14
70190 Stuttgart
Germany

[kɔn] Paper No. 7: HAUT

[kɔn] is an up-and-coming magazine for literature and culture. Each issue brings together essayistic, literary, and journalistic texts around a single keyword. Therefore we are pleased to present you [kɔn] Paper No. 7: HAUT — The Skin Issue:

[kɔn] notations, [kɔn] texts and [kɔn] troversies of the issue are investigated—while the format explores the intersections and boundaries of text and design, content, and form: how poetic can academic and journalistic texts be, how journalistic might poetry be when published in a newspaper? Which new modes of reading can be established when essay, poem and column meet?

[kɔn] Paper No. 7 is all about skin. In articles, interviews, poems, essays, and short stories skin oscillates between discourses and is opened, in- and described, dissolved, pierced, mended, and interpreted. Changing shape from protective border to profane workshop material, from intimate contact surface to projection screen—and always a great read.

The seventh issue not only celebrates the many layers of skin within the texts—a lot has changed on the outside too: thanks to a new illustration concept, the convenient magazine format, degradable colors, and recycling paper the new [kɔn] shines in a fancy finish and environmentally-friendly look.

[kɔn] Paper No. 7: HAUT — The Skin Issue

Editors: Felix Lindner, Magda Hirschberger, Pia Lobodzinski, Henrike Reintjes, Adela
Sophia Sabban, and Fabian Widerna
Concept and Design: Julia Hell
Illustration: Carmen Reina
Release: October 2020
Volume: 48 pages
Language: German and English
Price: 4.70 Euro

Available online and in selected bookshops in Munich and Berlin

 

Claymore

The English Typographer Jeremy Tankard just published his typeface Claymore on June 21st, 2021. The typeface is a subtly modulated sans serif with an equally subtle hint of Gothic inspiration. Its striking image performs exceptionally well across the family’s range of weights. The many details have been crafted to deliver an engaging and clear image in text, with a strong individual personality when used at display sizes. 

Claymore takes inspiration from the shaping and playfulness of medieval letters. During the eleventh to twelfth centuries the classical Roman letter was radically experimented with, this eventually resulted in a new style of capital letter, the round Gothic, often referred to as Lombardic. We strongly associate these letters with the Middle Ages, an association that is perhaps enforced as a result of their popularity through the Gothic Revival and Arts & Crafts movements. One of the most striking features of the Lombardic capital are the serifs, which extend so much that they join together and close the letter shape. Claymore reinterprets the idea of an extended serif as an additional stroke; forming one of the core features of the typeface. These additional strokes are applied to capital C, E, F, G, L, T, Z, and lowercase a, c, and r. Another core idea was to give some of the italic capitals their own shape. This is hinted at in the Lombardic letter which shows a flowing movement to its structure. In many typefaces the italic capitals are simply sloped versions of the roman ones. To give Claymore’s italic caps a little more individuality, a branching arch is used; in much the same way as seen in the lowercase, where an arch springs from a stem. This detail is found on B, D, E, F, P, R, and the effect it achieves is mirrored in the curved bases of E, and L. The result creates visually engaging word shapes and textures as well as an immensely readable text face.

The Claymore specimen is a little different to some of our previous ones; it’s split between showing the individual fonts and presenting a short text, titled Principles of Type. This comprises a collection of thoughts gathered over several years, and offered as a possible approach to the design thinking of a typeface. As a physical item, the specimen uses different paper stocks, color and sizes to engage the reader. The three colors were chosen to not only bounce off each other, but to also make suitable additional colors when overprinted. Illuminated manuscripts and stained glass provided the inspiration for the color pages, and the visual patterning of figured verse  and calligrams for the text which appears on translucent paper. In contrast to this, Principles of Type is set cleanly on grey stock and inserted as a booklet in the centre. Printed in three specials plus black by KMS Litho Ltd on various uncoated stocks supplied by Fenner Paper. The specimen has been designed to allow a degree of randomness in its assembly, making the final item more individual and unique.

