Tÿpo St.Gallen 2023

Posted on by Josephine Schroeder

The three-day typography symposium Tÿpo St.Gallen 2023 holds a significant position as the most important gathering for designers in the German-speaking region. This year, in its 7th edition, the event aims to delve into discussions about topics that are often left unexplored or overlooked, asking the questions that have seldom been asked before.

With a lineup of approximately 20 distinguished speakers, Tÿpo St. Gallen 2023 offers a unique opportunity for attendees to gain insights into the professional lives of these industry experts. The symposium will be a platform where speakers share their day-to-day work experiences, courageously addressing taboo subjects like dealing with criticism and facing online sh*tstorms, coping with setbacks and doubts, handling financial matters and clients, exploring the Darknet’s influence, and navigating the world of artificial intelligence. Attendees might even be treated to some well-kept trade secrets.

The theme for this year’s Tÿpo St. Gallen is What nobody talks about, inviting participants to join the discussions and presentations from 10th to 12th November, 2023. The event is proudly organized by the esteemed School of Design St. Gallen.

Through this symposium, the organizers aspire to inspire designers to open up about the often unspoken challenges they face, fostering an environment of mutual learning and growth within the design community. Tÿpo St. Gallen 2023 is poised to be an unforgettable and enriching experience, where participants can engage with candid discussions, gain fresh perspectives, and forge meaningful connections with fellow professionals.

Tÿpo St.Gallen 2023

Where?
Gewerbliches Berufs- und Weiterbildungszentrum St. Gallen
Schule für Gestaltung
Demutstrasse 115
CH-9012 St. Gallen
Switzerland

When?
10th to 12th November, 2023

What?
Take a look at the program and more details here.

You can also find more information here and on  Instagram, and Facebook.

Fontstand International Typography Conference 2023

Posted on by Josephine Schroeder

Dublin is set to host the fourth annual Fontstand International Typography Conference 2023, promising an exciting two-day event that will immerse attendees in the art of letters. The conference kicks off with a series of practical workshops on the first day, diving deep into type design, scripting, and innovative type usage.

On the second day, the program takes a captivating turn, offering a rich lineup of talks and presentations covering diverse aspects of typography. From role of exploring in print to its application in motion design and branding, participants will be inspired by a wide range of perspectives from industry experts.

This exceptional event is organized by Fontstand, the pioneering typeface discovery and rental app, in collaboration with esteemed institutions: TU Dublin School of Art and Design, School of Media, and Typography Ireland. With such an impressive partnership, attendees can expect to be exposed to a wealth of knowledge and creativity from all corners of the typographic world.

For anyone passionate about fonts and design, the Dublin typography conference is an unmissable opportunity to learn, network, and be inspired by the forefront of typographic innovation.

Fontstand International Typography Conference 2023

When?
Friday, 8th September, 2023
10 a.m.–6 p.m.: Workshops (more Information here)
8 p.m.–9 p.m.: Annie Atkins—Fake love letters

Saturday, 9th September, 2023
10.10 a.m.— 10.50 a.m.: Clare Bell & Mary Ann Bolger (TU Dublin), Max Phillips (Signal Type Foundry)
10.50 a.m. — 11.20 a.m.: Jeppe Pendrup, Jonas Hecksher (Playtype)
11.20 a.m. — 11.50 a.m.: Jon Barnbrook (Barnbrook Fonts)
12.30 a.m. — 1 p.m.:František Štorm (Storm Type)
1 p.m. — 1.30 p.m.: Liza Enebeis (Studio Dumbar)
3 p.m. — 3.30 p.m.: Matteo Bologna (Mucca Typo)
3.30  p.m.— 4 p.m.: Chorong Kim (Sandoll)
4 p.m.— 4.30 p.m.: Astrid Stavro (Collins)
5.15 p.m. — 5.45 p.m.: Rutherford Craze (Mass-Driver)
5.45  p.m.— 6.30 p.m.: Mark Porter (Mark Porter Associates)
8 p.m. : Official Saturday dinner part

Where?
TU Dublin East Quad
Lower Grangegorman
Dublin 7
D07 XFF2
Ireland

Get you Ticket here.
More information here.

Typeface of the Month: Spades

Posted on by Josephine Schroeder

Spades is a contemporary Baroque typeface that blends historical influences of ornate 18th century typography with the modern device of an inktrap. Designed by Oakland-based type designer Sascha Hopson, the family was released through Order Type Foundry in July 2023.

The family explores the juxtaposition of two distinct historical periods: the Black Arts Movement and the Baroque Era. While seemingly contradictory, Spades finds an overlap and forges its voice as a typeface through the extravagance, expression, and attitude of the respective eras.

The origins of Spades began with Hopson reflecting on the work of and paying homage to revered artist David Hammons. A key piece of inspiration early on in the project was Hammons’ collection of body prints starting from the 1960s. The use of spades or shovels were frequent motifs throughout his early work, centered around confronting and reclaiming the deprecating racial slur “spade.” Beyond his direct confrontation of this language, Hammons used perversion in his art to ask provocative questions such as, what is Black art, what does it mean to make Black art, and can it be free to be anything?

