STGT Outstanding

Ein Stadtportrait der kreativen Szene Stuttgarts
STGT Outstanding shows five boroughs of Stuttgart. Subcultural institutions, like bars with a creative concept or off-spaces like project rooms, were interviewed…

Brygada 1918

Digital Revival Project
Brygada 1918 is a digital revival project of Brygada typeface done thanks to the support of the “Independent” program and the President…

81st Berlin Typostammtisch

Mastering Type 2018 shows all theses, which were created last year in international master programs in the field of typeface design, in…

Typeface of the Month: Molto

by TypeTogether
Xavier Dupre’s Molto font family is a tonal master, creating tenderness in a slab serif and tempering toughness with flourishes. Slab serifs…

Bringing Color Fonts to Messaging

Fontmoji Mobile App
Color fonts—where font letters can have multiple colors, shapes and texture—are still fairly new. Even though they’ve been around since 2016 many…

Programming Posters

Creative Coding in the realms of Graphic Design
The printed poster, the major medium for visual communication in public space for centurys, experiences fundamental transformations. The “Poster 2.0” is much…

Saturday Type Fever!

Saturday Type Fever! NoFoundry invites you to a Type-Marathon on the 11th and 12th of January. For 30 hours, (design) students and…

Typeface of the Month: Cast

by Dominique Kerber
Since Cast, which was originally released in 2011, got Italic companions in summer 2018, it is now our typeface of the Month…

Typodarium 2019

The Power of Type
For some, the Typodarium is “finally, a tear-off calendar that sparks joy,” others use the clever calendar as a lively font book.…

Theory of Type Design

Gerard Unger
Theory of Type Design by internationally renowned type designer Gerard Unger is the first comprehensive theory of typeface design. This volume consists…

3D—Type on the Building

3D—Type on the Building When: Vernissage: Thu, December 6th, 7 p.m. Exhibition: Fri, December 7th–April 14th Office Hours: Tue–Sun: 10 a.m.–5 p.m.…

Dynamic Font Day 2018

Review
When Variable Fonts came up fall 2016, the Dynamic Font Day was the first conference to profoundly discuss this joint project of…

Bi-Scriptual

Typography and Graphic Design with Multiple Script Systems
Script is language. Language is communication, and communication is the key to successful intercultural exchange. As a result of globalization and increased…

Typeface of the Month: Grand Gothik

by Parachute
Grand Gothik is a postmodern, multiscript, multifaceted and variable type system which pays homage to the development of grotesque (gothic) typefaces over…

Dynamic Font Day 2018

When Variable Fonts came up fall 2016, the Dynamic Font Day was the first conference to profoundly discuss this joint project of…

Kontiki

Felix Braden
The Kontiki typeface digitally simulates a handmade woodprint, but is less expensive to produce and easier to correct. It offers a designer…

Slanted Magazine #32—Dubai

Autumn / Winter 2018 / 2019
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many…

The Global Warming Typeface

by Stan Studios
Unique font with implemented global warming data. This annually released font is a new and unusual method of data visualization in the…

Typeface of the Month: SangBleu

Swiss Typefaces
Guided by their vision of future graphic and editorial design, the Swiss type design company has developed SangBleu into an elaborate supercollection…

The Global Alphabet

Cultural Bridges through Type Design
“Global Alphabet” by Yuliana Gorkorov chosen as “Best in show, student” at TDC64 Globalization and digitization imply new cultural and linguistic rapprochement. Multicultural…

Slanted in Tokyo

Ohara Daijiro
A year ago, the Slanted team dove into Tokyo—with their friends Renna Okubo and Ian Lynam preventing them from drowning—to take an intense…

The End of TYPO Berlin …(?)

For more than 20 years the 3-day design conference TYPO Berlin was a must for all European designers in May...as well as for us,…

Logical

Bold Monday
When a typeface is called Logical you’re quasi expecting strong underlying principles and repeating design elements. And that is quite the case in Edgar…