Jeremy Tankard established his type foundry in 1998 after working in corporate design for several years. His typefaces have gained a reputation for their originality and quality. In addition to his own foundry, Tankard has produced designs for Microsoft and Adobe as well as many bespoke corporate designs. Information about the design stories behind each of them, together with commissioned work, can be seen at StudioType.com

Claymore — By Jeremy Tankard

Foundry: Jeremy Tankard Typography Ltd
Designer: Jeremy Tankard
Styles and Weights (16 fonts; 8 roman and 8 italic): Claymore Hair, Claymore ExtraLight, Claymore Light, Claymore Regular, Claymore Medium, Claymore Bold, Claymore ExtraBold, Claymore Black, Claymore Hair Italic, Claymore ExtraLight Italic, Claymore Light Italic, Claymore Italic, Claymore Medium Italic, Claymore Bold Italic, Claymore ExtraBold Italic, Claymore Black Italic

Volume Specimen: 28 pages
Format Specimen: 15.2 × 23 cm
Price Single Style: £ 40.– GBP
Price Full Family: £ 640.– GBP

The specimen is free, but postage will be applied at checkout
More detailed information about the design of Claymore can be read at StudioType.com.
The Claymore fonts can be viewed, tested and licensed here and also be seen in use on the dedicated Explorer page here or on the Gallery page

We’re hiring: Employee (m/f/d) with focus on distribution

To support our team, we are looking for a distribution employee (m/f/d) with very good German and English skills to start as soon as possible.

With you, we want to make our publications accessible to an even larger audience and develop contemporary strategies for implementing our corporate goals. This includes in particular the maintenance of the online store, expansion of the existing distribution network and the development of subscriptions. 

We are a small team and offer you a varied, extremely challenging job and insights into all areas of work of an independent publishing and media company with flat hierarchies. Personal responsibility is important to us in the following areas of activity: 

  • Cooperation with our shipping department as well as all other retail customers
  • Support of the online store as well as external vendors
  • Coordination of fulfillment
  • Order processing, logistics and warehousing
  • Accounting 
  • Inventory management and data maintenance
  • Subscription management
  • Acquisition of new trade partners
  • Development and implementation of marketing concepts
  • Preparation and support of congresses and book tables
  • Support in the editorial office

At best, you should already have some practical experience in sales and/or publishing, show above-average motivation, flexibility, passion, stress stability and a high willingness to perform, be self-confident, communicative, able to work in a team and interested in design, and demonstrate organizational skills and creativity. Furthermore, you should enjoy international communication. You show verve in dealing with the publishing team, customers and business partners. 

We require a university degree or a completed apprenticeship in the field of publishing, business or media as well as good IT skills (Mac; Office). As an internationally active company, you will also be able to express yourself confidently in German and English, both orally and in writing.

Start: as soon as possible
Duration: permanent
Working hours: full-time (40 h / week)
Location: Karlsruhe, GER

Please send your complete application documents (meaningful cover letter/justification, curriculum vitae, certificates, etc.) immediately by email to Ms. Julia Kahl, [email protected]. We will review them as soon as possible and get back to you.

We are looking forward to your application!

Slanted Publishers is an independent publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl and operating internationally. We publish the award-winning print magazine Slanted, which focuses on international design and culture twice a year. Our publishing program focuses on contemporary design and culture, particularly graphic design, typography, illustration and photography, working closely with editors and authors to produce outstanding publications with meaningful content and high quality.
These publications can be found internationally in retail stores, museum shops and at airports and train stations, as well as in the company’s own online store, which also serves as a marketplace for other exceptional products from design talents and producers around the world.
On the online platform www.slanted.de with over 100,000 users monthly as well as the social media, news and events from the international design scene have been published daily for 17 years and inspiring portfolios from all over the world are presented to a constantly growing readership. Due to its specific focus and wide reach, Slanted is today one of the most influential design platforms worldwide.
Slanted Publishers has developed internationally into a multi-award-winning brand in the field of design. The publications are lively and inspiring—the philosophy of our publishing house cosmopolitan, tolerant and curious.

Please Come: Shameless/Limitless 

Please Come: Shameless/Limitless Selected Posters & Texts 2008–2020 is a 536-page brick of a book. It charts the history of Shameless/Limitless, a Berlin promoter whose trajectory has paralleled (is responsible for?) the establishment of the most recent iteration of the city’s DIY music scene. Dive into unforgettable moments of the Berlin party series with this new publication!