The Spades family originated from sketch explorations. Foundationally, the base of Spades is an old-style design. When Hopson dove deeper into stylings of the 18th century, he discovered the scalloped-serif construction of Fleischmann’s work. Through early exploratory sketches, he attempted to combine the modern visual device of an inktrap with these historical foundations. This exercise in merging two opposing styles leaned into the thinking of uncovering expression and subversion in Black art. The amalgamation created tension that—through later refinement—found a visual relationship.

Spades is a meditation on subversion through these juxtapositions, and an homage to the expansiveness of blackness in the medium of a typeface.

Spades

Foundry: Order Type Foundry
Designer: Sascha Hopson
Mastered: Tiny Type Co.
Release: July 2023
Formats: Desktop, Web, App
File Formats: OTF, TTF, WOFF, WOFF2
Weights: Thin, Light, Regular, Bold, Black
Price: Single Weights 50.– $, Two Weights $75, Family Package 120.– $

Available for testing and purchase here.

Slanted in Amsterdam: Irma Boom

Posted on by Josephine Schroeder

Diving into Amsterdam’s design scene, Slanted ventures into the captivating capital of the Netherlands, revealing its creative marvels in our latest 41st issue. Our quest for inspiration brought us to the extraordinary Irma Boom, a warm and remarkable artist, graciously opening the doors of her creative sanctuary.

Irma Boom is an Amsterdam based bookmaker. Her experimental approach challenges the conventions of the traditional book. She teaches at Yale and Harvard Universities and lectures worldwide. MoMA, the Vatican Library, and the Centre Pompidou have her books in their permanent collections. The University of Amsterdam has her Living Archive. She has been awarded the Gutenberg Prize, the Johannes Vermeer Prize, and many other prizes.

The work of Irma Boom can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with her, talking about her point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Irma Boom / Slanted Publishers

Indiecon 2023

Posted on by Josephine Schroeder

Indiecon 2023, a three-day publishing festival held in Hamburg’s Oberhafen, celebrates its 10th anniversary by bringing together independent magazine, book, art print, and zine publishers from around the world. This year the festival presents more than 120 exhibitors from 30 countries and 20 german cities.

What makes this event truly special is the introduction of publishing planets, curated by four experts, dedicated to topics they champion, including independent magazine matters, artist book architectures, small press tools, and storytelling methods. It’s an immersive experience that offers unique insights into the world of independent publishing.

Visitors can engage with creators, explore publications, and be captivated by a diverse range of artistic expression and thought. Indiecon believes in the power of independent publishing to shape a free society by providing glimpses into different realities, sparking ideas, and encouraging positive change.

Returning to the newly opened, community-run Gleishalle, Indiecon reaffirms its commitment to fostering a sense of belonging and camaraderie among creators and attendees. Since its inception in 2014, Indiecon has grown into an international platform for publishers, showcasing resilience even during challenging times. If you want to learn more about the festival, feel free to check out our blog posts about Indiecon 2022 and previous editions.

Join Indiecon 2023 to celebrate creativity, widen your world, and be part of a thriving community of independent publishing enthusiasts and professionals. We will also join the event with our books and magazines! This unique event promises to be an inspiring journey into the multiverse of independent publishing.

Register here!

Indiecon 2023

What?
See all exhibitors here.

When?
1st–03rd September, 2023

Friday, 1st September, 2023
3 p.m. to 7 p.m.

Saturday, 2nd September, 2023
11 a.m.–7 p.m.

Sunday, 3rd September, 2023
11 a.m.–5 p.m.

Where?
Gleishalle,
Oberhafen 5+1 e.V.
Stockmeyerstraße 43
20457 Hamburg

More information here or on Instagram.

Do the Stars Need a Reason to Shine?

Posted on by Josephine Schroeder

Do the Stars Need a Reason to Shine? is a thought-provoking book by designer Markus Weisbeck, with text by Daniel Martin Feige, exploring visual research through 230 color illustrations, published by Spector Books.

Designer Markus Weisbeck has had a sustained focus in recent years on basic visual research. This book presents eighteen visual works created between 2011 and 2022. Most of the designs are predicated on the principle of improvisational loops. Interim results are repeatedly tested and varied until a final theme and form emerge from the process. Weisbeck also applies this mode of thinking, which is quite familiar to designers, outside the parameters of commissioned work: the results of his ongoing visual research are presented here in context.

Markus Weisbeck is a designer and professor of graphic design at the Bauhaus-Universität Weimar and at the Paju Typography Institute in Korea (since 2017). Daniel Martin Feige is a professor whose research and writing focuses on philosophical aesthetics and philosophical anthropology at their point of intersection with classical notions of practical and theoretical philosophy.

Do the Stars Need a Reason to Shine?

Publisher: Spector Books
Authors: Markus Weisbeck
Text: Daniel Martin Feige
Format: 17 × 23 cm
Volume: 189 pages
230 color illustrations
Language: English
Workmanship: thread-sewn hardcover
ISBN 978-3-959056-38-0 
Price: € 38,00.–

More info & BUY

Design Biennale Zurich 2023

Posted on by Josephine Schroeder

The Design Biennale Zurich 2023 is a platform for experimental design. With the theme SHIFT, the fourth edition is dedicated to small and big changes. Regardless of whether it’s an object, society, or the climate, constant change is taking place. What does this look like and what influence can design have on it?

The exhibition at the Old Botanical Garden UZH consists of 15 interactive design installations created specifically for the Design Biennale Zurich. These installations make the exploration of the SHIFT theme tangible for visitors. A diverse supporting program offers public and private guided tours, workshops for children and adults, as well as special events

The Biennale is part of the Zurich Design Weeks, founded in 2022.

The Talent Award by Swiss Re
For the first time, the Design Biennale Zurich will present the Talent Award by Swiss Re. This award aims to spotlight emerging talents. Visitors to the exhibition are invited to vote for their favorite project among five contributions nominated by the curators. The project with the highest number of public votes will be awarded the Talent Award by Swiss Re, which comes with a prize of CHF 5000. The award ceremony will be taking place at the Talent Award Night on September 15, 2023, at the schwarzescafé located in the Löwenbräu Complex in Zurich.

Design Biennale Zurich 2023

When?
1st–19th September, 2023, 2:00 p.m.: Daily tour
1st September, 2023, 5 p.m. – 8 p.m.: Vernissage
15th September, 2023, 6 p.m.: Talent Award by Swiss Re

Where?
Old Botanical Garden of the University of Zurich,
Pelikanstrasse 40,
8001 Zurich,
Switzerland

The design positions
ALIAS & COMTE/MEUWLY
Fiona-K
Frédéric Dedelley
Get It Studio
Hochschule Luzern, Kunst & Design
honey & bunny
Ice Formwork
Laurent Hermann Progin
Léa Coquoz/Manuel Wirth
Livia Lauber
NULLSERIE
Studio Eidola
Tanski/KOSMOS
Thomas Renggli/Tina Friebel
Yael Anders

Curated by Gabriela Chicherio and Andreas Saxer

Free entrance. More information here or on their Instagram and Facebook.

Slanted in Amsterdam: Donald Beekman

Posted on by Josephine Schroeder

Discovering the awe-inspiring design scene of Amsterdam in our 41st issue! Slanted set sail on an inspiring journey through the enchanting capital of the Netherlands. Our exploration led us to the talented Donald Beekman, who warmly invited us into his creative studio on his charming houseboat.

Donald Beekman born and raised in Amsterdam studied at the Rietveld Art Academy. He started the graphic design studio DBXL and has been part of Typeradio since its beginnings in 2004. All his life Beekman has been played in bands, which has given him a large network in the music scene. Beekman also designed many typefaces, mostly emanating from logos or art-work designed for clients.

His work can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with him, talking about his point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Donald Beekman / Slanted Publishers

History of Press Graphics 1819–1921

Posted on by Josephine Schroeder

Step back in time to a captivating era where art and storytelling converged flawlessly in the pages of newspapers and magazines. History of Press Graphics 1819–1921 is an exceptional compendium celebrating the artistry of graphic journalism and political cartoons from 1819 to 1921. The book about the golden era of the illustrated press was published by TASCHEN and is authored by Alexander Roob.

Covering a wide range from 1819 to 1921, this collection features a wealth of news graphics, political cartoons, and satirical masterpieces. Renowned artists like Jean Cocteau, Juan Gris, and Käthe Kollwitz share the spotlight with the often-overlooked “special artists” of their time, including Thomas Nast, Honoré Daumier, and Gustave Doré, whose remarkable works have been rediscovered within these pages.

Beyond being a mere historical artifact, the rich and diverse press work showcased in the compendium holds immense significance in the world of art. It served as a pioneering influence on modern artistic expression, laying the groundwork for revolutionary techniques, from proto-cinematic narratives to daring forays into abstraction.

Intriguingly, the book takes us on a journey into the mind of the great artist Vincent Van Gogh, revealing his deep fascination with the illustrated press. For him, it wasn’t just an artistic inspiration, but a reflection of the spirit of social reform. Van Gogh’s extensive collection of press graphics led him to consider it nothing less than a “Bible for Artists.”

In summary, this captivating compendium offers a glimpse into the golden age of graphic journalism, which continues to influence and inspire the world of art today. It is a must-read for anyone who appreciates the unique fusion of images and words that defined this exceptional art form.

History of Press Graphics 1819–1921

Publisher: TASCHEN
Author: Alexander Roob
Format: 24.6 × 37.2 cm
Volume: 604 pages
Language: Edition: English, French, German
Hardcover
ISBN: 978-3-8365-0786-8
Price: € 60.–

More information here.