The book includes:

219 posters for shows, parties and events spread across 40 Berlin venues made by 130 designers, notable and newcomers alike.
24 guest texts which celebrate and shed light on the ethos of the S/L spirit, from buds including musicians (Alex Cameron, Molly Nilsson, Sean Nicholas Savage, infinite bisous, Jane Penny of TOPS, Farao, Sam Vance-Law +++) designers (Aisha Franz, Tabitha Swanson, Jason Harvey and Natalia Portnoy to name a few), kindred spirits and more.
Over 100 original event promo texts.
Posters for first or early shows from now-established artists (Alex Cameron, Better Person, Erika de Casier, Fatima al Qadiri, Ultraflex +++) to memorable nights with artists passing through town (Metronomy, Crack Cloud, Project Pablo, Pender Street Steppers, Handsome Furs, Geneva Jacuzzi, Homeshake) to recurring shows and parties with heavy hitters (Molly Nilsson, Mac DeMarco, Win Butler of Arcade Fire, Kirin J Callinan, Sean Nicholas Savage, TOPS) and, of course, much more.
An interview between frequent contributor Norman Palm & S/L founder Kevin Halpin. 

… and a couple more nice things, too. Immerse yourself in the unique aesthetics of the Berlin DIY-club scene!

Please Come: Shameless/Limitless—Selected Posters & Texts 2008–2020

Publisher: Slanted Publishers
Editor: Kevin Halpin
Design: Norman Palm, fertig design
Production: Zille Sophie Bostinius
Release: June 2021

Volume: 536 pages
Format: 17 × 24 × 3.2 cm
Language: English
Printing: 4-color offset, Pinguin Druck
ISBN: 978-3-948440-26-8
Price: € 42.–

BUY

L’HOMO. Le Book

We are pleased to inform you that L’HOMO. appears in book form: L’HOMO. Le Book.

High-profile and taboo-breaking. The sexy covers of Arie Boomsma, Tim Hofman, and Jan Versteegh, among others, have not escaped the attention of many. Every year L’HOMO.—from the makers of LINDA.—knew to generate an enormous amount of publicity for LGBT emancipation in the Netherlands. The acceptance of the LGBTI community—and anyone who does not agree with one of these letters—is very important to them. L’HOMO. Le Book, compiled by the editor-in-chief of L’HOMO. Iebele van der Meulen looks back on more than eleven years of love and looks forward to a more inclusive society where diversity is celebrated and everyone is visible. The publication contains the highlights of 12 issues of the groundbreaking magazine, as well as new content created for the book. Featured photographers include Marc de Groot, Robin de Puy, Alex, Jouk Oosterhof, Erwin Olaf, Dirk Kikstra, Philippe Vogelenzang, Ernst Coppejans, Wendelien Daan, Pieter Henket, and many more.

“In the 2010s the magazine grew into the gay medium in the Netherlands. At a time when LGBTI acceptance is increasingly under pressure, L’HOMO. Le Book is an important document that exudes eroticism, humor, and guts.”—MENDO

About L’HOMO.
L’HOMO. grew from a magazine exclusively for gays to an all-round brand for the entire LGBTI community. This book looks back with spectacular images and poignant stories and looks ahead with never before published photos and human interest stories. A book full of love and guts, where the sexyness splashes and where the acceptance and visibility of the entire LGBTI community is viewed with a critical eye. L’HOMO. Le Book was published on May 17th 2021, the international day against homophobia.

About Iebele van der Meulen
Iebele van der Meulen was creative director at LINDA. and editor-in-chief of several specials including L’HOMO. Last year he was involved in the creation of the latest title LINDA.loves.

About MENDO
MENDO is a publishing house and bookstore, born in 2002 out of an insatiable hunger for visual inspiration and aesthetics. MENDO creates and curates books, and connects cultures and gerations by sharing the love for print and imagery.

L’HOMO. Le Book

Publisher: MENDO/Kosmos publication
Compiler: Iebele van der Meulen
Release: May 17th 2021
Language: Dutch
Volume: 224 pages
Printing: Hardcover
Format: 17 × 24 × 2 cm
ISBN: 978-90-215794-1-2
Price: € 27.50
Buy

Ardena Font Family

We are pleased to introduce you to the well-rounded and extensive Ardena Font Family by Julien Fincker, that can be used for many purposes:

Ardena is a modern sans-serif typeface family. While neutral and clear at first glance, it can be characterized as both pleasant and confident due to its open, rounded forms and vertical terminals.