Images: © TASCHEN / Slanted Publishers

FEED—Festival Eastern European Design

Posted on by Josephine Schroeder

The Festival Eastern European Design, short FEED, is a festival dedicated to visual design in Central, Eastern, and Southern Europe. It is held as part of the activities of the Network Eastern European Design (NEED).

FEED showcases the history and contemporary design from countries in Central, Eastern, and Southern Europe, which are often overlooked and undervalued on the international design scene. The festival’s aim is to uncover and promote the visual culture of this region. Additionally, FEED focuses on networking and integrating design events such as festivals and conferences, which take place in Eastern European countries. Through a shared platform, organizations can develop and explore methods of action during times of political, economic, and climate crises.

The festival will consist of a public conference, a gathering of visual design event organizers, a meeting of European community representatives, a series of practical workshops, and networking sessions.

Attendees will include event organizers, curators, local influencers, design journalists, a diverse range of designers, and an audience interested in design culture.The conference, scheduled for September 2nd, explores the history and current landscape of European design, featuring Eastern and Southeastern Europe’s visual culture, showcasing design scenes from various countries, and covering historical contexts, contemporary scene, community situations, famous artists, important projects, and more.

Following the conference, on September 3rd and 4th, a convention of design organizations from all across Europe will take place. On Sunday, there will be Europe’s Design Event Organizers Assembly, a gathering of organizers from across the continent representing the East, West, and South. This special event features a series of engaging presentations and a joint networking session, dedicated to organizers, curators, journalists, lecturers, and representatives of institutions. Notably, we are delighted to bring together representatives from 37 esteemed design organizations spanning Europe. Following the assembly, get ready for expert talks, where a series of specialist lectures will delve into the key issues prevalent in the visual design industry. Stay tuned for a detailed program and additional information, which will be made available soon. On Monday: Practical Insights for Design Organizations, an invitation-only event focusing on methods, strategies, and tips for organizers. Furthermore Shaping the Future, an invitation-only workshop dedicated to future network strategies for events and design communities.

All events at the festival will be free of charge. To participate, simply fill out the registration form. You can also find the festival on Instagram, Facebook and Twitter.

FESTIVAL EASTERN EUROPEAN DESIGN

Where?
New Theatre (Nowy Teatr)
ul. Madalińskiego 10/16
02-513 Warszawa

When?
2nd–4th September, 2023
Register now here.

What?
Take a look at the program and more details here.

Register here!

Blurred Territories – Kunst / Gestaltung / Forschung

Posted on by Henrike Uthe

To what extent is research conntected to art and design? Aren’t art and design always a form of research as well? In five issues, Blurred Territories: Kunst / Gestaltung / Forschung collects contributions from 39 authors, including essays, papers, dialogues, artistic image and text contributions, and project documentations in German and English.

The publication explores different positions and moments of interconnection between art, design, research and teaching within the Weißensee Kunsthochschule Berlin. The publication is released as part of the publication series +dimensions publications by form+zweck Verlag Berlin. +dimensions is an artistic and design research project (2021–2024) represented by all nine departments of the university. The transdisciplinary project is supported by the Stiftung Innovation in der Hochschullehre.

Blurred Territories: Kunst / Gestaltung / Forschung

Editors: Juana Awad, Madeleine Madej, Stefanie Rau and Henrike Uthe (+dimensions)
Contributors: Juana Awad, Marleen Clara Bauer, ­Elaine ­Bonavia, Kaja Busch, Kathrin Busch, Florian Dombois, Knut ­Ebeling, Denis ­Esakov, ­­­Judith ­Glaser, Essi ­Johanna Glomb, ­Christine ­Goutrié, Verena Graf, Herbert Grüner, Constanze Hein, Robin Hoske, Jörg Hugo, George Jaramillo, Mona Jas, Konrad Jünger, Pascal Kress, Nils Krüger, Daniel ­Kruse, ­Birgit Kunz, Madeleine Madej, Alexia ­Manzano, Verena Melgarejo Weinandt, Tyyne ­Claudia Pollmann, Felix ­Rasehorn, Stefanie Rau, ­Christine ­Reeh-Peters, Katharina ­Reinsbach, Patricia ­Ribault, Lara ­Roßwag, Christiane Sauer, Mona Schmidtke, Sandra Stark, Mareike Stoll, Henrike Uthe, ­Ruven ­Wiegert and Hanna Wiesener.
Publishing House: form+zweck Verlag Berlin

More informations can be found here

Slanted Magazine #40—Experimental Type 2.0

Posted on by Josephine Schroeder

Due to the swift sell-out of Slanted Magazine #40—Experimental Type upon its autumn 2023 release and the high demand from numerous individuals inquiring about the availability of remaining copies, we have initiated a new call for submissions to gather additional content for Slanted Magazine #40—Experimental Type 2.0. In response, we have reprinted the entire issue in black and white, accompanied by exciting new supplementary material spanning 320 pages!

Experimental Type 2.0 delves into the realm of experimental design strategies in typography and graphic design. This issue showcases projects that incorporate accidents into the design process, works inspired by mistakes and inaccuracy, fonts derived from concepts or systems, and ultimately, designs that explore unconventional paths. The publication serves as a platform to present cutting-edge approaches and innovative techniques, ranging from processing to AI-generated typefaces or variable fonts.

Each featured work provides glimpses into uncharted territories, challenging conventions, limitations, and thoughts, pushing them to the next level. However, the journey is never complete. The discovery of new realms, technologies, and ideas continues to serve as a constant source of inspiration, research, and experimentation for those who seek to push boundaries and explore uncharted creative frontiers.

Slanted Magazine #40—Experimental Type 2.0

Publisher: Slanted Publishers
Release: July 2023
Publishing Direction: Lars Harmsen, Julia Kahl
Release: July 2023
Format: 16 × 24 × 1.7 cm
Volume: 320 pages
Language: English
Printer: Stober, Germany
Workmanship: Softcover with thread-stitching, black and white
ISBN: 978-3-948440-56-5
Price: € 21.–
Buy

Slanted in Amsterdam: Hansje van Halem

Posted on by Josephine Schroeder

Exploring Amsterdam’s design haven in issue 41  Slanted Magazine #41—Amsterdam! Join us on an enchanting journey through the captivating Dutch capital. We had the pleasure of immersing ourselves in the incredible world of Hansje van Halem at her vibrant creative studio. Get ready to be inspired!

Graphic designer Hansje van Halem (1978) gathered recognition with her distinctive typography and geometric, almost psychedelic illustrations built on complex patterns. Van Halem digitally scratches, draws or weaves her letters and designs stamps, posters and illustrations. Her design-experiments sometimes lead to commissioned applications for public space.

The work of Hansje can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with her, talking about her point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Hansje van Halem / Slanted Publishers

100 Best Poster 22 Yearbook

Posted on by Julia Klose

The 100 Best Poster 22 Yearbook was published last month to coincide with the exhibition. Every year, the association 100 Beste Plakate e.V. awards the most innovative and groundbreaking poster designs from Germany, Austria, and Switzerland. The yearbook, developed by various graphic designers and design studios, extensively showcases all the winners and their designs. It is considered a pulse-check for both creatives and advertisers alike.

The studio lindhorst-emme+hinrichs has conceived the current yearbook as an ever-changing unique piece: Ten differently colored papers, in varying combinations, ensure that the cover, endpapers, and flyleaves never have the same color, making each copy a one-of-a-kind item.

A thematic focus of the book revolves around the now partly iconic poster designs for Neubad in Lucerne. In the Swiss province, an ecosystem of avant-garde design has formed over the years. Over 80 graphic designers have created approximately 550 posters for the cultural center to date, with 23 of them being recognized among the 100 best in recent years. In a recent collaboration with Erich Brechbühl, Fons Hickmann, Lea Hinrichs, Sam Steiner, and Sven Lindhorst-Emme, we successfully released a book highlighting the Neubad Plakate.

100 Best Poster 22 Yearbook

Publisher: Verlag Kettler
Editor: 100 Beste Plakate e. V.
Authors: Fons Hickmann, Barbara Kotte, Erich Brechbühl
Concept and Design: studio lindhorst-emme+hinrichs
Release: June 2023
Format:  16,5 × 24 cm
Volume: 328 p.
Language: English, German
ISBN: 978-3-98741-041-3
Price: € 29.90
BUY

Images: © Verlag Kettler / Slanted Publishers

Type Trends Lookbook Vol 5 / 2023

Posted on by Josephine Schroeder

The Type Trends Lookbook Vol 5 / 2023: an exploration of contemporary visual counter-trends as a response to the unpredictable events of recent years. Presented as an international preview at the Offf Festival in Barcelona, the 2023 edition of the Type Trends Lookbook is now available: more than 400 pages of visual and typographic exploration curated by the TypeCampus team and sponsored by the Italian foundry Zetafonts.

Since the release of the 2022 Type Trends, not much appears to have changed so much in the world of graphic and type design. A mix between artificial nostalgia, normcore brutalism and digital euphoria is still defining visuals. At the same time, the world has been impacted by many unexpected, highly improbable events. They are what sociologist Nassim Nicholas Taleb calls Black Swans: wars, global pandemic, populism and hate fueled by social digital technologies, the rise of artificial intelligence and a global environmental crisis. In this current state of global confusion, the pursuit of trends seems trivial and irrelevant, merely a product of a capitalistic and production-oriented perspective.

“Inspired by the concept of understanding the visual response to the many unexpected events of our times, our team has decided to meet some of the most interesting and innovative creators and thinkers to transform this 2023 issue in a conversation on the hidden, emerging counter-trends that have arisen in recent years.” Says Cosimo Lorenzo Pancini, concept and creative director of the project.