It can be used in both a restrained and expressive way. The thinner and thicker weights are particularly suitable for strong headlines, while the middle weights can be used for typographic challenges and body text. Completed with an extensive character collection, it becomes a real workhorse. A versatile allrounder that is up to all challenges—for Corporate Identity, Editorial, Branding, Orientation and Guidance systems and much more.

The Ardena family has a total of 20 styles, from Thin to Heavy with matching Italics. With over 1,064 characters, it covers over 200 Latin-based languages. It has an extended set of currency symbols and a whole range of Open Type Features. There are alternative characters as stylistic sets, small caps, automatic fractions—just to name a few. 

In particular, the extensive range of arrows and numbers should be highlighted, which are perfectly suited for use in orientation and guidance systems. Thanks to Open Type Features and an easy system, the various designs of arrows and numbers can also be simply “written” without first having to select them in a glyph palette. 

The principle is easily explained: If a number is placed in round or square brackets, it will automatically be displayed in an outlined circle or square. If you add a period to the number, it is displayed in a full circle or square. The same principle also applies to the arrows. The arrows themselves are combinations of greater/less symbols with the various slashes or hyphens.

About the Designer
Julien Fincker lives and works in Stuttgart, Germany. After graduating as a Communications and Graphic Designer, he worked for influential agencies and companies, such as Grafisches Atelier Stankowski + Duschek. Today he works as an Art Director at Sieber & Wolf Werbeagentur. Freelance and part-time, he also attaches great importance to multidisciplinary work—especially type design. 

Ardena Font Family — By Julien Fincker

Designer: Julien Fincker
Release: 2021
Styles and Weights: 20 Styles from Thin to Heavy with matching Italics
Price Single Style: € 26.99
Price Full Family: € 144.99
Ardena Medium is available for free
Buy at MyFonts or Fontspring

Exercises for / in Exchange

Exercises for / in Exchange — Art University Cooperation is an experiment in communication between students of the Berlin University of the Arts and the weißensee academy of art and design: Since, due to the pandemic, studies hardly take place in the rooms of the universities in the summer semester of 2021, the aim is to expand the possibilities of the digital to create common, cross-university spaces.

The first part of the workshop encouraged a digital exchange about perspectives—whether the ones out of the window or on studying, and various forms of introductions were explored. Students shared—a coffee, an idea, or as well frustration, and doubt. Groups then developed typographic ideas from the collectively generated material and prepared them for the spatial installation. The final part of the course was devoted to production on site, not on screens, but on the glass panes of the designtransfer exhibition showcase. This created a space that stimulates reflection on forms of connection; that poetically interrogates and typographically visualizes shared experiences of online teaching and learning; that collectively locates individual perspectives and stimulates interactions in multiple ways.

Exercises for / in Exchange — Art University Cooperation

Participants: Nour Al Safadi, Kseniya Apresian, Yan Chmarau, Hannah Corbaz, Victoria Fechtner, Jonas Gerber, Lisa Grafe, Ben van Heyden, Cäcilie Hoff, Hyuntae Jung, Karola Kulcsár, Jette Kulicke, Lucille Küpferle, Marius Kurz, Raviva Nsiama, Christian Pasqual, Aisha Ramm, Yael Rathjens, Araiké Severino, Inyeong Song, Alissa Schaaf, Lea Verholen Schmitt, Lucia Schmitz, Jakob Erek Sen, Yewon Seo, Antonia Leonie Steinbrink, Taro Usami, Magdalena Weber,  and Joanna Zvonar

Course of study: Fine Arts / Sculpture, Fine Arts / Stage and Costume Design, Communication in Social and Economic Contexts, Fashion Design, Product Design, Textile- and Surface Design und Visual Communication
Course by: Stefanie Rau (Weißensee academy of art Berlin) and Henrike Uthe (University of the Arts Berlin)
Author: Stefanie Rau
Photos: Mattia Friso

When?
June 11th to July 11th, 2021

Where?
designtransfer, outdoor showcase
Einsteinufer 43
10587 Berlin, Germany
and online