The Counter Spaces–Typography in the Age of Black Swans presents the work and the thoughts of more than 26 design creators and thinkers to guide the reader in a world of undefined and antagonistic areas in visual and typographic design. These counter-spaces, include not only visual styles, but also business models, work philosophies, and social design considerations.

The Counter Spaces–Typography in the Age of Black Swans is a must-read for anyone interested in graphic design, typography, and their links to the social and cultural zeitgeist. It offers a unique perspective on the role of design in society, and how typography can be used to create meaning and connection in a world that is constantly changing. Whether you are a designer, a student, or simply interested in the way design shapes our world, this book will leave you with a new appreciation for the power of typography to inspire, engage, and transform.

The Counter Spaces features the work and the words of: Gab Bois, Viktor Baltus (Type Design Class), Beatrice Caciotti, Kevin Cantrell, Ninan Chacko (Monotype), Andy Cruz (House Industries), Jessica Deseo (The Dieline, Print Magazine), Oded Ezer, Brandon Fretwell, Måns Grebäck, Lucas Hesse, Loukas Karnis (TypeRoom), Erik Kessels (Kesselskramer), Deborah Lynne Kugler, Tien Min Liao, Pann Lim (Rubbish Famzine), Kristie Malivindi (JKR), Nunzio Mazzaferro (Collletttivo), Raven Mo, Valerio Monopoli, Kiel D. Mutschelknaus, Duy Nguyễn (M — N Associates), Toshi Omagari, Dirk Petzold (We and the Color), Ksenya Samarskaya, Alex Slobzheninov, Panos Vassiliou (Parachute), Martyna Wędzicka-Obuchowicz

Type Trends Lookbook Vol 5 / 2023

A project by Typecampus, sponsored by Zetafonts
Concept & Creative Direction: Cosimo Lorenzo Pancini
Art Direction & Editorial Design: Isabella Ahmadzadeh
Zetafonts Catalogue Graphi Design: Sofia Bandini
Texts by: Isabella Ahmadzadeh and Cosimo Lorenzo Pancini
Accounting & Production Management: Debora Manetti

All typefaces by  Zetafonts Foundry (Francesco Canovaro, Cosimo Lorenzo Pancini, Andrea Tartarelli, Mario de Libero, Debora Manetti)

Brand names and trademarks are cited for illustrative purposes only, no affiliation on endorsement is intended.
No lazy dog was harmed in the making of the book.

Soon available on Amazon. The digital version is free to download here.

Stand Der Dinge / State of Things

Posted on by farinamichelle

Stand der Dinge / State of Things is the bachelor thesis of Farina Michelle at the University of Applied Sciences in Hamburg. The book is a typographical exploration of the potential legacy of a person. In the form of lists, she describes her current material possessions, immaterial facts about her persona and precisely described memorabilia. Black boxes and line spacing of different sizes describe the relationship to her objects. Cross-references throughout the book provide insight into how her thoughts are linked and contrast the restrained design, which was modeled on the bureaucratically aloof work of a curator of estate.

The thesis was supervised by Prof. Pierre Pané-Farré and Prof. Vincent Kohlbecher. The book has been shortlisted for the Young Book Design Award.

Stand der Dinge / State of things

Designer & Editor: Farina Michelle
Release date: January 2023
Volume: 180 p.
Format: 20.5 × 26.5 cm
Language: German
Printing: Reset St.Pauli
Binding and Paper: thread binding (production: Buchbinderei Begemann, Hamburg), Munken Polar 100 g/sm
Cover: green-black linen (manufacturer: peyer), screen print (production help: Julian Fiebach)
Fonts: Atlas Grotesk, Atlas Typewriter

Slanted in Amsterdam: Moniker

Posted on by Juliane Lipp

Unveiling the creative wonders of Amsterdam’s design scene in its 41st issue, Slanted embarked on an inspiring journey through the charming capital of the Netherlands. Our exploration led us to the friendly and amazing people of Moniker, who welcomed us in their creative studio.

Moniker explores the characteristics of technology and its influence on our daily lives. They have designed many participatory projects (online and offline), as well as other web projects, films, and performances. Their clients range from cultural institutions like Stedelijk Museum, Amsterdam and Fondation Beyeler, Basel, to more technology oriented clients like the MozillaFoundation, Unity 3D, and Google.

The work of Moniker can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with them, talking about their point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © Moniker / Slanted Publishers

PARCOURS 23

Posted on by Helene Hohmann

From 14 to 16 July 2023, PARCOURS 23 invites you on behalf of all graduates to the exhibition of the bachelor’s theses in the fields of illustration, communication, media and product design as well as the master’s theses of the design program.

This semester, it is about to stimulate the visitors’ understanding of design and offer an all-round view. The diversity of the final projects in the student’s concept and present the creative process and the complexity of design. The focus is on the creative process and its many facets.

PARCOURS 23

When?
Vernissage:
Friday, July 14th, 2023
7 p.m. to 10 p.m.
Party:
Friday, July 14th, 2023
starting at 11 p.m.
Exhibition:
Saturday, July 15th, 2023
11 a.m. to 7 p.m.
Sunday, July 16th, 2023
11 a.m. to 7 p.m.

Where:
Münster University of Applied Sciences
MSD / Münster School of Design
Leonardo-Campus 6
48149 Münster

Admission is free!

More information can be found here

 

 

 

Achtung: enthält Leben. Notizbuch, Bullet Journal, Tagebuch

Posted on by Helene Hohmann

Don’t miss the exhibition Achtung: enthält Leben. Notizbuch, Bullet Journal, Tagebuch at Klingspor Museum Offenbach. Notebooks, bullet journals, and diaries: as containers of ephemeral moments, they accompany our lives. They gradually fill up with experiences, noteworthy events, and memos, serving as an important structuring medium for many people. Often, they become individual works of art, especially when artists keep a diary. The museum has impressive examples in its collection. The range extends from works by conceptual artist Dieter Roth to Barbara Fahrner’s record from New York during the Islamist terrorist attack in September 2001, and to the contemporary zine Lockdown Diary by Malte Spindler. A special treasure is the “sketchbooks” by Paul Stein, a blend of diary, sketchbook, and literary records.

Bullet journals, too, are lovingly designed tools that help organize and prioritize everyday activities. The exhibition explores the motives and approaches behind filling an initially empty book. Numerous people have responded to the museum’s call and contributed their own works: a diverse collection of notebooks, bullet journals, and diaries has found its way into the exhibition. Interviews with diary writers shed light on individual motivations and methods. Additionally, there will be a virtual exhibition space on Instagram.

In collaboration with the Frankfurt notebook manufacturer nuuna by brandbook, the exhibition also addresses the design of the blank book, which also influences the writing process. Many designs are waiting in the exhibition to be filled.

Achtung: enthält Leben. Notizbuch, Bullet Journal, Tagebuch

When?
June 15th to October 29th, 2022
Vernissage: Friday, July 14th, 2022

Where?
Klingspor Museum
Herrnstraße 80
63065 Offenbach

More Information about additional program and workshops can be found here

Slanted in Amsterdam: martens and martens

Posted on by Josephine Schroeder

Embracing Amsterdam’s Creative Pulse! Slanted’s 41st issue embarks on an awe-inspiring journey through the design haven of the Netherlands’ charming capital. We had the incredible pleasure of visiting the brilliant minds of Karel and Diederik Martens from martens and martens, immersing ourselves in their studio and delving into captivating conversations on all things design-related.

Karel Martens (1939) is a graphic designer specializing in typography. His work consists mainly of the design of numerous books and covers. He also designed stamps, coins, building lettering, telephone cards, and monoprints. He taught at the Jan Van Eyck Academy in Maastricht, at Yale University in New Haven, and founded Werkplaats Typografie in Arnhem. In 2019, he and his children founded martens and martens.

Their work can be found in the Slanted Magazine #41—Amsterdam. Additionally we shot a video interview with Karel and Diederik, talking about their point of view on design and opinion about the future. Take a look at the Amsterdam issue and the video platform for diverse opinions, impressions, inspiration, and motivation.

Images: © martens and martens / Slanted Publishers

Typeface of the Month: South East

Posted on by Josephine Schroeder

This month’s Typeface of the Month: South East by Copenhagen based type foundry Playtype.

South East is a sans serif type family loosely inspired by the shapes and compositions seen in Hangul, the Korean alphabet. The typeface includes a wide range of stylistic sets, allowing the user to choose between three different center heights and a good number of alternate letter shapes. When used in large sizes South East will show its display qualities while still performing perfectly as a text typeface in smaller sizes, making it a super versatile type family. It’s a type with many faces and many different expressions.

South East is available in nine weights across three widths—Condensed, Normal, Expanded—which makes it a family of 54 styles including corresponding Italics. The typeface covers Latin, Greek, and Cyrillic scripts, and more than 220 languages.

Typeface of the Month: South East

Foundry: Playtype
Designer: Jonas Hecksher
Release: June 2023
File Formats: OTF, TTF, WOFF, WOFF 2
Styles: 54 styles, three widths, nine weights + Italics
Price: Single € 50.–, Family € 450.– (50% off)

BUY
South East Condensed
South East Normal
South East Expanded

Schönste Deutsche Bücher 2023

Posted on by Josephine Schroeder

The 25 Schönste Deutsche Bücher 2023 (25 Most Beautiful German Books of 2023) have been announced. The Stiftung Buchkunst (Book Art Foundation) honors the best-designed books of the year. 603 submissions competed for these coveted awards.

In the competition for the Schönste Deutsche Bücher, two expert juries carefully selected the 25 most beautiful books of the year. Fourteen jurors deliberated for seven days on the submitted titles. The 25 selected books are exemplary in terms of design, concept, and craftsmanship, showcasing a wide range of design and production possibilities.

Christina Schmid, publisher at Prima.Publikationen and a member of the First Jury 2023, commented on this year’s jury work: “Our task is to evaluate how the exterior matches the interior. We highlight those books that consider both the inner and outer aspects together.”

Mark Kiessling, designer and founder of the Berlin bookstore do you read me?! and a member of the Second Jury 2023, shared his experience: “What surprised me was how difficult it can be to make a selection. We no longer approach it subjectively and look for personal favorites; instead, we consider different aspects such as craftsmanship and typography. It’s fascinating to hear the arguments of other jury members, what they focus on and what matters less to them. Each of us has our own background.”

The Preis der Stiftung Buchkunst, endowed with 10,000 euros, will be announced on September 8th, 2023, during the award ceremony at the Museum Angewandte Kunst in Frankfurt. It will be selected by a special jury from the 25 Schönsten Deutschen Bücher. Further information about the ceremony will be announced during the summer.

FIRST IMPRESSION PROMOTIONAL AWARD
The winners of the second competition, the Förderpreis für junge Buchgestaltung (Promotional Award for Young Book Design), have also been chosen. This year, 164 submissions competed for the three prizes, each endowed with 2,000 euros. This competition by the Stiftung Buchkunst recognizes particularly innovative and forward-thinking projects that further develop the medium of the book conceptually.

NEXT IMPRESSION PROMOTIONAL AWARD
The Stiftung Buchkunst will introduce this year’s award winners in the coming weeks through short Instagram Live sessions on their channel @stiftungbuchkunst. The interim director of the Stiftung Buchkunst, Carolin Blöink, will interview the participants about their awarded projects. The three selected works will be extensively showcased from 13th July to 26th August, 2023, in an exhibition at the einBuch.haus in Berlin.

All award-winning titles will be presented at book fairs in Germany and abroad, as well as in numerous exhibitions in libraries and bookstores. The permanent exhibition in the foyer of the Literaturhaus Frankfurt will also continue.


25 Schönsten Deutschen Bücher 2023

Buchfotografien: © Stiftung Buchkunst, Photos: Uwe Dettmar
Fotografien zur Juryarbeit © Stiftung Buchkunst, Photos: Franziska Herbert

Slanted in Amsterdam: SiR Albert Hotel

Posted on by Julia Kahl

Those who regularly follow our channels have surely come across articles about Amsterdam’s design scene (and more will follow). In November 2022, we embarked on an editorial trip to the Dutch capital for Slanted Magazine #41—Amsterdam, where we had the incredible opportunity to meet brilliant minds.

After long and exciting days, we were delighted to find tranquility in the elegant boutique hotel, Sir Albert. Located in the vibrant De Pijp district, it’s just minutes away from the Museum Quarter and offers everything culture enthusiasts and city lovers seek.

With high ceilings and large windows, the rooms blend historic details with clean, modern lines. A mandatory desk allows for quick email checks in the evening before resting on comfortable beds with Egyptian cotton sheets, preparing for the next adventure. Frankly, we didn’t have time for the gym as we explored Amsterdam entirely by bike (a tip we highly recommend to everyone).

IZAKAYA, the culinary hotspot for Asian cuisine with South American influences, served exquisite Japanese dishes alongside exceptional drinks. The breakfast buffet left nothing to be desired.

Our stay was truly delightful, with friendly staff and a stylish yet not over-the-top hotel. For those planning a trip to Amsterdam, here’s a true tip from the Slanted editorial team 😉

Thanks for having us!
More information

How to Design Fonts

Posted on by Helene Hohmann

Unleash your inner font designer with How to Design Fonts, the ultimate guide for crafting exceptional typefaces. In the ever-evolving world of typography, crafting exceptional typefaces is an art form that requires skill, creativity, and a deep understanding of design principles. For those looking to embark on a journey of font design mastery, How to Design Fonts is the ultimate guide that promises to unlock your inner font designer. Created by the experienced self-taught expert Matthieu Salvaggio, this comprehensive resource is set to revolutionize your approach to type design.

To make your practice easy there will be a pdf and a book, you can get the interactive pdf only or you can get both.

With the website designed by Paul Lapkin and powered by Framer, How to Design Fonts emerges as a groundbreaking resource for font design enthusiasts. Authored by Matthieu Salvaggio, the founder of Blaze Type, this guide encapsulates years of knowledge, practice, and dedication. By offering flexible learning options and the opportunity to stay informed through the accompanying newsletter, this platform paves the way for font design mastery. Dare to draw hellish words and discover the vast possibilities that await within the world of type design.

How to Design Fonts

Website: Paul Lapkin
Visuals: Léon Hugues
Blaze Type founder: Matthieu Salvaggio
Visual elements: Allan Gomila

For more information, visit the website and embark on an unforgettable journey of creative exploration.